Pump Rooms and Gothic Terrors: How “Northanger Abbey” Came to Be

Today is Jane Austen’s birthday, and what better way to celebrate than to begin Sarah Emsley’s blog series on “ Youth and Experience: Northanger Abbey and Persuasion – a collection of essays by various scholars and Austen bloggers to be posted over the next several months – today starting here with a post on the very bumpy convoluted journey of Northanger Abbey into print. Austen would be 242; her Northanger Abbey and Persuasion joint publication will be 200 on December 2oth. Lots of reasons to celebrate!

As we begin this bicentennial celebration of the publication of Northanger Abbey (along with its companion Persuasion) we must first give full voice to how this publication came to be. And what we find are lots of questions, much scholarly debate on when Austen wrote it, when and how much she revised it, and why it sat around for so long before seeing the light of day. This publishing journey of NA is a fascinating story, pieced together by scholars from Austen’s letters, extant publisher records, and a good deal of speculation. And we still have a host of unanswered questions…

But first, I’d like to tell the story of my first reading what has been labeled the least-liked of Austen’s novels:

I did not read it until about 27 years ago; it was the one Austen book I had sought to avoid (all that bad PR)…when I first read it I was sorely disappointed and thought it silly, and Henry a condescending boor; I read it exactly one year later for a seminar, and found it quite funny, almost laugh-out-loud funny, and Henry quite charming. I read it again several years later and just enjoyed it thoroughly, finding more humor and more depth in every sentence; and now, after reading it a good number of times more, very close readings, even Underlining (I NEVER do this!), and re-reading sentences, looking up all references, etc., I have to say that I LOVE this book, there is so much in it, so very funny, so very serious in its lessons, and Henry is quite to die for!  So many people I talked to about this book have said that they either have not read it, or didn’t like it when they did (I tell everyone that you must read it at least three times)…. and then there are the few that have read it and re-read it and find that this novel, really Austen’s tribute to the Novel and Reading (one must note that in addition to the nine “horrid” novels discussed by Isabella and Catherine, there are a total of twenty-two references to books:  novels, histories, landscape sources, philosophy, Shakespeare, etc. ….!), is quite an amazing literary jewel! Indeed, it has four of my all-time favorite quotes:

Continue reading

Musing on a Passage in Jane Austen’s “Persuasion” ~ Guest Post by Heather Brothers

Gentle Readers: I welcome today one of our JASNA-Vermont members, Heather Brothers, as she muses on a certain passage in “Persuasion” that she “discovered” during a recent re-listen. We’ve had a bit of an email discussion over this, so now want to it share with you and solicit your thoughts too.

Persuasion-Naxos-Stevenson

The Musgrove’s Parlour

Several years ago I came upon the audio version of Persuasion as read by Juliet Stevenson. The manner of her reading infused more meaning into Persuasion than I ever picked up reading it myself. And through listening to this several times, I have noticed some fascinating passages that I would otherwise have overlooked. Here is one and I am happy to share others:

Anne-MrsMusgrove-Kellynch

Anne Elliot and Mrs Musgrove: http://www.kellynch.com/Anne.php

Anne has arrived at Uppercross and is going to visit the Musgroves with Mary…

To the Great House accordingly they went, to sit the full half hour in the old-fashioned square parlour, with a small carpet and shining floor, to which the present daughters of the house were gradually giving the proper air of confusion by a grand piano forte and a harp, flower-stands and little tables placed in every direction. Oh! Could the originals of the portraits against the wainscot, could the gentleman in brown velvet and the ladies in blue satin have seen what was going on, have been conscious of such an overthrow of all order and neatness! The portraits themselves seemed to be staring in astonishment.

[Persuasion, Vol. I, Ch. 5]

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I have come to understand that Persuasion is written on the cusp of a new time period. Just before this passage above, Mr. and Mrs. Musgrove are described as representing the old ways and the two Miss Musgroves as the new ways. I get the impression that Jane Austen is using even the parlor in the Musgrove house as showing this change – that the minutia of interior design itself represents a change from the old ways to the new ways.

What was happening in interior design at this time? What architectural changes were taking place? I understand from fashion that ionic columns and flowing lines were the mode, but simplicity doesn’t seem to be the case with the Musgrove girls’ additions to the parlor. When I read this piece to my husband, who is an architect, he immediately got the impression that the girls were over-decorating; that they were building up the style to improve and impress.

