“The Lost Books of Jane Austen” ~ Interview with Author Janine Barchas

Enquiring Minds: I welcome today, Professor Janine Barchas, author of the recently published The Lost Books of Jane Austen, a work of mind-boggling scholarship, wherein “hardcore bibliography meets Antiques Roadshow!” And whether your tastes run to book history, the science of bibliography, literary history, or just a love of Jane Austen, you will be delighted with this addition to your Austen collection – an absolute must-have in my mind, to be shelved in a place of honor right alongside your copy of David Gilson. And don’t think it is some pedagogical tome – I laughed, I cried, I learned, I was wowed! – and I think you will be too.

Today, Janine is going to share with us what got her started on this incredible journey, some of her finds, and where it all goes from here.

Deb:  First off, I must say that his book has been universally praised by Austen scholars and readers, book historians, and bibliographers! Did you have any idea the book would be so universally embraced?

JB:  I dared not hope.  Instead, I worried about whether crisscrossing the standard demarcations between audience groups (academics v. fans, readers v. collectors) might prove fatal.  At the start, anonymous readers of the manuscript for Johns Hopkins University Press warned against the intellectual Schizophrenia of my approach (my phrasing).  In view of their worry, much of the final book was rewritten and reframed so that essential bibliographical details would not detract from the larger human narrative—what my editor called “not getting lost in the weeds.” In other words, I had a lot of help and advice while shaping a book to appeal widely—and to different people for different reasons.  Who would have thought that any press could produce such a handsome gift-worthy volume filled with headshots of tatty, cheap, and rejected books?  From the start, there was something not entirely rational about expecting any audience for a book about unwanted books.  I’m immensely gratified that so many people share my affection for these neglected reprints.

Deb: How did your education / scholarship lead you to working on Jane Austen – how, and when? In other words, when did your fascination with Austen begin?

JB: I came to Austen late and reluctantly.  I was not introduced to her until college and graduate school, where I read her as a duty (as a stop along the history of the novel genre) rather than as a pleasure.  I did not return to her novels in earnest until I was asked to teach a single-author course on Austen.  At first, I tried to argue my way out of the task—after all, Samuel Richardson, who has no action figure, needed me more.  Eventually, I gave in to the market demand on campus.  Once I slowed down, reread all her books, and started teaching Austen, I had to bend at the knee along with all her other devotees.

Deb: You have always had an interest in book history – tell us about your first book: Graphic Design, Print Culture, and the Eighteenth-Century Novel, published by Cambridge University Press in 2003.

JB: All my projects seem to take a material turn.  Graphic Design argued that it was silly for serious academics to study and write about eighteenth-century novels while staring at and quoting from modern paperbacks (e.g. the Penguin reprints used in college classrooms).  I showed how these modern reprints had silently altered the text as well as the innovative typographical innovations for which the genre was termed “novel” in the first place (ie. layout, paratexts, illustrations, the advertising language of title pages, font choices).  In Graphic Design I urged serious scholars to return to the original editions of eighteenth-century books when studying literary meaning.  In Lost Books, I finally found a scholarly purpose for all those inauthentic reprintings that I dismissed as unauthoritative in that early project!

Deb:  You go through 200 years of Austen’s publishing history in such an interesting order. When did it become apparent that these divisions were a way of approaching the Lost Books: Paperback Jane, Scholarly Jane, Virtuous Jane, Temperance Jane, Marketing with Jane, Armed Services Jane, Chick-lit Jane, etc…

JB: For years, I periodically rearranged the shelves of the cheap Austen reprints that I acquired, grouping books on the dining room table and elsewhere to see what patterns emerged—patterns of aesthetics, formats, prices, audiences, etc.  I wanted to explore patterns that would allow me to go beyond the usual mere temporal lists of publications (“and then this edition, and then this one”).  While the story of the “pinking” of Jane Austen during the 1950s and 60s showed itself fairly quickly, the most meaningful patterns were impossible to see until after I gained access to the books of other collectors whose plentiful shelves contained many more examples to sort (physically or mentally). All in all, it probably took nine years of looking before the one year of writing to feel that I had a book’s worth of findings to share.

Deb: The seven Vignettes you include in the book tell the stories of book owners of the many Austen novels you have found. These are enlightening, sometimes wrenching – but such a personal tribute to Austen’s many readers through the past 200 years. A name, a date, maybe an address would send you on a deep-dive adventure into census, birth, marriage and death records – thank goodness for the internet and ancestry.com, making such research even possible! What was your favorite connection that you found?

JB: Locating the backstories and former owners behind particular copies was indeed the most rewarding part of researching and writing this book.  However, asking me to pick between these people and their books is like asking a mother which child is her “favorite.” As you say, some of the backstories proved tearjerkers while other copies offered up endearing or surprising anecdotes about the lives of real Austen readers.  The vignette that makes me smile most broadly is probably the one about the young Harvard law student named Heman Burr who, on his very first trip to Paris in 1879, binge read all of Jane Austen’s novels.

Deb: What was the most elusive, that you just couldn’t let go? – and finally found something…

JB: Unlocking the ownership history of one cheap mid-nineteenth-century copy of Mansfield Park depended upon locating the official naval record of the officer whose name matched the ownership signature. Even after I found his record, I needed help from a colleague familiar with naval terminology and a knowledge of specific ships and battles to see that his navel career mapped neatly onto the Austen novel that he had so treasured.

Deb: And the one(s) where you hit a brick-wall and ended at a dead end?

JB: There were dozens and dozens of books whose ownership signatures I could not trace with certainty in the historical record – sometimes because the name was too common or the inscription lacked mention of a location to help triangulate it. The anonymity that an all-too-common name conveys has its own cosmic sadness.  For a provenance researcher there is nothing more deflating than the proud ownership signature of a “Miss Smith.”

Deb: How many more stories do you have, not included in Lost Books, but possibly to be published elsewhere? Can we hope for a Vignettes sequel??

JB: There were handfuls of worthy backstories and many clusters of odd reprints that did not make it into the final book.  While a sequel is not in the cards (sweet of you to ask!), I have published a few of those findings as separate essays for the Los Angeles Review of Books and also for Literary Hub.

Another such essay (about the ignored marginalia of those who disliked Austen) is scheduled to appear in the May/June issue of Jane Austen’s Regency World magazine.

‘Sense and Sensibility’ in the Marguerite Series from Miles & Miles (London), no date – Barchas collection (page 112)


Deb: Throughout this past decade of research, you located and purchased as many of these cheaply published works as possible; or you found collectors willing to share their shelves with you; or you found the odd one in a scholarly institution:

– What surprised you the most?

JB: The sheer number of cheap reprints not listed in Jane Austen’s bibliographies. I had assumed that bibliographies were, barring oversight and human error, objective records of publications.  I was taken aback by how subjective the discipline of bibliography is and how biased towards “important” highbrow editions.

Deb: Your most amazing discovery?

JB: A well-thumbed copy of Mansfield Park from the 1890s that served as an attendance prize in a temperance society for coal miners.  Coal miners!

Deb: Most elusive find?

JB: A paperback copy of Elizabeth Bennet published in Philadelphia in 1845 and which originally sold for 25 cents.

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Deb: What is now the most prized book in your collection, and why?

JB: The cheap colorful copy of Northanger Abbey published by Blackie & Sons which was awarded as a school prize in Forfar Scotland in 1911 to one “Annie Munro.”  During my research, I discovered that only six months later Annie tragically died from diphtheria, age 13, and that this volume could be the sole artifact she left behind. It was an honor to be able to tell Annie’s story in the book’s last vignette, and it remains an honor to safeguard her prized book.


Deb:  Tell us about the cover, specially done for you – it is such a combination of the old, the new, the charming – just a perfect introduction to the feast that awaits the reader on the inside!

JB: The incredible artist who created the book sculpture for the cover is Mike Stilkey, who works with discarded library books and lives in Los Angeles.  He is famous for his large wall-sized installations on which he paints unique figures and animals.  In a fan letter, I told him about my own Lost Books project.  He then created his “Jane Austen” sculpture from discarded books for possible use on the cover.  Everyone at the press instantly loved it.  I agree that Stilkey’s work strikes the perfect note and I remain grateful to him for responding with such generosity to this project.

