WANTED! ~ Books with Montagu George Knight Bookplates

Calling all Booksellers, Librarians, Bibliophiles

Wanted !

The Godmersham Lost Sheep Society*

Cordially invites you to join in the

Global Search

For all books bearing

Montagu George Knight bookplates**

Please help us return these books to the fold

at the

Chawton House Library Chawton, Alton, Hampshire, UK

* The Godmersham Lost Sheep Society (GLOSS) is a research group of scholars and bibliophiles searching for all books that were originally in the libraries of Godmersham Park and later Chawton House, both estates of Jane Austen’s brother Edward Austen Knight.

**The three Knight bookplates were all designed by Charles Sherborn in 1900 / 1901:

Bookplate 1

Bookplate 2

Bookplate 3

***********

1.  The History:  

Edward Austen Knight inherited three estates from his adoptive family the Thomas Knights: Godmersham Park in Kent, and Chawton House and Steventon in Hampshire. Godmersham and Chawton had large extensive libraries typical of the gentry of the time. Edward had a catalogue of the Godmersham Library compiled in 1818, listing about 1250 titles. These books were later combined with the Chawton House Library when Godmersham was sold in 1874, with many of the volumes sold or otherwise distributed over the years. [Montagu George Knight, grandson of Edward Knight, placed his bookplates in most of the books of this combined library, as well as in the books he added to it. The remaining library (called the “Knight Collection” and still in the family) is now housed at Chawton House Library, which serves as an important literary heritage site and a center for the study of early women writers]. We know Jane Austen spent a considerable amount of time in both these libraries – and an ongoing project has been to try to locate the missing volumes that have wandered away and might still be extant in libraries, in book collectors’ homes, or on bookseller shelves – the “Lost Sheep” of Godmersham Park.

2. The Digital Godmersham Project:

Initiated and run by Professor Peter Sabor (Canada Research Chair in Eighteenth-Century Studies and Director of the Burney Centre at McGill University), this is a web-based open-source project that will include the Knight family books that are recorded in the catalogue of 1818, as they were on the shelves – a virtual library so to speak. This Phase I of the project will launch in 2018, the bicentenary of the original catalogue. While it would be a final goal to locate all the missing titles that are out there, this digital project will create for us what Jane Austen would have seen and read when visiting her brother.

3. What we need:

If you have or locate any books with any of the three Montagu George Knight bookplates, please contact us – we would like good pictures of:

a.) the binding/cover;

b.) the inside cover of the book, where Montagu Knight’s bookplate should be attached, often together with a small shelf ticket from Chawton House Library; and

c.) the title page of the book.

These three pictures would be used on the website, with or without your name as the book’s current owner/location (this is up to you).

4. Donation / sell options:

Some of those found thus far have been privately purchased and donated back to the Chawton House Library (they do not have funds for this project). If you would like to “return” the book to Chawton to be part of their permanent collection, you would become one of GLOSS’s Team Heroes and we would be forever grateful. All donations are tax-deductible. Or, if you would consider selling the book back to CHL now or in the future (or making a donation to the cause so we can purchase books as they become available), we would add it to our wish-list of purchases and ask that you send the pictures noted above so it can be added to the website. Progress is slow, and because every book may not be able to return home, we hope this virtual library will serve as a useful research tool for future studies of reading habits in the 18th and 19th centuries.

***************
[CHL book with bookplate and shelf ticket]

Thank you for any help you can offer! 

For more information, please contact one of us:  

  1. Janine Barchas – Professor, University of Texas at Austin:
    barchas [at] austin.utexas.edu
  2. Deborah Barnum – Board Member, North American Friends of Chawton House Library: jasnavermont [at] gmail.com
  3. Peter Sabor – Professor, Canada Research Chair in Eighteenth-Century Studies, Director of the Burney Centre, McGill University: peter.sabor [at] mcgill.ca
c2017 JaneAusteninVermont

JASNA-Vermont’s Next Gathering! ~ September 17, 2017, with Sheryl Craig on “Jane Austen and the Master Spy”

You are Cordially Invited to JASNA-Vermont’s September Meeting
~ part of the Burlington Book Festival ~


“Jane Austen and the Master Spy”
w/   Sheryl Craig

Sunday, 17 September 2017, 2 – 4 pm

Morgan Room, Aiken Hall,
83 Summit Street Champlain College, Burlington VT**

Jane Austen’s contemporary William Wickham was Britain’s first Master Spy and head of the British Secret Service. Wickham was also the focus of a massive government scandal and Parliamentary investigation when it was found that millions of pounds in taxpayer’s money had been funneled to Wickham and then disappeared without a trace. Pride and Prejudice’s George Wickham shares the Master Spy’s name and his legendary good looks, charm, cunning, and duplicity. Join us for an enlightening talk on what Jane Austen may have been telling her readers…
you can expect Sex, Lies, Scandal, and Spies!