This leads me to think that the astonishing overthrow of all order and neatness is both referring to the style of the room but also to the girls themselves. What would the portraits have thought of Henrietta and Louisa Musgrove in their endless pursuit of happiness, fun and excitement?

Seen in an earnest light, Henrietta and Louisa’s behavior is seriously flawed. Henrietta almost loses a good, stable life with a man she really likes and Louisa almost kills herself through taking their love-struck silliness to too high of a level. Did it all start in the parlor? Would the piano forte have been sufficient, but the additional harp, flower-stands and little tables represent the overthrow of moderation? Is Jane Austen’s commentary on the parlor a harbinger of what’s to come for these girls or for society?

If anyone can recommend books on this subject – please let me know!

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This portrait may serve as an example of what Jane Austen is referring to, hanging on the Musgrove parlor walls “against the wainscot,” where all is “order and neatness.”

devis2alg

1742-1743 the John Bacon family, by Arthur Devis
(Yale Center for British Art – New Haven, CT)
[Source: http://www.gogmsite.net/reign-of-louis-xv/1742-1743-john-bacon-family.html]

Austen packs into this one rather obscure sentence much about what is going on in the Musgrove household and the wider world! Thoughts anyone?

cover-IntroGent-BrothersHeather Brothers is one of our “Team of Janeites” in Vermont who helps with Hospitality and Boutique sales at our quarterly meetings. She is a young mother of two adorable girls, and also the author of a Regency-era novel, The Introduction of a Gentleman (2013) – it is a terrific read – you can find it on Amazon (and interesting to note that the cover depicts a young lady sitting at a pianoforte!)

Heather has also initiated at our meetings “The Awesome Austen Moment” – where we ask someone to read aloud a short passage from any of the Works, just to remind us all exactly what Austen could convey in any given sentence, this Persuasion piece a perfect example.

You can read more about Heather and her book here:

You are Cordially Invited … the JASNA Vermont Region: All About Jane Austen and the Royal Navy, and the Dastardly Deeds of the Prince Regent!

austen silhouette

Our Next Meeting!

June 8, 2014

You are Cordially Invited to JASNA-Vermont’s June Meeting 

A Peek into Jane Austen’s Regency World 

Lisa Brown

“‘Of Rears and Vices I Saw Enough’~
The Royal Navy in Mansfield Park and Persuasion

and A. Marie Sprayberry

“Sex, Power, and Other People’s Money ~
The Prince Regent and His Impact on Jane Austen’s Life and Work” 

Sunday, 8 June 2014, 1:00 – 3:30 p.m.

Fletcher Free Library, Fletcher Room
235 College St, Burlington VT

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Lisa & Marie

Lisa & Marie

Lisa Brown will present an enlightening talk on how the Royal Navy figures in Mansfield Park and Persuasion. We will learn about the uniforms, the ships, the rating system, prize money, and more; as well as discover how very knowledgeable Jane Austen was about the Royal Navy because of her brothers’ involvement. Various uniforms will be on display – but, alas! without a Captain Wentworth in sight!

A. Marie Sprayberry investigates why Jane Austen wrote of the Princess of Wales in 1813: “Poor Woman, I shall support her as long as I can, because she is a Woman, & because I hate her Husband.” The Prince Regent brazenly personified the three themes of sex, money, and power – as long as the money was someone else’s! But did Jane Austen have particular reasons for disdaining him? And how might her views of the Prince have influenced her work? Photos of contemporary royal commemorative china and medals will illustrate the talk, all from Marie’s collection.

*Lisa and Marie are co-regional coordinators of the Syracuse Region; Lisa also co-chairs the Rochester Region, is an ECD teacher, owns a Regency era costume business, and has given various talks on the Royal Navy and Regency fashion; she works as a proof reader. Marie has spoken to JASNA on the Prince Regent and will be speaking at the Montreal AGM on “Fanny Price as Fordyce’s Ideal Woman?” She works from her Syracuse home for a NYC-based publisher.

Free & open to the public ~ Light refreshments served 

You can see the event flyer here: June 2014 flyer

Hope you can join us!

c2014, Jane Austen in Vermont

A Jane Austen Immersion ~ Learning about Persuasion on Lake George, New York.