Deb: You end your book with a “call to action”: that this “gobsmackingly incomplete historical record” of the publishing of Jane Austen has much more to be added to – you wish / hope that other collectors, scholars, laypeople, and institutions will share with you any such “low-brow editions” they might have – you envision some sort of digital bibliography – how do you hope to move forward with this idea? How can people help?

JB: Ambitiously, I now hope that collectors of such reprints as I discuss in Lost Books will agree to donate these relatively inexpensive but scarce volumes to institutions with proper special collections, where these books can allow further research into publishing history and Austen’s reception.  The major Austen collector that I worked with has generously agreed to donate her Jane Austen reprints to a special collections library that has, in turn, agreed to house such a gift (cataloguing and storage costs are non-trivial).  I have agreed to add my own books to hers, trusting that, jointly, our donations will help to save information for the future and prompt others to do the same. Books such as this need to be together to maximize the information they contain as historic artifacts.  Interested parties can contact me about inquiring about similar donations.  In addition, a collector in Australia wrote me that he has reacted to my project by starting a blog that shows other collectors how to trace prices and provenance of “cheaper” reprints: https://bookcollectingheaven.com/2020/03/30/price-and-provenance/ .

Deb: And finally, what’s up next?

JB: This year, with the help of a fellowship from the American Council of Learned Societies and a stay at the Lewis Walpole Library, I have begun a new project, called Renting in the Age of Austen.  When Jane Austen is born in 1775, the burgeoning consumer culture of late-Georgian England increasingly allowed temporary ownership over some luxury goods for a fee. Books and artworks could now be borrowed, furniture and musical instruments rented, carriages or horses hired, and whole country mansions let. Some Georgian rentals were bizarre (e.g. pineapples), but all complicated identity politics. Rented objects blur traditional social signals of rank.  Whereas old sumptuary laws aimed to fix luxury goods as markers of class, in Austen’s era privilege could be flaunted with kit and carriages not one’s own. My project explores the messy logistics of what was rented (where, to whom, and at what prices?) to reveal the social implications for this early economy of temporary possession.

Deb: Anything else you would like to share?

JB: I would like folks to know of my unexpected lockdown project: “Pride & Plague” on Twitter (@PridePlague). On this channel celebrity couple William Shakespeare and Jane Austen have been posting updates to their fans while in social isolation during the COVID-19 crisis. Even those not on Twitter can see it here for a chuckle: https://twitter.com/PridePlague.  I think of this project as my contribution to morale [and a welcome contribution it is! See below for some examples…]

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Thank you Janine for sharing your insights – I do most heartily recommend this book to everyone – and please, look at your shelves and see if perchance you might have your very own “unsung reprints” lying about – you too could add to the knowledge of Jane Austen’s publishing history and be a part of this fascinating story.

 

About the author:

Janine Barchas is the Louann and Larry Temple Centennial Professor in English Literature at the University of Texas at Austin. She is the author of Matters of Fact in Jane Austen: History, Location, and Celebrity and the prize-winning Graphic Design, Print Culture, and the Eighteenth-Century Novel.  She is the creator behind the digital project What Jane Saw wherein we can view two Georgian blockbusters as witnessed by Jane Austen (Joshua Reynolds in 1813 and the Shakespeare Gallery of 1796). She has also written essays for the Washington Post, New York Times, Lit Hub, and the Los Angeles Review of Books. Her newest work, The Lost Books of Jane Austen, about the many unsung editions of Jane Austen, was published by Johns Hopkins University Press this past October.

Janine is also the President of NAFCH, the North American Friends of Chawton House, a group that works to raise funds and garner support for the Chawton estate of Jane Austen’s brother Edward and its Library devoted to early women writers.

Further reading:

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The Lost Books of Jane Austen, by Janine Barchas
Johns Hopkins University Press, 2019
284 pages. Color illustrations throughout.

You can purchase it at your local bookseller or here at Amazon.

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As noted above, Janine is currently working through the present sheltering-in-place crisis by finding daily humor in the antics of Jane and Will and posting all about them on her twitter page “Pride & Plague.” You can follow the fun here: https://twitter.com/PridePlague

©2020 Jane Austen in Vermont

Reading with Jane Austen ~ Women Writers in the Godmersham Park Library


Dear Readers: This post originally appeared on Reading with Austen blog – a listing of all the women writers and their works that were in the Godmersham Park Library – a Library that Jane Austen had access to on her visits to her brother’s home in Kent. I have noted their current location or if they are LOST SHEEP – you can read more about the Library and our effort to locate the missing works here at the Reading with Austen website. Please contact us if you should happen upon any!

Abbreviations:

  • KC = Knight Collection at Chawton House
  • JAHM =  Jane Austen House Museum
  • LOST SHEEP – please help us find this title!

Of the 45 authors listed with a total of 62 titles, 23 are in the Knight Collection at Chawton House, 29 are LOST SHEEP, 3 works are partially in KC and partially LOST, 2 are in private collections, and the 5 Jane Austen 1st editions are at the Jane Austen’s House Museum.

As mentioned in my previous post on Sarah Scott, it is interesting to search the Godmersham Park Library 1818 catalogue for titles written by women, knowing that Jane Austen would have had access to them. So here is a list of all the women writers and their works,  with hopes to eventually do a post on each (which might actually get done in these times of quarantine…).

It is quite an impressive list – novelists, poets, playwrights, philosophers, historians, essayists, translators, letter-writers! And while many of the works remain in the Knight Collection, there are more that are Lost Sheep, our effort still to locate them. If you might have a copy of any work by any of these women with a Knight bookplate in them, please get in touch with us!

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Austen, Jane (1775-1817) [of course!]

  • Northanger Abbey: and Persuasion. 1st 4 vols. London, 1818. JAHM
  • Sense and Sensibility: A Novel. 1st 3 vols. London, 1818. JAHM
  • Pride and Prejudice: A Novel. 1st 3 vols. London, 1813. JAHM
  • Mansfield Park: A Novel. 1st 3 vols. London, 1814. JAHM
  • Emma: A Novel. 1st 3 vols. London, 1816. JAHM

Baillie, Joanna (1762-1851)

  • A Series of Plays, in which it is attempted to delineate The Stronger Passions of the Mind, each passion being the subject of A Tragedy and a Comedy. 4th 2 vols. London, 1803. LOST SHEEP

Barbauld, Anna Letitia (1743-1825) [as A. Aikin, her maiden name]

  • Miscellaneous pieces, in prose, by J. and A. L. Aikin. 2nd 1 vol. London, 1775. LOST SHEEP

Bowdler, Jane (1743-1784)

  • Poems and essays, by A Lady Lately Deceased. 2 vols. Bath, 1786. KC

[Jane Bowdler] Poems and Essays by A Lady Lately Deceased. Bath, 1786.

Brooke, Frances (1724-1789)

  • The History of Lady Julia Mandeville. By the translator of Lady Catesby’s letters. 2nd 2 vols. London, 1763. LOST SHEEP

Brunton, Mary (1778-1818)

  • Self-control: a novel. 3rd 3 vols. Edinburgh, 1811. KC

Burney, Frances (1752-1840)

  • The Wanderer; or, Female Difficulties. By the author of Evelina; Cecilia; and Camilla. 5 vols. London, 1814. KC (vol 2-4 only)

Campan, Jeanne Louise Henriette Genest (1752-1822)

  • Memoirs of the private life of Marie Antoinette, Queen of France and Navarre. To which are added, recollections, sketches, and anecdotes, illustrative of the reigns of Louis XIV. Louis XV. And Louis XVI. By Madame Campan, First Lady of the bed-chamber to the Queen. 3rd 2 vols. London, 1824. KC

Carter, Elizabeth (1717-1806)

  • Poems on Several Occasions. 1 vol. London, 1762. LOST SHEEP
  • All the Works of Epictetus, Which are now Extant; consisting of His Discourses, preserved by Arrian, In Four Books, The Enchiridion, and Fragments. Translated from the Original Greek, By Elizabeth Carter. With An Introduction, and Notes, by the Translator. 1 vol. London, 1758. KC (2 copies)

Chapone, Hester (1727-1801)

