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A Rare Opportunity to Acquire Original Artwork by Juliet McMaster for Jane Austen’s ‘The Beautifull Cassandra’


 

Juliet McMaster, a lifelong Jane Austen scholar and highly regarded illustrator, is selling her original artwork from The Beautifull Cassandra at public auction to benefit Chawton House, an Austen family property previously owned by Jane Austen’s brother, Edward Austen Knight. Chawton House now operates as a museum, library, and study center for early women’s writing (1630-19th c.).

McMaster, known familiarly to friends and fans alike simply as Juliet, has created her lively illustrations in colored inks. The collection consists of twenty-one original illustrations plus one reproduction that accompany the short juvenilia story, written by Austen when she was about thirteen.

The illustrations are 12 by 9 inches, larger than the images in the book. One, the tortoise  hauling the carriage up Hampstead Hill, is 12 by 18 inches. The art pieces are mounted on sturdy illustration board.  All illustrations will be auctioned together as one set – we felt it incumbent upon us to keep them together.  Each will be signed by Juliet with her customary “Juliet” signature. 
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The online auction begins October 10, 2026, at noon Eastern time (UTC-5) and will be administered by the North American Friends of Chawton House (NAFCH), a U.S. non-profit dedicated to supporting Chawton House and its mission.  All auction proceeds go to Chawton House.

You can see all the details and all the illustrations on the NAFCH website here:
https://www.nafch.org/bcass-art

 All bids will be made online at the 32auctions website:
www.32auctions.com/NAFCH

[You must first log in / create an account to bid]

Bidding closes on Saturday, October 31, 2026,
at 5 p.m.
Eastern time(UTC-5)

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Juliet at work in 1993

ABOUT THE ARTIST:

Distinguished University Professor Emeritus of English at the University of Alberta, a founding member of JASNA, and a frequent presenter at JASNA AGMs, Juliet is the author of Jane Austen on Love and Jane Austen, Young Author, co-editor of The Cambridge Companion to Jane Austen and The Child Writer from Austen to Woolf. She has authored books on Thackeray, Trollope, and Dickens, as well. In 1994, she founded Juvenilia Press, which publishes the early writings of well-known authors.

 

ABOUT THE BOOK:

The origins of the illustrated children’s book The Beautifull Cassandra go back to the 1987 AGM in New York City on the topic “The Juvenilia and Lady Susan.” There, Juliet says, she was “first smitten with Jane Austen’s cheeky tale about the girl Cassandra, who falls in love with a bonnet.” She conceived the idea of making it into a picture book for children, with the characters turned into small animals.*
 
J. David (Jack) Grey, the AGM co-convener, encouraged her pursuit. “He loved the juvenilia,” Juliet recalls. “He used to say that two people produced world-class art before they reached adulthood: Jane Austen and Mozart. (You will know that I agree with him!).” Grey also served as an early reader. “Characteristically, he turned to his five-year-old niece and read her the story and showed her the pictures. What was her verdict? She said, ‘I want a bonnet!’ I couldn’t have had a more authoritative response.”
 
The publisher, Sono Nis Press of Victoria, Canada, couriered a box of freshly printed copies to Lake Louise, Canada, where Juliet was co-convener of the 1993 JASNA AGM. Book sales were brisk there and afterward.  And its history didn’t end there: The Beautifull Cassandra was later set to music for flute and Celtic harp by Joanne Forman. This treatment inspired an original children’s ballet choreographed by Amber Vasquez, director of the Taos, NM, youth ballet, and performed by children in Taos in 2007 and 2008.
 
A plenary session at the 2008 Chicago AGM, “The Beautifull Cassandra: The Pictures, the Music, the Dance,” featured Juliet’s illustrations and voice-over, Forman’s music performed live with still photos from Vasquez’s ballet. Detailed information on the three versions of The Beautifull Cassandra can be found online at: 
https://jasna.org/publications/cassandra/toc.htm
 

Juliet notes that her concentrated work on Austen’s juvenilia taught her how much could be learned from an author’s early writings, and so she “took the idea to the classroom and founded the Juvenilia Press in order to involve students in hands-on experience in textual editing, annotation, and so on.” This effort “has introduced dozens of students, all over the world, to the refinements of scholarly editing.” Juvenilia Press took over publication of The Beautifull Cassandra when the Sono Nis Press’s warehouse burned, destroying the book plates and all remaining inventory.
 
The Lake Louise AGM also brought forth another illustrated work, a Persuasion spin-off called His Cunning or Hers. The epistolary novel, which pertained to the clandestine relations between Mrs. Clay and William Elliot, was written by June Menzies and illustrated by Juliet. Juliet donated her illustrations from that novel to benefit Chawton House. Other sets of her illustrations have been sold to raise money for the Juvenilia Press.

 

We are pleased to say that Juliet will be attending and presenting at the Tucson JASNA AGM where the online auction will reach its conclusion.  She may be found at her Juvenilia Press table in the Emporium or at the NAFCH tables just outside the Emporium to talk about the illustrations and how they came to be.  The North American Friends of Chawton House are very grateful to Juliet for her generous gift of her original illustrations to benefit Chawton House. 
 
Thank you to all the bidders, as you are helping to support Chawton House.  Click here for more information on their mission.  Supporters in the USA and Canada can donate to Chawton House through North American Friends of Chawton House (NAFCH), a public 501(c)(3) non-profit.