I am posting here several pictures from the JASNA-New York Capital Region’s Retreat from a few weeks ago – a fabulous time was had by all as we learned about, discussed, laughed over, and watched Jane Austen’s Persuasion. The overnight retreat was held at the Wiawaka Holiday House located on Lake George, New York, a perfect setting for a 24-hour immersion in the early 19th century. [See here for information on the weekend]

Wiawaka House c2013 Mary Huber

Wiawaka House c2013 Mary Huber

The event was facilitated by member Billie Franchini, who offered up great discussion questions, and kept us all on track and everything running very smoothly. We had the pleasure of listening to local author Marilyn Rothstein talk about the Regency Period, with tales of the Prince Regent, life in London for the upper classes, and Beau Brummell.

Hammond-BeauBrummell[Beau Brummell, by Aubrey Hammond, in Lewis Melville, Beau Brummell (NY: Doran, 1925) – at Hathi Trust]

Lisa Brown, from the Syracuse and Rochester JASNA regions (and who has said she really just joined JASNA so she could talk about her first Love, The Royal Navy!), gave an enlightening talk on the uniforms of the Royal Navy from the period, as she passed around various examples of jackets made of superfine wool with epaulettes and buttons that we could handle and ooh! and aah! over [alas! – all empty with no Captain Wentworth in sight!]

the all-important epaulette c2013 D Barnum

the all-important epaulette c2013 D Barnum

Navy Uniforms 1795-1812 - Lisa Brown

Navy Uniforms 1795-1812 – Lisa Brown

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Lisa spoke the next day as well on “How Captain Wentworth Made His Fortune” – wherein we learned about the various ships of the period (and those that Wentworth commanded), the rating system, how one became an officer with hopes of success in battle and a future as an admiral, how one earned their prize money, how often a sailor was relegated to half-pay status [think Capt. Harville] and how very knowledgeable Jane Austen was about the Royal Navy because of her brothers’ involvement. Lisa is a veritable encyclopedia about the RN and she handled our peppering with questions admirably! [very excited to announce that Lisa will be speaking at our JASNA-Vermont June 2014 meeting!]

 c2013 Mary Huber

Lisa’s exhibits – c2013 Mary Huber

Tea on the Porch! c2013 D Barnum

Tea on the Porch! c2013 D Barnum

The weekend ended with a sumptuous Tea, prepared mostly by RC Pat Friesen, and a final discussion of the joys of viewing the movie adaptation of Persuasion – thankfully the one with Amanda Root and Ciaran Hinds! – which we had done the night before… one never tires of this nearly perfect adaptation, and one always sees things not seen before, moreso when viewing it with a group…

persuasionmovieimage

A lovely 24-hour immersion! – up for next year is Northanger Abbey, and a more perfect setting I cannot imagine. Thank you all in the Capital Region JASNA group for making us all feel so very welcome and offering up insightful Austen discussion!

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Breakfast with Billie and Sara - c2013 Mary Huber

Breakfast with Billie and Sara – c2013 Mary Huber

Lunch! - c2013 Mary Huber

Lunch! – c2013 Mary Huber

c2013 Mary Huber

c2013 Mary Huber

c2013 Lisa Brown

c2013 Lisa Brown

JASNA-NYCR-flier

Further reading:

All photos reprinted courtesy of Mary Huber, Lisa Brown, and Deb Barnum; you can view more photos of the retreat here:

Part III ~ Summering with Jane Austen ~ in New York State!

In my ongoing posts on the variety of summer events featuring Jane Austen, here are two upcoming events this June, both sponsored by JASNA regions in New York State.

Here are the details: please visit the websites for more information on how to register…

JASNA-Rochester's Jane Austen Weekend

JASNA-Rochester’s Jane Austen Weekend

War of 1812 Bicentennial and Jane Austen Weekend

Mumford, New York – June 22 & 23, 2013 – Both war and civility of the early 19th century come alive at Genesee Country Village & Museum June 22 & 23, from 10am to 4pm. Details are here: http://www.gcv.org/EventCalendar/EventDetails.aspx?eid=15

A verity of period activities have been planned to celebrate both the 200 anniversary of the War of 1812 and the publishing of Jane Austen’s Pride and Prejudice:

The 23rd US Regiment of Infantry will read the Declaration of War and recruit men and women to fight for our young nation against the tyranny of King George III.  See target shooting, military uniform displays, and tactical demonstrations to better understand the way war was waged in upstate New York.

