The Pemberley Post, No. 10 (Mar 4 – Mar 10, 2019) ~ Jane Austen on the Block! and More!

Not too much this week, as I have had company, and as it should, internet cruising takes a back seat. But this latest finds blog post starts with an Austen on the Block! – then moves on to Shakespeare, Julius Caesar, nursery rhymes, John Steinbeck, and various things about books ….

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First and foremost: Austen on the Block!

An interesting set of Jane Austen’s novels (a 1854 reprint of the Bentley set of 1833) that was owned by Austen’s niece Fanny Catherine Knatchbull is up for auction on March 28, 2019 at Forum Auctions in the UK:

Lot 225:

Austen (Jane) Novels, 6 vol. in 5, reprint of first collected edition, engraved frontispiece to each vol. but lacking half-titles and additional engraved vignette titles, vol.1 with presentation inscription from F.C. Knatchbull to her daughter Louisa dated 1856 (in Louisa’s hand) and remaining vol. with ownership signature of Louisa to front free endpaper, contemporary half calf, spines gilt with double morocco labels (3 lacking, a few chipped), rubbed, 8vo, Richard Bentley, 1833 [but c.1854]

A lovely association copy, once owned by Jane Austen’s favourite niece. Estimate is £4,000 – £6,000

Read more about it here at Forum Auctions.

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A new website “Shakespeare Census” has been launched: it is a database that attempts to locate and describe all extant copies of all editions of Shakespeare’s works through 1700 (excluding the four folio editions). Visit https://shakespearecensus.org/homepage

 

Each play or poem has a logo – this is the one for Romeo & Juliet

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The Ides of March is upon us (March 15th), and so this is interesting news:

Assassination of Julius Caesar, by William Sullivan (ArtUK)

The ruins in the Largo di Torre Argentina in Rome, and where Julius Caesar met his untimely end, is home to dozens of stray cats and is currently crumbling and fenced off. It will soon undergo extensive renovations and open to the public in 2021. https://www.smithsonianmag.com/smart-news/site-where-julius-caesar-was-stabbed-will-finally-open-public-180971613/

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See-Saw Margery Daw

Read about and view many of the illustrations from William Darton’s Nursey Songs at Spitalfield’s Life: http://spitalfieldslife.com/2019/03/09/dartons-nursery-songs/

This edition from 1822 sold at auction in 2014 for $12,500!:

Songs for the Nursery, Collected From the Works of the Most Renowned Poets, and Adapted To Favourite National Melodies. London: Printed [By R. & A. Taylor] For William Darton, 1822. Estimate $ 6,000 — 8,000

Visit http://www.indiana.edu/~liblilly/etexts/darton/ for a bibliography of the William Darton and Sons works exhibited in 1992 at the Lilly Library.

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The Library of Congress “Today in History” for March 9, 1841: Survivors of Amistad Mutiny Released

“The Supreme Court issued a ruling on March 9, 1841, freeing the remaining thirty-five survivors of the Amistad mutiny. Although seven of the nine justices on the court hailed from Southern states, only one dissented from Justice Joseph Story’s majority opinion. Private donations ensured the Africans’ safe return to Sierra Leone in January 1842.”

Image: Joseph Cinquez, the Brave Congolese Chief…
[Drawn by James or Isaac Sheffield]; Moses Yale Beach, lith.;
Boston: Joseph A. Arnold, c1839

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A Miniature Books collection on exhibit at The Grolier Club in NYC: https://www.nytimes.com/2019/03/07/books/tiny-books-grolier-club.html

“A Matter of Size: Miniature Texts & Bindings” from the Collection of Patricia J. Pistner. March 5 – May 18, 2019

Image: Two Speeches by Abraham Lincoln: “The Gettysburg Address” and his “Second Inaugural Address;” written and bound by London bookbinders Sangorski & Sutcliffe in 1930.

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Good to know that the Nobel Prize for Literature (not awarded in 2018) is back, and 2018 and 2019 winners will be announced at the same time this year (in October)… https://www.publishersweekly.com/pw/by-topic/industry-news/awards-and-prizes/article/79431-after-changes-the-nobel-prize-for-literature-returns.html

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A more than creative way to make use of Old Books: https://www.boredpanda.com/old-book-recycling-paper-art-cecilia-levy/

See more teacups and other made-from-books objects by Cecilia Levy here: https://www.cecilialevy.com/

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Most of you likely know that I collect books by and about John SteinbeckOpen Culture shares this great tale of Steinbeck as autograph seeker – and from Marilyn Monroe of all people! The letter sold at auction in 2016 for $3,520: http://www.openculture.com/2019/03/heres-john-steinbeck-asking-marilyn-monroe-for-her-autograph-1955.html

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A “Rules of the Circulating Library in Ashborne” broadside sold at Forum Auctions in November: this article appears in the Antiques Trade Gazette by Ian McKay: https://www.antiquestradegazette.com/print-edition/2019/january/2374/auction-reports/library-laws-laid-down-at-auction/

“Dated April 5, 1768, the simple printed broadside shown below lays down the ‘Rules…’ that apply to those wishing to use the Circulating Library in Ashbo[u]rne in Derbyshire.

As well as a joining fee of 7/6d, library users were charged six shillings a year for membership, payable in two instalments. They were also entitled to attend quarterly meetings at The Green Man or other designated venue to propose, discuss and vote on what new books might be purchased for the library.

Anyone keeping a book out on loan for longer than what had been agreed on as a reasonable period was liable to a fine of tuppence a day.

All users are reminded “…not to lend any Library Book out of his Dwelling-House on any Pretence whatever.”


It sold for £1200 at Forum Auctions on November 29, 2018.