We wish you luck in bidding on these glorious McMaster illustrations!




October 10, 2026, 12 pm EDT – October 31, 2026, 5 pm EDT

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The “Belly-ache” gargoyle at the Washington National Cathedral

*A little known fun fact about Juliet is that while in graduate school, she submitted a design for one of the gargoyles for the Washington National Cathedral in Washington, DC. Her entry, along with 111 others, was accepted, and her very own gargoyle sits there proudly today: “The Belly-ache”
– you can read all about it here.


[Images: ©Juvenilia Press and are not to be
reproduced or transmitted in any form.]
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North American Friends of Chawton House Board of Directors
Linda Troost, President
Erna Arnesen, Deborah Barnum, Pam Braak, Isobel Grundy,
Collins Hemingway, Joy Prevost, Laura Rocklyn, Carole Stokes,
Jeanne Talbot, Catherine Windels

Copyright © 2026
North American Friends of Chawton House
All rights reserved.

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The Complete Novels by Jane Austen, The Folio Society, 2025.

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English silver:

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  • The Nibbs Family [James Langford Nibbs]
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And another day is done…

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and another great sign:

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The Tea Room

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– Janine Barchas, 2025

Jane Austen, 29 May 1811 from Chawton
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Adventures with Jane! Day VII: Winchester, the Beautiful and the Sad…

Matching the original paint colors…[the colors surprised me – different in every room, colorful and deep – I didn’t take photos of every room sorry to say…]

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https://www.facebook.com/winchestercathedral/videos/307368896851773

Here is the flier they have celebrating Jane Austen’s 250th:

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Adventures with Jane! Day VI: Hampshire…

[Handout from P&G Wells Bookshop]

Today we journey from Winchester to Jane Austen’s home ground – where she lived for the first 25 years of her life: Steventon.

The house she and her siblings were born and raised in no longer stands, but thanks to her niece Anna Lefroy (or possibly her nephew-in-law Ben Lefroy), we have these drawings of the house:

and this rear view:

All that is left today is this fenced-in location of the house pump: so our imaginations have to run wild…

It is the Church we come to see here [a St. Nicholas of course]: you can also see we are done with the cold of Kent, and welcome the warm and cloudless sky of lovely Hampshire – [I am reminded for a moment of Margaret Hale in Gaskell’s North and South and the loss of her beloved Hampshire and her favorite “Helstone” roses, as she makes her way in northern cold and dark Manchester…]

Members of the Jane Austen Society warmly greeted us on this lovely day, offering delicious fare and Austen-related merchandise to buy. Then a quiet visit inside the church to see where Jane would have worshipped, her father rector here from 1761 (and of Deane from 1763) until his retirement in 1801 and death in 1805.

Michael Kenning, rector here from 1992-2012, introduced us to the Church and its Jane history – I have had the pleasure of meeting Canon Kenning in 2003 for the JASNA AGM trip to Winchester – he is little changed, and still an avid Austen “fan” – the vice-chairman of the Jane Austen Society Trustees. He shared this baptism note in the church records:

And some of the documents that Jane had written in, in one or more of her imaginative fits marrying herself off to various people, as well as her serving as a witness to a marriage (Kenning noted that she wasn’t actually old enough to serve as a witness, so what does that do the married couple?!]:

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Kenning also showed us the massive and heavy key to the church – the door having a lock that was unmanageable, the key hidden in a nearby tree [did EVERYONE know this?!]

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The church interior is lovely, with these William Morris-like decorative designs, but not there during Austen’s time.

The Austen neighbors the Digweed family are very present with large memorials and many graves in the churchyard:

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James Austen has a few memorials and is buried in the churchyard – it states that Mary Lloyd Austen is buried here, but no mention of Ann, his first wife, though records show she is buried here as well…

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A sad memorial to encounter is the one for William Knight, Jane’s nephew [Edward’s son] – he was rector here from 1823-73. This memorial shows the death of his three young daughters within days of each other from scarlet fever – and the graves in the yard:

The iron pieces at the edge of the grave indicate there would have been an iron-fence enclosure around the grave – many such metals were removed for use during wartime in the 1940s.

I have already written a bit about the parsonage that Austen grew up in – and while today there is nothing but the pump to give us a sense of time and place, when William became the rector, Edward Austen demolished the Steventon Rectory, his own boyhood home, and built a new one for William on higher ground – sometime in around 1826 [it is all quite confusing as these two blog posts about Steventon indicate]:

The Saga of the Steventon Parsonage;

and a follow-up post.

 – this rectory still stands…

…..and was recently on the market – here a grand example of just how wrong some real estate listings [and history in general] can be: this Steventon House [as it is called] was not built on the same location where Jane Austen lived and wrote…

.https://www.houseandgarden.co.uk/article/jane-austen-steventon-house-for-sale

But see the great pictures of the house interior and gardens…! It sold, the going price £8,500,000 – not sure how much it actually went for…

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A few more images to leave you with – a magical place here:

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https://www.bbc.com/news/uk-england-hampshire-16002088#.

And here from Jane Odiwe in 2015:

https://janeausten.co.uk/blogs/jane-austen-life/jane-austens-china-and-the-steventon-archaeological-dig?

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We then headed back to Winchester for some time on our own to explore the city – the afternoon finding us at the Hampshire Cultural Trust, which I shall write more about in a Day 6, Part 2 post…so much there to talk about! [think the “pelisse”… and do not faint…]

So stay tuned…

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