Interview with Hazel Jones, author of “The Other Knight Boys: Jane Austen’s Dispossessed Nephews”

Enquiring Readers: Today I welcome Austen scholar Hazel Jones in an interview about her newest book The Other Knight Boys: Jane Austen’s Dispossessed Nephews. If you have been following my blog Reading with Austen: Returning the Lost Sheep of Godmersham, you have seen the several posts on the diaries of Charles Bridges Knight, i.e all the excerpts that Hazel shared with me of Charles’ references to his reading in the library at Godmersham Park, home to his father, and Jane Austen’s brother, Edward Austen Knight [see below for links to these posts]. Hazel has been researching not only the life of Charles, but also the lives of the five other sons of Edward [all six in order are: Edward, George, Henry, William, Charles, and John]. Her recently published book just flows with tales of their childhood into manhood adventures. I highly recommend it, many of the stories worthy of an Austen novel!

So, Welcome Hazel!

JAIV: Can you give a brief summary of the book?

HJ: Jane Austen’s letters provide clear-sighted glimpses of her six Knight nephews as they grew up, but hers was not the only pen to record their privileged upbringing. Cassandra and Henry Austen commented on Edward Austen Knight’s indulgence of his sons and worried about the boys’ ability to cope with future adversity in the wider world; their affectionate sister Fanny noted key moments in their lives – birthdays, holidays, marriages; Charles kept a detailed diary throughout  the 1830s and 40s. The Other Knight Boys explores the character of each nephew in turn, their professional and personal circumstances, their close fraternal bonds as well as the difficulties and disappointments they encountered in adulthood. For five of the brothers, future dispossession of their beloved family home at Godmersham as a consequence of birth order was a reality they had to live with. How it affected the choices they made forms the story that the book attempts to tell.

 JAIV: How did you end up doing this research on Austen’s nephews, the six sons of her brother Edward?

HJ: Quite by chance, in 2010, I was in a small party on a guided tour of Trafalgar (pronounced Traffle-gar) Park near Salisbury in Wiltshire. The property featured as Hartfield in the 1996 ITV film of Emma [with Kate Beckinsale], as well as Barton Park in Emma Thompson’s Sense & Sensibility.  Originally known as Standlynch Park, it was acquired in 1813 by Parliament for Nelson’s brother William, the new 1st Earl Nelson and re-named Trafalgar Park. The Nelson family lived here until 1946. In 2010, the owner was Michael Wade, whose housekeeper conducted us around the ground floor rooms. In the saloon she pointed out a stunning full length portrait of William Nelson’s beautiful wife, Hilare. Wait a minute, I thought, wasn’t she subsequently married to one of Jane Austen’s Knight nephews? Next followed some very intensive sleuthing which uncovered baptismal records in Cornwall and three marriages – to a cousin, to Nelson and eventually to George Knight of Godmersham. The Kent History and Library Centre and the British Library supplied more biographical material and in a room not usually open to visitors at Chawton House, I found a portrait of George as a young man. My research turned into an article on the couple for the 2016 Jane Austen Society Annual Report. After that came the urge to write about the other five Knight boys and uncover as much as possible about the women in their lives. Charles of course never married, but he had close relationships with his father, his brothers and their spouses.

[Portrait of Hilare Countess Nelson, by George Sanders, 1829-34. Courtesy of Martyn Downer and Michael Wade] 

JAIV: Your research took you to materials scattered throughout southern England – “Kent, Hampshire, and beyond” as you say (3). Was most of this known or did you discover any untapped sources?

HJ: The archives in Hampshire Record Office and the Kent Archives at Maidstone have been scoured pretty thoroughly by Austen scholars across many generations, although even here I discovered one or two sparkling gems which had never appeared in any other text. Previously ‘untapped sources’ for me were the Winchester College Archives, the matriculation records held at St John’s and University College in Oxford, the Nelson archive at the British Library and the War Office records at the National Archive, Kew. Articles in the Jane Austen Society Annual Reports (now accessible online) also filled in a number of gaps and put me in touch with other Austen / Knight researchers such as Margaret Wilson, who then provided material I would not otherwise have found. Sophia Hillan, Linda Slothouber, Maggie Lane and Deirdre Le Faye were also happy to have their generous flow of scholarship ‘tapped’. Karen ievers, Andrew Bradford and Hampshire Cultural Trust allowed me to see and reproduce previously unseen images.  

JAIV:  Of the six boys-to-men you researched, was there more information available from sources on any one more than others? And if so, was that frustrating? For instance I know that Charles kept extensive diaries for years – did any of the others leave such behind them?

HJ: Edward’s life is well documented, given that he was the eldest son and lived at Chawton House, but there are few examples, beyond business letters, of his own personal voice. George’s facility with language shines through his amusing poems and articles on cricket written for The Sporting Magazine. His restless character is evidenced by Fanny’s reports of his comings and goings between England and the Continent, his inability to settle to a career in the law and Charles’s revelation of his brother’s wish to try his luck in America. Letters were written to Fanny by all of the brothers, she records their arrival in her daily diary entries, but where are they now? I wish I had found a greater number of letters from Henry to Lizzy Rice. He comes across as the most contentedly independent and self-sufficient of all the brothers; the harrowing nature of his early death tugs at my heart strings. One or two of William’s letters have survived, together with contemporary descriptions of his youthful exuberance and Fanny’s revelation of his affair with the Knatchbull governess. John is the brother about whom least is known and the hardest to pin down on the page, yet his moving account of the loss of Godmersham is the most revealing of all.

JAIV: Edward, of course, was the heir, and while he appears to have maintained a close and friendly relationship with each of his brothers, there had to have been some bad feelings about how he really dispossessed all of them from their Godmersham Park home. Do you feel sympathetic toward him? Did he have any choice?

HJ: Edward’s siblings must have understood that maintaining Chawton House and Godmersham Park was impossible. The drain of his first and second families on Edward’s finances would have been excessive. The sons from his first marriage were at the stage where they required cash, so when Edward Austen Knight died, money came their way via their father. What appears inexplicable is Edward’s expensive and architecturally unsympathetic alterations to Godmersham in 1853, shortly before he decided to lease the property for 20 years. I can understand his attachment to Chawton – it had been his permanent home since 1826, although his frequent and lengthy returns to Kent each year might have misled his brothers and sisters into believing he would eventually move back and continue to make Godmersham available to all the family. When he sold it in 1875, of the brothers only John was still alive.

Chawton House

JAIV:  Some great drama in the family! What is your favorite story? [then I’ll tell you mine!]

HJ: Difficult to choose one … Louisa Lushington’s* description on her visit to Godmersham of the boys somersaulting into the river fully clothed comes near the top of the list and I rather like the story Henry and George concocted, featuring Uncle Henry Austen’s imprisonment for poisoning his second wife. Scandal is always irresistible too … Fanny’s snide references to Fanny Jones, the consequences of Edward’s elopement with Mary Dorothea, William’s affair with the governess.