The Jane Austen Society of North America: Rochester Chapter  will attempt a marathon reading of Miss Austen’s most famous work, Pride and Prejudice.  There will also be lectures and demonstrations of Social Etiquette, the Secret Language of the Fan, and an 1812 Fashion show.

The Country Dancers of Rochester (CDR) will demonstrate English Country Dancing and encourage visitor to participate in a few easy dances on the village Square.  On Saturday, June 22nd from 6pm to 9pm, CDR will also play host at a Netherfield Ball.  Open to the public, this ball is a chance to be Miss Bennet or Mr. Darcy and dance an evening away as Miss Austen herself would have done.  Enjoy live music, lively dancing, and light refreshments.  Space is limited; purchase tickets by contacting events@gcv.org.

Walk through the village to see life in a small town on the brink of war.  Visit the merchants; maybe buy a bonnet or take a carriage ride.  Drop in on the Militia Camp, or try your hand at quill pen writing.  There is so much to do for all ages.  Find out more at www.gcv.org.

  • The Jane Austen Society of North America is dedicated to the enjoyment and appreciation of Jane Austen and her writing.
  • Country Dancers of Rochester sponsors traditional New England Contra Dances and English country dances.
  • The 23rd US Regiment of Infantry is dedicated to learning about history by recreating it.
  • The Genesee Country Village & Museum was founded with the goal of preserving prime examples of architecture from upstate New York to provide historical context for the telling of the history of New York State and America in the 19th century.
23rd US Regiment of Infantry

23rd US Regiment of Infantry

View flyer for the event here: War of 1812 Weekend Press Release 13-06-22

Contact: Lisa Brown
Co-Coordinator of the Rochester Region
Jane Austen Society of North America
Jasnaroc [at ] mail [dot] com

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JASNA-NY Capital Region’s 2nd Annual Retreat

Next up is the Jane Austen Society of North America-New York Capital Region’s 2nd Annual Retreat, this year on Jane Austen’s Persuasion

When: June 30-July 1, 2013

Where: Wiawaka Holiday House in Lake George, New York

Wiawaka Holiday House on Lake George

Wiawaka Holiday House on Lake George

Join the Jane Austen Society North America-New York Capital Region for the 2nd Annual Jane Austen Retreat at Wiawaka on Lake George. Participants of the weekend will join scholars and enthusiasts in exploring Austen’s world through facilitated discussions of Persuasion, viewing and discussion of filmed adaptations of the novel, display of period dress, and presentations from well-known Austen speaker Lisa Brown and local author Marilyn Rothstein. The retreat will conclude with a picnic tea on the grounds. (Bring a lawn chair!)

In addition to planned events, the retreat will allow time for you to enjoy the splendors of the beautiful Lake George setting by exploring the cottages and grounds, the gardens, the docks and the lakes.

Schedule of Retreat Events  

Sunday, June 30

  • Morning Registration
  • Afternoon Lunch
  • Introductions and opening discussion
  • Presentation: Introduction to the Regency Era (Marilyn Rothstein)
  • Presentation: Period Navy uniforms and regalia (Lisa Brown)
  • Evening Dinner
  • View Persuasion film and discuss

Monday, July 1

  • Morning Breakfast and discussion of novel
  • Presentation: “How Captain Wentworth Made His Fortune” (Lisa Brown)
  • Afternoon Picnic Tea

Registration and Costs  

  • Members of JASNA: $15
  • Non-members: $25* [If you join JASNA before the Retreat, you will pay the member price]

View flyer for the event here: Retreat Flyer New Draft

See The Wiawaka Holiday House website   for information about costs for lodging and meals and to make your reservation.

To learn more about the Retreat or the JASNA-New York Capital Region, contact:

Pat Friesen, Regional Coordinator at:  mcfriesen2 [at] gmail [dot] com

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Hurray, this one is not so very far from me and I am planning on going – who can resist 2 days of learning, viewing, and discussing Persuasion! Anyone want to join me?

Persuasion (1995) - The Cobb

Persuasion (1995) – The Cobb

Other events posted about:

Stay tuned – more to come!

c2013 Jane Austen in Vermont

Austen on the Block!

Several interesting (and largely expensive!) items will be up for auction in the next month:

CHRISTIES: Sale 8952: Fine Printed Books and Manuscripts, 18 June 2013, London.

