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Holiday Blog Tour & Grand Giveaway Contest! ~ Chatting with Syrie James about her Jane Austen’s First Love

“The summer of 1791 is so firmly fixed in my memory that I believe I can never forget it; every detail is as fresh and vivid as if it occurred only yesterday, and looking back, there are times when it seems as if my life never really began until that moment – the moment when I first met him.”

And so begins Jane Austen’s First Love

Jane Austens First Love by Syrie James

Gentle Readers: As part of her Holiday Blog Tour, Syrie James joins us today to answer a few questions about her latest book Jane Austen’s First Love. Syrie has based her tale on the real-life Edward Taylor, mentioned by Austen in her letters – he may have been her never-forgotten First Love and hence perhaps a model for her very own Mr. Darcy. Today Syrie tells us a bit about her research into Edward Taylor and his world and a few thoughts on her favorite Austen books in her own collection. Please see below for the Grand Giveaway Contest information…

JAFL Banner v6


JAIV:
As far as I can tell, there are three references to Edward Taylor in Jane Austen’s letters: 

-Ltr. 6 of Sept 15-16, 1796, where she writes ““We went by Bifrons, & I contemplated with a melancholy pleasure, the abode of Him, on whom I once fondly doated.” 

-Ltr. 14 of Dec 18-19, 1798, where she writes the news of Taylor’s possible inheritance; and 

-Ltr. 25 of Nov 8-9, 1800, on news of his possible marriage to a cousin and where she makes mention of “those beautiful dark Eyes” [he marries someone else in 1802] 

Can you tell us something of the “ah-ha” moment that prompted you to look into this “fondly doated” upon young man of the “dark Eyes” – and finding nothing much, decided to pursue an extensive research project to learn everything you could about him and his family?? When were you held captive by the idea that Jane Austen indeed could have fallen madly in Love with this young man?? 

SJ: Sure, Deb! The “ah-ha” moment occurred when I was re-reading the above-quoted letter that Jane wrote to her Edward Taylor for JA in Vermontsister Cassandra in Sept. 1796. When I read that line, I sat up in my chair in stunned excitement. Who was Jane talking about? What was Bifrons? Who was the “Him” she referred to? The way she phrased it, whoever it was, it seemed very clear that Jane had once been crazy in love with “Him.”

I quickly learned that the “Him” was a young man named Edward Taylor, and the “abode” was Bifrons Park, the estate in Kent he would one day inherit. To my frustration, there was almost no other information about Edward Taylor in Austen biographies, even though there were those two other mentions of him in later letters that also hinted at how fond she was of him. I knew Jane met him as a teenager while visiting in Kent, but that was about it. So I delved into extensive research—and I’m excited to say that I uncovered his true story. What I learned was groundbreaking. He was an extraordinary young man, and it became very easy to see why Jane fell head over heels for him.


JAIV:
I don’t want to ask many questions about the book so as not to give away too much of its plot [no spoilers here!], but I would like to ask, how difficult [or easy!] was it for you to enter into Jane Austen’s head and essentially become her at the age of fifteen? And to put on paper what would be this 15-year-old’s first-person narrative?

SJ: I had such fun writing about Jane Austen at age fifteen!  I started with all the qualities she clearly possessed as a grown woman: fierce intelligence, a great (and sometimes snarky) sense of humor, boundless imagination, a love of fashion (governed by a tiny budget), and a driven need to succeed, all tempered by sensitivity and deep affection for those she loved. I then imagined her as a young woman based on what I knew of her life: she grew up in a home filled with noisy, active boys, was educated by them side-by-side, and was included in their sports and games. The juvenilia she wrote as a teenager is also lively and hilarious, an indication of her youthful personality. As with all my other Austen novels, I re-read her work over and over during the composition of this book, to keep her voice in my head.

JAIV: Your research interests me a great deal – I know you found previously unknown facts about what appeared to be a very shadowy figure in Jane Austen’s life, and were from there able to fashion a story of possible truth, a lovely weaving of fact and fiction – you have already written about this on several sites and blogs [including here at Jane Austen in Vermont: https://janeausteninvermont.wordpress.com/2014/08/18/guest-post-syrie-james-on-jane-austens-first-love-goodnestone-park-and-the-bridges-family/ ] …  so I’d rather ask you a few questions about your own Austen library: 

– What do you consider the best, the I-cannot-live-without, book by or about Jane Austen in your collection? 

Le Faye - Letters - 4th ed

SJ: That’s hard—I have hundreds of Austen-related books. But I guess the one I turn to the most is Jane Austen’s Letters, edited by Deirdre Le Faye. It’s the world’s best window into Jane Austen’s mind, heart, and soul.

JAIV: What book(s) would you say you especially treasure? In the two categories of older / collectible, and more recent works?

SJ: OLDER/COLLECTIBLE:

Title page of The Taylor Papers Jane Austen in VermontI treasure The Taylor Papers (1913), the rare book I discovered when researching Edward Taylor. A collection of memoirs and letters written by Edward’s brother, Sir Herbert Taylor, it filled in a wealth of details about the Taylor family and the children’s extraordinary and well-traveled childhood, enabling me to understand who Edward Taylor was when Jane Austen met him—and why she adored him.