  • Letters on the Improvement of the mind, addressed to a young lady. 1st 2 vols. London, 1773. KC

Cornwallis, Mary (1758-1836)

  • Observations, Critical, Explanatory, and Practical, on the Canonical Scriptures. By Mrs. Cornwallis, of Wittersham, Kent. 4 vols. London, 1817. LOST SHEEP

Craven, Elizabeth Craven, Baroness (1750-1828)

  • A Journey through The Crimea to Constantinople. In A Series of Letters from the Right Honourable Elizabeth Lady Craven, To His Serene Highness The Margrave of Brandebourg, Anspach, and Bareith. Written in the Year M DCC LXXXVI. 1st 1 vol. London, 1789. LOST SHEEP

Dixon, Sarah (1671/2-1765)

  • Poems on Several Occasions. 1st 1 vol. Canterbury, 1740. LOST SHEEP

Dobson, Susannah (d. 1795) [as translator]

  • The Life of Petrarch. Collected from Memoires pour la Vie de Petrarch. Jacques-François-Paul-Aldonce de Sade (1705-1778); translated by Mrs. [Susannah] Dobson. 4th 2 vols. Embellished with eight copper-plates, designed by Kirk, and engraved by Ridley. London, 1799. KC

Edgeworth, Maria (1768-1849)

  • Patronage by Maria Edgeworth. 4 vols. 2nd London, 1814. KC
  • Tales of Fashionable Life, by Miss Edgeworth. 1st 6 vols. London, 1809-12. KC
  • Harrington, a tale; and Ormond, a tale. 2 vols. London, 1817. LOST SHEEP

Elie de Beaumont, Anne-Louise Morin-Dumesnil (1729-1783)

  • Lettres Du Marquis de Roselle. Par Madame E. D. B. Nouvelle Edition. 2 vols. London, 1764. KC

Elwood, Anne Katharine (1796-1873)

  • Narrative of a Journey Overland from England by the Continent of Europe, Egypt, and the Red Sea, to India; including a residence there, and voyage home, in the years 1825, 26, 27, and 28. By Mrs. Colonel Elwood. In two volumes. 1 vol ed? London, 1830. LOST SHEEP

Fielding, Sarah (1710-1768) [as translator]

  • Xenophon’s Memoirs of Socrates. With the Defence of Socrates, before His Judges. Translated from The Originial [sic] Greek. By Sarah Fielding. 1st 1 vol. Bath, 1762. KC

Gardiner, Jane (1758-1840)

  • An excursion from London to Dover: containing some account of the Manufactures, Natural and Artificial Curiosities, History and Antiquities of the Towns and Villages. Interspersed with Historical and Biographical Anecdotes, Natural History, Poetical Extracts, and Tales. Particularly intended for the amusement and instruction of youth. By Jane Gardiner, Elsham Hall, Lincolnshire. In Two Vols. 1st. ed. 2 vols. London, 1806. KC

Jane Gardiner. An Excursion from London to Dover. London, 1806.

Genlis, Stéphanie Félicité, comtesse de (1746-1830)

  • Adèle et Théodore, ou, Lettres sur l’éducation, Contenant[.] Tous les principes relatifs aux trois différens plans d’éducation des Princes, des jeunes Personnes, & des Hommes. 1st 3 vols. Paris, 1782. KC (vol 3 only), LOST SHEEP (vol 1 and 2)
  • Les Veillées du Château, ou, cours de morale à l’usage des enfans, par l’auteur d’Adèle et Théodore. 1st 3 vols. Paris, 1784. KC

Graffigny, (Françoise d’Issembourg d’Happoncourt), Mme de (1695-1758)

  • Letters written by a Peruvian Princess. A New Edition, in two Volumes. London, 1771. LOST SHEEP
  • The Peruvian letters, Translated from the French. With An additional original Volume. By R. Roberts, translator of Select Tales from Marmontel, author of Sermons by a Lady, and translator of the History of France, from the Abbé Millot. 2 vols. London, 1774. KC
  • Lettres d’une Peruvienne. 1 vol. Paris, n.d. LOST SHEEP

Grant, Anne (1755-1838)

  • Poems on various subjects, by Mrs. Grant. 1st Edinburgh, 1803. LOST SHEEP
  • Letters from the mountains; Being the real correspondence of a lady, between the years 1773 and 1807. 2nd 3 vols. London, 1807. KC

Hays, Mary (1759-1843)

  • Female Biography; or, Memoirs of Illustrious and Celebrated Women, of all ages and countries. Alphabetically arranged. By Mary Hays. 1st 6 vols. London, 1803. In the collections of the Godmersham Park Heritage Centre.

Haywood, Eliza Fowler (1693-1756) – as a contributor

  • A Companion to the theatre: or, a view Of our most celebrated Dramatic Pieces: In which the Plan, Characters, and Incidents of each are particularly explained. Interspers’d With Remarks Historical, Critical and Moral. 2 vols. London, 1747. LOST SHEEP

Lee, Harriet (1757-1851) and Sophia Lee (1750-1824)

  • Canterbury tales. By Harriet Lee [and Sophia Lee]. 5 vols. London, 1804. [The original 5 volumes of this work were published in 1797, 1798, 1799, 1801 and 1805. The 4th edition of vol. 1 was published in 1804; it’s not possible to identify the editions of the rest of volumes in the Godmersham Library copy from the Godmersham catalogue details]. LOST SHEEP

Lee, Sophia (1750-1824) [see under Harriet Lee]

Lennox, Charlotte (ca. 1730-1804) [as translator]

  • Memoirs of Maximilian de Bethune, Duke of Sully, Prime Minister to Henry the Great. Containing The History of the Life and Reign of that Monarch, And his own Administration under Him. By Pierre Mathurin de L’écluse des Loges (ca. 1713-1783). Translated from the French by the Author of The Female Quixote [Charlotte Lennox]. To which is added, The Trial of Ravaillac for the Murder of Henry the Great. 5 vols. London, 1757. KC

Macaulay, Catharine (1731-1791)

  • The history of England from the accession of James I. to that of the Brunswick Line. By Catharine Macaulay. 1st 5 vols. (of 8). London, 1763-83. KC

Catharine Macaulay. • The history of England from the accession of James I. to that of the Brunswick Line. London, 1763-83.

Maintenon, Françoise d’Aubigné, marquise de (1635-1719)

  • Lettres de Madame de Maintenon. Contenant[.] Des Lettres à différentes personnes, celles à M. d’Aubigné, & celles à M. & à Me. de Villette. Nouvelle Edition. 16 vols. Maestricht [Maastricht], 1778. KC

Marlborough, Sarah Churchill, Duchess of (1660-1744)

  • An Account of the Conduct of the Dowager Duchess of Marlborough, From her first coming to Court, To the Year 1710. In a Letter from Herself to my Lord––. 1 vol. London, 1742. LOST SHEEP

Masters, Mary (fl. 1733-1755)

  • Familiar Letters and Poems on Several Occasions. By Mary Masters. 1st 1 vol. London, 1755. LOST SHEEP

Meades, Anna (b. ca. 1734)

  • The history of Sir William Harrington. Written some years since, And revised and corrected By the late Mr. Richardson, author of Sir Charles Grandison, Clarissa, &c. 1st 4 vols. London, 1771. LOST SHEEP

Montagu, Elizabeth Robinson (1718-1800)

  • An Essay on the Writings and Genius of Shakespear, compared with the Greek and French Dramatic Poets. With Some Remarks Upon the Misrepresentations of Mons. de Voltaire. 1st 1 vol. London, 1769. LOST SHEEP
  • The letters of Mrs. Elizabeth Montagu, with some of the letters of her correspondents. Part the first, Containing her letters from an early age to the age of twenty-three. Published by M. Montagu, Esq. M.P., her 1st 2 vols. (of 4). London, 1809-13. KC

Montolieu, Isabelle de (1751-1832)

  • Agathoclès, ou Lettres écrites de Rome et de Grèce, au commencement du Quatrième Siècle, Traduites de l’allemand de Mme. Pichler, Par Mme. Isabelle de Montolieu. 1st 4vols. Paris, 1812. LOST SHEEP

More, Hannah (1745-1833)

