Books

Rejecting Jane

Finally got around to reading the article by David Lassman entitled REJECTING JANE (published in Jane Austen’s Regency World; issue 28, July-August 2007). An experiment whereby chapters of actual Jane Austen novels were sent to publishers and agents! As an aspiring writer myself, what could be more daunting than to read of these rejections – for rejections are what came back.

For each query (18 in total), four publishers and two agents were sent sample chapters from one of three Austen novels: Northanger Abbey – very apropos to our June 22nd meeting; Persuasion; and Pride and Prejudice. The novels were all submitted by a Miss Alison Laydee, a resident of Bath, with their titles changed (ditto lead character names) to, respectively, Susan, The Watsons, and First Impressions. Gotta laugh when the “First Impressions” packets went out unchanged as to the first line of the opening paragraph… and still no one caught on – with one possible exception (though this person may have been more fixated upon the opening pages).

Responses to these queries (15 out of 18 received at the time of publication) were nail-bitingly quick, though with the usual result: thanks, but no thanks. I would quibble, however, as to why packets were mailed to publishers NOT accepting unsolicited manuscripts, or to the agent who dealt only with TV and film writers; these circumstances surely were known by the submitter – or should have been better researched.

No need to condense the story; read it yourself at Regency World. And ‘thanks, David’ for the best laugh I’ve had this week!

Books

Online Jane Austen “find”

Some of the most difficult books to track down are those published privately by Austen-Leigh family members. These include a lot of publications from Spottiswoode (for background on the firm, see this book). Others are simply seminal Austen offerings. Tonight’s “find” is from Internet Archive: CHAWTON MANOR AND ITS OWNERS. This is one of those books referenced in footnotes, but which you might never otherwise actually see. CHECK IT OUT!!

Today, the Manor is known as Chawton House Library (see the links page for their website); the graves of Cassandra and Mrs Austen are found to the side of St. Nicholas’ Church, just a bit further down the quiet lane that passes the manor house. The photographs in this book may be the only views of the house most of us see; I was in Chawton on a day which was not a Thursday, alas that the only day it was open to the public. (Chawton House Library had also been my work venue of choice, had I gotten JASNA’s IVP nod.) And, written by family, this is a prime source for information about the KNIGHTS who adopted Jane’s brother Edward. The book also includes portraits of Edward which I’ve never seen elsewhere (though the one of his wife Elizabeth is extremely familiar).

A couple other books found at the same site: Personal Aspects of Jane Austen was written by Edward and Emma Austen-Leigh’s daughter, Mary Augusta. Not as ‘valuable’ a book, in my opinion, as her father’s Memoir of Jane Austen, never mind Mary’s own memoir of her father, James-Edward Austen-Leigh, it might find some interest among our Janeites (though not so, according to the handwritten note across the title page!). This other book looks interesting, but I’ve not yet had the chance to read much of it; so tell me whether YOU think it an overlooked early biography, terribly dated, or could never have been very good… It’s from 1920 and is divided into some thought-provoking sections: The Novelist; The Realist; The Woman.

And if it weren’t so late (at the tone the time will be three a.m. BONG!), I’d read a Jane Austen’s Regency World article on Miss Austen Regrets or their article on Rejecting Jane (how she might have fared in today’s publishing world); but that has to wait ’til “morning”… So long, farewell, au revoir, auf wiedersehen.

Movies

Some thoughts on Cranford

The only thing I’ve ever read about Mrs Gaskell is the involving biography by Jenny Uglow. I’ve never read any of her work, and just wasn’t in the mood for Wives and Daughters when that aired last year. But Cranford won me over last night. Sure some of it is a bit beyond belief (could a cat REALLY swallow that amount of lace???), but the idea of a village with such a force of women – from gossipy to trendsetting – well, what female viewer wouldn’t consider the hours spent watching them hours well-spent indeed.

One reason I got involved in JASNA was that research into diaries (the earliest is 1814) of Mary Gosling brought up the fact that her brother-in-law was Jane’s nephew, James-Edward Austen-Leigh (he married Emma Smith, Mary’s sister-in-law, in 1828). But Mary lived until July 1842 — exactly the period of last night’s episode of Cranford (it began in June 1842 and ended in August 1842). Being able to picture a young Mary (she was born in 1800) in the fashions of Pride and Prejudice or Emma and later in the early-Victorian era fashions of Cranford really gets the brain juices flowing. 25 yards to make a dress! the different materials (and their differing prices…) for bonnets! the excessive darkness – yet still the needlewoman plies her needle! All of these items have to be thought of when one contemplates recreating the life of someone who lived 200 years ago.