 

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What were your favorite finds this past week?

c2019 Jane Austen in Vermont

The Pemberley Post, No. 7 (Feb 11-17, 2019) ~ Jane Austen and More!

Various finds this past week on the ever-amazing internet, from Dickens to Tolkein, Marie Antoinette to The Devil in the White City, and Robert Louis Stevenson to Gretna Green …. enjoy the reading journey!

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A study of the largest private library of Anglophone women’s writing collected in the nineteenth century: https://stainforth.scu.edu/

-Francis John Stainforth (1797-1866), an Anglican clergyman, collected a unique private library during the mid-nineteenth century. His library catalog lists 7,726 editions (8,804 volumes) authored and edited by 3,721 writers, nearly all of whom are women – but alas! No Jane Austen!

An old article on Dickens and his London (my favorite topic): https://www.smithsonianmag.com/travel/how-charles-dickens-saw-london-13198155/

Also not new – Devoney Looser writes on S&S: “Sense or Sensibility: What if Jane Austen Had to Choose.” This is an excerpt from her introduction to the 2018 Penguin Classics edition of S&S. https://lithub.com/sense-or-sensibility-what-if-jane-austen-had-to-choose/

The best of Edward Gorey’s book jackets:
https://www.thedailybeast.com/cover-story-edward-goreys-best-book-jackets?ref=scroll

This is fascinating: Darwin’s children doodles on the manuscript of The Origin of Species: https://www.brainpickings.org/2016/04/06/charles-darwin-children-doodles-origin-of-species/

  • Then again, maybe the doodles weren’t from Darwin’s children at all. A gentleman on one of the listservs I subscribe to suggests the drawings are those of the children of Joseph Dalton Hooker https://en.wikipedia.org/wiki/Joseph_Dalton_Hooker
  • an academic conundrum – and example perhaps of scholars trading assumptions for statements of fact and how that can muddle the truth…

You all know this already, but Erik Larson’s Devil in the White City is being made into a Hulu TV series with Leonardo DiCaprio and Martin Scorsese as executive producers – will DiCaprio star in one of the roles do you think?? The architect or the evil Doctor?? This book had completely freaked me out when I read it back in 2003 – the story is frightful enough, but Holmes, the serial killer, ended up in Burlington Vermont on the same street where I lived!’- thankfully 100 years before, but still…. I was reading it late at night, read that bit, screamed like a banshee, scared my sleeping husband half to death – neighbors surely thought another murder was taking place… We read this for my book group – one woman could only read the chapters about the fair, completely skipped over the nasty doings – and ok to do really – the story of the fair and its architect is fascinating in itself.

Speaking of nasty – I’ve never been able to take those Victorian hair works of art – totally creeps me out – here’s a great article on them: https://www.messynessychic.com/2018/01/24/the-lost-art-of-victorian-human-hair-shrines/

-Years ago a friend and I visited the Hill-Stead Museum in Farmington CT – of course there was a framed Victorian hair art on the wall – it all struck us funny and we started giggling and could not stop – spent the entire tour of the house not so quietly making a scene – I do not think I am allowed back…and all because of that creepy hair…

Well, this just makes me sad: https://abc7chicago.com/rare-books-stolen-from-pennsylvania-bookstore/5137379/

  • Let’s hope they find fingerprints they can identify on that perfume bottle!
  • The hardest thing for me as a bookstore owner was the theft of books – always done by someone who knew the shop and certainly knew the value of what he/she was sneaking off with – I lost some very valuable titles over the years – in many ways, it finally did me in with having an open shop…

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Want to understand purchasing power for any given year, 1270 – 2017? Go to this currency converter at the National Archives [UK]: http://www.nationalarchives.gov.uk/currency-converter/

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One of the few children’s books I collect is Robert Louis Stevenson’s A Child’s Garden of Verses: the Library of Congress has a write-up about the iconic 1895 edition illustrated by Charles Robinson: https://blogs.loc.gov/loc/2019/02/rare-books-a-childs-garden-of-verses/?loclr=earare

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Cast of the now-filming Sanditon series has been announced: https://www.itv.com/presscentre/press-releases/itv-and-red-planet-pictures-announce-cast-filming-commences-jane-austens-sanditon

A review of Kate Hamill’s Vanity Fair: https://www.nytimes.com/2017/04/03/theater/vanity-fair-broadway-review-kate-hamill-eric-tucker.html

Valentine’s Day brought out many posts on Romance, etc:

Learn about the Map of Matrimony from the University of St. Andrews Special Collections: https://standrewsrarebooks.wordpress.com/2019/02/14/compass-of-the-heart-following-the-map-of-matrimony-on-st-valentines-day/

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The Art of Book Covers at the Public Domain Review:
https://publicdomainreview.org/collections/the-art-of-book-covers-1820-1914/

The first and last loves of J. M. W. Turner, courtesy of the “Untold Lives” blog:

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George Raper – Waratah, 1789

With thanks to Philobiblos, I link here to the National Library of New Zealand’s Alexander Turnbull Library now digitized drawings of George Raper’s (1769-1797) birds, animals and flowers: https://tiaki.natlib.govt.nz/#details=ecatalogue.58515

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Hobbit lovers, head to the Morgan for their grand exhibit on Tolkien, through May 2019: https://www.themorgan.org/exhibitions/tolkien

And finally, Sotheby’s gives us “The Most Expensive Old Master Female Artist”: https://www.barnebys.com/blog/the-most-expensive-female-old-master-elisabeth-vigee-le-brun/

Portrait of Muhammad Dervish Khan, Elisabeth-Louise Vigee Le Brun. 1788

A painting by Elisabeth Vigée Le Brun, the 18th / 19th century portrait artist mostly noted for her paintings of Marie Antoinette, has reached the highest auction sale price for a female artist – $7.2 million!