  • Florio: A Tale, For Fine Gentlemen and Fine Ladies: and, The Bas Bleu; or, Conversation: Two Poems. 1st 1 vol. London, 1786. LOST SHEEP
  • Strictures on the modern system of female education. With a view of the principles and conduct prevalent among women of rank and fortune. By Hannah More. 9th 2 vols. London, 1799. LOST SHEEP
  • Coelebs in search of a wife. Comprehending Observations on domestic habits and manners, religion and morals. 9th 2 vols. London, 1809. KC

Orléans, Charlotte-Elizabeth, duchesse d’ (1652-1722)

  • Fragmens de lettres originales De Madame Charlotte-Elizabeth de Bavière, Veuve de Monsieur, Frère unique de Louis XIV, Ecrites à S. A. S. Monseigneur le Duc Antoine-Ulric de B** W****, & à S. A. R. Madame la Princess de Galles, Caroline, née Princess d’Anspach. De 1715 à 1720. 1st 2 vols. Hambourg, 1788. KC

Parry, Catherine (d. 1788)

  • Eden Vale. A Novel. In Two Volumes. Dedicated, by permission, To Lady Shelburne. By Mrs. Catherine Parry. 1st 2 vols. London, 1784. KC (vol. 2 only); LOST SHEEP (vol. 1)

Piozzi, Hester Lynch; Thrale, Hester Lynch (1741-1821)

  • Letters to and from the late Samuel Johnson, LL.D. To which are added some poems never before printed. Published from the original mss. in her possession, by Hester Lynch Piozzi. 1st 2 vols. London, 1789. LOST SHEEP
  • Observations and reflections made in the course of a journey through France, Italy, and Germany. By Hester Lynch Piozzi. 1st 2 vols. London, 1789. In a private collection.
  • Anecdotes of the late Samuel Johnson, LL.D. during the last twenty years of his life. By Hesther Lynch Piozzi. 1st 1 vol. London, 1786. LOST SHEEP

Porter, Jane (1776-1850)

  • The pastor’s fire-side, a novel. 1st 4 vols. London, 1817. LOST SHEEP

Radcliffe, Ann Ward (1764-1823)

  • A Journey made in the summer of 1794, through Holland and the Western Frontier of Germany, with a Return Down the Rhine: to which are added observations during a tour to The Lakes of Lancashire, Westmoreland, and Cumberland. By Ann Radcliffe. 1st 1 vol. London, 1795. LOST SHEEP

Riccoboni, Marie Jeanne de Heurles Laboras de Mézières (1713-1792)

  • Lettres de Mylady Juliette Catesby, A Mylady Henriette Campley, Son Amie. Quatrieme Edition. 4th 1 vol. Amsterdam, 1760. KC

Marie Jeanne Riccoboni. Lettres de Mylady Juliette Catesby, A Mylady Henriette Campley, Son Amie. Amsterdam, 1760.

Scott, Sarah (1723-1795)

  • The history of Sir George Ellison. 1st 2 vols. London, 1766. LOST SHEEP
  • A Description of Millenium Hall, and the Country Adjacent: Together with the Characters of the Inhabitants, And such Historical Anecdotes and Reflections, as May excite in the Reader proper Sentiments of Humanity, and lead the Mind to the Love of Virtue. By A Gentleman on his Travels. 1st 1 vol. London, 1762. LOST SHEEP

Sévigné, Marie de Rabutin-Chantal, marquise de (1629-1696)

  • Recueil des lettres de Madame la Marquise de Sévigné, a Madame la Comtesse de Grignan, sa fille. Nouvelle Edition augmentée. 9 vols. Paris,m 1785. KC

Smith, Charlotte Turner (1749-1806)

  • Elegiac sonnets, by Charlotte Smith. The fifth edition, with additional sonnets and other poems. 5th 1 vol. London, 1789. LOST SHEEP
  • The letters of a solitary wanderer: containing narratives of various description. By Charlotte Smith. 1st 2 vols (of 3?). London, 1800. LOST SHEEP

West, Jane (1758-1852)

  • Letters to a young lady, in which the duties and character of women are considered, chiefly with a reference to prevailing opinions. By Jane West. 4th 3 vols. London, 1811. KC

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There are several titles in the catalogue with no author listed. Here are two novels – could either of these been written by a woman? [these 2 titles were not counted in the totals noted above] –  more on these two books in a future post…

  • Edward. A novel. Dedicated (by permission) to Her Majesty. London, 1774. 2 vols. LOST SHEEP
  • The correspondents, an original novel; in a series of letters. A new edition. London, 1775. 1 vol. LOST SHEEP

[Title page images are courtesy of the Reading with Austen website].

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c2020 Reading with Austen Blog, Jane Austen in Vermont blog

JASNA-Vermont Welcomes JASNA President Liz Philosophos Cooper! ~ Sept 15, 2019, 2-4 pm

You are Cordially Invited to
JASNA-Vermont’s September Meeting

Liz Philosophos Cooper

[image: Jane Austen’s writing table at the Jane Austen House Museum]

Jane Austen was a working woman and a determined professional writer. This illustrated talk will explore Austen’s involvement in the business of publishing novels during a time of rampant financial instability. The Austen family were active participants in both war and finance and these two sectors intertwined in the story of Jane Austen’s writing and publishing.

Sunday, 15 September 2019, 2-4 pm
Temple Sinai, 500 Swift St., South Burlington
(Corner of Swift and Dorset)

Liz Philosophos Cooper is the President of JASNA. Liz is a second-generation JASNA member who fell in love with Austen’s work as a high school student. A member since 1992, she has actively participated in local JASNA activities, served as JASNA’s Vice-President for Regions from 2013-2018, and was Regional Coordinator of Wisconsin prior to that. A popular speaker, she is a contributing writer to Jane Austen’s Regency World and co-edits the A Year with Jane Austen calendar. Her talk from the Washington DC JASNA Annual General Meeting, “The Apothecary and the Physician: Emma’s Mr. Perry” was published in Persuasions 38.

Liz holds a BA (Communication Arts) from the University of Wisconsin. She worked in marketing before taking time off to raise four sons. Literature has always been a part of Liz’s life: she began a Village book group in 1986 that is still going strong, and a Junior Great Books reading program at the local elementary school. She has been an active volunteer in the community, including serving as President of the Village of Shorewood Hills Foundation for many years.

~ Free & open to the public ~ Light refreshments served ~

For more information: JASNAVTregion@gmail.com 
Please visit our blog at: http://JaneAustenInVermont.blog

Hope to see you there!

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Upcoming meeting December 8, Annual Birthday Tea: “What did she say? – Just what she ought…”: Proposals in Jane Austen with Hope Greenberg & Deb Barnum (and film clips!). Plus, dancing with Val Medve and the Burlington Country Dancers, and a Full English Tea at the Essex Resort and Spa. Click here for the Dec Tea 2019-Reservation form-NEW: Deadline for registering and payment is September 20, 2019.


c2019 Jane Austen in Vermont

The Pemberley Post, No. 10 (Mar 4 – Mar 10, 2019) ~ Jane Austen on the Block! and More!

Not too much this week, as I have had company, and as it should, internet cruising takes a back seat. But this latest finds blog post starts with an Austen on the Block! – then moves on to Shakespeare, Julius Caesar, nursery rhymes, John Steinbeck, and various things about books ….

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First and foremost: Austen on the Block!

An interesting set of Jane Austen’s novels (a 1854 reprint of the Bentley set of 1833) that was owned by Austen’s niece Fanny Catherine Knatchbull is up for auction on March 28, 2019 at Forum Auctions in the UK:

Lot 225:

Austen (Jane) Novels, 6 vol. in 5, reprint of first collected edition, engraved frontispiece to each vol. but lacking half-titles and additional engraved vignette titles, vol.1 with presentation inscription from F.C. Knatchbull to her daughter Louisa dated 1856 (in Louisa’s hand) and remaining vol. with ownership signature of Louisa to front free endpaper, contemporary half calf, spines gilt with double morocco labels (3 lacking, a few chipped), rubbed, 8vo, Richard Bentley, 1833 [but c.1854]

A lovely association copy, once owned by Jane Austen’s favourite niece. Estimate is £4,000 – £6,000

Read more about it here at Forum Auctions.