Sponsored by JASNA-Vermont and Bygone Books

~ Free & open to the public ~ ~ Light refreshments served ~
For more information:   JASNAVTregion [at] gmail.com
Please visit our blog at: http://JaneAustenInVermont.blog

Burlington Book Festival website: http://burlingtonbookfestival.com/

************************************ 

Sheryl Craig has a Ph.D. in 19th century British literature from the University of Kansas and has been a faculty member in the English Department at the University of Central Missouri for more than twenty years. Sheryl has published in numerous Jane Austen-related journals and is the editor of JASNA News. A popular presenter at many JASNA AGMs and tireless traveler to JASNA regional groups (this is her second trip to Vermont!), she has trekked far afield to spread Jane Austen in Nova Scotia, Scotland and England, and upcoming in 2018 she will visit New Zealand and Australia. Her book Jane Austen and The State of the Nation was published in 2015, and she is presently working on Jane Austen and the Plight of Women about Jane Austen and the Women’s Rights Movement in Georgian England.

Hope you can join us!
~~

c2017 Jane Austen in Vermont

Austen on the Block! ~ July 10 at Forum Auctions, and July 11 at Sotheby’s

There are a number of terrific Austen items on the block today at Forum Auctions in London: it’s happening as we speak… scroll up and down from this link and you will see the hammer prices.

And tomorrow, there are three of Jane Austen’s letters up for sale at Sotheby’s, all to her niece Anna Lefroy: go to the links provided to see images.

  1. Lot 82: http://www.sothebys.com/en/auctions/ecatalogue/2017/english-literature-l17404/lot.82.html

Austen, Jane. AUTOGRAPH LETTER, WRITTEN IN THE THIRD PERSON, TO HER NIECE ANNA AUSTEN (LATER LEFROY)

a masterly comic jeu d’espirit, written as if to Rachel Hunter, the author of the verbose gothic novel Lady Maclairn, the Victim of Villainy, asking her to thank Mrs Hunter for the “spirited sketches … of those more interesting spots Tarefield Hall, the Mill & above all the Tomb of Howard’s wife – of the faithful representation of which Miss Jane Austen is undoubtedly a good Judge, having spent so many summers at Tarefield Abbey”, assuring her that she has wept copiously over these affecting scenes, expressing her earnest hope that Mrs Hunter “would have the kindness to publish at least 4 vols more about the Flint family”, and closing with local news that “the Car of Falkenstein [the Alton-London coach] which was the pride of that Town was overturned within the last 10 days”, 3 pages, 8vo (184 x 114mm, partial “Horn” watermark similar to Heawood 2752-2762), integral autograph address panel (“Miss Austen | Steventon”), remains of a black wax seal impression, [Chawton, ?29-31 October 1812], original folds, very slightly discoloured at edges, remains of hinges where once probably mounted in an album.

Jane Austen’s Letters, ed. Dierdre Le Faye (1995), no. 76 (edited from a copy).

2. Lot 83: http://www.sothebys.com/en/auctions/ecatalogue/2017/english-literature-l17404/lot.83.html

Austen, Jane. SUBSTANTIAL FRAGMENT OF AN AUTOGRAPH LETTER, TO HER NIECE ANNA LEFROY (NÉE AUSTEN)…

with lively family gossip in the weeks after Anna’s marriage, including the comings and goings of Jane’s brothers Charles and Henry, regretting that she will not be able to see her and her husband Benjamin again before she leaves London, assuring her that the Austen party had enjoyed their visit to Anna’s new home in Hendon (“…We talked of you for about a mile & a half with great satisfaction, & I have been just sending a very good account of you to Miss Beckford, with a description of your Dress for Susan & Maria…”), and with revealing comments about a trip to the theatre (“…Acting seldom satisfies me. I took two Pocket handkerchiefs, but had very little occasion for either…”), 2 pages, 8vo, [23, Hans Place, London, 29 November 1814], weak at folds, small tear (c.15mm) at top not affecting text [with:] a later envelope recording family provenance.