Marie Antoinette

[This painting caused quite a stir: Marie Antoinette in a Muslin Dress – alas! she was in muslin, not the proper regal attire suitable for a Queen…]

c2019 Jane Austen in Vermont

Jane Austen’s Signature ~ Sells for 12,500 GBP = $16,111 !

Yikes!! ~ Just sold today (7-12-17) at Christies:

AUSTEN, Jane (1775-1817). Signature (‘Yours very affec[tionate]ly, Jane’), cut from a letter, n.d.

Price realised GBP 12,500 (Estimate GBP 1,000 – GBP 1,500)

AUSTEN, Jane (1775-1817). Signature (‘Yours very affec[tionate]ly, Jane’), cut from a letter, n.d.
22 x 91 mm. [With:] A later envelope, inscribed with provenance notes.

Provenance: Fanny Catherine Knight, Lady Knatchbull (1793-1882, niece of Jane Austen), given to – ‘H.P. Hope’, who, according to the endorsement on the accompanying envelope, dated 15 November 1858, ‘says “Lady K would have sent the entire letter, had it not contained family matters”’.

A tantalising fragment from one of the most elusive hands in English literature: Jane Austen’s signature, cut from one of her letters written to her favourite niece, Fanny Catherine Knight, apparently containing ‘family matters’. Any Austen autograph item is rare at auction: only four have sold in the last twenty years (ABPC/RBH).

2017 Jane Austen in Vermont

Austen on the Block! ~ July 10 at Forum Auctions, and July 11 at Sotheby’s

There are a number of terrific Austen items on the block today at Forum Auctions in London: it’s happening as we speak… scroll up and down from this link and you will see the hammer prices.

And tomorrow, there are three of Jane Austen’s letters up for sale at Sotheby’s, all to her niece Anna Lefroy: go to the links provided to see images.

  1. Lot 82: http://www.sothebys.com/en/auctions/ecatalogue/2017/english-literature-l17404/lot.82.html

Austen, Jane. AUTOGRAPH LETTER, WRITTEN IN THE THIRD PERSON, TO HER NIECE ANNA AUSTEN (LATER LEFROY)

a masterly comic jeu d’espirit, written as if to Rachel Hunter, the author of the verbose gothic novel Lady Maclairn, the Victim of Villainy, asking her to thank Mrs Hunter for the “spirited sketches … of those more interesting spots Tarefield Hall, the Mill & above all the Tomb of Howard’s wife – of the faithful representation of which Miss Jane Austen is undoubtedly a good Judge, having spent so many summers at Tarefield Abbey”, assuring her that she has wept copiously over these affecting scenes, expressing her earnest hope that Mrs Hunter “would have the kindness to publish at least 4 vols more about the Flint family”, and closing with local news that “the Car of Falkenstein [the Alton-London coach] which was the pride of that Town was overturned within the last 10 days”, 3 pages, 8vo (184 x 114mm, partial “Horn” watermark similar to Heawood 2752-2762), integral autograph address panel (“Miss Austen | Steventon”), remains of a black wax seal impression, [Chawton, ?29-31 October 1812], original folds, very slightly discoloured at edges, remains of hinges where once probably mounted in an album.

Jane Austen’s Letters, ed. Dierdre Le Faye (1995), no. 76 (edited from a copy).

2. Lot 83: http://www.sothebys.com/en/auctions/ecatalogue/2017/english-literature-l17404/lot.83.html

Austen, Jane. SUBSTANTIAL FRAGMENT OF AN AUTOGRAPH LETTER, TO HER NIECE ANNA LEFROY (NÉE AUSTEN)…

with lively family gossip in the weeks after Anna’s marriage, including the comings and goings of Jane’s brothers Charles and Henry, regretting that she will not be able to see her and her husband Benjamin again before she leaves London, assuring her that the Austen party had enjoyed their visit to Anna’s new home in Hendon (“…We talked of you for about a mile & a half with great satisfaction, & I have been just sending a very good account of you to Miss Beckford, with a description of your Dress for Susan & Maria…”), and with revealing comments about a trip to the theatre (“…Acting seldom satisfies me. I took two Pocket handkerchiefs, but had very little occasion for either…”), 2 pages, 8vo, [23, Hans Place, London, 29 November 1814], weak at folds, small tear (c.15mm) at top not affecting text [with:] a later envelope recording family provenance.

Jane Austen’s Letters, ed. Deirdre Le Faye (1995), no. 112.

  1. Lot 84: http://www.sothebys.com/en/auctions/ecatalogue/2017/english-literature-l17404/lot.84.html

Austen, Jane. FRAGMENT OF AN AUTOGRAPH LETTER, TO HER NIECE ANNA LEFROY (NÉE AUSTEN),

describing a visit to her younger nieces at her brother Charles’s family home (“…Cassy was excessively interested about your marrying, when she heard of it …. She asked a thousand questions, in her usual way – what he said to you? And you to him?…”), ten lines, [23 Hans Place, London, 29 November 1814], with, on the verso, fragments of pen practices (“Miss J Austen | Hans Place | Sloane Street” etc.) and a black wax seal impression [with:] Mary Isabel Lefroy, autograph letter signed, to Richard Austen-Leigh, presenting him with this fragment, also mentioning a forthcoming visit to Cambridge to inspect the Sanditon manuscript that had been given to King’s College, 2 pages, 4to, 27 October [1931], with envelope.

c2017 Jane Austen in Vermont

Austen on the Block! ~ Sotheby’s 13 December 2016

A few Austen-related lots shall appear at Sotheby’s London on December 13, 2016: English Literature, History, Children’s Books and IllustrationsIt is worth browsing. I list below the six Austen items, but please note that the images do not copy from the Sotheby’s website – I have taken pictures from elsewhere (and so noted) to show each lot. 