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A new website “Shakespeare Census” has been launched: it is a database that attempts to locate and describe all extant copies of all editions of Shakespeare’s works through 1700 (excluding the four folio editions). Visit https://shakespearecensus.org/homepage

 

Each play or poem has a logo – this is the one for Romeo & Juliet

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The Ides of March is upon us (March 15th), and so this is interesting news:

Assassination of Julius Caesar, by William Sullivan (ArtUK)

The ruins in the Largo di Torre Argentina in Rome, and where Julius Caesar met his untimely end, is home to dozens of stray cats and is currently crumbling and fenced off. It will soon undergo extensive renovations and open to the public in 2021. https://www.smithsonianmag.com/smart-news/site-where-julius-caesar-was-stabbed-will-finally-open-public-180971613/

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See-Saw Margery Daw

Read about and view many of the illustrations from William Darton’s Nursey Songs at Spitalfield’s Life: http://spitalfieldslife.com/2019/03/09/dartons-nursery-songs/

This edition from 1822 sold at auction in 2014 for $12,500!:

Songs for the Nursery, Collected From the Works of the Most Renowned Poets, and Adapted To Favourite National Melodies. London: Printed [By R. & A. Taylor] For William Darton, 1822. Estimate $ 6,000 — 8,000

Visit http://www.indiana.edu/~liblilly/etexts/darton/ for a bibliography of the William Darton and Sons works exhibited in 1992 at the Lilly Library.

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The Library of Congress “Today in History” for March 9, 1841: Survivors of Amistad Mutiny Released

“The Supreme Court issued a ruling on March 9, 1841, freeing the remaining thirty-five survivors of the Amistad mutiny. Although seven of the nine justices on the court hailed from Southern states, only one dissented from Justice Joseph Story’s majority opinion. Private donations ensured the Africans’ safe return to Sierra Leone in January 1842.”

Image: Joseph Cinquez, the Brave Congolese Chief…
[Drawn by James or Isaac Sheffield]; Moses Yale Beach, lith.;
Boston: Joseph A. Arnold, c1839

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A Miniature Books collection on exhibit at The Grolier Club in NYC: https://www.nytimes.com/2019/03/07/books/tiny-books-grolier-club.html

“A Matter of Size: Miniature Texts & Bindings” from the Collection of Patricia J. Pistner. March 5 – May 18, 2019

Image: Two Speeches by Abraham Lincoln: “The Gettysburg Address” and his “Second Inaugural Address;” written and bound by London bookbinders Sangorski & Sutcliffe in 1930.

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Good to know that the Nobel Prize for Literature (not awarded in 2018) is back, and 2018 and 2019 winners will be announced at the same time this year (in October)… https://www.publishersweekly.com/pw/by-topic/industry-news/awards-and-prizes/article/79431-after-changes-the-nobel-prize-for-literature-returns.html

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A more than creative way to make use of Old Books: https://www.boredpanda.com/old-book-recycling-paper-art-cecilia-levy/

See more teacups and other made-from-books objects by Cecilia Levy here: https://www.cecilialevy.com/

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Most of you likely know that I collect books by and about John SteinbeckOpen Culture shares this great tale of Steinbeck as autograph seeker – and from Marilyn Monroe of all people! The letter sold at auction in 2016 for $3,520: http://www.openculture.com/2019/03/heres-john-steinbeck-asking-marilyn-monroe-for-her-autograph-1955.html

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A “Rules of the Circulating Library in Ashborne” broadside sold at Forum Auctions in November: this article appears in the Antiques Trade Gazette by Ian McKay: https://www.antiquestradegazette.com/print-edition/2019/january/2374/auction-reports/library-laws-laid-down-at-auction/

“Dated April 5, 1768, the simple printed broadside shown below lays down the ‘Rules…’ that apply to those wishing to use the Circulating Library in Ashbo[u]rne in Derbyshire.

As well as a joining fee of 7/6d, library users were charged six shillings a year for membership, payable in two instalments. They were also entitled to attend quarterly meetings at The Green Man or other designated venue to propose, discuss and vote on what new books might be purchased for the library.

Anyone keeping a book out on loan for longer than what had been agreed on as a reasonable period was liable to a fine of tuppence a day.

All users are reminded “…not to lend any Library Book out of his Dwelling-House on any Pretence whatever.”


It sold for £1200 at Forum Auctions on November 29, 2018.

 

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What were your favorite finds this past week?

c2019 Jane Austen in Vermont

The Pemberley Post, No. 9 (Feb 25 – Mar 3, 2019) ~ Jane Austen and More!

A week of goodies: Edward Gorey’s covers, Freddie Mercury, costumes for The Crown, Women’s History Month, Erotica, Cookery, Potatoes, Green Books, Doll Houses, and Highwaywomen…

Edward Gorey’s covers for literary classics: https://lithub.com/edward-goreys-illustrated-covers-for-literary-classics/
-What’s scary is how many of the books with these covers I have actually owned…(that dates me!)

 

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Mary Wroth, a contemporary of Shakespeare, is the author of the Guardian’s poem of the week https://www.theguardian.com/books/booksblog/2019/jan/28/poem-of-the-week-from-a-crown-of-sonnets-dedicated-to-love-by-lady-mary-wroth

From A Crown of Sonnets Dedicated to Love:

In this strange labyrinth how shall I turn?

Ways are on all sides, while the way I miss:

If to the right hand, there, in love I burn;

Let me go forward, therein danger is.

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Now to the 21st-century – here is the Freddie Mercury clone Marc Martel who sings some of the songs in the Bohemian Rhapsody biopic: http://www.openculture.com/2019/02/marc-martel-sings-just-like-freddie-mercury.html

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Opening at Winterthur at the end of March (through January 5, 2020): “Costuming The Crown http://www.winterthur.org/exhibitions-events/exhibitions/future-exhibitions/thecrown/

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Girl with Potato Earring – Atlas Obscura

Waxing poetic on the Potato – more than you ever thought you needed to know: https://www.atlasobscura.com/articles/potato-idioms

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A Folger Shakespeare Library exhibition: “First Chefs: Fame and Foodways from Britain to the Americas” (Jan 19 – Mar 31, 2019): https://www.folger.edu/exhibitions/first-chefs-fame-foodways-britain-americas

-and some of the recipes, such as Hannah Wooley’s Orange and Lemon Marmalade, or William Hughes’s Hot Chocolate: https://www.folger.edu/exhibitions/first-chefs/recipes

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March is Women’s History Month!

Two databases that focus on Women Writers are FREE during the whole month of March:

  1. Orlando: the subscription service Orlando:Women’s Writing in the British Isles from the Beginnings to the Present will be available free for all through the month of March for Women’s History Month: http://orlando.cambridge.org/svHomePage

Here is the login information: (no caps, no spaces)

Id: womenshistory19
pw: orlando19

  1. The Women Writers Online collection includes more than 400 texts written and translated by women, first published between 1526 and 1850 (no login info required: you can search and read the texts in the collection at: http://wwo.wwp.northeastern.edu/WWO

Peter Harrington has put out a catalogue: In Her Own Words: Works by Exceptional Women – you can read it here: https://www.peterharrington.co.uk/blog/wp-content/uploads/2019/02/151-final-low-res.pdf

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Erotica at the British Library: see this blog post at Untold Lives “Smutty stuff’ for ‘debauched readers’: The Merryland books in the Private Case” https://blogs.bl.uk/untoldlives/2019/02/smutty-stuff-for-debauched-readers-the-merryland-books-in-the-private-case.html

The Private Case is an historic collection of erotica segregated from the main British (Museum) Library collection on grounds of obscenity from the 1850s onwards in a moral climate of suppression and censorship. Now much of the work has been digitized for all the world to see (subscription through Gale or in the Reading Room of the British Library).