Jane Austen’s Letters, ed. Deirdre Le Faye (1995), no. 112.

  1. Lot 84: http://www.sothebys.com/en/auctions/ecatalogue/2017/english-literature-l17404/lot.84.html

Austen, Jane. FRAGMENT OF AN AUTOGRAPH LETTER, TO HER NIECE ANNA LEFROY (NÉE AUSTEN),

describing a visit to her younger nieces at her brother Charles’s family home (“…Cassy was excessively interested about your marrying, when she heard of it …. She asked a thousand questions, in her usual way – what he said to you? And you to him?…”), ten lines, [23 Hans Place, London, 29 November 1814], with, on the verso, fragments of pen practices (“Miss J Austen | Hans Place | Sloane Street” etc.) and a black wax seal impression [with:] Mary Isabel Lefroy, autograph letter signed, to Richard Austen-Leigh, presenting him with this fragment, also mentioning a forthcoming visit to Cambridge to inspect the Sanditon manuscript that had been given to King’s College, 2 pages, 4to, 27 October [1931], with envelope.

c2017 Jane Austen in Vermont

Charlotte Bronte ~ April 21, 1816

charlotte-bronte-image

[I first posted this in 2009 – here it is again, in celebration of Bronte’s birthday!]

Happy Birthday to Charlotte Bronte, born April 21, 1816 in Thornton, Yorkshire.

I just had the good fortune to finally visit Haworth and tour the Bronte Parsonage.  One of the special extras was the display of the various costumes worn in the latest BBC production of Wuthering Heights [but alas! no pictures allowed!]

I append here a few of my photographs of the Parsonage as well as several links for further reading…

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Main Street, Haworth

Main Street, Haworth

Further Reading:

Wishing Jane Austen a Very Happy Birthday!

austen-silhouetteThe first order of business today, on this 241st birthday of Jane Austen, is the annual publication of JASNA’s Persuasions On-Line Vol. 37, No. 1 (Winter 2016). Click here for the Table of Contents to yet another inspiring collection of essays, some from the 2016 AGM in Washington DC on EMMA AT 200, “NO ONE BUT HERSELF” and other “Miscellany” – all about Jane Austen…and perfect winter reading material…

Here is the link: http://www.jasna.org/persuasions/on-line/vol37no1/toc.html

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Here are the essays: (you might especially notice Gillian Dow’s essay on the Emma exhibition at Chawton House Library this year (website under redevelopment til Christmas) – for those of you who could not attend, this is the next best thing to being there!)

“The Encouragement I Received”: Emma and the Language of Sexual Assault
Celia Easton

“Could He Even Have Seen into Her Heart”: Mr. Knightley’s Development of Sympathy
Michele Larrow

Emma’s “Serious Spirit”: How Miss Woodhouse Faces the Issues Raised in Mansfield Park and Becomes Jane Austen’s Most Complex Heroine
Anna Morton

“Small, Trifling Presents”: Giving and Receiving in Emma
Linda Zionkowski

Oysters and Alderneys: Emma and the Animal Economy
Susan Jones

Epistolary Culture in Emma: Secrets and Social Transgressions
L. Bao Bui

Divas in the Drawing Room, or Italian Opera Comes to Highbury
Jeffrey Nigro and Andrea Cawelti

Mrs. Elton’s Pearls: Simulating Superiority in Jane Austen’s Emma
Carrie Wright

Multimedia Emma: Three Adaptations
Linda Troost and Sayre Greenfield

Jane Austen’s Emma at 200: From English Village to Global Appeal
Gillian Dow

MISCELLANY

Discerning Voice through Austen Said: Free Indirect Discourse, Coding, and Interpretive (Un)Certainty
Laura Moneyham White and Carmen Smith

“The Bells Rang and Every Body Smiled”: Jane Austen’s “Courtship Novels”
Gillian Dooley

Courtship and Financial Interest in Northanger Abbey
Kelly Coyne

Curious Distinctions in Sense and Sensibility
Ethan Smilie

“If Art Could Tell”: A Miltonic Reading of Pride and Prejudice
James M. Scott

Looking for Mr. Darcy: The Role of the Viewer in Creating a Cultural Icon
Henriette-Juliane Seeliger