*[The Journal of Louisa Lushington (1821-22), with an introduction by Linda Slothouber, Chawton House, 2017]

Ok, so you mention my favorite! Edward’s elopement with his sister’s step-daughter is quite compelling, and definitely worthy of a novel – I cannot tell anymore, readers – buy the book!

Photograph of a lost portrait of Edward Knight,
held by Kent County Cricket Club, Canterbury.

 JAIV: There was so much tragedy in their lives: not unlike their father and uncles (excepting the youngest John, and Charles who never married), all suffered the loss of first wives in childbirth or illness. It is really wrenching to read – how do you think they all handled this?

HJ: Tragedies such as these are almost unimaginable in our modern age of effective remedies, reliable diagnoses and informed medical expertise. Death in childbirth happened so frequently that many women – judging by their correspondence – did not expect to survive, so perhaps their husbands anticipated the worst before it happened. As for the Knight husbands, they certainly grieved for a time, it’s difficult to tell for how long, but from Charles’s diaries we learn that Edward was decimated by the loss of Mary Dorothea and that William and Henry were emotionally affected on the first anniversary of their wives’ deaths. Two or three years later, they are all married again, and embarking on the creation of second families. Life went on. Perhaps a combination of strong religious belief, practical rationality and fraternal support carried them through the worst. 

Elizabeth Bridges Knight – Jane Austen blog by Kleurrijk

JAIV: Any sense that the death of their mother after the birth of her 11th child (Brook John, known as John) in 1808 (Edward was 14) had a long-lasting effect on any/each of them?

HJ: John would not have remembered his mother and Charles’s recollections were probably indistinct at best. The affection the brothers felt for each other, for their sisters, and for their father – and his for them – strengthened the familial tie after Elizabeth’s death. Their easy, happy life at Godmersham appears to continue much the same as before, with Fanny standing in as a very capable and loving presence. Male and female occupations and interests were largely separate and distinct, which perhaps helped to lessen the sense of loss at the time and later. Edward, George, Henry and William were away at school for most of the year, Charles and John were initially under Fanny’s care until the time came for them to leave. Any long term effect might have manifested itself in a very understandable anxiety when their own wives became pregnant.

JAIV: Was Jane Austen a big factor in any of their lives growing up (she died when Edward was 23 in July 1817)? But when she became more popular and James Edward Austen Leigh (James’s son) wrote her memoir in 1869 – did any of Edward’s children contribute to that?

HJ: According to Anna Lefroy, Jane Austen was not loved by the Knight children, although they appreciated her story-telling skills. Anna had her own reasons for holding this view, but the probability is that Jane was merely tolerated by the nephews while at Godmersham, especially as they grew older and beyond female influence. Given their hunting, fishing and shooting pursuits, Jane called it ‘sporting mania’, they would see little of her during the day and there is evidence that at and after dinner, she found their their male acquaintance and their talk of wholesale slaughter distasteful. Maria Bertram, bored silly by Mr Rushworth’s boast of game bagged and poachers apprehended, comes to mind. A spinster aunt casting disapproving looks across the table, however, would have had little effect on these confident, indulged young men.  At Chawton, out of the hunting season, the nephews appear to have proved more congenial company, especially Henry and William, whose visits to the Cottage in their aunt’s final year are recorded with great affection in her letters. In 1822, Henry Knight wrote to his sister Lizzy that he expected Chawton to feel ‘sadly unreal’, surely on account of Aunt Jane’s absence, when he next visited.

James Edward Austen-Leigh attempted to access Fanny’s letters from Jane Austen, but did not succeed. He stayed with William Knight at the new Steventon Rectory for a day and night, in order to walk the familiar lanes and remind himself of where the old rectory used to stand. At the time the Memoir was written, Henry, George and Charles were dead.

JAIV: In reading about Edward’s family, do you feel that at any time in her writing that Jane Austen was modelling a character after a real-life family member?

HJ: No. [ha! Love this very succinct answer!]

JAIV: What surprised you the most? – Something previously unknown to you or anyone else in the Austen research world?

HJ: A small discovery involved Henry’s attendance at University College, Oxford. There is no reference to this in other texts and it was even a surprise to Deirdre Le Faye. Another concerns George’s final years, after his wife’s death. I am intrigued by his relationship, whatever it entailed, with Fanny Jones. George’s sister Lady Knatchbull certainly suspected something untoward, especially when her brother moved to Hereford to share a house with Fanny and her husband. One that almost got away is the small sheet of paper, Plate 8 in my book, comprising poems written by Edward Knight II and his second wife Adela. It was listed in the HRO catalogue, but missing from the file. It had still not surfaced when my last day at the Record Office came, but in the three hours it took to drive home, the Archivist had located, photocopied and forwarded it.

Charles Bridges Knight

JAIV: For instance, Charles went to Cambridge not Oxford like the rest of his family – do you know why that was?

HJ: One of my theories is that he was sent to Cambridge to detach him from certain school friends who had involved him in a rebellion at Winchester College in 1818. A number of the expelled ringleaders went on to Oxford, with which Winchester was closely associated. His sister Fanny reveals that Charles was ‘intended for the Law’ at this point – maybe Cambridge had a better reputation for training lawyers. One can only speculate.

JAIV:  All the brothers had very interesting and novel-worthy love interests – some thwarted by parental involvement – but there were elopements, governess shenanigans, some intermarriage with cousins, etc., some of which you have mentioned above  – Charles was the only brother not to marry – was there any love interest found in his diaries?

HJ: From time to time, Charles expresses a lukewarm interest in what he calls ‘domestic happiness’ but he recognized at the same time that it would very likely result in a diminution of his income and the luxury it afforded. While living at Godmersham he attended balls with his sisters, usually reporting afterwards that he had found them ‘stupid’ or that he ‘had not been up to the mark’. He is open to the appeal of women and notes their beauty, or lack of it, and liveliness. In the summer of 1847, when Charles was forty-four, heavily inked deletions appear in his diaries, which appear to be linked to Lizzie Pole, a young woman he encountered at Wolverton Rectory. That Charles himself was not responsible for these obliterations is a possibility, since not all of the references to ‘dear Lizzie’ are removed. His end of the year summary for 1847 expresses ‘shame and sorrow’ at his unbecoming behaviour and ‘cold unfeeling heart’. What happened remains a mystery.

JAIV:  Charles’ diaries are quite detailed and extensive. Are you hoping to do more with them? Make them available to a larger audience? [You were terrific in sharing excerpts from the diaries about Charles’ reading while at Godmersham – see links below]

HJ: Yes indeed. See the answer below!