I also dearly treasure my illustrated set of Jane Austen’s classics (1892, Little Brown & Company). Unfortunately it only includes five of her novels—it’s missing my favorite, Pride and Prejudice.

And I treasure The Brontes: Life and Letters (1908) edited by Clement Shorter, a two-volume work containing all of Charlotte Brontë’s correspondence—it was invaluable when I was writing my novel The Secret Diaries of Charlotte Brontë.

MORE RECENT PUBLICATIONS

Among my favorites (they’re still all older books!) are a whole shelf full of hardcover annotated versions of a great many classics, from Pride and Prejudice, Anne of Green Gables, and Dracula, to the 3-volume set The New Annotated Sherlock Holmes.

JAIV: What title would you most like to own, that either you have been unable to locate or find it is unattainable??

SJ: Pride and Prejudice, (1892, Little Brown & Company) to complete my illustrated set of Jane Austen’s classics.

JAIV: Ah yes! The elusive missing volume – I have a few of those myself! 

All this research, invaluable for your fictional tale, should be made available to Austen scholars! – do you intend to write an article about Taylor and his family for one of the Jane Austen publications? [you must!]

SJ: Actually I did write just such an article. Entitled “Jane’s First Love?” the six-page article with lovely images was published in the July/August 2014 issue of Jane Austen’s Regency World Magazine.

Jane Austens Regency World Magazine Jul Aug 2014 Jane Austen in Vermont

JAIV: Yes, I read that article Syrie – I do hope everyone is able to read it as well.

Your novel tells of Austen before she met Tom Lefroy, the young man we most often hear as being her first and long-ForbiddenCoverLgForWebheld Love [and further rendered into “truth” by the movie ‘Becoming Jane’…]; your book The Lost Memoirs of Jane Austen tells the tale of her mysterious love met at the sea-side in later life. Can you tell us what’s up next??  

SJ: I have a few other Austen-tales in mind! At the moment, though, I’m hard at work co-writing the sequel to Forbidden with my talented son, Ryan James.

JAIV:  Excellent news! 

 Now, I just have to ask Syrie, as I know you love the movies: if your book was to become a movie, who would you cast in the major roles?

SJ: For Jane Austen, I think Saoirse Ronan, Hailee Steinfeld, or Kaya Scodelario could be a good choice. For Edward Taylor I’d be thrilled to have the role played by Jamie Blackley (from the film IF I STAY) or Douglas Booth, who played Romeo in ROMEO AND JULIET  (2013.)

Hailee Steinfeld and Douglas Booth
Hailee Steinfeld and Douglas Booth
Jamie Blackley
Jamie Blackley

JAIV:  I can see that you have thought this through – and all very engaging choices – this book is a sure candidate for a book-to-movie venture, don’t you think?! – Anything else you might like to add Syrie??

SJ: Thank you so much for having me here today, Deb. I’m excited to share Jane Austen’s First Love with the world, just in time for the holidays! Readers, do you have any questions for me? Any specific thoughts about Jane Austen’s First Love, or my other books? I’d love to hear!

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Thank you Syrie for joining us today! If you have any questions or comments for Syrie, please respond in the comment box below to enter into the Grand Giveaway Contest – all information is below:

Book Blurb: In the summer of 1791, fifteen-year-old Miss Jane Austen is determined to accomplish three things: to do something useful, write something worthy and fall madly in love. While visiting at Goodnestone Park in Kent for a month of festivities in honour of her brother’s engagement to Miss Elizabeth Bridges, Jane meets the boy-next-door — the wealthy, worldly and devilishly handsome Edward Taylor, heir to Bifrons Park, and hopefully her heart! Like many of Jane’s future heroes and heroines, she soon realises that there are obstacles — social, financial and otherwise — blocking her path to love and marriage, one of them personified by her beautiful and sweet tempered rival, Charlotte Payler.

Unsure of her own budding romance, but confident in her powers of observation, Jane distracts herself by attempting to maneuver the affections of three other young couples. But when her well-intentioned matchmaking efforts turn into blundering misalliance, Jane must choose between following her own happily-ever-after, or repairing those relationships which, based on erroneous first impressions, she has misaligned.

QUICK FACTS: 


Syrie James headshot 2012 x 250AUTHOR BIO: 

Syrie James, hailed as “the queen of nineteenth century re-imaginings” by Los Angeles Magazine, is the bestselling author of nine critically acclaimed novels that have been translated into 18 languages. Her books have been awarded the Audio Book Association Audie, designated as Editor’s Picks by Library Journal, named a Discover Great New Writer’s Selection by Barnes and Noble, a Great Group Read by the Women’s National Book Association, and Best Book of the Year by The Romance Reviews and Suspense Magazine. Syrie is a member of the WGA and lives in Los Angeles. Please visit her at syriejames.com, Facebook or say hello on Twitter @SyrieJames.

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GIVEAWAY DETAILS: 

Grand Giveaway Contest: Win One of Five Fabulous Jane Austen-inspired Prize Packages

To celebrate the holidays and the release of Jane Austen’s First Love, Syrie is giving away five prize packages filled with an amazing selection of Jane Austen-inspired gifts and books!