1816-1stedtitlepage-blackwellsLot 125.  Austen, Jane. Emma: A Novel. John Murray, 1816.

Estimate: £8,000 – 12,000 / $9,814 – 14,720

3 volumes, 12mo, FIRST EDITION, half-titles supplied in facsimile, paper watermarked “1815 | H”, “Budgen 1815” and “J Budgen 1815”, 1p. publisher’s advertisements on verso of the final leaf of text in volume 3, later full calf, gilt border, flat spine gilt, titled in gilt on red labels, volume numbers and dated in gilt on green labels, gilt dentelles, marbled endpapers, together in collector’s brown slipcase, many leaves strengthened at gutter, some spotting and browning, some repairs to page edges.

Lot 126. Austen, Jane. Northanger Abbey: and Persuasian (sic). Johnna-tp-wp Murray, 1818.

Estimate: £6,000 – 8,000 / $7,360 – 9,814

4 volumes, 12mo, FIRST EDITION, half-titles (between the preliminary leaves and first page of text in each volume, as issued), paper watermarked “AP | 1816 | 2”, later full calf, gilt border, flat spine gilt, titled in gilt on red labels, volume numbers and dated in gilt on red and green labels, all edges speckled, gilt dentelles, marbled endpapers, titles and a few leaves strengthened at gutter, some spotting and browning.
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The provenance states: J.C. Fowle, ownership signature on title of each volume – one wonders if there is a connection to the Fowle family that Cassandra was intended to marry into – I find no names in the biographical index in Deirdre Le Faye’s Jane Austen’s Letters (4th ed.) under the Fowle family where a “J. C.” would work…

A snarky (a la Austenblog) aside: I hate it when auction catalogues get it wrong: first there is the Persuasion typo, then this:  ” [Northanger Abbey] was finally brought out after Austen’s death in July 1817 alongside Persuasion, which was completed by Austen over the summer of 1816, shortly before she was forced to stop writing due to ill health.”– so somehow all her efforts on Sanditon have been relegated to the trash heap… especially odd when the next lot is…

Lot 127. [Austen, Jane]. Lefroy, Anna. Autograph Manuscript Continuation of Austen’s Unfinished Novel Sanditon 

Estimate: £20,000 — 30,000 / $24,534 – 36,801

annalefroy-borgantiq2Description: The working manuscript with extensive revisions, mostly with interlinear revisions but partially written on rectos only with revisions and additions on facing versos, two pages entirely cancelled and pasted over with revised text, in three stab-stitched fascicules respectively composed of 8, 11 (lacking final blank) and 8 bifolia, the third with an additional leaf stitched in, with a final section of 11 loose bifolia and one single leaf (the conjugate leaf torn away), on unwatermarked wove paper with indistinct blind stamp in upper left corners, altogether 113 pages, plus blanks, 8vo (180 x 110mm), probably 1840s, light spotting

[with:] Two autograph manuscript reminiscences of Jane Austen: retained copy of a letter to her brother James Edward Austen-Leigh when he was preparing his Memoir of Jane Austen, 9 pages, c.1864; further reminiscences (commencing “I cannot remember distinctly the face of either Aunt…”) in two draft texts, one incomplete, 5 pages; 8vo (180 x 110mm) [also with:] Autograph manuscript note on the manuscript of Sanditon (“I have in my possession a few pages of M.S. the last effort of my dear Aunt’s pen…”), 2 pages, 8vo (205 x 132mm), with a later subscription in the hand of Lefroy’s grand-daughter M. Isabel Lefroy.

Provenance: Sotheby’s, 13 December 1977: “The Property of the great-great nephews of Jane Austen”

[Image: Anna Lefroy, from Borg Antiquarian]

Lot 128. Austen, Jane. Pride and Prejudice. George Allen, 1894. Illus. by Hugh Thomson.

Estimate: £3,000 — 5,000 / $3,680 – 6,133pp-allen-1894-pinterest

Description: 8vo, FIRST EDITION THUS, half-title, frontispiece and illustrations by Hugh Thomson, full pictorial teal morocco gilt by Sangorski & Sutcliffe, motif of peacock standing on an urn on upper board with morocco onlays, within a border of peacock feathers, single red jewel for peacock’s eye, spine gilt in compartments with designs of peacock feathers and butterflies, all edges gilt and gauffered, teal and purple morocco doublures, silk endpapers, collector’s slipcase, spine slightly rubbed, front free endpaper coming loose.

The peacock design of this sumptuous binding evokes Hugh Thomson’s design for the original cloth binding, as well as the peacock motif on the title page. The book contains 160 line drawings by Thomson, including headpieces, tailpieces, ornamental initials and the wholly drawn title page, which he began in the autumn of 1893. The book was published in October 1894.

[Image: Pinterest]

Lot 123. [Austen, Jane]. Cup-and-Ball Game (Bilbocatch) – believed to have been Jane Austen’s

Estimate: £20,000 — 30,000 / $24,534 – 36,801

Description: height 175 mm, ball c.60mm diameter, ivory with modern string, possibly English, c.1800, chipped at base, hairline cracks. Cup-and-Ball, or bilbocatch (from the French bilboquet) was a popular domestic game at which Jane Austen excelled. She gives a good indication of the game’s part of daily routine in a letter to Cassandra of 29 October 1809: “We do not want amusement: bilbocatch, at which George is indefatigable; spillikins, paper ships, riddles, conundrums, and cards, with watching the flow and ebb of the river, and now and then a stroll out, keep us well employed; and we mean to avail ourselves of our kind papa’s consideration, by not returning to Winchester till quite the evening of Wednesday.”