Ms. Place IDs the gorgeous village used in filming: ‘the British Heritage village of Laycock’. I must say this village adds tremendously to the atmosphere of this production.

And the scenes really place you in the 1840s. In the Jenkyns household, the wide hearth of the era and the image of Mary reading by the light of the fire. The unrelenting darkness of interiors; the pools of light; the lonely lady of the manor; the lovelorn dutiful daughter/sister; the poor women who produced child after child; the servants who looked after the wealthier inhabitants; and you gotta love those poor (sedan) chairmen!

Mary Gosling lived in an era of change: from the horse-and-carriage to the age of steam trains; from war abroad to unrest at home. And Cranford well illustrates what life at such times of change could mean to people of a small village. I really feel for the still-in-the-18th-century patroness. Again, the strength of this program is in its wealth of women portrayed. And very hard not to think of Cassandra and Jane (had Jane lived to an older age) when watching the two Misses Jenkyns. When Miss Deborah died, my heart went out to Miss Matilda. I have no sister and cannot imagine what it must be like to live for one another, only to end up being the sister death left behind.

As an Austen-side note: nice to see Austen ‘veterans’ Greg Wise and Julia Sawalha. And it’s always a pleasure to see Julia MacKenzie and Barbara Flynn. Francesca Annis, Judi Dench and Eileen Atkins (a well-deserved BAFTA win) have long been favorites.

Ms. Place – who has read the book! – says the script remains kind of close to the original. All I can say about the production is, notice what a leisurely pace will do for a storyline; ditto some excellent casting (is there even one weak link in this production?). High standards DO pay off. I will say, I wish the “background” music was a little less intrusive at times. Overall, though, a lovingly-crafted adaptation.

BTW: 1905 saw the publication of CRANFORD: A PLAY by Marguerite Marington; see books.google. And don’t forget to check out Deb’s post on Gaskell, below. I clicked on the Cranford (novel) link Deb provided and read the first chapter; interesting to now have images in the mind, thanks to the teleplay, of the lives of Miss Jenkyns, Miss Jessie Brown, Captain Brown, et al. Reading this one chapter really makes plain how a series of scenarios can be crafted into a well-rounded script with some fidelity to the original.

UPDATE: In part 2, scenes were filmed at TRING PARK (in Hertfordshire), which has an Austen connection: it was the bridal home of Edward and Emma Austen, and their first few children were born there. When Edward’s aunt died and he assumed the Austen-Leigh name, he moved his family into his aunt’s former home, Scarlets. BUT: before Scarlets, before Speen, they lived with Emma’s mother Mrs Smith at Tring, the former home of her uncle, Sir Drummond Smith, Bart. Therefore, where Judi Dench trod, so in the past did Mary Gosling (Lady Smith), Emma & Edward Austen, his mother Mrs James Austen, and his sister Caroline. Small world sometimes…

Query

Fashion help?

I am studying a letter written 1 February 1794, the subject of which, at this juncture, is the latest London fashions:

 …your Friend Mrs. Gosling has been obliged to put on the Cravat, but all Bows are left off, for the Ladies either a very full Muslin plain Stock with a larger Pudding, or the long cravats like your old one twisted round the neck & fastened behind: this moment Maria has made her appearance with the plain Stock but no pudding, she sais these are very comfortable no ends to treble [sic: trouble] her, we are really much entertained with her new appearance…

I am without my subscription to the OED at present, so my question is: What was a ‘pudding’? Any helpful hint would be appreciated! Pictures (illustrations) would be welcome.