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The Doll’s House at the Victoria and Albert Museum of Childhood – with great pictures:
http://spitalfieldslife.com/2019/02/28/denton-welchs-dolls-house/

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Those of us watching Victoria might want more information on the Great Exhibition of 1851: here’s a very small sampling of what’s on the internet:

The Great Exhibition – America

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Then there’s the scene in North and South with Margaret and John Thornton meeting at the Great Exhibition and where she first sees the respect with which he is held by others (and always nice to have a reason to post a pic with Richard Armitage…)

“North and South” – the visit to the Great Exhibition

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For those of you wanting to know more about the Green Books that are the heart of the Green Book movie, The New York Public Library has a research guide and a digitized collection online here: https://www.nypl.org/blog/2019/02/25/explore-green-books-schomburg-center

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OK, are you a Miss, Mrs. or a Ms.? (all Misters – this is not about you…): Alexander Atkins at the Bookshelf gives us the history – it goes back a long time in case you didn’t know: https://atkinsbookshelf.wordpress.com/2019/03/02/what-is-mrs-short-for/

(you should follow this blog – always enlightening word and book history…)

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Lady Ferrers – Geste of Robin Hood

This week’s favorite “Found on the Internet and how will I ever read it all…”: https://gesteofrobinhood.com/

Here Begynneth A Lytell Geste of Robin Hood… Being A General and True History of the Lives and Robberies of the Most Notorious Highwaymen, Rogues, Cheats, Murderers and Rebel Leaders from the Medieval Period to the 19th Century

This post on “Female Highwaymen” is most arresting (pun intended)… https://gesteofrobinhood.com/2015/10/18/female-highwaymen/

Lady Katherine Ferrers (1634-1660) – do you think Jane Austen had her in mind when creating her Fanny Ferrars Dashwood (the sneaky thief of inheritances)?? Or perhaps that’s where Mrs. Ferrars money came from?

Happy reading! What has been your favorite internet find this week?

C2019 Jane Austen in Vermont

The Women’s Writing Database “Orlando” ~ Free for the Month of March!

UPDATE: The Women Writers Online database also has free access during the month of March – you can find it here: http://wwo.wwp.northeastern.edu/WWO

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theorlandoproject

Orlando, the subscription database from Cambridge University Press on “Women’s Writings in the British Isles from the Beginnings to the Present” – is available for free for Women’s History Month starting tomorrow and throughout March.

The Orlando Project “provides entries on authors’ lives and writing careers, contextual material, timelines, sets of internal links, and bibliographies.”

http://orlando.cambridge.org/svHomePage

Here is the login information: (no caps, no spaces)

Id: womenshistory19
pw: orlando19

As always, much new material has been added this past year: just as an example, Professor Isobel Grundy has shared with me that these four near-contemporaries of Jane Austen are now part of the database (or will be added shortly):

Mary Harcourt (later Countess Harcourt) (1750-1833), who was embedded with her husband while he commanded troops in the Low Countries during the War of the First Coalition against revolutionary France, and wrote an account of her experience and her gradual development of strongly anti-war views; and

Eglantine, Lady Wallace (died 1803), a dramatist and conduct-writer, a Scots aristocrat of rather dubious respectability who got caught up in part of the same war and was very friendly with a revolutionary leader. [entry is under Eglinton Wallace].

Jane Loudon (1807-1858), who published a science fiction novel called The Mummy, unfortunately a few years too late for Austen to read it. [to be added soon]

Anna Gordon (Mrs. Brown) (1747-1810), a Scottish ballad-collector and singer. [to be added soon]

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If you are wondering about the symbol of the Oak Tree, here is the explanation from the website:

“. . . a little square book bound in red cloth fell from the breast of her leather jacket—her poem The Oak Tree.” —Virginia Woolf, Orlando

Virginia Woolf’s Orlando, a Biography, 1928, inspires this work in literary history. Woolf’s biographical and historical fantasy explores the changing conditions of possibility for women writing in England from the time of Elizabeth I to her own day, and gives us a poet protagonist who is at work throughout the whole of this history on the composition of her poem “The Oak Tree”. The Orlando Project team sees in the oak tree a suggestion of the history of women’s writing in the British Isles, the growth of history from biography, and (in a kind of visual pun) the tree-like structure of our text encoding.

Fabulous resource – spend the month indulging in this feast of information!

c2019 Jane Austen in Vermont

The Pemberley Post No. 4 (Jan 21-27, 2019) ~ Jane Austen and More!

This week’s stash…

“Becoming Americans” at Charleston Museum tells the story of Charleston’s role in the American Revolution – including several artifacts of Francis Marion,The Swamp Fox”: https://www.charlestonmuseum.org/exhibits/permanent/3/becoming-americans

– Also the temporary fashion exhibit on 150 years of Charleston’s children fashions… https://www.charlestonmuseum.org/exhibits/current/40/yesterday-in-microfashion

For all you lovers of mysteries with lady sleuths: https://www.smithsonianmag.com/arts-culture/secret-history-girl-detective-180958311/

The ever-interesting Ladies of Llangollen – as essay at the Wellcome Collection: https://wellcomecollection.org/articles/WqewRSUAAB8sVaKN (with thanks to Kelly!)

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I LOVED Beowulf when studying medieval literature in graduate school – time for a re-read (I still have my copy!), inspired by this: https://medievalfleming.wordpress.com/2017/11/14/ethel-sweet-ethel-weard-the-first-scribe-of-the-beowulf-manuscript/

  • This totally depressed me: the author of the essay writes: “I recently realized that ethel / ᛟ, the word and rune, have been appropriated by white supremacists and neo-nazis.”
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The Rice Portrait of “Jane Austen” is back in the news with more concrete evidence that it IS our Jane: https://www.theguardian.com/books/2019/jan/23/jane-austen-family-say-note-establishes-disputed-portraits-identity?fbclid=IwAR2xPLDjX280sOpAtlKK_NOOr2MARgV8TiY0dl4bc4Um45OlSsmH8JRSPFg

The perfect winter repast – the Folger on an early recipe for hot chocolate: https://shakespeareandbeyond.folger.edu/2019/01/15/the-american-nectar-william-hughess-hot-chocolate/

Always a good idea to check your attic: any Caravaggios? https://www.barnebys.com/blog/design/rediscovered-caravaggio-to-be-auctioned-this-spring/17550

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The Baldwin Library of Historical Children’s Literature (at the University of Florida) – over 6,000 titles available online! http://ufdc.ufl.edu/juv

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Alexander Hamilton’s doctor and America’s first Botanic Garden: https://publicdomainreview.org/2019/01/24/flower-power-hamiltons-doctor-and-the-healing-power-of-nature/

Know what a “calenderer” did? No, I didn’t either – now you will: https://georgianera.wordpress.com/2019/01/24/find-out-more-about-the-job-of-a-calenderer-in-the-18th-century/

“Nell Gwynn” at the Folger: https://www.youtube.com/watch?v=TfrjRSpR0XU&t=16s

…and a review at The Washington Post: https://www.washingtonpost.com/goingoutguide/theater-dance/jessica-swales-historical-comedy-aims-to-restore-nell-gwynns-luster/2019/01/23/0a934558-1d9e-11e9-8e21-59a09ff1e2a1_story.html

Vic at Jane Austen’s World on the benefits of chamomile tea: https://janeaustensworld.wordpress.com/2019/01/25/chamomile-tea-a-tisane/

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Design for GPO telephone kiosk number 2: plan, elevations and section

Sir John Soane and the iconic British telephone box:
https://publicdomainreview.org/collections/the-tomb-and-the-telephone-box-soanes-mausoleum-1816/

Jane Austen’s contemporary Marie Edgeworth – all but forgotten, and that’s too bad…: https://www.irishtimes.com/culture/books/maria-edgeworth-was-a-great-literary-celeb-why-has-been-forgotten-1.3760188

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My new favorite how-to-waste-hours-of-your-life website: http://www.romanticlondon.org/

What has been your favorite find this past week?

c2019, Jane Austen in Vermont

The Pemberley Post No. 3 (Jan 14-20, 2019) ~ Jane Austen and More!