Replacing Jane: Fandom and Fidelity in Dan Zeff’s Lost in Austen (2008)
Paige Pinto

Fanny Price Goes to the Opera: Jonathan Dove’s and Alasdair Middleton’s Mansfield Park
Douglas Murray

Austen at the Ends of the Earth: The Near and the Far in Persuasion
Katherine Voyles

Jane Austen Bibliography, 2015
Deborah Barnum

****************

Let’s look at what Austen’s father wrote about her arrival on December 16, 1775:

You have doubtless been for some time in expectation of hearing from Hampshire, and perhaps wondered a little we were in our old age grown such bad reckoners but so it was, for Cassy certainly expected to have been brought to bed a month ago:  however last night the time came, and without a great deal of warning, everything was soon happily over.  We have now another girl, a present plaything for her sister Cassy and a future companion.  She is to be Jenny, and seems to me as if she would be as like Henry, as Cassy is to Neddy.  Your sister thank God is pure well after it, and send her love to you and my brother, not forgetting James and Philly…

[Letter from Mr. Austen to his sister Philadelphia Walter, December 17, 1775, as quoted from Deirdre Le Faye, Jane Austen, A Family Record, Cambridge, 2004, p.27.]

Happy Birthday Miss Austen! – you continue to inspire, intrigue, and offer insights like no other!

c2016 Jane Austen in Vermont

Lecture Review: “Planting the Seed for the Austen Oeuvre ~ Mary Wollstonecraft and the Rights of Woman” ~ Guest Post by Margaret Harrington

Gentle Readers: I welcome this guest post by JASNA-Vermont member Margaret Harrington, as she offers a review of the lecture at our last meeting by Vermont author Nancy Means Wright (I would have posted this sooner, but Hurricane Matthew and the JASNA AGM last week kept me from my duties! – thank you Margaret for this write-up, and to Nancy for her terrific talk – see below for links, etc.)

**************

“Planting the Seed for the Austen Oeuvre ~
Mary Wollstonecraft and the Rights of Woman”
Presented by Nancy Means Wright,
Sept 18, 2016 to JASNA-Vermont

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Nancy Means Wright
in the Morgan Room at Champlain College

 When Nancy Means Wright started off her talk by saying that Mary Wollstonecraft was her alter ego, I knew an extraordinary experience was in store. Nancy brought up her own life and work experiences comparable to Mary Wollstonecraft’s, such as leaving home at a young age, coming from an impecunious family, all the while emphasizing the strength needed to keep trouble at bay. She quoted Mary Wollstonecraft’s early dictum, “I shall live independent or not at all.”

Mary Wollstonecraft, by John Opie 1790-91 (Wikipedia)

Mary Wollstonecraft, by John Opie 1790-91 (Wikipedia)

Then by using Mary Wollstonecraft’s own words in her letters, books, and beautiful illustrations in the power point presentation, Nancy projected us into a thrilling portrait of Mary Wollstonecraft as a caring young woman who made tremendous sacrifices for her family and friends. Concurrently Wollstonecraft formulated her revolutionary thought based on her own life experiences, her intellectual depth and daring, and her intolerance for sham and injustice.

The members of the Irish family with daughters for whom Mary worked as governess were elites of the Protestant Ascendancy. Only a few years older than her pupils, Mary labored to teach the girls to think. In a society which demanded that women obey their husbands and breed more Protestants, this was a revolutionary idea and eventually cost her that job.

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William Blake frontispiece to “Original Stories from Real Life” (Wikipedia)

The moment when Nancy Means Wright brought up the William Blake illustrations for Wollstonecraft’s Original Stories from Real Life* was when I knew I was captured by a masterful storyteller. Step by step Wright transported me into the thoughts and feelings of the founder of modern feminism. She vividly set the scene for Mary’s time in Paris when three hundred people a day passed her window on the way to the guillotine.

I am grateful to Nancy Means Wright who wove so beautifully the tragic facts of Wollstonecraft’s life into a living tapestry. A particularly moving account of Mary’s attempt to drown herself, after being spurned by her lover Gilbert Imlay, was enhanced by Wright’s reading of her own poem which evoked the sorrow which Mary herself did not write ( leaving the task to Nancy as alter-ego).