P&Ptp - christies 6-18-13Lot 174: 

AUSTEN, Jane (1775-1817). Pride and Prejudice. London: T. Egerton, 1813. 3 volumes, 12° (173 x 115mm). (Lacking half-titles, P2 at end of volume one with small marginal repair, tiny orange marginal mark to L5v of vol. II and lighter mark on a few other leaves, some spotting occasionally heavier.) Contemporary calf (rebacked, extremities lightly rubbed).

Second edition. Pride and Prejudice was written between October 1796 and August 1797 when Jane Austen was not yet twenty-one, the same age, in fact, as her fictional heroine Elizabeth Bennet. After an early rejection by the publisher Cadell, Austen’s novel was finally bought by Egerton in 1812 for £110. It was published in late January 1813 in a small edition of approximately 1500 copies and sold for 18 shillings in boards. The present second edition is thought to have been published in October that same year. Gilson A4; Keynes 4. (3)

Estimate: £3,000 – £5,000 ($4,527 – $7,545)

 

Lot 175: 

AUSTEN, Jane (1775-1817). Sense and Sensibility, London: printed for the Author and published by T. Egerton, 1813. 3 volumes, 12° (176 x 105mm). (Lacking half-titles and without final blanks, occasional light spotting.) Contemporary calf, gilt spines (joints splitting, corners very lightly bumped, small blank stain to vol. II). S&S - Christies 6-18-13

Second edition of Jane Austen’s first published novel which grew from a sketch entitled Elinor and Marianne, written in 1795 in the form of letters; it was revised 1797-1798 at Steventon; and again in 1809-1810, the first year of Jane Austen’s residence at Chawton. Thomas Egerton undertook the publication of the first edition in 1813 on a commission basis, and Jane Austen ‘actually made a reserve from her very moderate income to meet the expected loss’. The price of the novel was 15 shillings in boards and advertisements first appeared for it on 30 October 1811. The present second edition is believed to have been printed in October 1813 as the first edition sold out in less than two years. Gilson A2; Keynes 2. (3)

Estimate: £3,000 – £5,000 ($4,527 – $7,545)

Lot 192:

SETS, English and French literature — AUSTEN, Jane. Works. Illustrated by C.E. Brock. London: 1907. 6 volumes, 8°. Contemporary red half calf, spines lettered in gilt (extremities rubbed). [With:] ELIOT, George. Works. Library Edition. Edinburgh: 1901. 10 volumes, 8°. Contemporary blue half roan, spine tooled in gilt (spines evenly faded, extremities rubbed). [And:] BALZAC, Honoré de. Oeuvres completes. Paris: 1869-1876. 24 volumes, 8°. Contemporary red half roan, spines lettered in gilt (extremities rubbed). And 5 related others [ie. Maupassant, Corneille, Rabelais, Macaulay] in 33 volumes, 12° and 8°. (73)

Estimate: £500 – £800 ($755 – $1,207)

PP lizzy - brock

Brock – P&P

[Image from Mollands]

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Other items of interest at this Christie’s auction (i.e., what I would love to have!):

Lot 75:

ACKERMANN — Microcosm of London. London: T. Bensley for R. Ackermann [1808-1810, plates watermarked 1806-1808]. 3 volumes, 4° (330 x 272mm). Engraved titles, engraved dedication leaves, and 104 hand-coloured aquatint plates by Buck, Stadler and others after Rowlandson and Pugin. (Lacking half-titles, light offsetting from the plates onto the text, some text leaves evenly browned.) Late 19th- early 20th-century red half calf, spine gilt in compartments, morocco labels (spines lightly and evenly faded).

ackermann london - christies 6-18-13

ONE OF ACKERMANN’S FINEST BOOKS, the rumbustious figures of Rowlandson are the perfect foil to Pugin’s clear and accurate architectural settings. Printing continued for nearly 30 years but, as Abbey notes, the ‘original impressions of these splendid plates have a luminous quality entirely absent from later printings’. This copy is evidently bound from the original parts: with the first issue of the contents leaf in volume 1, and all the errata uncorrected in volumes 2 and 3, and 5 out of 6 errata corrected in volume 1. This copy shows 2 of Abbey’s first state points for the plates: at plates 8 and 11 in volume 1. Abbey Scenery 212; Tooley 7. (3)

Estimate: £3,000 – £5,000 ($4,527 – $7,545)

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BONHAMSBooks, Maps, Manuscripts and Historical Photographs 20752, 19 Jun 2013 London.