For your reading pleasure this week:

Bibliomania (Beineke)

Just opened! A Bibliomania exhibit at the Beineke: https://beinecke.library.yale.edu/exhibitions/bibliomania-or-book-madness-bibliographical-romance

Kate Beckinsale – The Widow: https://www.denofgeek.com/uk/tv/54327/the-widow-kate-beckinsale-amazon-series-news

More on the Austen family lost (and now found) photographs: https://checknewyorktimes.blogspot.com/2019/01/lost-photographs-of-jane-austens-family.html

Making a William Morris Christmas at the National Portrait Gallery:
(from 2014) https://www.npg.org.uk/blog/making-a-william-morris-chirstmas

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800 Medieval Manuscripts from England and France 700-1200: https://manuscrits-france-angleterre.org/polonsky/en/content/accueil-en?mode=desktop

More on mediaeval manuscripts: evidence of women’s work on illuminated medieval manuscripts (I love this!): http://advances.sciencemag.org/content/5/1/eaau7126

The LadyLike Language of Letters (and a lost art?): https://daily.jstor.org/the-ladylike-language-of-letters/?utm_term=The%20Ladylike%20Language%20of%20Letters&utm_campaign=jstordaily_01172019&utm_content=email&utm_source=Act-On+Software&utm_medium=email

You could spend weeks at this site: Gallica: https://gallica.bnf.fr/accueil/en/content/accueil-en?mode=desktop

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Sign on for some Online Jane Austen – about Northanger Abbey – Hillsdale College – FREE: https://online.hillsdale.edu/courses/_austen/home/jane-austen-schedule

Must-read: an essay on early feminist criticism: https://www.cambridge.org/core/services/aop-cambridge-core/content/view/9E423C3E76FEB3656379E2FC9920AAE2/S1060150318001420a.pdf/dorothea_or_jane_the_dilemmas_of_early_feminist_criticism.pdf

The Grolier Club at 100: https://www.nytimes.com/2019/01/17/arts/design/book-lovers-grolier-club.html

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London’s transit posters – the women artists [I bought a calendar of these and have framed my favorites – so beautiful]: https://www.citylab.com/design/2019/01/female-artist-poster-girls-london-transport-museum/579991/

You can view many at their online collection: https://www.ltmuseum.co.uk/collections/collections-online/posters

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Thomas Girtin. ‘Above Lyme Regis’ (Christies)

“Better than Turner? The brief and brilliant career of Thomas Girtin” (born in 1775, just like JA): three of his works coming up at auction at Christies on January 31, 2019 in New York: https://www.christies.com/features/The-Life-of-Thomas-Girtin-9651-1.aspx

18 movie/tv adaptations of books in 2019 – READ them before the movie!: https://www.buzzfeed.com/farrahpenn/tv-and-movie-book-adaptations-in-2019 (including Little Women, Catch 22 (with George Clooney…), The Goldfinch, Where’d You Go Bernadette…and more)

The Library of Burnt Books (with a video): http://www.bbc.com/culture/story/20190117-the-library-of-forbidden-books

A sad loss to history trivia nerds the world over: “Two Nerdy History Girls” bid farewell (but will continue their own blogs, twitter and facebook pages, and of course their books!) http://twonerdyhistorygirls.blogspot.com/2018/12/in-which-loretta-susan-bid-farewell.html

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I missed this, sad to say: Winnie-the-Pooh at the MFA – you can see a tiny bit of the exhibit here – scroll down for the preview: https://www.mfa.org/exhibitions/winnie-the-pooh

For fans of Horace Walpole: thru Feb 24, 2019: https://www.strawberryhillhouse.org.uk/losttreasures/

“This exhibition brings back to Strawberry Hill some of the most important masterpieces in Horace Walpole’s famous and unique collection for a once-in-a-lifetime exhibition. Horace Walpole’s collection was one of the most important of the 18th century. It was dispersed in a great sale in 1842. For the first time in over 170 years, Strawberry Hill can be seen as Walpole conceived it, with the collection in the interiors as he designed it, shown in their original positions.”

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Some old news: Jane might be appalled (though I think more likely she would have had a copy herself…), but here is a more than interesting essay on Lady Chatterley’s Lover, and the copy that sold at auction in October 2018: https://www.sothebys.com/en/articles/rowan-pelling-on-sex-obscenity-and-lady-chatterleys-lover

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If you are watching Masterpeice’s Victoria, you might wonder about the real history behind it all: here is the pbs version: https://www.pbs.org/wgbh/masterpiece/specialfeatures/victoria-s3-e1-history-in-images/#

This all should keep you busy for a good while…

2019, Jane Austen in Vermont

The Pemberley Post, No. 2 (Jan 8-14, 2019) ~ Jane Austen and More!

My round-up of the past week – so much of interest, from Dolley Madison to Vermont’s State House to Mike Myers!

Celebrating Rembrandt: https://www.rijksmuseum.nl/en/the-year-of-rembrandt?&utm_campaign=uitnodiging&utm_medium=email&utm_source=20190107_Cultuurtoerist_ENG_jan

Jane Austen’s moving poem on the death of her friend Madam [Anne] Lefroy: https://interestingliterature.com/2019/01/07/to-the-memory-of-mrs-lefroy-who-died-decr-16-my-birthday-a-poem-by-jane-austen/

A Jane Austen £10 note on ebay – for £49! (others available also at various prices)

https://www.ebay.co.uk/itm/LUCKY-10-NOTE-JANE-AUSTEN-TEN-POUND-BIRTHDAY-ANNIVERSARY-31-08-61-AUGUST-1961/323639434583?hash=item4b5a69dd57:g:eiwAAOSwGW9apceW:rk:11:pf:0

“How Dolley Madison Conquered the Nation’s Capital (with great images): https://www.montpelier.org/learn/dolley-madison-becoming-americas-first-lady

Mrs. Madison’s drawing room [image: Montpelier]

Another First Lady – Michelle Obama’s memoir Becoming is the highest selling print book of 2018, and it was just released in mid-November! https://www.publishersweekly.com/pw/by-topic/industry-news/bookselling/article/78941-becoming-is-top-selling-title-in-2018.html

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The Broom Brigade (there were several in Vermont – who knew??): https://www.revolvy.com/page/Broom-brigade%20/ and https://en.wikipedia.org/wiki/Broom_brigade

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More Vermont: the Ceres statue stop the State House in Montpelier:

Ceres statue [image: ‘Vermont Woman’]

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London’s Gentlemen’s Clubs: https://londonist.com/london/drink/the-curious-world-of-london-s-gentlemen-s-clubs

Image: Image: The Gaming House, A Rake’s Progress by William Hogarth. An early depiction of White’s which was at this time a notorious gambling den [Londonist]

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A Guardian review of one of 2018’s best books – also has the hero immersed in Emma (how many real men are out there immersed in Emma I wonder…): https://www.theguardian.com/books/2019/jan/08/normal-people-sally-rooney-novel-literary-phenomenon-of-decade

A rare Monet to be auctioned for the first time! (with an estimate of $25-$35 million) – https://www.barnebys.com/blog/art/a-rare-claude-monet-landscape-goes-to-auction/17395/

A terrific book at Open Access on Victorian newspapers and periodicals: A Fleet Street in Every Town: The Provincial Press in England, 1855-1900, by Andrew Hobbs – https://www.openbookpublishers.com/product/835 [the pdf is a free download, all 470 pages!] – Hobbs has also set up a twitter account where he will post diary excerpts daily: https://twitter.com/HewitsonDiaries

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Birds of America – one of the world’s rarest books by the 19thc American artist and ornithologist John James Audubon has gone on display at Liverpool Central Library, with a “Mission Impossible”-like scenario to get it there! https://www.bbc.com/news/av/uk-england-merseyside-46820378/rare-audubon-bird-book-displayed-at-liverpool-library

The Frankenstein exhibit at the Morgan Library ends January 27, 2019: https://www.themorgan.org/exhibitions/frankenstein

Also at the Morgan online: two of Humphry Repton’s redbooks are available for your viewing pleasure: https://www.themorgan.org/collection/Humphry-Reptons-Red-Books

Repton Redbook [image: Morgan]

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Who knew? During a pre-Golden Globes auction, Mike Myers matched a £40,000 bid to split the prize of staying at Heckfield Place in Hampshire to get the ‘Jane Austen’ experience.’ See https://www.heckfieldplace.com/ – the story is here: https://www.thesun.co.uk/sport/8174350/man-utd-julia-roberts-qatar-world-cup-tickets/

January 13, 2019 7pm on PBS “I Hate Jane Austen,” with British columnist Giles Coren: http://www.gpb.org/blogs/mygpb/2019/01/11/whats-new-next-week-january-11-2019 [I’ve taped this but haven’t watched it yet – if you have, tell me what you think…]