JAFL Grand Prize x 420

To enter the giveaway contest, simply leave a comment here at Jane Austen in Vermont, or on any of the other blog stops on the Jane Austen’s First Love Holiday Blog Tour: http://www.syriejames.com/LatestNewsPageNEW.php

Increase your chances of winning by visiting multiple stops along the tour! Syrie’s unique guest posts will be featured on a variety of subjects, along with fun interviews, spotlights, excerpts, and reviews of the novel. Contest closes at 11:59pm PT, December 21, 2014. Five lucky winners will be drawn at random from all of the comments on the tour, and announced on Syrie’s website on December 22, 2014. The giveaway contest is open to everyone, including international residents. Good luck to all!

c2014 Jane Austen in Vermont
Austen Literary History & Criticism · Book reviews · Georgian England · Georgian Period · Great Britain - History · Jane Austen · Jane Austen Circle · Movies · Social Life & Customs

Belle: The Slave Daughter and the Lord Chief Justice, by Paula Byrne – A Review

Laurel Ann’s review of the book “Belle” by Paula Byrne – I highly recommend it…

Laurel Ann Nattress's avatarAustenprose

Belle by Paula Byrne 2014 x 200From the desk of Laurel Ann Nattress: 

Commissioned by the producers of the new movie Belle, acclaimed biographer Paula Byrne aims to reveal the true story behind the main characters in the movie: Dido Elizabeth Belle, the illegitimate daughter of a captain in the Royal Navy and an African slave, and her great-uncle, William Murray, 1st Earl of Mansfield (1705-93) and Lord Chief Justice of the King’s Bench. Belle: The Slave Daughter and the Lord Chief Justice is both a companion volume to the popular movie and a time capsule into the turbulent abolition movement in the late eighteenth-century England.

Inspired by the 1779 portrait of Dido and her cousin Lady Elizabeth Murray, screenwriter Misan Sagay has written a compelling story based on facts she first learned of while visiting the 2007, Slavery and Justice Exhibition. Dido and Elizabeth were Lord Mansfield’s wards and raised together at…

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Austen Literary History & Criticism · Book reviews · Books · Jane Austen · Jane Austen Circle · Literature · Publishing History · Women Writers

Book Review: Nicholas Ennos’ Jane Austen: A New Revelation ~ “Conspiracy is the Sincerest Form of Flattery”

Dear Gentle Readers: I welcome today Janine Barchas with her review of the recently published Jane Austen: A New Revelation by Nicholas Ennos – his book tackles the question of who really authored Jane Austen’ s six novels and juvenilia…

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“Conspiracy is the Sincerest Form of Flattery”

Review of Nicholas Ennos, Jane Austen: A New Revelation (Senesino Books, Oct. 2013).  Pp. 372.  £25.  Available from Amazon.com as an e-book for Kindle for $10.99. 

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The litmus test of true literary achievement is whether your works are deemed so great that you simply could not have written them.

Janeites need no longer envy students of Shakespeare their intricate web of Renaissance conspiracy theories.  Whereas Shakespeare scholarship has long enjoyed the spectral presence of the Earl of Oxford, Austen studies can now boast a countess named Eliza de Feuillide.

The self-published Jane Austen: A New Revelation alleges that “a poor, uneducated woman with no experience of sex or marriage” could not possibly have written the sophisticated works of social satire and enduring romance that we traditionally attribute to Jane Austen.  The book’s author, Nicholas Ennos (the aura of conspiracy allows that this is not necessarily his/her real name), asserts that biographers have been leading everyone by the nose.  The true author of the Austen canon is, instead, Madame la Comtesse de Feuillide, born Eliza Hancock (1761-1813).  Eliza was the worldly and well-educated older cousin of Jane Austen who, after being made a young widow by the French Revolution, married Henry Austen, Jane’s favorite brother.  The sassy Eliza has long been pointed to as a model for the morally challenged characters of Lady Susan and Mary Crawford in the fictions.  To identify Eliza as the actual author was, Ennos explains, the next logical step.

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Shakespeare’s First Folio – Haverford.edu

Just so, and also about two centuries into his literary afterlife, William Shakespeare’s lofty literary achievements were judged incompatible with his humble origins, sowing seeds of doubt that a person so little known could have achieved so much.  Slowly, the man named Will Shakespeare from Stratford-upon-Avon came to be considered by a small-but-articulate fringe to be a mere front shielding the genuine author (or authors) of the works written under the pen name of Shakespeare.  Austen’s genteel poverty, relative isolation, and biographical quiet allows for a similar approach.  For how, asks Ennos, can genius thrive with so little food of experience to feed it?

The arguments for Shakespeare reattribution rely heavily upon biographical allusions as well as the absence of works in manuscript.  Similarly, Austen critics who have been keen to spot biographical references to real places and family members in the fictions have apparently opened the door to skeptics who can now point to Cassandra’s “systematic destruction” of her sister’s letters as proof of a conspiracy.  Ennos also draws attention to the “suspicious” parallel fact that no Austen novel survives in manuscript.  The juvenilia, which does survive in Jane’s hand, is explained away as early secretarial work for Eliza during her visits to the Steventon household.