JAIV: Your previous books, Jane Austen and Marriage (2009, paperback 2017 by Uppercross Press), Jane Austen’s Journeys (2014) are both excellent and informative reads where you discuss the times Jane Austen lived in and how the understanding of that helps us understand her plots and characters. Did you enjoy researching the real people in Austen’s life more or less than delving into a subject?

HJ: I loved creating both of my previous books, but have found biographical writing fascinating and wholly compelling (for that, read obsessive). The Other Knight Boys was my first foray as a writer into this territory and I must admit I did find this kind of study more absorbing than focusing on a set subject. It’s something of a cliché to say it, but I did develop a strong sense of each nephew as a living breathing individual, and consequently able to make informed leaps into speculative musing where there were gaps in the records. Where the boys’ experiences overlapped – attendance at Henry and Sophia’s wedding, for example, or the visit to Ireland on their sister Cassandra’s death – deciding in which chapter or chapters to locate the material and at the same time avoiding unnecessary repetition, was a very complex but rewarding process, rather like solving a six-dimensional puzzle.

JAIV: Which leads us to: What’s up next?

HJ: I am currently working with Peter Sabor on the transcription and annotation of Charles Knight’s diaries – 1832 – 1851.

[The Sophia Hillan book May, Lou & Cass: Jane Austen’s Nieces in Ireland  (Blackstaff Press, 2011) covers the lives of Marianne (May), Louisa, and Cassandra Jane – much has already been written about Fanny, so what about Elizabeth (Lizzy) – is there a story to tell there?

M.C. Hammond’s Relating to Jane has already covered Lizzy Rice’s life.

[JAIV: Goodness, I have this book on my shelf and have never read it – more than half the book is on Lizzy Knight!:  Relating to Jane: Studies on the Life and Novels of Jane Austen with a Life of Her Niece Elizabeth Austen/Knight,  by M. C. Hammond (Minerva Press, 1998)].

JAIV: What is your favorite Austen and why? Your favorite character?

HJ: This reminds me of that question from a famous BBC Radio 4 programme: ‘Which book would you choose to take with you to your desert island?’ My answer would have to be ‘The Complete Works of Jane Austen’.  I find it impossible to single out for special notice one novel or one character. Heroines, heroes and minor characters, they are all perfectly realized and crafted.

JAIV: An absolutely perfect answer! So, what else do you like to read?

HJ: I love reading biographies, by Claire Tomalin and Hermione Lee in particular, also intelligent detective and thriller fiction – P.D. James, Ian Rankin, Stella Rimington, Henning Mankell, Stieg Larsson, Kate Atkinson; authors from other genres include Dorothy Whipple, Hilary Mantel, C.J. Sansom, Tracey Chevalier … I could go on.

JAIV: well. Thank you for that – a perfect reading list to add to my already toppling TBR pile! [and I see that many of Dorothy Whipple’s books have been republished by the incomparable Persephone Books.]

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A hearty Thank You! Hazel, for sharing so much about your book and research into the world of Austen’s nephews. You give a very loving picture of their varied lives, emphasizing their continued connection and affection for each other, and giving us a compelling view into this next generation of the Austen family. The amount of your research alone astounds me! And again, I highly recommend it to all. If you have any questions for Hazel, please comment below and I will forward them to her for answering.

Hazel Jones, Denman College, Oxfordshire

About the author:

Hazel Jones taught English at Exeter University’s Department of Lifelong Learning. She has lectured to Austen Societies in the UK, USA, Canada, Australia, and the Netherlands and contributed articles to a number of their journals. Since 1995 she has tutored residential courses on Jane Austen’s life, letters and novels in a range of locations. Her published books include Jane Austen and Marriage (2009) and Jane Austen’s Journeys (2014).

The Other Knight Boys: Jane Austen’s Dispossessed Nephews, by Hazel Jones
Crediton, Devon, UK: Uppercross Press, 2020.

165 pages, color illustrations, notes, bibliography, index.

You can find Hazel’s book at:

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The blog posts on Charles Bridges Knight’s reading at Godmersham Park can be found here:

©2020 Jane Austen in Vermont

WANTED! ~ Books with Montagu George Knight Bookplates

Calling all Booksellers, Librarians, Bibliophiles

Wanted !

The Godmersham Lost Sheep Society*

Cordially invites you to join in the

Global Search

For all books bearing

Montagu George Knight bookplates**

Please help us return these books to the fold

at the

Chawton House Library Chawton, Alton, Hampshire, UK

* The Godmersham Lost Sheep Society (GLOSS) is a research group of scholars and bibliophiles searching for all books that were originally in the libraries of Godmersham Park and later Chawton House, both estates of Jane Austen’s brother Edward Austen Knight.

**The three Knight bookplates were all designed by Charles Sherborn in 1900 / 1901:

Bookplate 1

Bookplate 2

 

Bookplate 3

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We note here that there are also the bookplates of Thomas Knight (1701-1781) and Edward Knight (1767-1852) and his son, also named Edward (1794-1879) – it is unclear if the bookplate was father or son’s, or if they both used the same bookplate – these bookplates are also to be found in some of the Godmersham library books, so we are searching for these as well, especially if they are listed in the original 1818 catalogue:

 

Thomas Knight bookplate

 

Edward Knight bookplate

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1.  The History:  

Edward Austen Knight inherited three estates from his adoptive family the Thomas Knights: Godmersham Park in Kent, and Chawton House and Steventon in Hampshire. Godmersham and Chawton had large extensive libraries typical of the gentry of the time. Edward had a catalogue of the Godmersham Library compiled in 1818, listing about 1250 titles. These books were later combined with the Chawton House Library when Godmersham was sold in 1874, with many of the volumes sold or otherwise distributed over the years. [Montagu George Knight, grandson of Edward Knight, placed his bookplates in most of the books of this combined library, as well as in the books he added to it. The remaining library (called the “Knight Collection” and still in the family) is now housed at Chawton House Library, which serves as an important literary heritage site and a center for the study of early women writers]. We know Jane Austen spent a considerable amount of time in both these libraries – and an ongoing project has been to try to locate the missing volumes that have wandered away and might still be extant in libraries, in book collectors’ homes, or on bookseller shelves – the “Lost Sheep” of Godmersham Park.

2. The Digital Godmersham Project:

Initiated and run by Professor Peter Sabor (Canada Research Chair in Eighteenth-Century Studies and Director of the Burney Centre at McGill University), this is a web-based open-source project that will include the Knight family books that are recorded in the catalogue of 1818, as they were on the shelves – a virtual library so to speak. It will be called “Reading with Austen.” This Phase I of the project will launch in 2018, the bicentenary of the original catalogue. While it would be a final goal to locate all the missing titles that are out there, this digital project will create for us what Jane Austen would have seen and read when visiting her brother.