Books

Jane Austen through the eyes of Mary-Augusta Austen-Leigh

I’m re-reading the memoir of her father James-Edward Austen-Leigh, in which Mary-Augusta of course writes of his beloved Aunt Jane. I thought to share what she — who never knew Jane Austen, or Jane’s mother Mrs George Austen — wrote about their latter days at Chawton:

Memoir of James Edward Austen Leigh
published for private circulation in 1911, pp. 12-14

The cottage at Chawton still stands to testify that the constant hospitality of the owner, Mrs. George Austen, had to be shown within modest limits. Her income was modest also. A letter from her to her sister-in-law, Mrs. Leigh-Perrot, is extant, thanking the recipient for making some addition to her means, and explaining how the total of £500 a year was made up. Three-quarters of this sum came from three or four of her sons, and two of these, Henry and Frank, had not of late been in a position to contribute anything, as the first had failed in business and the second had now to support an increasing family. Mrs. Leigh-Perrot’s help was, therefore, very welcome, though Mrs. Austen is careful to add that her son, Mr. Knight, ‘is most kind and liberal; he allows me £200 a year, gives me my house rent, supplies me plentifully with wood and makes me many kind presents, and often asks Cassandra if she is sure I have enough, as if I have not he would most willingly give me more; but that I should be sorry to apply for, well knowing that, though his income is large, his family is large also.’ It was certainly not at Chawton and Godmersham that Jane observed the spirit in which the John Dashwoods acted towards their relations. In the Austen family, whether rich or poor, the contest generally seems to have been who should give up the most to the other, and her eldest son, James, who allowed his widowed mother £50 a year during his lifetime, probably made a larger proportional contribution from his income as a country clergyman than his richer brother, Edward Knight, contributed from his.

But, generous though they were, the sum total was not large for three ladies to live upon, and as Jane Austen was never, in her own home, accustomed to affluence, doubtless the sums received for her books, small though they seem to us, were a very welcome addition to somewhat narrow means. This was the little house and household in which Edward Austen had always been so welcome a guest, but now its brightest light was extinguished, and on July 24, 1817, he attended Jane Austen’s funeral in Winchester Cathedral, to represent the head of the family, his own father, the latter being too unwell to attend in person.

[And here’s wishes for Janeite Deb’s speedy recovery. Enjoying the Bowen books???]

News

Reticules, anyone?

The Kent-Delord House Museum (Plattsburgh, NY) offers a 2-day “accessories” Make-and-Take Sewing Workshop on April 26 and May 31 (11:00 a.m., in the Carriage Barn, on both days). There is a $5 fee. The accessories mentioned are caps, aprons and reticules. For more information, call the KDH at 518-561-1035. Located at 17 Cumberland Ave., the Kent-Delord House is named for its three generations of family resident in the house from 1797 until 1913.

Books · JASNA-Vermont events · News

Musings

Yesterday I received the spring edition of JASNA News. Some interesting reading, including about our own chapter! Alas, like interviews, things get jumbled or remain unprinted. So a mixed blessing to see the activities of our Chapter’s last half-year in the News. We draw members from several counties, so it is a misnomer to say Burlingtonians alone gathered for our organizational meeting. And we actually met in the Kellogg-Hubbard Library in Montpelier, thanks to the efforts of Carol Madden in securing us the space. (For those who do not know Vermont geography, Montpelier, our state capitol, is about an hour‘s drive south of the Burlington area.) Our Austen Birthday tea, another event planned for the Montpelier area, indeed was blown by a strong nor’easter coming through the state the very weekend of December 15/16. However, we rescheduled, having a wonderful gathering in Deb Barnum’s Burlington home in February. There, members got to meet or renew acquaintance, and everyone read out a favorite passage from Austen. The company was most congenial, and the food and tea very appealing.

It was with great interest that I read Terri Hunter’s article JANE AUSTEN AND ME. I also applied for JASNA’s 2007 IVP (International Visitor Program). When that went unfunded, I searched high and low for affordable accommodation and lucked into a wonderful landlady in Kings Worthy. Therefore, I kept my plan to spend two months at Winchester’s Hampshire Record Office. JASNA’s Kerri Spennicchia had given me contact information for the previous year’s IVP, Alice White, who was back in Winchester for a few weeks; Alice in turn introduced me to Terri; they were both living at the dorms at Winchester University. Alice, a PhD candidate at USC, centers her research on Catherine Hubback; Terri was focusing on Chawton in the time of Austen, bringing together, as she says in her article, genealogy and history. Like others, I look forward to seeing the produce of these researches.