Eliza died in April of 1813, well before the publication of Mansfield Park (1814), Emma (1815), or Persuasion and Northanger Abbey (Dec 1817).  The so-called Oxfordians overcame the timeline obstacles posed by Edward de Vere’s early death in 1604 by redating many Shakespeare texts, which (their logic dictates) must have been composed earlier than previously thought and squirreled away for later publication by an appointed agent.  So too is the Austen corpus deftly redated by Ennos—with husband Henry, cousin Cassandra, and amanuensis Jane as co-conspirators.  Some historians allow that Eliza was in all probability the natural daughter of politician Warren Hastings.  Ennos adds to this existing context of secrecy that Eliza’s illegitimacy was the “disgrace” that the Austens “were determined to cover up after Eliza’s death” and the reason that “the myth of Jane Austen’s authorship was invented.”

Readers of Austen will doubtless need some time to process the implications of these revelations.  For example, what of the presumed poignancy of Persuasion’s temporal setting?  The events in this novel take place during the false peace of the summer of 1814—a short reprieve in the Napoleonic wars that saw the premature return of Britain’s navy men after the initial exile of Napoleon to Elba.  Persuasion has been on record as composed between August 1815 and August 1816, in the full knowledge of both the false hopes of that summer and the true end to the war that came with the Battle of Waterloo in June 1815.  Ennos moves the novel’s date of composition prior to April 1813.  Although he does not go so far as to urge Eliza’s historical prescience, he suggests that these features are merely evidence of judicious tweaks to manuscripts left in Henry’s care at Eliza’s death.

Eliza de Feuillide                 Frances Burney                 Jane Austen

This is not all.  Ennos further declares that the precocious Eliza also wrote the novels conventionally attributed to Frances Burney (1752-1840).  The resemblances between Evelina and Pride and Prejudice have long been acknowledged by scholars who have (mistakenly, according to Ennos) attributed this to Burney’s literary influence upon the young Austen.  Ennos reasons that Frances Burney’s lack of literary success after Eliza’s death, including her “truly dreadful” novel The Wanderer in 1814, is evidence of her being, in fact, an imposter.  While future stylometric analysis may eventually confirm that Jane and Fanny were one and the same Eliza, this method has not settled the authorship question irrevocably for Shakespeare.  Perhaps this is why Ennos does not turn to computer analysis or linguistics for help.  He does identify Elizabeth Hamilton, the name of another minor authoress, as a further pseudonym used by the talented Eliza—ever widening the corpus of works that might appeal to those already interested in Austen.

It is a truth universally acknowledged that the novels attributed to Jane Austen were published anonymously during her lifetime.  Logically, any book written anonymously must be in want of a conspiracy.   The grassy knoll of this particular conspiracy is the biographical notice in Northanger Abbey, released simultaneously with Persuasion six months after Jane Austen’s death in 1817.  History has taken Henry Austen, a failed banker, at his word in identifying the author as his sister.  Ennos, who is not very gallant towards the species of academics and literary critics whom he dismisses as “simple souls,” suggests that Austen scholarship has been surprisingly gullible in accepting Henry’s attribution without question.

In the wake of the Ireland forgeries of the 1790s, generations of Shakespeare scholars offered dozens of different names for the man behind the mask of “Will Shakespeare.”  Although the Earl of Oxford has garnered Hollywood’s vote, Francis Bacon and Christopher Marlowe are next in popularity.  We can only hope that these allegations by Ennos prop open the doors of Austen authorship so that additional candidates can step forward to provide generations of graduate students with dissertation fodder.

Does the Eliza attribution theory expect to be taken seriously?  Or does this maverick publication deliberately mock established scholarship by means of cartoonish imitation?  I’m not sure it really matters.  If this project had ambitions to be a serious Sokal-style hoax, then it did not manage to convince a top publisher and, as a result, lacks the ability to wound deeply.  The prose is also too earnest and unadorned for an academic satire—devoid of the jargon that should dutifully accompany a spoof.  The resulting pace is too sluggish for irony.  That said, there are plenty of moments that even David Lodge could not improve upon.  For example, Ennos points to an acrostic “proof” of hidden clues in the dedicatory poem to Evelina (only visible if decoded into Latin abbreviations).  There is also the syllogistic central assertion that if the novels of both Burney and Austen resemble the Latinate style of Tacitus, then these could only have been written by 1) the same person and 2) someone schooled in Latin.  Ergo, Eliza is the true author behind both, since only she could have learned Latin from Reverend George Austen, Jane’s father (who might teach a niece but never his youngest daughter).  Finally, there are gestures towards wider bodies of knowledge: “In this respect the philosophy of both authors has been linked to the views of the Swedish philosopher, Swedenborg.”  Perhaps Ennos is simply angling for someone to buy the movie option.  “Anonymous” did well at the box office, so why not a film dubbed “Eliza”?

No matter what the intention, hearty congratulations are due to Jane Austen.  For her, this news makes for a strong start to the New Year.  Exactly two centuries into her literary afterlife, a doubting Thomas was the last requirement of literary celebrity still missing from her resume.  Austen can now take her seat next to Shakespeare, secure in the knowledge that her authorship, too, has begun to be questioned.