3. What we need:

If you have or locate any books with any of the three Montagu George Knight bookplates, or the Thomas or Edward Knight bookplates, please contact us – we would like good pictures of:

a.) the binding/cover;

b.) the inside cover of the book, where Montagu Knight’s bookplate should be attached, often together with a small shelf ticket from Chawton House Library; and

c.) the title page of the book;

d.) any marginalia

These images would be used on the website, with or without your name as the book’s current owner/location (this is up to you).

4. Donation / sell options:

Some of those found thus far have been privately purchased and donated back to the Chawton House Library (they do not have funds for this project). If you would like to “return” the book to Chawton to be part of their permanent collection, you would become one of GLOSS’s Team Heroes and we would be forever grateful. All donations are tax-deductible. Or, if you would consider selling the book back to CHL now or in the future (or making a donation to the cause so we can purchase books as they become available), we would add it to our wish-list of purchases and ask that you send the pictures noted above so it can be added to the website. Progress is slow, and because every book may not be able to return home, we hope this virtual library will serve as a useful research tool for future studies of reading habits in the 18th and 19th centuries.

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[CHL book with bookplate and shelf ticket]

Thank you for any help you can offer! 

For more information, please contact one of us:  

  1. Janine Barchas – Professor, University of Texas at Austin:
    barchas [at] austin.utexas.edu
  2. Deborah Barnum – Board Member, North American Friends of Chawton House Library: jasnavermont [at] gmail.com
  3. Peter Sabor – Professor, Canada Research Chair in Eighteenth-Century Studies, Director of the Burney Centre, McGill University: peter.sabor [at] mcgill.ca
c2017 JaneAusteninVermont

Heraldry Windows at Chawton House Library ~ Part III: The Great Hall

Dear Readers: Today I am posting Part III on the Heraldic windows at Chawton House Library, this post giving details on the shields in the Great Hall, as well as two more family pedigrees, and a very short course on the meaning of the various colors in the heraldic crests.

And again I thank Edward Hepper, one of the Chawton House Library’s invaluable volunteers, for sharing with us his expertise on heraldry! Please comment if you have any questions or anything to add to any of these three posts.

Chawton-Library-CH-CHL

Chawton House Library and Church
[Image: DH and DigLibArts]

Part III: The Great Hall

Various painted shields show the arms of different branches of the family since the 17th century. Some of those above the fireplace include Knights and their wives from the early 20th century. They were probably painted for Montagu Knight in the years just before the 1st World War. [You can see portraits of these named in the previous two posts.]

CHL - Great Hall 1-EKnight-TKnight

Edward Knight (jr) & Adela Portal: Thomas Knight (jr) & Catharine Knatchbull

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CHL - Great Hall 2-CKnight-LKnight

Charles E Knight & Emma Patrickson (?): Lionel C E Knight & Dorothy Deedes

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CHL -Great Hall 3-JMonk-TKnight

Jane Monk; Thomas (Brodnax) Knight (sr)

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Pedigree: Knight Family

Pedigree 4a, Knights 19th to 20th centuries 1309 001

The Chawton Manor Succession:

Chawton Succn_Austen adoption

 

The Meaning of the colors: a brief summary, and please note that there is a wide variation in assigning a meaning to a color, with many experts disagreeing…

CHL-GreatStaircase-1-Landing

Great Staircase Landing

  • Blue: the use of blue in heraldry means truth and loyalty
  • Green: green symbolizes hope joy and loyalty in love
  • White:   White backgrounds usually refer to innocence and purity
  • Red: red or gules (a tincture with the color red) represents magnanimity and fortitude
  • Yellow/Orange: The orange represents, worthy ambition

CHL-Great Gallery-MonkKnight

Great Gallery

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The Austens had their own crest:

Austen coat of arms

[From Ron Dunning: JA’s Family Genealogy]

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If you have an interest in heraldry, you might like to visit some of these various sites: 

Here’s my very own“caro sposo’s”: (apologies for fuzziness – it is scanned under glass, but you get the idea…)

Starr-Crest

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c2016 Jane Austen in Vermont  

Heraldry Windows at Chawton House Library ~ Part II: The Great Staircase

Dear Readers: Today join me for Part II on the Heraldic windows at Chawton House Library, this post giving details on the two windows on the Great Staircase. [You can read Part I on the Great Gallery here] – And again I thank Edward Hepper, one of the Chawton House Library’s invaluable volunteers, for sharing with us his expertise on heraldry.

Chawton-House-Shire-Horse

Chawton House Library

Part II: The Great Staircase:

  1. The Landing window

The windows on the staircase landing and that at the foot of the stairs were modified by Sir Edwin Lutyens to display this collection of mid-Tudor heraldry. It probably came from the Manor of Neatham, on the other side of Alton, which came into the Knight family in the mid-18th century. Neatham had been owned by Anthony Browne, 1st Viscount Montagu, and the heraldry fits with his prominent Roman Catholic allegiance – he was an Executor of Queen Mary’s will.

CHL-GreatStaircase-1-Landing

 

  1. Queen Elizabeth I
  2. Edward Manners, 3rd Earl of Rutland
  3. King Henry II of France
  4. Anthony Browne, 1st Viscount Montagu [see note below]

Close-ups:

Queen Elizabeth I

Queen Elizabeth I

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Earl of Rutland

Edward Manners, 3rd Earl of Rutland

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King Henry II of France

King Henry II of France

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Anthony Browne, Viscount Montagu

Anthony Browne, 1st Viscount Montagu

[Note: Anthony Browne, 1st Viscount Montagu was a leading courtier, Roman Catholic, supported Queen Mary, attended the official wedding of Mary and Philip in Winchester Cathedral (though note that the DNB entry for Browne says Hampton Court Palace in which she stayed frequently but DNB for Mary and the cathedral’s own records state Winchester Cathedral), and was MP for Petersfield (DNB)]

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2.  The Window at the foot of the stairs:

CHL-GreatStaircase-2-footofstairs

 

  1. King Philip II of Spain (NB the punning arms of Leon, Castille and Grenada)
  2. Edward Knight (jr) & Adela Portal
  3. Queen Mary I

Close-ups:

King Philip II of Spain

King Philip II of Spain

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Edward Knight Jr & Adela Portal

Edward Knight Jr & Adela Portal

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Queen Mary I

Queen Mary I

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Notes:

  1. Edward Knight is the odd one out and his glass must be at least three hundred years later, perhaps bought or commissioned by Montagu Knight. They include Knight, Austen, Leigh and Portal.
  2. The arms of Queens Mary and Elizabeth are the same as those for English sovereigns from, Henry V to Elizabeth I. In this case, Elizabeth is labelled as such. Mary has to be Mary because of the provenance and context of the other arms shown.
  3. Similarly, Henry used the same arms as nearly all the French Kings but Henry II was the only one who was a Knight of the Garter – and so had the Garter encircling his shield.
  4. The difficulty was to see the reason why the 3rd Earl of Rutland was included as he was not a prominent Catholic, like most of the others. However, the 3rd (or bottom left quarter) in his and the Browne shields are the same, which points to a relationship between Rutland and Browne. Indeed, examination of their family trees points to a common descent from Edmund of Woodstock (son of King Edward II) via John, 1st Baron Tiptoft, and it is the Woodstock and Tiptoft arms that appear in this 3rd quarter.  A family tree or pedigree is available to show this connection.  Browne, being a relatively ‘new’ man was keen to show his historical and aristocratic credentials and so included as many quarterings as possible of related families (including Browne, FitzAlan, Maltravers, Neville, Monthermer, Woodstock, Tiptoft, Ingoldsthorpe, Bradston, de la Pole and Deburgh).  Rutland, being the 3rd Earl, was well established and so did not need so many quarterings (just Manners, Roos, Belvoir, Ross or Especk, FitzBernard, Woodstock and Tiptoft); however his presence in the window added to Browne’s prestige.
  5. Philip II of Spain is included because as Mary’s husband, he was King of England, during her reign. His arms include most of the European territories he ruled: Castille, Leon, Sicily, Aragon, Austria, Burgundy, Brabant, Flanders, Tyrol and Granada.
  6. There is more information available on the heraldry in the rest of the house (stained glass, wood carving, paintings and tilework).

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Mr. Hepper also sent along three family trees: here is the first one on the early owners of Chawton House (others to follow in next post)- (no worries, there will be no quizzes at the end…):

Early owners of Chawton House, pre-Knight Family, from 1066 – c1550

FamTree_1a096

Stay tuned for more, and with thanks again to Edward Hepper!

c2016 Jane Austen in Vermont, text and images by Edward Hepper

Heraldry Windows at Chawton House Library ~ Part I: The Great Gallery

Dear Readers: Today I am posting in response to a question on Tony Grant’s post about visiting the Emma exhibition at Chawton House Library a few weeks ago. One of Tony’s pictures at the end of the post was of stained glass windows at the Library, and “Lady L” inquired about them. Tony had not seen anything about the various windows and portraits, but he confessed to be solely focused on Emma to really pay close attention. I have since discovered that all the heraldic windows are indeed explained at CHL, and that one of the Library’s many terrific volunteers has researched the history and meaning of all of them. Edward Hepper has graciously sent me his write-ups along with pictures and with his and CHL Executive Director Gillian Dow’s permission, I share this with all of you. Mr. Hepper is a long-term member of the British Heraldy Society, http://www.theheraldrysociety.com/home.htm and is quite knowledgeable on the family coats-of-arms that grace the windows of CHL – you will see some connections to Jane Austen and her family…but there is much other British history in these windows as well!

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Chawton House Library

Chawton House Library

We will start today in the Great Gallery:

These three windows were commissioned by Montagu Knight from the London firm Powell, of Whitefriars. They were installed between 1910 and 1913. The first window, furthest from the Great Staircase, shows the families of the freeholders from the 11th century over the next five hundred years. They were all descendants from the de Ports, to whom William the Conqueror granted the estate, although sometimes the lack of a male heir meant that Chawton passed through the female line with a change of name and coat of arms. The last of this family was Leonard West, by whom Chawton was sold to the Arundels.

CHL - Great Gallery-1

  1. St John, successors to the DePorts
  2. St Philibert
  3. Poynings
  4. Bonville
  5. Fulford
  6. West (NB the punning ‘W’)

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Within a few years, they sold to Nicholas Knight, whose son John, started to build the present house in 1583. The Knight family have held the freehold ever since – over four hundred years, although it has several times passed through the female line to other branches of the family which have had to adopt the name and arms of Knight (usually slightly differenced).

The succeeding Knights are shown in the next two windows and the dates next to their names indicate the year in which each of them succeeded to the freehold.

CHL - Great Gallery-2

  1. John Knight & Mary Neale (1583)
  2. Stephen & Richard Knight  (1620, 1637)
  3. Sir Richard Knight & Priscilla Reynolds (1641)
  4. Richard & Christopher (Martin) Knight (NB punning martins) (1679, 1687)
  5. Elizabeth (Martin) Knight & William Woodward Knight (1702)
  6. Elizabeth (Martin) Knight & Bulstrode Peachey Knight (1702) [Elizabeth Martin Knight had two husbands: William Woodward and Bulstrode Peachey (you cannot make up a name like that…)]

Here are their portraits, to put a face to a name:

Sir Richard Knight    –    Richard (Martin) Knight

Christopher (Martin) Knight  –  William Woodward

Elizabeth (Martin) Knight – Bulstrode Peachey

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The third window brings us to Jane Austen territory:

CHL-Great Gallery-MonkKnight

  1. Thomas (Brodnax) Knight & Jane Monk (1637)
  2. Thomas Knight (jr) & Elizabeth Knatchbull (1781)
  3. Edward (Austen) Knight & Elizabeth Bridges (1794)
  4. Edward Knight (jr) & Mary Dorothea Knatchbull (1st wife) (1852)
  5. Edward Knight (jr) & Adela Portal (2nd wife) (1852)
  6. Montagu Knight & Florence Hardy (1879)

And their portraits:

Thomas (Brodnax) Knight  –  Jane Monk, wife of Thomas Knight (sr)

Thomas (Brodnax) Knight (jr)  – Edward (Austen) Knight (Jane Austen’s brother)

Edward Knight (jr)  –  Montagu Knight

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Hearty thanks to Edward Hepper for allowing me to post on this – stay tuned for more information on the other windows … And I will be conversing with Ron Dunning to make sense of all these names and their connections to Austen – see his Jane Austen Genealogy for starters…

c2016 Jane Austen in Vermont; text and photos c Edward Hepper

JASNA-Vermont Gathering! ~ June 7, 2015 ~ with Kelly McDonald

cover-twoteens

You are Cordially Invited to JASNA-Vermont’s June Meeting 

“The Mystery of Emma Austen’s Aunt Emma ~ An Interactive Presentation”

with Kelly McDonald*

Sunday, 7 June 2015, 1:00 – 3:00 p.m.

Morgan Room, Aiken Hall, 83 Summit Street
Champlain College, Burlington VT**

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Brief sentences in a series of letters lays out the basic “mystery”: the 200-year-old family secret of a highly discouraged relationship between two women. Were the quarrels based on religion, class, station, or sexual attraction? In the spirit of Sanditon or Edwin Drood, no definitive conclusion exists; the audience is invited to brainstorm as family history unfolds. The connection to Jane Austen? Emma Austen was married to Austen’s nephew and biographer James Edward Austen Leigh.