As I told Deb a week or so ago, one’s writing is affected by one’s reading. Reading good writing makes the words flow oh so much more easily! Having little money to spend, I’ve been combing my library for something entertaining. That’s when I picked up Evelina. But, like many a book of mine, the bookmark has remained stationary some many days… So, still searching, I took up a wonderful mystery by Rhys Bowen, the ninth in her Evan Evans series which is set in one of my favorite parts of the world: Wales. Evan Blessed whetted my appetite for more by Bowen, but South Burlington’s B&N isn’t exactly well stocked with her books. I’m really intrigued by her new series’ first entry, Her Royal Spyness. It sure starts off hilariously. (Amazon offers a sample of the first couple chapters.)

So what to read, what to read…?

I ended back in Burney territory; though – after pulling down Cecilia – not a novel by her, but a biography about her – Faithful Handmaid: Fanny Burney at the Court of George III. Hester Davenport has concentrated on Burney’s years of service to Queen Charlotte, after Burney became Keeper of the Robes in 1786. With this narrow focus, this biography becomes one of the most interesting (and well-written) biographies I’ve read in a quite a while, presenting a picture of court life as lived by one rather reluctant to be there in the first place. It’s rather like Upstairs-Downstairs; it pulls you into the lives of those served as well as those serving. And, as a piece of women’s history, it is thought-provoking to read of Fanny Burney’s reactions to her position as a paid servant, as well as her interactions with the Royal Family and of court-life during the time of Austen’s own girlhood. So, I will now restart my CD of Charles Trenet “hits” and settle in with Burney back in the year 1787.

A last little ‘plug,’ for our blog’s own AUSTEN POLL: vote for your favorite Austen novel! (See the sidebar on the right.)

Books

Hugh Thomson’s Illustrated PRIDE & PREJUDICE

One wonderful memory of visiting Chawton Cottage – Jane Austen’s home from 1809 until her death, was the hallway lined with Hugh Thomson’s drawings for Pride and Prejudice.  So a BIG surprise when a copy of that very book was found ONLINE via the Internet Archive! And what a beautiful book it is, with a golden peacock filling the front cover, and what seems like hundreds of illustrations on the inside. Take a look…..

UPDATE: Thrilled to see that Ms. Place’s happiness at locating this book equals my own. Isn’t it gorgeous?!? And even signed by the illustrator. I cannot stress more the importance of such endeavors for those of us far from large research libraries, and I applaud everyone involved in such a noble cause. Many 19th-century books are hard to get, even as interlibrary loans. They are sometimes fragile; oftentimes they are locked away in “Special Collections” and do not circulate. This same site, Internet Archive, offers Thomson’s Sense and Sensibility. Watch our BIBLIOGRAPHY page for more such jewels, as we find them; and, please, let us know of similar Internet Archive or Books.google sites as you discover them.

Books

A different Jane: Jane Welsh Carlyle

My interests are drawn by letters and diaries – especially of English women, from a broad range of times. Mid-18th century, to complement my love of Mozart (his letters make for wonderful reading; I highly recommend the Anderson translation); early-19th century to complement my research into the lives of Emma Smith and Mary Gosling; I value my Queen Victoria collection of letters and journals; World War I and World War II – nothing of politics or “war,” but personal responses to these adverse times. 

Therefore, I had long ago bookmarked a wonderful website dealing with the letters of Thomas and Jane Carlyle. Jane is the half of this pair who interests me, especially after having read Thea Holme’s delightful The Carlyles at Home (a terrific piece of writing). This Duke University Press-related website has FULL TEXT letters, searchable, browseable. I cannot praise the site more highly. And looking at it today, I put in AUSTEN just to see what would turn up; my findings are what I want to share.

The first letter was written by Jane to Thomas on 5 August 1852. Jane is on the road, and recounts a little of her journey to her husband:

‘Some twenty minutes after; I started myself, in a little gig, with a brisk little horse, and silent driver— Nothing could be more pleasant—than so pirring thro’ quiet roads in the dusk—with the moon coming out—I felt as if I were reading about myself in a Miss Austin novel!  (Could she have been thinking of NORTHANGER ABBEY??) But it got beyond Miss Austin when at the end of some three miles before a sort of Carrier’s Inn, the gentleman of the barouchette stept into the middle of the road, making a sort of military signal to my driver, which he repeated with impatience when the man did not at once draw up!— I sat confounded—’ (And there, I’m afraid, we must leave poor Jane, in the middle of the thoroughfare and about to be accosted by who knows what sort of man… to find out the end of her tale and WHY he waved Jane’s carriage down, take a look at the complete letter.)