This Cup-and-Ball game, which has always remained in the family of Jane Austen, has always been associated with the author including on the rare occasions when it has been publicly exhibited…

SONY DSC

[Image: the same bilbocatch that was on display at the Jane Austen House Museum: https://www.janeausten.co.uk/bilbocatch-old-fashioned-ball-and-cup-fun/ ]

 Lot 124. Austen, Jane. Autograph Letter Signed (“JA”), To Her Sister Cassandra, 8-9 Nov 1800

Estimate: £40,000 – 60,000 / $49,068 – 73,602

ja-lettercorrected-nov1800-blDescription: 4 pages, with interlinear postscript added upside down to first page, 4to, Steventon, 8-9 November 1800, integral address panel and postal marks, seal tear, fold tears, professionally conserved. Jane Austen’s Letters, ed. Deirdre Le Faye (1995), no. 25.

Letter on family affairs and local news, with a charming account of new furniture acquired for the rectory at Steventon, news of Earle Harwood, their neighbour’s son then serving in the army (“…About ten days ago, in cocking a pistol in the guard room at Marcau [St Marcouf], he accidentally shot himself through the Thigh…”) and currently in hospital in Gosport, with a terse account of a ball attended by her brother James when visiting Earle Harwood (“…It was in general a very ungenteel one, & there was hardly a pretty girl in the room…”), describing a quiet evening spent with friends in a neighbouring village (“…Sometimes we talked & sometimes we were silent; I said two or three amusing things, & Mr [James] Holder made a few infamous puns…”), Also mentioning the state of health of Harris Bigg-Wither, whose proposal of marriage Jane was to accept briefly in 1802, with three postscripts, the first including news of their brother Charles’ capture of a Turkish ship and the second, written in the evening, describing the dramatic effects of a storm earlier in the day (“…I was sitting alone in the dining room, when an odd kind of crash startled me – in a moment afterwards it was repeated; I then went to the window, which I reached just in time to see the last of our two highly valued Elms descend into the Sweep!!!!!…”).

ja-letter2-nov1800-bl

[Image: this letter is on the British Library website and has been on loan to them since 1936]

[All text excepting my commentary is from the Sotheby’s catalogue]

Happy bidding!

C2016 Jane Austen in Vermont

Auction alert! ~ For Your Library Walls: The Prince of Wales, later the Prince Regent, later George IV

Updated with results below:

This week, a portrait of the Prince Regent, a.k.a. Prinnie and later George IV, is up for sale at Skinner. Here is the chance you’ve been waiting for – to have his mighty visage staring down at you from your library walls! Whatever would Jane Austen say? – she was not, as we know, a big fan of the Prince. [for more information on Austen’s 1815 visit to Carlton House and the Prince Regent’s Librarian, click here.]

Prince of Wales

Prince of Wales

British School, 18th/19th Century ~ George IV as The Prince of Wales

Auction Details: 

Skinner 2754B European Furniture & Decorative Artshttp://www.skinnerinc.com/auctions/2754B
October 11, 2014 10:00AM, 63 Park Plaza, Boston

Lot 566: British School, 18th/19th Century ~ George IV as The Prince of Wales http://www.skinnerinc.com/auctions/2754B/lots/566

Estimate: $1,000 – $1,500 SOLD for $615.

Description:

British School, 18th/19th Century – George IV as The Prince of Wales

  • Unsigned, with labels including one from The Closson Art Galleries, Cincinnati, on the stretcher.
  • Oil on canvas, 28 1/4 x 23 3/4 in. (71.5 x 60.5 cm), framed.
  • Condition: Lined, retouch, fine craquelure, surface accretions.

N.B. The portrait is somewhat similar in feel to that painted by John Russell, RA, in 1789, now in the collection of the Fogg Art Museum, Harvard University, which may have been the inspiration for this copy.

Stretcher incised “W.MORRILL/LINER” u.c. bar. Also with a label from Art Conservation & Services, San Francisco, California, on the stretcher. Other period labels on the stretcher are unattributed and variously inscribed with numbers. One more promising label is inscribed “S.Buckly & Co/8-5-21”

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See the full Auction catalogue for a stunning collection of fine silver, snuff boxes, paintings, porcelain, furnishings, and other decorative arts.

And here is the Prince later as George IV and what the caricaturists and his own profligate ways made of him:

A-voluptuary-wp

A Voluptuary under the horrors of Digestion (1792)
by  James Gillray  [Wikipedia]


c2014 Jane Austen in Vermont

More Austen on the Block! ~ A Jane Austen Portrait, First Editions, and More

UPDATE:  Prices realized [with buyer’s premium] are noted as made available

I wonder what is going on – I posted last week on several upcoming auctions with a number of Jane Austen offerings – and now I write about even more – there seems to an abundance, more than usual – why is this do you think??

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I will start with this, out of date order, but perhaps the most unique, interesting, (and expensive) to us:

Sothebys – 10 December 2013: English Literature, History, Children’s Books & Illustrations. London.