Lot 139: 

S&S1st - bonhams 6-19-13[AUSTEN (JANE)]. Sense and Sensibility: a Novel. In Three Volumes. By a Lady, 3 vol., first edition, without half-titles, final blank leaf present in volume 2 only, some pale foxing and staining, contemporary calf, sides with gilt and blind-tooled borders, rebacked preserving most of original backstrips and red morocco labels [Keynes 1; Gilson A1; Sadleir 62a], 12mo (173 x 104mm.), Printed for the author, by C. Roworth… and published by T. Egerton, 1811. FIRST EDITION OF JANE AUSTEN’S FIRST PUBLISHED NOVEL. According to Keynes, Egerton printed no more than 1000 copies, priced at 15 shillings in boards; all were sold by the middle of 1813.

Estimate: £15,000 – 20,000  US$ 23,000 – 30,000 €18,000 – 23,000

 

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Also of note in this auction: a first edition of Jane Eyre

Lot 147: 

[BRONTE (CHARLOTTE)]. Jane Eyre. An Autobiography, 3 vol., first edition, with all but two of the printing flaws listed by Smith, half-titles in each volume (but without the additional fly-leaf and advertisements), volume 2 with additional 8-page ‘Ready Money Price List of Drawing & Painting Materials… Alexander Hill’ tipped-in on front free endpaper (seemingly removed from other volumes), original price of “31/6” marked in pencil on front paste-down of volume 1, a few leaves slightly creased, some light foxing and occasional soiling in margins, UNTRIMMED IN PUBLISHER’S GREY BOARDS with grey/brown diaper half cloth spine, rubbed, spine label to volume 1 chipped with loss of 2 or 3 letters, split to lower joint of volume 2, crease to upper cover of volume 3, [Sadleir 346; Smith 2; Grolier, English 83], 8vo (199 x 122mm.), Smith, Elder, and Co., 1847janeeyre - bonhams 6-19-13

 

Footnotes

FIRST EDITION OF THE FIRST BRONTE SISTERS NOVEL: AN EXTREMELY RARE VARIANT IN ORIGINAL BOARDS, ENTIRELY UNTRIMMED AND WITH THE ORIGINAL PRICE OF ’31/6′ MARKED IN PENCIL. The binding seems to correspond with Smith’s variant B (allowing for some fading of the cloth over the years), but with white rather than yellow endpapers and a further slight variation in the printed spine labels, those on the present set having no semi-colon after “Eyre” and the words “In Three Volumes” inserted above the volume number. We can find no trace of any other copy in original boards having sold at auction.

Provenance: the tipped-in small price list of drawing and painting materials suggests an Edinburgh connection at or soon after the time of publication. Alexander Hill (of Princes Street, Edinburgh, younger brother of the painter David Octavius Hill) was publisher, artists’ colourman and printer to the Royal Scottish Academy from 1830 until his death in 1866. In 1847 he was also appointed printseller and publisher in Edinburgh to Queen Victoria and Prince Albert (see National Archives, LC 5/243 p.61). The price list tipped-in to this copy gives Hill’s address as 67 Princes Street, where he had a shop from 1839 until his death, and mentions the royal appointment, reference to which he seems to have dropped by 1853.

Estimate: £30,000 – 50,000  US$ 45,000 – 75,000 €35,000 – 58,000

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BONHAMS:  Fine Books and Manuscripts 20981: June 25, 2013, New York

Lot 3259

[Austen, Jane]. Northanger Abbey: and Persuasion. With a Biographical Notice of the Author. London: John Murray, 1818. 4 volumes. 12mo (180 x 105 mm). [2], xxiv, 300; [2], 331, [2], 280; [2], 308 pp. Without half-titles. Period half calf over marbled boards, spines gilt. Extremities rubbed, typical light spotting and toning, pp 251-262 in vol 3 creased at outer margin, ffep. in vol 1 loose, volume 4 more so with a crack down spine, a little re-touching to vol 2 spine.

NA P 4v- Bonhams image

Provenance: T. Hope (early ownership stamps); purchased by the family of the current owner in 1960 from McDonald Booth. FIRST EDITION IN CONTEMPORARY BINDING of Jane Austen’s last published work, issued a year after her death. Persuasion was in fact her first novel, but its first appearance is in this set. This was also her only four-volume publication, all previous works were issued in “triple-deckers.” Gilson A9; Sadleir 62e.