You know you’ve hit the big time when you didn’t write your own work.

— Reviewed by Janine Barchas

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Barchas is the author of Matters of Fact in Jane Austen: History, Location, and Celebrity (Johns Hopkins, 2012).  She is also the creator of “What Jane Saw”, an on-line reconstruction of an art exhibit attended by Jane Austen on 24 May 1813.   Recently, she has written for The New York Times and the Johns Hopkins University Press Blog.

c2014 Jane Austen in Vermont; text c2014 Janine Barchas
Author Interviews · Book reviews · Books · Collecting Jane Austen · Jane Austen · Jane Austen Popular Culture

Celebrating Jane Austen’s Birthday! ~ Blog Tour & Giveaway: Undressing Mr. Darcy, with Karen Doornebos.

Hello Gentle Readers:  I welcome today Karen Doornebos, author of UNDRESSING MR. DARCY, as she travels the web for a blog tour and book giveaway.  I had reviewed Karen’s first book Definitely Not Mr. Darcy back in 2011 [click here], and have enjoyed entering her Jane Austen world yet again with her new book, just released on December 3, 2013. Karen joins us today to tell a bit about her trip to Jane Austen country and how it inspired her – you should visit the other blogs on the tour to get the whole travelogue! And please see below for the giveaway info to win one of two copies of Undressing Mr. Darcy!…

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Happy 238th Birthday to Jane Austen…from her writing table at Chawton!

Thank you, Janeite Deb, for hosting me on this very special day for Janeites worldwide. It’s an honor to be here today. Shall we raise a glass of French wine that Austen liked to have when it was offered her?

JATrailsignAs an ice-breaker to each leg of my Blog Tour for UNDRESSING MR. DARCY, I’m taking you along for a ride to England, where I traveled during the summer of 2012 to do some research for my book. Yes, I was on The Jane Austen Trail all right!

Where am I on this stop? Jane Austen’s cottage in Chawton and her brother Edward’s inherited estate just up the road, the gorgeous mansion that is now Chawton House Library. I was lucky enough to spend the night on the grounds of Chawton House Library, and you can too, in the renovated stables that serve as the most stunning B&B. You will soon get an insider’s look at that gorgeous estate owned and so lovingly restored by Sandy Lerner.

First, let’s have a cuppa at Cassandra’s Cup

teacups

Across the street from Jane Austen’s cottage is Cassandra’s Cup tearoom, where I can recommend the scones with jam and clotted cream as well as looking up at the ceiling to admire all of the teacups. I had to set part of a scene in my new book here, didn’t I?! How could anyone resist the charm?  [I have heard, however, that the shop had recently gone up for sale. Has anyone heard anything further about that?]

ChawtonCottage

A visit to Jane Austen’s cottage and yes…her chamber pot.

Jane Austen in Vermont readers, you’ve seen photos of Austen’s cottage before. But have you seen a photo of her chamber pot? Here it is!  You can count on me to point out the offbeat:

JAChamberpot

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JAcartKnowing as I do the distinct hierarchy of carriages, I stood for a long time in front of Jane Austen’s donkey cart.  She most certainly did not even have a gig like the lowly John Thorpe, much less a chaise and four like Lady Catherine. Somehow, our Jane deserved more than a donkey cart, did she not? But there it was, a simple, rudimentary, but functional contraption. A distinct reminder of her position in her society.

I had to admire the oak leaf and acorn Wedgwood pattern on the Austen’sWedgwood china, and there is a moment in my new novel where my heroine and some tourists from Australia discuss the significance of this pattern. Acorns figure prominently in Regency art and architecture, and I found it interesting that acorns can symbolize strength and power in small things. I think Austen herself gathered strength and inspiration from the simple, small things in her life, would you agree? Speaking of simple, I really enjoyed the Austen’s bake house and the range where Austen herself would make breakfast every morning.

Chawtonkitchen2

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Chawton House Library…a home Austen knew well…

I was lucky enough to spend a night at the renovated stables on the grounds of what is now Chawton House Library, and you too can stay there when you visit. It was the most stunning B&B I’d ever stayed in. I’ll never forget having breakfast in the solarium off the kitchen in the stables: bliss. The grounds, the gardens, the long drive leading up to the house…all of it stood in sharp contrast to Jane Austen’s simple cottage.  Yet, Austen herself no doubt had plenty of opportunity to visit here and partake of the opulence and…the library.

ChawtonHouse CHL

One of the most striking paintings in the home to me was the one done of Edward Austen Knight.  This painting, as well as the silhouette done of Edward’s adoption by the Knights signify turning points in my novel for my heroine. The silhouette in particular, dramatized to great effect, nevertheless captures the poignancy of the moment. Young Edward, just a boy, had been plucked from his family, but destined for wealth, position, and security his Austen siblings would never know. If it weren’t for Edward’s luck at being adopted by the wealthy and childless Knights, his sister Jane may never have known the comfort of her Chawton cottage…and we might never have known her novels…that only could have been written with a certain amount of security that the cottage provided. Granted, Jane Austen had to work hard, sewing shirts, cooking, making orange wine and brewing spruce beer, but thanks to the Knights she was able to sneak in a little time to write.