Lot 283:

Sothebys-JA Portrait-12-10-13

Austen, Jane – by James Andrews. PORTRAIT OF JANE AUSTEN.

watercolour over pencil heightened with gouache on card, depicting the author with brown curly hair and hazel eyes seated and facing towards the right, in a white frilled bonnet with light blue ribbon and a white dress with a dark blue ribbon under the bust, a small section at the bottom of the portrait apparently unfinished, oval, 143 x 100mm (overall sheet size 170 x 125mm), 1869, series of pin-holes at the top and bottom of the card, pencil markings probably by the engraver, mounted, framed, and glazed, frame size 327 x 247mm, the frame being a reused lid from a casket or box, French or German, probably eighteenth century, walnut inlaid with boulle-style marquetry of flowers and scrollwork in brass, silver, ivory, and mother of pearl, loss to surface of portrait probably due to insect damage, mostly affecting the dress, slight discolouration at edges seemingly where previously mounted in a rectangular frame.

The portrait of Jane Austen was commissioned by her nephew, James Edward Austen-Leigh, to illustrate his memoir of his aunt. This watercolor by painter James Andrews was the basis for the engraved version that is the best known and most reproduced image of Austen. It has been in the family ever since.

Estimate: £150,000 — 200,000 

[Note: For those of you in the New York area, this portrait will be on view from November 19 to 21 on the fourth floor of Sotheby’s, 1334 York Ave at 72nd St. Sotheby’s is open from 10 to 5. ]

There are other must-have items at this auction – see below [all are in chronological order]

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Swanns Galleries.  November 21, 2013. 19TH & 20TH CENTURY LITERATURE. Sale 2332.

Lot 4:

Swann-MP-11-21-13

AUSTEN, JANE. Mansfield Park. 2 volumes. Philadelphia: Carey & Lea, 1832.

4 page publisher’s catalogue inserted at front of volume 1. 8vo, original publisher’s 1/4 cloth-backed drab boards, lettering labels on spines (absent but for trace remnants on each volume, and with small contemporary institutional labels either perished or remnant only below on each volume), cocked, few short splits at spine tips, generally mild staining and light wear to boards, corners rubbed with light exposure; hinges tender, pastedowns coming loose from boards in volume 1, scattered foxing throughout, at times heavily to volume 2, occasional small chips at deckle, old penciled numerals on front free endpapers, paper repairs on 2 leaves in volume 1 with no loss of text; housed in custom drop-back cloth case.

First american edition, extremely rare in the original binding. One of 1250 copies printed. Few copies of any of Austen’s first American editions have survived. “No appearance of the 1832 M[ansfield] P[ark] at auction has been traced” (Gilson, rev. ed., 1997). A survey of ABPC and AE records only one unsophisticated copy sold in the last 30 years. Gilson B4.

Estimate $4,000 – 6,000 – Price Realized $5,376

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Lot 5:

Swann-P&P2nd-11-21-13AUSTEN, JANE. Pride and Prejudice. Second Edition. London: Printed for T. Egerton, 1813.

3 volumes. Lacking half-titles. 12mo, contemporary 1/2 calf over marbled boards, spine gilt with leather lettering pieces (two perished, one with partial loss), covers and spines scuffed with some splitting along spine ends, fore-edges bumped in areas, joints strengthened; scattered light foxing, neat contemporary ownership inscriptions on title-page of each volume.

The less common second edition. According to Gilson, the publishing history is rather furtive (“The size of the edition is not known”). It does differ from the first edition in that it is entirely reset, resulting in occasional variations within the page. In addition, there are numerous small changes to spelling and punctuation and, occasionally, a change in wording (see Gilson A4 for list of alterations.); Chapman 4.

Estimate $3,000 – 4,000 – Price Realized $4,096
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Swann-novels-11-21-13Lot 6:  

AUSTEN, JANE. The Novels. Edinburgh: John Grant, 1911-12.

12 volumes. Portrait frontispiece to volume 1. 8vo, later 1/4 olive calf, spine gilt in 5 compartments with gilt-lettered morocco lettering pieces in 1, top edges gilt. the Winchester Edition, a bright and clean set. One of the more desirable editions of Austen’s works.

Estimate $800 – 1,200 – Price Realized  $1,875

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Also of interest: [to me anyway!]- as well as some wonderful offerings in children’s literature, lots of Dickens, alas! only one Hardy, but some lovely Hemingways and Twains…

Lot 238:  

Swann-Steinbeck-11-21-13Steinbeck, John. ASSOCIATION COPY WITH ‘PIGASUS’ DRAWING.
The Grapes of Wrath
. New York: Viking, (1939)

8vo, publisher’s pictorial tan cloth, covers clean with virtually no rubbing or wear; outer pastedown edges with faint evidence of binder’s glue as usual, though with no offsetting to facing endpapers; first state dust jacket, mild rubbing to folds, small skillful restorations to spine panel tips and flap folds, bright and clean, a superb example with the original $2.75 price present.

First edition, an excellent association copy, inscribed on the front free endpaper “For Jules and Joyce and also Joan [underlined] with love John Steinbeck.” Below his signature Steinbeck added his “Pigasus” drawing. Jules Buck was a movie producer; he and Steinbeck made an early attempt toward a collaborative screenplay for what would become Elia Kazan’s “Viva Zapata,” though Steinbeck’s contribution was such that he received sole credit. Buck produced such post-war film classics as Robert Siodmak’s The Killers (based on the story by Ernest Hemingway), and Jules Dassin’s The Naked City. His wife Joyce Gates was an actress and their daughter Joan became the editor of French Vogue. Steinbeck generally reserved his flying pig doodle for close friends or significant occasions. In a letter (March, 1983) Elaine Steinbeck explained the significance of the image: “The Pigasus symbol came from my husband’s fertile, joyful, and often wild imagination … John would never have been so presumptuous as to use the winged horse as his symbol; the little pig said that man must try to attain the heavens though his equipment be meager. Man must aspire though he be earthbound” (The Martha Heasley Cox Center for Steinbeck Studies). An excellent inscribed copy with a fine association. Goldstone & Payne A12.a.