Estimate:  US$ 5,000 – 8,000 £3,300 – 5,300 €3,900 – 6,200

 

Lot 3260: 

E - bonhams 

[Austen, Jane]. Emma: A Novel. In Three Volumes. By the author of “Pride and Prejudice” &c. &c. London: Printed for John Murray, 1816. 3 volumes. 12mo (176 x 112 mm). [6], 322; [2], 351, [1]; [4], 363, [1 ad] pp. Half-titles in vols 1 & 2. Old green marbled boards rebacked to style in calf, green morocco spine labels. Intermittent spotting and browning; vol 2 L8 with corner tear crossing a few letters.

FIRST EDITION. Emma is the only one of Jane Austen’s novels to bear a dedication, to the Prince Regent. It was her fourth novel to be published with a print run of 2000 copies. Gilson A8; Sadleir 62d.

Estimate:  US$ 8,000 – 12,000 £5,300 – 8,000  €6,200 – 9,300

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And finally, this letter from Frances Burney to her father comes to auction in just a few days:

Dreweatts / Bloomsbury auction: Important Books & Manuscripts – 30th Anniversary Sale,30 May 2013 London

Lot 171:  

burney letter - dreweatts 5-30-13

Burney  (Frances [Fanny], married name D’Arblay, writer, 1752-1840) Autograph Letter initialled “FB d’A” to her father, Charles Burney, “My dearly beloved Padre”, 4pp. with address panel, 8vo, Chenies Street, 12th June 1813, lamenting that she had not been able to visit him, “but some Giant comes always in the way. Twice I have expected Charles [Charles Burney (1757-1817), schoolmaster and book collector; brother of Fanny], to convey me: but his other engagements have made him arrive too late”, social activities, “Yesterday I dined with Lady Lansdowne, & found her remarkably amiable. She is niece to a person with whom I was particularly acquainted of old, at the Queen’s house, Mr. Digby, who was vice Chamberlain; & that made a little opening to converse… Lady Anne was in high spirits, & full of sportive talk & exhilarating smiles. We had no sort of political talk. All was elegant, pleasing, & literary”, and Sir Joshua Reynolds portrait of Dr Burney, “Every body talks of your portrait at Sir Joshua’s exhibition, & concurs in saying it is one of the best that greatest of English Masters ever painted. I have not yet, to my infinite regret, found time for going thither. Mrs. Waddington will positively take me once to Chelsea, to pay her respects to you; but she is prepared for being denied your sight, if you should be ill-disposed for company. Sally must see her at all events: besides she is a great admirer of Traits of Nature”, ink postal stamp, remains of red wax seal, folds, slightly browned.

*** Unpublished; not in The Journals and Letters of Fanny Burney (Madame D’Arblay), edited by Joyce Hemlow & others, Oxford, The Clarendon Press, 1972-75.

Estimate: £3,000-4,000

[Images and text from the respective auction sites]

c2013, Jane Austen in Vermont

Happy Valentine’s Day! ~ Giveaway of Elsa Solender’s Jane Austen in Love!

What a strange thing love is!

[Emma, vol. I, ch. XIII]

[Please see below for book giveaway instructions]

What better way to celebrate Valentine’s Day than to think of Love in Jane Austen terms.  I think we can say that it is a “truth universally acknowledged” that Captain Wentworth’s letter to Anne in Persuasion* is the grandest expression of Love in all of literature – who would not want to receive such a letter as this?  But what of Love in Jane Austen’s own life? – we know so little; where did Mr. Darcy come from, or any of her other heroes?  What of True Love in her own life? We can only imagine… so I lead you to a fine imaginative rendering of ‘Jane Austen in love’ in Elsa Solender’s Jane Austen in Love: An Entertainment.  When published last February, it was only available as an ebook, delightful to read but nothing to put upon the shelf.  We had to wait until this past December to see it finally published in real book form at Amazon.com.

book cover - ja in love - solender

book cover

At the time of its release as a kindle book, Elsa graciously “sat” for an interview here at Jane Austen in Vermont – you can read that here. And as my review was to be published in the JASNA News (just out in the Winter 2012 issue), I did not post a review of the book on this blog; Diana Birchall very graciously did so for me here.  But as my review is now published and available online, I append it here in part and then direct you to the JASNA site for the remainder [Note: all book reviews in the JASNA News are available online from 1998 to the present: click here.]  – and Elsa has offered a copy for a book giveaway [see below] in celebration of Valentine’s Day!

kindle cover

kindle cover

 “The Many Loves of Jane Austen” 

Jane Austen in Love: An Entertainment, by Elsa Solender.