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Come the evening at Chawton House Library, I ambled over to the nearby churchyard and stumbled across Cassandra Austen’s gravestone.  Sigh. Nothing could have prepared me for the range of emotions I experienced at Chawton.

CassandraGrave

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cover-undressingmrdarcyThank you once again, Deb for having me visit your delightful blog! Happy Birthday to our favorite author Jane Austen! In celebration of her birthday, I invite your readers to comment and win…  

Imagine a history lesson where you watch a very handsome Regency gentleman lecture about his clothing as he proceeds to take it off—down to his drawers. This is the premise of UNDRESSING MR. DARCY!

He’s an old-fashioned, hard-cover book reader who writes in quill pen and hails from England. She’s an American social media addict. Can he find his way to her heart without so much as a GPS?

You can read the first chapter here!

Austenprose gave it five out of five stars and you can read the review here.

Buy now at Berkley PenguinIndiebound – AmazonB&NKobo BAMiTunes   

 

WIN!

Jane Austen in Vermont readers, comment below for your chance to win one of TWO copies of UNDRESSING MR. DARCY… How are YOU celebrating Jane Austen’s birthday? To increase your chances of winning you can share this post on your Facebook page or Twitter—let us know you’ve done that! You can also increase your odds by following me on Twitter or Facebook, or, if you’re not already, following Deb on her social media [Jane Austen in Vermont on facebook or Austen in Vermont on twitter]—don’t forget to let us know about it in your comment, thanks! Contest limited to US entrants only.

Mr. Darcy’s Stripping Off…

…his waistcoat! At each blog stop Mr. Darcy will strip off another piece of clothing. Keep track of each item in chronological order and at then end of the tour you can enter to win a GRAND PRIZE of the book, “DO NOT DISTURB I’m Undressing Mr. Darcy” door hangers for you and your friends, tea, and a bottle of wine (assuming I can legally ship it to your state). US entries only, please.

UndressingWine

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KAREN BathminiKaren Doornebos is the author of UNDRESSING MR. DARCY published by Berkley, Penguin and available here or at your favorite bookstore. Her first novel, DEFINITELY NOT MR. DARCY, has been published in three countries and was granted a starred review by Publisher’s Weekly. Karen lived and worked in London for a short time, but is now happy just being a lifelong member of the Jane Austen Society of North America and living in the Chicagoland area with her husband, two teenagers and various pets—including a bird. Speaking of birds, follow her on Twitter and Facebook! She hopes to see you there, on her website www.karendoornebos.com and her group blog Austen Authors.

JOIN THE BLOG TOUR:

12/2: The Penguin Blog

12/3: Austenprose 

12/4 Laura’s Review Bookshelf & JaneBlog  

12/5 Chick Lit Plus – Review

12/6 Austen Authors 

12/9 Fresh Fiction

12/10 Writings & Ramblings 

12/11 Brant Flakes & Skipping Midnight

12/12 Risky Regencies Q&A

12/13 Books by Banister

12/16 Jane Austen in Vermont & Author Exposure Q&A

12/17 Literally Jen

12/18 Savvy Verse & Wit – Review

12/19 Kritters Ramblings

12/20 Booking with Manic– Review

12/23 BookNAround

12/26 My 5 Monkeys – Review

12/27 All Grown Up – Review

12/30 Silver’s Reviews

1/2 Dew on the Kudzu

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Thank you Karen for joining us today to celebrate Jane Austen’s birthday and sharing your trip to Chawton with everyone! We wish you the very best with your new book!

Everyone, please comment by Wednesday December 18th at 11:59 pm to be entered into the drawing for one of two copies of Undressing Mr. Darcy: tell us how you are celebrating Jane Austen’s 238th Birthday today! Winners will be announced on the morning of December 19th. [US entries only, sorry to say]

c2013 Jane Austen in Vermont – text and images Karen Doornebos
Book reviews · Books · Jane Austen · Regency England

Life without Jane (Austen, that is); Or, How To Survive Moving…

The Jane Austen in Vermont blog has been silent for the past month, for which I apologize, but as I have now returned somewhat to a “normal” life, I can begin again to obsess on “all things Jane” – blogging, twittering, facebooking, researching, writing, and best of all Reading!

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Moving is a nightmare, no matter how organized one might be, and of all my various strengths and weaknesses, the will to organize has always been the driving force; so take the contents of one old house, pack it all up and put it all in storage, and six months later, move all into a new maintenance-free house, and spend the next 3+ weeks unpacking, overdosing on cardboard and paper, as 25,000 pounds (or so the mover tells me) of “stuff” (including my own book collection) finds a place in the new home … so bad back notwithstanding, the deed is done, my books are on the shelves (though alas! not yet fully alphabetized, she says shame-faced), all the drawers and closets are organized, the kitchen is in fine working order (surviving on take-out has become a very nice habit – whoever said I actually needed a kitchen in this new place?), and all the pictures are hung – so “normal” returns in a fashion, and time to get back to real life…

What have I done these past 3+ weeks for my sanity? – the quick break from unpacking, organizing and hammering? I have existed, not only on take-out, but also on the comfort-food of reading mysteries and romance novels – my mind might now be a tad mushy, as I fear the worst in trying to get my head around “game theory” in reading the grandly enlightening Jane Austen, Game Theorist (I promise an author interview shortly, but see in the meantime Michael Chwe’s website here: http://www.sscnet.ucla.edu/polisci/faculty/chwe/austen/ ) – but it has been great fun – so here is my list, all highly recommended as just great reads, and even Jane might approve, as they are each and every one, “only a novel”!