Estimate $18,000 – 25,000 – Price Realized $18,750
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Swann-Cruikshank-11-21-13Lot 71: 

[Cruikshank, Isaac Robert]. UNRECORDED CRUIKSHANK (illus.). Mock Heroics, on Snuff, Tobacco, and Gin; And A Rhapsody on an Inkstand by J. Elagnitin. London: Hodgson and Co., 1822.

Frontispiece and 3 full page color engravings by I. R. Cruikshank. 8vo, contemporary full dark green crushed morocco, French fillet covers, spine decorated in gilt in compartments, all edges gilt, wide inner dentelles, by Riviere; tiny marginal repair on frontispiece, mild offsetting to title-page, else quite clean.

First edition of rare Cruikshank title with very bright, clean impressions of the plates. Shows London denizens taking snuff, on the pipe, at the debauch, and a more lonely pursuit. Not in Krumbhaar. 

Estimate $700 – 1,000 – Price Realized $469 

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Doyle, New York. Monday, November 25, 2013 at 10am Rare Books, Autographs & Photographs – Sale 13BP04

Lot 522:

Doyle-JAset-11-25-13-2AUSTEN, JANE. The Novels. Edinburgh: John Grant, 1911-12.

The Winchester edition. Twelve volumes, full blue morocco gilt, the spines elaborately tooled and lettered in gilt with red morocco lettering labels, top edge gilt. 8 1/2 x 5 1/2 inches (22 x 14 cm). A fine and attractive set.

Estimate $1,000-1,500

[Note: This set is similar to the one noted above, just with a different binding – which do you like best?]
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There is quite a collection of photographs and political collectibles at this auction, including this Tom Jones, Theodore Roosevelt’s copy:

Doyle-Fielding-11-25-13-2Lot 515:

FIELDING, HENRY. The History of Tom Jones, a Foundling. London: printed for A. Millar, over-against Catharine-Street in the Strand, 1749. First edition, Theodore Roosevelt’s copy, with his “Qui plantavit curabit” bookplate to each pastedown. Six volumes, later full brown morocco gilt, all edges gilt. 6 1/4 x 3 3/4 inches (16 1/2 x 10 cm); with the errata leaf present in vol. I and with most called for cancels: Vol. I: B9, 10; Vol. II: N12; Vol. III: H8-10, M3; Vol. IV: B1, Vol. V: N8. [without the cancels at B4 and 5 in vol. II and Q11 in vol. III]. A 1910 inscription to front free endpaper on vol. I in an unknown hand, some foxing throughout, D10 in vol 2 with tear not affecting text, joints and extremities rubbed, losses to lettering labels, a sound set.
First edition of one of the earliest English works to be called a novel – with a very fine American provenance.

Estimate $2,000-3,000

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Sotheby’s auction December 5, 2013 New York:  Fine Books and Manuscripts, Including Americana

This is my birthday, so in case you are wondering what I might like, I will take any of these…

Lot 85:

Sothebys-S&S-12-5-13

Austen, Jane. Sense and Sensibility. London: Printed for the Author and published by T. Egerton, 1811.

3 volumes, 12mo (6 3/4 x 4 in.; 172 x 104 mm). Half-titles  (with the correct length of rules as called for) in all volumes but lacking the terminal blanks in each, lower corner of B2 torn away in vol. 1, very occasional and mostly marginal faint staining throughout. Modern three quarter tan morocco and linen cloth by Sangorski and Sutcliffe, red morocco labels.

Estimate: $20,000 — 30,000. Did Not Sell

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Lot 86:

Pride and Prejudice: A Novel. London: T. Egerton, 1813

3 volumes, 12mo (6 3/4 x 4 1/16 in.; 171 x 105 mm). Lacks half-titles, some staining and browning throughout but less so  in vols. 2 and 3, closed tear in gutter of first text page in vol. 1 and last of vol. 3,  front endpapers lacking in last Sothebys-P&P-12-5-13volume. Contemporary half calf and marbled boards, spines with six gilt-ruled compartments and black morocco labels, a little rubbed overall, with minor wear at head of volume 1.

Estimate: $20,000 — 30,000

SOLD for $46,875.

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Lot 87:

Sothebys-MP-12-5-13Austen, Jane. Mansfield Park. London: Printed for T. Egerton, 1814

3 volumes. 12mo (6 7/8 x 4 1/4 in.; 176 x 105 mm). Lacking half-titles but terminal blanks present, lower corner of Q3 in vol. 1 torn away, vol. 3 pg. 175 with clean tear repaired, few light stray spots to title pages, but text  unusually free from staining and browning. Near-contemporary half calf and marbled boards, spines gilt in 5 compartments, red and black morocco labels; sides rubbed, vol.1 rebacked preserving spine, upper joint of vol. 3 starting.

Estimate: $7,000 — 10,000 – SOLD for $13,750.
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Lot 88: 

Sothebys-E-12-5-13

Austen, Jane. Emma: A Novel. London: Printed for John Murray, 1816.

3 volumes, 12mo (6 ¼ x 4 1/8 in.; 165 x 105 mm). Lacking half-titles; intermittent spotting and some staining, more so in vol. 2.  Near-contemporary half calf and marbled boards, spines gilt in 5 compartments with black morocco labels; some rubbing to sides and minor shelfwear along bottom edges, some skinning at top of spine ends.

Estimate: $7,000 — 9,000 – SOLD for $11,875.
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Sothebys-NA&P-12-5-13Lot 89:

Austen, Jane. Northanger Abbey: and Persuasion. London, John Murray, 1818.