Kelly McDonald

Kelly McDonald

We all know Kelly McDonald as the prime mover in the founding of the Vermont JASNA region – she “retired” as co-RC when her research and publication work became her main focus. She is working on a 4-volume biography of the lives and families of Emma Smith and Mary Gosling – you can read all about them at Kelly’s blog “Two Teens in the Time of Austen”: https://smithandgosling.wordpress.com. Kelly has also published various essays in Persuasions, the monograph Jane Austen and the Arts, online articles via Academia.edu, has spoken at JASNA AGMs and will again be presenting at the 2015 AGM on Childbirth in early 19th-century England. You can read a full list of her writings here: https://smithandgosling.wordpress.com/the-author/

~ Free & open to the public ~
~ Light refreshments served
 ~ 

For more information:   JASNAVTregion [at] gmail.com
Please visit our blog at: http://JaneAustenInVermont.wordpress.com

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**Aiken Hall is located at 83 Summit St – #36 on the map here: https://www.champlain.edu/Documents/Admissions/Undergraduate%20Admissions/Campus-Map.pdf
Parking is on the street or in any College designated parking during the event.

Hope you can join us!

A Postscript to Syrie James’ Jane Austen’s First Love ~ Guest Post by Ron Dunning

Jane Austens First Love by Syrie JamesSyrie James’s new work, Jane Austen’s First Love, tells the tale of one Edward Taylor as a possible first love, pre-Tom Lefroy, for Jane Austen. It is fiction, but there is too much truth in the story, based largely on the few comments Austen made in letters to her sister Cassandra and James’ in-depth research into Taylor’s life, to have us shelve this book as merely a pretty fiction.

You can read Syrie’s post about it here at Jane Austen in Vermont and on various other blogs [see the full list here]

Syrie also wrote in more detail about Edward Taylor here: http://englishhistoryauthors.blogspot.com/2014/12/edward-taylor-of-bifrons-jane-austens.htmlRon Dunning, of Jane Austen genealogy fame, on reading about Syrie’s book, did some research into this Edward Taylor and has found some amazing connections to Jane Austen’s family – you will see that though Jane may not have had Edward Taylor for herself, future generations saw the Austen and Taylor families very much entwined… so here is Ron to tell us all about it. And thank you Ron for sharing this with us!

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A Postscript to Jane Austen’s First Love, by Ronald Dunning

Jane Austen may have been unlucky in her love for Edward Taylor, but four members of his family were more receptive to the attentions of hers. It can be illustrated in a drop-chart of the descendants of Edward Taylor’s parents, Edward Taylor the elder, and Margaret Taylor, to be found on the following link [and see below for an abbreviated version so you can follow the generations]: http://wc.rootsweb.ancestry.com/cgi-bin/igm.cgi?op=DESC&db=janeausten&id=I17370

BifronsParkKent

Bifrons Park, Kent

The number given to each person indicates the level of descent, with the elder Edward and Margaret in the first position. Their daughter Charlotte [JA’s Edward Taylor’s sister] married the Rev. Edward Northey, a Canon of Windsor, and two of that couple’s daughters married sons of Edward (Austen) Knight.

I.  The first, Charlotte Northey, married Henry Knight [son of JA’s brother Edward], after his first wife, Sophia Cage, had died. Poor Charlotte had a very short married life too, dying three years later. Their one daughter, Agnes Charlotte Knight, married Narborough Hughes D’Aeth. Agnes had the good fortune that her mother lacked, and lived a long life of ninety years, during which she bore at least thirteen children.

Rev Edward Northey

Rev Edward Northey

[you can read about the Northey family here]

The surname D’Aeth is pronounced Death by the family. I’m told that during the Second World War a Commander D’Aeth of the Royal Navy was promoted to Captain, but his men refused to serve under a Captain Death – so he felt it was best to change his surname. [One plug, if I may – the names Narborough and Cloudesley were given to many boys born to the D’Aeth family, and the reason is interesting. I wrote about it in an article, to be found here: http://www.janeaustensfamily.co.uk/articles/longitude.html]

II.  Returning to the chart, Charlotte Northey’s sister, Mary Northey, married Henry Knight’s brother, the Rev. William Knight. Mary was, like her sister, a second wife, and more than twenty years younger than William. She became the step-mother to his eight children, and bore three daughters of her own, those on the chart. Unfortunately she too was visited by tragedy – the daughters, aged between two and five, all died within a week of one another, from smallpox.

III.  There were two further connections, both among the descendants of Jane Austen’s fondly-doted-upon Edward Taylor. (Edward is half-way down the chart, the second person with the generational number 2.) His great-granddaughter Dorothy Mary Deedes (generation 5) married Lionel Charles Edward Knight, a great-grandson of JA’s brother Edward Austen Knight. Fortunately, there is no need to report a family tragedy here, since she lived into ripe old age.

IV.  The fourth connection is less obvious – still a descendant of the younger Edward Taylor, but not a person who married a Knight. Nevertheless she brings the story full circle. Dorothy Mary Deedes’s brother, Herbert William Deedes [so Edward Taylor’s great-grandson, but also the great-great-nephew of Edward Austen Knight’s wife Elizabeth Bridges – confused enough now??], had a daughter who is simply identified in the chart as ‘Living Deedes,’ because she is still living. She is the dowager Lady FitzWalter of Goodnestone Park – whence Lady Bridges wrote to announce the betrothal of her daughters, one of them her daughter Elizabeth who married Edward Austen Knight! [see Syrie’s post here on Lady Bridges’ letters] Goodnestone in Austens Day With the Austen pedigree, where one story ends, another begins – Lord and Lady FitzWalter were cousins, both descended from the Bridges. But let’s leave it for another time …

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Thank you Ron for this! – I append here a portion of the genealogy chart that shows these connections – please visit Ron’s genealogy page http://wc.rootsweb.ancestry.com/cgi-bin/igm.cgi?op=DESC&db=janeausten&id=I17370  for the full chart and links from each name – it is all quite daunting, and why I am showing here only the names that connect Taylor and Jane Austen!