Georgette Heyer: I should add here that for the packing-up part last fall, I re-read all my favorite Georgette Heyers – hard to choose, but I read at least ten all in a row, and can now safely say that I can barely tell one from the other, but the joy of the moment of reading is nearly perfection!

heyer jatoday[Image courtesy of Jane Austen Today, with thanks]

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cover-duty-to-deadCharles Todd, the Bess Crawford mysteries:  I am a fan of the Jacqueline Winspear Maisie Dobbs series , largely because I love the time between the two World Wars, so was happy to discover that the Charles Todd mother-son duo (of Ian Rutledge fame) had started a similar series a few years ago – have read the first three and have just started the latest. The titles in order:

  • A Duty to the Dead
  • An Impartial Witness
  • A Bitter Truth
  • An Unmarked Grave 

– all featuring Bess Crawford, a nurse during WWI, who seems to forever be stumbling headlong into murder and mayhem, as well as the very-helpful-in-a-murder-mystery-plot-device of  having veritable strangers tell her the most amazing things – great fun – you must read them in order… and the fact that there is a very close family friend who seems to always be there when needed adds a little spice and anticipation – his name is Simon Brandon, so nice to know that Jane Austen, as always, is in the mix somehow… [I think Knightley would have been too obvious…]

See their website at http://charlestodd.com/ for more information.

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Julie Klassen’s The Tutor’s Daughter:  I have read a few of Klassen’s books and find them to be the perfect read, so was happy to take on her latest The Tutor’s Daughter. It does not disappoint: raging Cornwall weather; two brothers with opposite personalities and each with a history with the lively heroine, the nearly-on-the-shelf daughter of the live-in tutor to the two younger sons of the new wife of Sir Giles; add in an old-rambling castle-like home with a wing one is to stay out of and some ghostly goings-on, and you have a fine historical romance that combines Northanger Abbey and Jane Eyre into one delightful confection……

For more information on this and other books by Klassen, see her website here: http://www.julieklassen.com/index.html

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Candice Hern: Thanks to Laurel Ann and her mentions of Ms. Hern, I have read most of the books in the Reading Challenge at Austenprose (though I did not sign up, didn’t think I would have the time! – no matter, it is the reading that counts!): again, each tells a fine regency-era tale with the requisite heroines, rakes, fashions, and settings you will be sure to savor:

  • A Proper Companion
  • A Change of Heart
  • An Affair of Honor
  • A Garden Folly
  • The Best Intentions
  • “Desperate Measures”
  • “Lady Ann’s Excellent Adventure”

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For more information, visit Hern’s website here: http://candicehern.com/ – and be sure to click on the “Regency World” section of her website for a wealth of information about the times of which she writes.  And for those attending the Jane Austen JASNA AGM in Minneapolis this year, you will be fortunate to see Ms. Hern’s collection of Regency artifacts on display – she wrote an article on vinaigrettes for the Mar/Apr issue of Jane Austen’s Regency World magazine.

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Ok, so all of this made the joys of moving more than bearable – I am almost disappointed to have to return to real life after all – but I am not quite done yet: I will be moving all my Bygone Books business back into the house in the next 2 weeks, so I can keep reading these delightful escapist tales after all – Hern’s Miss Lacey’s Last Fling and Todd’s Unmarked Grave await! and then I shall return to Austen and celebrating Pride and Prejudice, so stay-tuned…

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What do you like to read when going through a stressful, energy-intensive time?

c2013 Jane Austen in Vermont
Author Interviews · Book reviews · Books · Collecting Jane Austen · Jane Austen · Jane Austen Popular Culture · Jane Austen Sequels

Guest post and Book Giveaway! ~ Claire LaZebnik The Trouble with Flirting, a Jane Austen for the Modern Teenager

Please see below for information on the book giveaway!

Gentle Readers: Today I welcome Claire LaZebnik as she shares with us her thoughts on her newest book, The Trouble with Flirting, a Jane Austen for young adults.  Loosely based on Mansfield Park, it tells the tale of Franny Pearson and her summer of friendship and romance with the likes of Edmund Bertram, his sisters, and Henry and Mary Crawford, all updated to the 21st-century. There is even a rather demanding, you-shall-never-please-me Aunt Norris in the mix!