4 volumes, 12mo (6 3/4 x 4 1/4 in.; 172 x 106 mm). Lacking half-titles; some very minor and mostly marginal spotting. Contemporary black half roan and marbled boards, spines ruled and gilt-titled; some rubbing to joints, slight wear at corners and along bottom edge, but a generally handsome set.

Estimate : $5,000 — 7,000 – SOLD for $8,125.

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Other items of interest at this auction:

Lot 92: Love this binding!

Sothebys-Cecilia-12-5-13

Burney, Frances. Cecilia, or Memoires of an Heiress. London: for T Payne and Son and T Cadell, 1782

5 volumes, 12mo (6 3/4 x 4 ins; 172 x 100 mm). Advertisement leaf present in first volume, vols. 2, 3, 5 lacking rear endpapers. Contemporary calf, rebacked to style with red morocco and green morocco labels.

Estimate: $2,000 — 4,000.
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Lot 93:

Sothebys-Camilla-12-5-13Burney, Frances. Camilla: or a Picture of Youth.  London: for T. Payne, T. Cadell Jun and W. Davies, 1796

5 volumes, 12mo (174 x 102 mm). The occasional proud gathering and a few closed marginal tears to a handul leaves only. Contemporary speckled calf, single rule border to sides, spines with double-ruled compartments, green morocco labels; trace of rubbing to joints, upper joint of vol. 2 tender, but a lovely set.

Estimate: $3,000 — 5,000.
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Lot 96:

Sothebys-Byron-12-5-13Byron, George Gordon, Lord. Autograph verses for The Corsair. [1814].

Autograph fragment of two verses. 1 page (7 x 1 in.; 180 x 28 mm). Mounted in a portfolio with a portrait of the author; “And sad & lonely mid the holy calm /  Near Theseus’ fence y on solitary Palm.”

These two lines are the verses 1213 and 1214 of The Corsair, Canto III, published in 1814. In the edition of the Works of Lord Byron (Coleridge & Prothero, 1898-1905), the verses are: “And, dun and sombre ‘mid the holy calm, / Near Theseus’ fane yon solitary palm.”

Together with: autograph letter, signed (“Lord Byron” in third person). 1 page (8 5/3 x 6 7/8 in.; 219 x 175 mm), “13 Piccadilly Terrace, August 15th 1815”; to an unidentified correspondent: “Lord Byron presents his compliments to Mr. Juling [?] & would be glad to know if the letter of which he encloses the cover was not overcharged upon the [District?] stated on the address by the postman. The charge was thirteen pence half penny”. Formerly folded, soiling and foxing, tiny repair on the address. –Autograph address panel, cut from the address leaf of a letter addressed to his sister, August Leigh. 1 page (4 3/4 x 3 in.; 121 x 75 mm); wax seal; mounted in tinted roan folder.

Estimate: $4,000 — 6,000. 

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Sothebys – 10 December 2013: English Literature, History, Children’s Books & Illustrations. London

This auction includes the portrait noted above, but there a number of other offerings worth sharing: see the catalogue online where you will find a treasure-trove of children’s books and their illustrators  [Rackham, Tolkien, Potter, Robinson, Shepard, Pogany, Nielsen, Dulac, De Brunhoff, Carroll, Blyton, and more] , and also Johnson, Dickens, Pope, and Swift… and more…

Lot 284:

Sothbys-Bronte-12-10-13

[Brontë, Charlotte]. JANE EYRE. AN AUTOBIOGRAPHY. EDITED BY CURRER BELL. SMITH, ELDER AND CO., 1847

8vo (198 x 124mm), 3 volumes, first edition of the author’s first published novel, half-titles, publisher’s 32pp. catalogue dated October 1847 at the end of volume 1, without the extra advertisement leaf present in some copies (no priority), original dark greyish reddish brown vertically-ribbed cloth, covers decorated in blind with triple line border enclosing decorative trellis-like border, pale yellow endpapers, tear to inner margin of T2 in volume 1 (not affecting text), small portion of lower outer margin of U3 in volume 2 torn away (also not affecting text), occasional foxing and browning to text leaves, lower hinges of volumes 1 and 3 starting, hinge of upper hinge of volume 2 slightly cracked, cloth at top of spine of volume 1 slightly chipped, further slight edge-wear to covers and some slight fading.

Estimate: £35,000 — 45,000 

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These are just fun!

Lot 219:

Sothebys-cards-12-10-13

Playing cards: Popish Plot cards. [LONDON: ROBERT WALTON, C. 1679 OR LATER]

52 cards, each 90 x 54mm., engraved with captions, grey patterned versos, 12 mounted in a frame, the rest in a folder attached to the back of the frame,  three cards somewhat worn (two of diamonds, ten of spades and ace of hearts), king of clubs torn with loss of club symbol.

Estimate: £2,500 — 3,000
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There are several other playing cards on offer as well – another example – because the images are fabulous!

Sothebys-cards_opera-12-10-13Lot 236:

Playing cards: The Beggar’s Opera [LONDON: JOHN BOWLES, C. 1730]

52 cards, each 95 x 62mm., engraved with the hearts and diamonds coloured in red, plain versos, 13 mounted in a frame, the rest in a folder attached to the back of the frame, a few cards cut close, a few light stains

Estimate: £3,000 — 5,000

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Lot 335:

Sothebys-Cruikshank-12-10-13

Cruikshank, George. THE OUTRAGED HUSBAND.

165 by 228mm., ink and watercolour drawing, signed lower right, mounted, framed and glazed, some minor browning at extremities from former mount

Estimate: £1,500 — 2,000 

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Some great items to add to your wish list! – go to the auction catalogues for even more treasures! Happy hunting [and wishing…]

C2013 Jane Austen in Vermont