The Edward Taylor Sr Genealogy:

1 Edward TAYLOR of Bifrons; Rector of Patrixbourne b: 26 AUG 1734 [JA’s Edward Taylor’s father]

+ Margaret TAYLOR (LATER PAYLER) b: ABT 1743 d: 27 APR 1780    

2 Charlotte TAYLOR d: 19 FEB 1837 [Edward Taylor’s daughter]

+ Edward NORTHEY MA, Canon of Windsor b: 22 OCT 1754 d: 18 FEB 1828        

3 Charlotte NORTHEY d: 28 JUN 1839 [Edward Taylor’s grand-daughter]

+ Henry KNIGHT b: 27 MAY 1797 d: 1843 [son of Edward Austen Knight, JA’s brother]

4 Agnes Charlotte KNIGHT b: 1837 d: 1927 + Narborough Hughes D’AETH of Knowlton Court, Kent; JP, DL, MA b: ABT 1821 d: 1886

5 Lewis Narborough Hughes D’AETH b: 13 MAR 1858 d: 21 OCT 1920

+ Eleanor Frances SNEYD b: ABT 1866         

3 Mary NORTHEY b: ABT 1820 d: 07 DEC 1854 [Edward Taylor’s grand-daughter]

+ William KNIGHT Rector of Steventon b: 10 OCT 1798 d: 05 DEC 1873 [son of Edward Austen Knight, JA’s brother]

4 Mary Agnes KNIGHT b: 1843 d: 15 JUN 1848

4 Cecilia KNIGHT b: 1844 d: 09 JUN 1848 4 Augusta KNIGHT b: 1845 d: 09 JUN 1848

Edward Taylor   2 Edward TAYLOR Esq., of Bifrons, co. Kent; MP for Canterbury (1807-1812) b: 24 JUN 1774 d: 22 JUN 1843 [this is JA’s Edward Taylor, brother to Charlotte Taylor – her daughters Charlotte and Mary each married Jane Austen’s nephews Henry and William as shown above]

+ Louisa BECKINGHAM

3 Emily Octavia TAYLOR

+ William DEEDES of Sandling Park, co. Kent; JP, DL, MP for East Kent b: 17 OCT 1796 d: 30 NOV 1862

4 Louisa DEEDES
4 Emily DEEDES
4 Mary DEEDES
4 William DEEDES b: 11 OCT 1834

4 Herbert George DEEDES King’s Royal Rifle Corps; of Saltwood Castle b: 28 SEP 1836 d: 05 MAY 1891
+ Rose Elinor BARROW   

5 Dorothy Mary DEEDES [great-grand-daughter of Edward Taylor]

+ Lionel Charles Edward KNIGHT b: 13 NOV 1872 d: 29 JAN 1931 [great-grandson of Edward Austen Knight, Jane Austen’s brother]

6 Elizabeth Margaret KNIGHT b: 12 MAY 1909 d: 1996
+ Ian Charles Rose ROSE d: 11 DEC 1962

5 Herbert William DEEDES of Galt, Hythe, co. Kent, and formerly of Sandling Castle and Saltwood Castle
+ Melesina Gladys CHENEVIX-TRENCH JP b: 11 SEP 1884 d: 16 JAN 1966

6 William Francis DEEDES Lord Deedes of Aldington (Kent); Editor of the Daily Telegraph b: 1913 d: 2006     

6 Living DEEDES [dowager Lady FitzWalter of Goodnestone Park]
+ FitzWalter Brook PLUMPTRE 21st Baron FitzWalter b: 15 JAN 1914 d: 14 OCT 2004

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Is your head spinning yet??! If you have questions, please ask away – and any comments on Syrie’s original post will qualify you for the Grand Giveaway – deadline is tonight December 21 at 11:59pm. And just to make your head continue in its spin, here is a portrait of “The Children of John Taylor of Bifrons Park,” by John Closterman, 1696? [from the National Portrait Gallery] – one of these boys is presumably Jane’s own Edward Taylor’s grandfather Herbert Taylor [though he seems to have been born in 1698, so perhaps the dating of the portrait is off?  – more questions to ponder!]

 

NPG 5320; The Children of John Taylor of Bifrons Park by John Closterman

2014 Jane Austen in Vermont

Travels with Ron Dunning ~ Jane Austen’s Horsmonden from on High

Gentle Readers: I welcome today Ron Dunning, author of the Jane Austen’s Family Website. Ron had written here before on Horsmonden in “Jane Austen and the Huguenots” – but today he tells of a hot air balloon ride he and his wife Helena took in 2008 where he took these wonderful pictures of Kent and the surrounding countryside – enjoy the ride!

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17 Sheep

Sheep

Horsmonden from on High

by Ron Dunning

For my birthday in the spring of 2008 Helena, my wife, bought me a ticket for a hot-air balloon flight. I preferred to share the pleasure, so I waited till her birthday a few months later, and bought one for her.  The weather that summer was very wet, and it wasn’t possible to book a flight until early October. We chose a launch site in Wadhurst, on the Sussex border with Kent, an area that we know and love, on what turned out to be a golden Indian summer’s afternoon.

The direction of a balloon’s flight is entirely dependent on the wind. I had given no prior thought to the fact that the Austens’ ancestral heartland of Goudhurst and Horsmonden lay only some ten miles away, but the wind took us, at 12 mph, precisely in that direction. I only realised that this was our on our route as we passed over St Margaret of Antioch in Pisidia – Horsmonden’s parish church, with its collection of Austen graves and memorial brasses.

Till then I had simply been enjoying the wonderfully calm experience. (Even though a balloon flies a few thousand feet above ground level its passengers aren’t troubled by wind, since it is blown along at the same speed as the air.) Now I began to scan the horizon for Broadford, and possibly even Grovehurst, the Austen houses. I couldn’t find Broadford. It may have been possible to see it, but I wouldn’t have recognised it from the south, the direction from which we were travelling, since I’d only ever seen the front, which faces north.

Grovehurst lies at least a mile further beyond the village, in wooded country. The wind, and our so ground speed, had dropped. I spent the next fifteen minutes straining my eyes for a glimpse of the house, to no avail. Then, just as we were descending in search of a landing site in a friendly farmer’s field, and as the pilot was announcing a Gypsy site to the left, and as I had quite given up on spotting it, there was Grovehurst on the right. The pilot turned the balloon through 360 degrees (I don’t know how he managed that!) for everyone to see, and marked the Austen’s ancestral home on his map to show future passengers.

I don’t believe that there is any record of Jane Austen’s visiting Horsmonden, where her grandfather William Austen was born. His heroic mother, Elizabeth Weller, had to take a housekeeping job at Sevenoaks School in 1708 to keep her family together, and that broke the Austens’ relationship with the village. It would not be an anachronism to imagine Jane, if she had visited, seeing her ancestral home by air – on 19 September 1783 Pilatre De Rozier, a scientist, launched the first hot air balloon called ‘Aerostat Reveillon.’ The first manned flight came two months later on November 21, with a balloon made by two French brothers, Joseph and Etienne Montgolfier.

At that time, when the fastest land transport proceeded at the rate of a trotting horse, ascending in a balloon and flying with the wind would have struck most people as terrifying and mad. As it happens my wife, who is normally fearless, asked me if I too had been worried. I confess that my imagination is generally vividly aware of consequences – and there we were at 2000 feet, with no parachutes, in a wicker laundry basket! But I was so absorbed in reconnaissance that I had forgotten to give the danger any thought.

Arrival

Arrival

Still a Blank Slate

Still a Blank Slate

Taking Shape

Taking Shape I

Taking Shape

Taking Shape II

Inflation

Inflation

Inflation II

Inflation II

Firing up

Firing up

Rising Up

Rising Up

Rising Up II

Rising Up II

Lifting Off

Lifting Off

Aloft

Aloft

Neighbour

Neighbour!