The all-over-the-press account of the Austen family photos found in an album on ebay: https://www.dailymail.co.uk/news/article-6580879/Extraordinary-photos-Jane-Austens-family-discovered.html

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Edward Hicks, Peaceable Kingdon [image: Wikipedia]

Edward Hicks’ “Peaceable Kingdom” paintings at Christie’s: https://www.christies.com/features/Edward-Hicks-The-Peaceable-Kingdom-9632-3.aspx?sc_lang=en&cid=EM_EMLcontent04144A60D_1&cid=DM265864&bid=162201602

A collection of the wacky and weird, long before P. T. Barnum – Kirby’s Eccentric Museum, with thanks to The Gentle Author at “Spitalfields Life” (excellent images – one weirder than the next…): http://spitalfieldslife.com/2019/01/12/kirbys-eccentric-museum/

The beginnings of Bibliotourism: put your Library on here! https://libraryplanet.net/

A Slave Bible [heavily edited] on view at the Museum of the Bible: https://museumofthebible.org/exhibits/slave-bible

Slave Bible – Smithsonian

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And again from “Spitalfields Life” – Christopher Wren’s model of St. Paul’s Cathedral – awesome pictures! I had no idea this was there! http://spitalfieldslife.com/2019/01/13/inside-the-model-of-st-pauls-x/

Literary penguins! (Guess which Austen Hero gets his own penguin…): https://maryland.ourcommunitynow.com/baltimore/maryland-zoo-names-baby-penguins-after-literary-characters/

Nineteenth-Century Gender Studies 14.2 (Fall 2018) is now online: http://www.ncgsjournal.com/issue142/issue142.htm

I have long collected Robert Sabuda’s delightful pop-up books [ http://robertsabuda.com/ ]– but here’s a new entry into the Pop-Up world – by Lego! https://shop.lego.com/en-US/product/Pop-Up-Book-21315

Happy Reading!

2019, Jane Austen in Vermont

The Pemberley Post, No. 1 (Jan 7, 2019) ~ Jane Austen and More

When I first started this blog on March 31, 2008, I would post a weekly round-up of Jane Austen findings on the web. After a few years, Life got in the way of working on that weekly list, though I have continued to find things every day that I sometimes post on facebook or twitter, but now rarely even do that – there’s just SO MUCH information out there, and you all likely see and know more than I do on any given day. But I’ve decided to try my hand at sharing some weekly links – some about Jane Austen, others about books and reading, and a little bit of history thrown in – a mishmash really of things that interest me – and in hopes they interest you too. I am calling this round-up “The Pemberley Post,” the name of our no-longer-published JASNA-Vermont newsletter – just because I like the name (and “Highbury Gossips,” the best possible name ever is the title of JASNA-Montreal’s newsletter…)

I cannot promise I’ll do this every week, but shall make an effort, though some might be very short! – here is the first, for the week of January 1-7, 2019 – and as you can see, I am all over the map with information!

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The Broadview Press in December 2018 released their online “Jane Austen in Context.” For $9.95 you can access this research tool for its critical articles, visual materials, and interactive timelines and maps – and more is being added each week. Click here for more info: https://broadviewpress.com/product/broadview-online-jane-austen-in-context/?ph=36eb83021c2f2f534593bea0#tab-description

Laurel Ann at Austenprose – her favorite books from 2018: https://austenprose.com/2019/01/01/my-favorite-books-of-2018-by-a-partial-prejudiced-and-ignorant-jane-austen-fan/

What P&P teaches readers: https://www.theatlantic.com/entertainment/archive/2018/12/what-jane-austens-pride-prejudice-teaches-readers/578872/

Classics now out of copyrighthttps://www.nytimes.com/2018/12/29/books/copyright-extension-literature-public-domain.html

And also this: https://www.cheatsheet.com/entertainment/public-domain-day-2019-what-books-can-you-now-read-for-free.html/

10 novels to beat the January blues (Mansfield Park? – who knew??): https://www.independent.co.uk/arts-entertainment/books/features/best-books-to-read-new-year-novels-fiction-jane-austen-pg-wodehouse-literature-a8709196.html

5 best novels starring Jane Austen: https://www.vulture.com/article/five-essential-novels-with-jane-austen-as-a-premise.html

Favorite Romance novels of 2018 by Cailey Hall at LARB (many are YA novels, very often the best reads): http://blog.lareviewofbooks.org/reviews/favorite-romance-novels-2018/

A Jane Austen Literary tour of England this summer 2019 (space is limited): https://betweennapsontheporch.net/jane-austen-fans-would-you-enjoy-a-literary-tour-of-southern-england/

Reviewing “Clueless, The Musical”https://www.nytimes.com/2018/12/11/theater/clueless-the-musical-review.html

Maria Sibylla Merian -JSTOR

The 17th-Century should-not-be-forgotten insect artist and early feminist, Maria Sibylla Merian: https://daily.jstor.org/the-metamorphosis-of-a-17th-century-insect-artist/

The ‘Oxford Dictionary of National Biography’ – free podcasts each week: https://soundcloud.com/odnb – listen to this 15 minute piece on Jane Seymour (Henry VIII wife #3 – she at least didn’t lose her head…) – or this one on Elizabeth Parsons, the Cock Lane Ghost: https://soundcloud.com/odnb/elizabeth-parsons-the-cock-lane-ghost-17491807-imposter

Or this one at nearly 2 hours (and from 4 years ago), Jane Austen vs. Emily Bronte (with John Mullan and Kate Mosse): https://soundcloud.com/intelligence2/jane-austen-vs-emily-bronte

The literary photographs of Lotte Jacobi exhibit at the University of New Hampshire to open this January – think J. D. Salinger: https://www.finebooksmagazine.com/issue/1701/lotte-jacobi-1.phtml

Check your bookshelves for any old Mary Poppins: https://www.finebooksmagazine.com/fine_books_blog/2018/12/the-return-of-mary-poppins.phtml

Susannah Fullerton’s (president of JASA) list of favorites read in 2018: https://susannahfullerton.com.au/my-2018-favourites/

Ellen Moody an Jane Austen’s friendship with Anne Sharpe (where she fleshes out and corrects the chapter on Austen and Sharp(e) in The Secret Sisterhood): https://reveriesunderthesignofausten.wordpress.com/2019/01/06/jane-austen-anne-sharp-she-is-an-excellent-kind-friend/

 

Gainsborough – NPG

Your last chance to see the “Gainsborough Family Album” exhibit at the National Portrait Gallery (London) which closes February 3, 2019 (or buy the catalogue for £29.95): https://www.npg.org.uk/whatson/gainsborough/exhibition/

A calligraphy exhibit at the Getty (through April 7, 2019) http://www.getty.edu/art/exhibitions/artful_words/

How the Georgians stored their ice (no mention of martinis): https://www.smithsonianmag.com/smart-news/london-archaeologists-unearth-subterranean-georgian-ice-store-180971146/

Set up your 2019 reading list with the help of the Modern Mrs. Darcy: https://modernmrsdarcy.com/reading-challenge-2019/

London’s Feminist Library has been saved from closing: https://www.theguardian.com/books/2019/jan/03/feminist-library-saved-from-closure-as-supporters-raise-35000

Read:

– everything you ever wanted to know about Queen Elizabeth II’s wedding gown in The Gown: A Novel of the Royal Wedding by Jennifer Robson: http://www.jennifer-robson.com/writing/the-gown/

Bold & Brave: Ten Heroes Who Won Women the Right to Vote, by Kirsten Gillibrand, illustrated by Maira Kalman: https://www.newyorker.com/culture/culture-desk/the-women-who-won-the-right-to-vote

Julie Klassen has a new book out in her Ivy Hill series, The Bride of Ivy Green: https://bakerbookhouse.com/products/the-bride-of-ivy-green-9780764218170

Publishers Weekly’s list of the favorite 2018 reads of booksellers…: https://www.publishersweekly.com/pw/by-topic/industry-news/bookselling/article/78903-booksellers-favorite-titles-of-2018.html

Lots of reading lists – what’s on your TBR pile?

c2019, Jane Austen in Vermont