The second letter, and so comical, was written by Jane to Helen Welsh on 27 February 1843. It concerns Jane’s uncle, whom she visits:

‘My dearest Helen

After (in Dumfries & Galloway-courier phraseology) “taking a birds-eye view” of all modern literature, I am arrived at the conclusion; that to find a book exactly suited to my Uncle’s taste I must—write it myself! and alas, that cannot be done before tomorrow morning!

“La Motte Fouque’s Magic Ring”? suggests Geraldine—“too mystical! My Uncle detests confusion of ideas”—

Paul de Kock?  HE is very witty”— “Yes but also very indecent!—and my Uncle would not relish indecencies read aloud to him by his daughters.”—

“Oh!— Ah!— Well! Miss Austin?”— “Too washy—watergruel for mind and body at the same time were too bad”—

Timidly and after a pause— “Do you think he could stand Victor Hugo’s Notre Dame? “— The idea of my uncle listening to the sentimental monstrosities of Victor Hugo!— a smile of scorn was this time all my reply.’

 

Book reviews · Books

Recent Reading…

In need of something entertaining to read, I searched my library and came up with EVELINA, by Fanny Burney. I own a few Burney items: two biographies, her Cecilia (nearly as large and thick as Richardson’s Clarissa), and a journal volume. EVELINA came from TUTTLE’s Antiquarian Books in Rutland — now sadly gone (and one less reason to travel from Burlington to Rutland!).

Who knows if I will finish EVELINA. Burney’s epistolary novel holds my interest, but at the same time I have to say I find nine-tenths of the characters thoroughly obnoxious! Early on, this novel feels a genuine precursor to Austen in several ways: the young girl entering society (Catherine in Northanger Abbey; though Bath vs London society); the odious suitor (Evelina’s Sir Clement Willoughby; Catherine’s Mr Thorpe or Elizabeth Bennet’s Mr Collins); the eligible hero (Evelina’s Lord Orville and Elizabeth’s Mr Darcy). Or IS Orville a ‘hero’?? Part of me wants to peek at the end to see if he turns out to be Lovelace-like instead!

Austen’s crowd of characters are funny, endearing, even when they slightly annoy (I’m talking about the BOOKS, not films; a little Lydia sometimes goes a long way…), while Burney’s cast here seems black or white – innocent Evelina; obnoxious Capt. Mirvan; lovely Mrs Mirvan; odious Mme Duval, etc. etc; and the scenes chatter on at such length. This would undoubtedly make for entertaining reading aloud, as would have often been done in Austen’s day. It reads VERY like a play, with a VAST amount of dialogue. Poor Evelina must surely have gotten writer’s cramp after penning some of her missives! (Was Les liaisons dangereuses as wordy w/o plot movement? Hardly… Short, pithy letters that feel like correspondence; in fact, the letters become the dialogue.)

Trying to get some AUSTEN research read, I took out from the library the second edition of Deirdre Le Faye’s Jane Austen: A Family Record. One interesting thing about it is the amount of family diaries and letters Le Faye culls in order to fill in the narrative of Austen’s life, whereabouts, and actions. I was telling Deb about the references to SUSAN, Austen’s original title for Northanger Abbey (‘til another novel of the same title got published in 1809): Publisher buys it, promises to publish quickly — then sits and sits and sits on the manuscript. How frustrating for her! So with great joy, one reads this paragraph: “It was probably early in 1816, ‘when four novels of steadily increasing success had given the writer some confidence in herself’, that Jane decided to recover the manuscript of Susan from Crosby & Co. Henry undertook the negotiation, and ‘found the purchaser very willing to receive back his money, and to resign all claim to the copyright. [Crosby had paid Jane a mere £10.] When the bargain was concluded and the money paid, but not till then, the negotiator had the satisfaction of informing him that the work which had been so lightly esteemed was by the author of “Pride and Prejudice”.’”

This is not my favorite Austen biography, there are a few too many phrases containing ‘maybe, perhaps, probably’ tossed into the narrative; but Le Faye includes much primary information, from published and unpublished sources, not found in a lot of other biographies, and therefore she presents a fleshed-out picture of Austen’s life, even when the evidence for a particular period is a bit thin. For an interesting evaluation of SEVERAL Austen biographies, see Keiko Parker, ‘Sense and “Non-Sense” in Eight Jane Austen Biographies.’