Bayham Abbey Ruins

Bayham Abbey Ruins

Lamberhurst

Lamberhurst

Bewl Water

Bewl Water

St Margaret of Antioch in Pisidia

St Margaret of Antioch in Pisidia

Horsmonden

Horsmonden

Grovehurst

Grovehurst

Kent

Kent

Groundlings

Groundlings

Pursuit Vehicle

Pursuit Vehicle

Landing Strip

Landing Strip

Skid Marks

Skid Marks

Packing Up

Packing Up

Stowing Away

Stowing Away

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Thank you Ron for this beautiful travelogue of Kent from the air!

I have to add that I have won a raffle only one time in my life, and that was for a hot-air balloon ride – it was quite the adventure, a totally unique experience of floating above the world without the usual noisy airplane sounds, so quiet and peaceful that I never wanted it to end – but we had a sudden wind pick-up and took off away from the tracer car [and my family who were following – my son, 7 years old at the time thought I had disappeared into the ether, never to be seen again; my nearly teenaged daughter was hoping beyond hope that was true!] and had a quite dramatic crash landing at a reservoir, all diving out of the basket to keep the balloon from falling into the water – but alas! my pictures, though quite lovely of the Connecticut countryside, are all on slides and do not, believe it or not, have anything to do with Jane Austen…

Anyone want to comment on Ron’s journey and photographs? or add any of your own ballooning adventures [whether Jane Austen-related or not!]?

Text and images copyright by Ronald Dunning, with thanks!

c 2014 Jane Austen in Vermont

Jane Austen Genealogy ~ The Knight Family Name ~ by Ronald Dunning

UPDATE:  new images have been added!*

Gentle Readers:  I welcome again Ron Dunning on a bit of Jane Austen ancestry – the Knight name of Chawton and Godmersham.  We know that Thomas Knight and his wife adopted Edward Austen as a child, and passed on to him the landed estates they had inherited, both Chawton and Godmersham.  The name of the family eventually became Austen-Knight, but Ron shows us here how far back this connection went – one wonders how much Jane Austen would have actually known of this…**

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Knight of Chawton and Godmersham

Presentation of Edward Austen to Thomas and Catherine Knight - wikipedia

Presentation of Edward Austen to Thomas and Catherine Knight – wikipedia

We all know the story of how, in 1779, the 12-year-old Edward Austen charmed Thomas Knight [our Thomas henceforth] of Godmersham, and his newly-married wife Catherine [Knatchbull], when they stopped at Steventon on their bridal tour – so much so that they asked his parents to allow them to take him with them for the rest of the trip. The Knights grew increasingly fond of him, with his sunny and uncomplicated nature, and followed on by inviting him to visit them in Godmersham. When, after a few years, it became apparent that they were unlikely to have any children of their own to inherit their property and fortune, they arranged with the Austens to adopt him, and to give him their surname. There was a family connection – our Thomas Knight and Edward’s father George Austen were second cousins, both descended from John Austen and Jane Atkins.

Thomas Knight, the younger, by Francis Cote – CHL  ~  Catherine Knatchbull Knight, print of portrait by George Romney

Godmersham 1779 - wikipedia

Godmersham 1779 – wikipedia

Transfers of property, fortunes, and surnames were already well established in the Knight Family and make it all very difficult to follow. So I have created the chart below to make it easier for me, and I hope that it helps others too.

So, looking at the chart [see below]:

Chawton House

Chawton House

Beginning on the left, the Knight family had been in possession of the manor of Chawton for some generations. It was inherited  by Dorothy Knight when the male line failed. According to the law of the time, her property, including the title to the estate, became the possession of her husband, Richard Martin. When they produced no children, it passed to Richard’s brother Christopher; when he too died, having remained unmarried, it was inherited by their sister Elizabeth and her two successive husbands. [Note that this line had all changed their name from Martin to Knight, before reaching our Thomas.]

Elizabeth left no children, and the property passed to a second cousin, Thomas Brodnax of Godmersham. In 1727, this Thomas changed his name by Act of Parliament to May, when he inherited property at Rawmere in Sussex from his mother’s childless cousin, Sir Thomas May. Then in 1736, on inheriting the Chawton estate, he changed his name again, to Knight.

Thomas Knight (a.k.a.Brodnax, May) – by Michael Dahl – CHL  ~  Jane Monk, by Michael Dahl

This Thomas Knight and his wife Jane Monk, who was an Austen descendant, produced at least ten children, of whom five were

Edward Austen Knight - austenonly

Edward Austen Knight – austenonly

boys. Only one, our Thomas (the second son of that name), survived childhood. Thomas enjoyed a long life of sixty years, and married Catherine Knatchbull [see portraits above]. When it became clear that they too would remain childless, they chose to adopt the young and affable Edward Austen, whose family were collateral descendants of Thomas’s great-great-grandparents, John and Jane [Atkins] Austen. On his death in 1794, Thomas Knight bequeathed Godmersham to Catherine, and all other properties to Edward; Catherine later moved to Canterbury and gave Edward the Godmersham estate at that time.

Confused? I too struggle to keep it all straight, so hopefully this chart helps.  There is one detail missing, which will necessitate some further research; that is the family connection between the Martin and the Brodnax families, who were said to be second cousins. Once the research is done I’ll amend the chart, but it won’t make any difference to the sequence of surnames and ownership as they are illustrated here.

It’s some time since I last added anything to the Jane Austen’s Family website. It struck me as a good idea to include a pedigree section; this is now the first chart:

knight-estates

 

It can be found at this link: http://www.janeaustensfamily.co.uk/pedigrees/knight/knight.index.html

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Thank you Ron! – if anyone has any questions [are you all sitting out there scratching your heads??], please ask Ron – he would be happy to answer anything you might put to him…!

Without all these family dynamics and the extensive trading of names and the adoption of Edward Austen, Jane Austen might never have had the chance to live and write at Chawton Cottage  [now the Jane Austen House and Museum]– and where would we all be without those six novels??

Chawton Cottage - astoft.co. uk

Chawton Cottage – astoft.co. uk

* The portraits of the Thomas Knights, Jane Monk, and Catherine Knight are all from Ancestry.com, with thanks to Ron for accessing these. You can read about the portrait artist Michael Dahl here: http://en.wikipedia.org/wiki/Michael_Dahl

** Ron has answered my question about whether Jane Austen knew about all these family connections:

Everyone – the Knights, Mr and Mrs Austen, Edward – knew incontrovertibly about the peregrinations at least back to the common descent from John and Jane Austen and, no doubt about the Mays too.  It’s inconceivable that they wouldn’t have discussed it all in front of Jane.

Do you have any questions for Ron?

c2014, Jane Austen in Vermont