Later, participants from the audience talked about the slender but strong connection between Jane Austen and Mary Wollstonecraft. Scholars weighed in on the lack of evidence that Austen had read or even had access to A Vindication of the Rights of Woman. There was consensus that Wollstonecraft’s work magnified our understanding of the struggles of Austen’s women who are constrained in the class system of primogeniture and who use their wits to manage the inevitable marriage plot.

Wollstonecraft wanted women to take power, not over men, but over themselves. At the same time, in Wright’s words, “She herself couldn’t balance her principles with her passion.” There are so many deep thoughts that arise from Wright’s talk on the immortal, dynamic woman, Mary Wollstonecraft.

By Margaret Harrington, JASNA Vermont

You can find Margaret’s photos of the event on our facebook page here: https://www.facebook.com/events/2094244057466958/permalink/2116252491932781/

****************

*Full title: Original Stories from Real Life; with Conversations, Calculated to Regulate the Affections, and Form the Mind to Truth and Goodness – first published in 1788, with Blake’s illustrations in 1791. You can see all the illustrations at the Blake Archive here: http://www.blakearchive.org/exist/blake/archive/work.xq?workid=but244

You can find Nancy’s Mary Wollstonecraft mysteries here: http://www.nancymeanswright.com/index.htm#acts

  • Midnight Fires (2010) 
  • The Nightmare (2011) 
  • Wild Nights (2015) 
  • Acts of Balance: a Chapbook of Poems (2014) – featuring Mary Wollstonecraft
 c2016, Jane Austen in Vermont

Jane Austen & The Arts Conference ~ March 23-25, 2017 at SUNY-Plattsburgh

John Broadwood & Sons square piano (1797), NY-MMA - 1982.76

John Broadwood & Sons square piano (1797), NY-MMA

Mark your calendars! The “Jane Austen & The Arts” Conference, scheduled for March 23-25, 2017 at SUNY-Plattsburgh has just announced its speaker line-up – a terrific group! – here they are alphabetically: (and note that our very own Hope Greenberg will be sharing her thoughts on Fashion!)

  • Elaine Bander (Dawson College, CA), “Austen’s ‘Artless’ Heroines: Catherine and Fanny”
  • Barbara Benedict (Trinity College, CT), “‘What Oft was Thought’: Wit, Conversation, Poetry and Pope in Jane Austen’s Works”
  • Natasha Duquette (Tyndale University College, CA), “‘A Very Pretty Amber Cross’: Material Sources of Austenian Aesthetics”
  • Tim Erwin (UNLV), “The Comic Visions of Emma Woodhouse”
  • Marilyn Francus (West Virginia University), “Jane Austen, Marginalia, and Book Culture”
  • Marcie Frank (Cornell), “Theater and Narrative Form in Austen’s Mansfield Park”
  • Hope Greenberg (University of Vermont), “Jane Austen and the Art of Fashion”
  • Jocelyn Harris (University of Otago, NZ), “What Jane Saw–in Henrietta Street”
  • John Havard (Binghamton University), “Jane Austen and Woody Allen”
  • Jacqueline George (SUNY New Paltz), “Motion Sickness: The Fate of Reading in ‘Modern’ Sanditon”
  • Nancy E. Johnson (SUNY New Paltz), “Jane Austen and the Art of Law”
  • John Lefell (SUNY Cortland), “The Art of Speculation in Austen’s Sanditon”
  • Ellen Moody (George Mason University), “Ekphrastic Patterns in Jane Austen”
  • Tonay J. Moutray (Russell Sage Colleges, NY), “Religious Views: Austen’s Picturesque and Sublime Abbeys”
  • Douglas Murray (Belmont University, TN), “Jane Austen Goes to the Opera”
  • Cheryl Nixon (University of Massachusetts), “Jane Austen and Family Law”
  • John O’Neill (Hamilton College), “Adaptation, Appropriation, and Intertextuality in Whit Stillman’s Love and Friendship”
  • Deborah C. Payne (American University), “Jane Austen and the Theatre? Perhaps Not So Much”
  • Peter Sabor (McGill University), Keynote Address: “Portrait Miniatures and Misrepresentation in Austen’s Novels”
  • Juliette Wells (Goucher College, MD), “‘A Likeness Pleases Everyone’: Portraiture, Ekphrasis, and the Accomplished Woman in Emma”
  • Cheryl Wilson (University of Baltimore), “Jane Austen and Dance”

More info here: https://janeaustenandthearts.com/

c2016 Jane Austen in Vermont