Review by Deborah Barnum

Imagine a young Jane Austen reading aloud her History of England, Cassandra sketching Henry as Henry V, their Mother as Elizabeth I, and Jane as Mary Queen of Scots; or young Jane at school nearly dying of typhus; or hearing Jane’s thoughts on first encountering Madame Lefroy; or sparking a laugh from the intimidating Egerton Brydges. Imagine the suitor you might like your Jane Austen to meet by the seaside, she falling madly in love but destined to suffer the pangs of lost love, forever irreplaceable. If your mind tends to such as you try to fill in the many blanks in Austen’s life, you might find that Elsa Solender, in her Jane Austen in Love: An Entertainment, has done a wondrous job of doing it for you.

Ms. Solender, former president of JASNA and a prize-winning journalist, has taken her story “Second Thoughts,” runner-up in the 2009 Chawton House Library Short Story Contest, and expanded this one moment in Austen’s life to other places and times, all through the lens and voice of Cassandra Austen—it is part real, part imaginary, and part Austen’s own fiction, dialogue and story all beautifully woven together in this tribute to love in the life of Jane Austen—her love for her sister, her family, her cousin Eliza, and her mentor and friend Madam Lefroy; her flirtation with Tom Lefroy; the proposal from Bigg-Wither; and her Mysterious Suitor of the Seaside.

This is Cassandra’s story…

Continue reading… 

Amazon Digital Editions, 2012. 319 pages. Kindle. $6.99
Amazon Create Space, 2012. 368 pages. Paperback. $12.99

Elsa Solender in LondonAbout the author: Elsa A. Solender, a New Yorker, was president of the Jane Austen Society of North America from 1996-2000. Educated at Barnard College and the University ofChicago, she has worked as a journalist, editor, and college teacher in Chicago, Baltimore and New York. She represented an international non-governmental women’s organization at the United Nations during a six-year residency in Geneva. She wrote and delivered to the United Nations Social Council the first-ever joint statement by the Women’s International Non-Governmental Organizations (WINGO) on the right of women and girls to participate in the development of their country. She has published articles and reviews in a variety of American magazines and newspapers and has won three awards for journalism. Her short story, “Second Thoughts,” was named one of three prizewinners in the 2009 Chawton House Library Short Story Competition. Some 300 writers from four continents submitted short stories inspired by Jane Austen or the village of Chawton, where she wrote her six novels. Ms. Solender was the only American prizewinner, and she is the only American writer whose story was published in Dancing With Mr. Darcy, an anthology of the twenty top-rated stories of the contest.

Ms. Solender’s story “A Special Calling” was a finalist in the Glimmer Train Short Short Story Competition. Of more than 1,000 stories submitted, Ms. Solender’s story was ranked among the top fifty and was granted Honorable Mention. She has served on the boards of a non-profit theater, a private library and various literary and alumnae associations. Ms. Solender is married, has two married sons and seven grandchildren, and lives in Manhattan.

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For Valentine’s Day, Elsa has graciously offered a copy of her book [as she did with her ebook] to the winner of a random drawing – please comment below on what reading Jane Austen has taught you about Love Or you can pose a question to Ms. Solender. Deadline is Thursday February 21, 2013 at 11:59 pm; winner will be announced the next day. Domestic mailings only [sorry global readers, but our postal service has skyrocketed their overseas prices!]

Thank you Elsa, and good luck everyone!

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'Placed it before Anne'

‘Placed it before Anne’

[Image: C. E. Brock, Persuasion, vo. II, ch. XI; from Mollands.net]

*Captain Wentworth’s letter: [because I cannot resist]

‘I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone I think and plan. – Have you not seen this? Can you fail to have understood my wishes? – I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. – Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in 

F. W. 

‘I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look will be enough to decide whether I enter your father’s house this evening or never.’       [Perusasion, Vol. II, ch. XI]

c2013 Jane Austen in Vermont