In one of my former lives I was a children’s librarian and with the added plus of having children of my own, I’ve have read a good amount of children’s and young adult literature – I can honestly say that some of the works for young people still rate as my favorite reads [Bridge to Terabithia by Vermont’s own Katherine Paterson remains my number one]. Now if I pop Jane Austen into the equation [which I do whenever possible], I have been delighted to discover a treasure-trove of titles that take her tales and adapt them to the world of the 21st century teenager – Polly Shulman’s Enthusiasm and Rosie Rushton’s series spring immediately to mind – indeed there is even a blog out there!: From JA to YA: Adapting Jane Austen for Young Adults! [And most of my Jane Austen friends agree that Clueless might well be the best of all the Austen adaptations…]

I have just found out about Claire [thank you Diana Birchall!] and have not read her first book Epic Fail based on Pride and Prejudice, but am nearly finished with The Trouble with Flirting – a thoroughly enjoyable read that whether you are 14 or 40 or even 64 you will find something to savor in the young love so beautifully rendered by Jane Austen 200 years ago as now transported to a modern day summer theater camp, where even Shakespeare takes a bow.

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bookcover-trouble

UPDATING JANE

By Claire LaZebnik

How do you stay true to the spirit of an author who wrote two hundred years ago? 

When you sit down to write a modernization of a Jane Austen novel, you get hit by a jumble of emotions. There’s terror—how dare you tinker with perfection?—and dread—no matter how good a book you write, it will never compare to the original—and excitement—you get to spend the next few months of your life thinking about an author you love!—and, mostly, perplexity—how do you bring an early 19th century text into the 21st century? You can’t simply switch “ball” to “prom” and “tea” to “diet Coke” and call it a day. (Not that some haven’t tried.)

My first YA novel, Epic Fail, is loosely based on Pride and Prejudice.  For the most part, updating the story went smoothly. The emotions in P&P feel as true todaybookcover-epicfail as they ever did: we all know what it’s like to be embarrassed by members of our families and we’ve all at some point given our respect to someone who didn’t deserve it and withheld it from someone who did.

My challenge was figuring out how to give a modern day Darcy a reason to be so guarded that he comes across as a snob: our class distinctions aren’t as clearcut as they were back in Austen’s day and country. But then I figured it out: children of celebrities get fawned over and hounded pretty much everywhere they go in L.A., and, just like Darcy, they learn to be wary of strangers who may want too much from them. So Darcy (now Derek) became the son of two movie stars in my novel.

One thing I never worried about was how to make Elizabeth Bennet accessible to my readers: Lizzie’s about as modern as a nineteenth-century heroine can get. She’s funny, intelligent, wellread, outspoken, and prefers even potentially insolvent independence to life with someone she can’t respect. She transplants beautifully into our modern world.

That project finished, I turned my attention to Mansfield Park.

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Vintage Classics

I love Mansfield Park. It’s like a combination of Cinderella and the Ugly Duckling. Plain and poor Fanny Price pines quietly for her kind, wealthy cousin Edmund, but has to watch from the sidelines as he falls in love with the dazzling and witty Mary Crawford. Mary’s equally charming brother Henry decides he’ll steal faithful little Fanny’s heart, just for the hell of it, then surprises himself by falling more in love with her than she with him. He’s an attractive guy, but morally flawed and conscientious Fanny doesn’t trust him. So she rejects his courtship and waits patiently for Edmund to come to his senses or for senility to descend on her–whichever comes first. (And, trust me, it’s a bit of a toss-up.)

Devout, patient, deeply moral, quiet . . . Fanny Price is about as modern as a whalebone corset.

So there lay my challenge with Mansfield Park: finding a way to make Fanny accessible to modern readers. I still wanted her to feel like an outsider, so in my version she arrives at the Mansfield College Theater Program for a job sewing costumes, while all the others teenagers are enrolled in the summer acting program. But she’s not meek, submissive or embarrassed by her position: she takes some pride in the fact she’s earning her way, and when she’s given a chance to participate as an actor, proves she can hold her own against the more privileged set.

Nor does my Franny (I added an “r”) sit around waiting for Edmund/Alex to notice her once he’s clearly crushing on someone else. She still carries a torch for him, but it’s summertime and she knows she might as well have fun.

So there I was, writing my update of MP, feeling pretty good about how I’d made Fanny more modern and brought the plot into this fun summer acting program setting, and everything was falling into place–and then I got to the ending.  In Austen’s version, morality triumphs. The two people who’ve acted in a conscientious and thoughtful way end up together, while the morally lax ones ride off into the sunset.  Actually, let me correct that. First the morally lax ones ride off.  Then Edmund spends some time moping around because he really really liked Mary and is so bummed she didn’t come up to his high moral standards. And then he remembers about faithful little Fanny who’s still watching him hopefully from the sidelines.

Times were different when Austen wrote Mansfield Park. Young women of no means didn’t have a lot of power. Sitting around waiting—and turning down the occasional wrong suitor—was pretty much the only option for someone as poor and dependent as Franny.

But I couldn’t make that ending work. Not today. Not with a more modern heroine. I found it hard to respect a 21st century girl who sits around passively waiting for the guy she loves to appreciate her, especially when that same man has made it clear he preferred someone else pretty much all along.

I tried to make it work.  I wanted to be true to Austen and true to the novel I’d read so many times and loved so very much. But it wasn’t working. No matter how wonderfully romantic I tried to make the moment when Franny and Alex came together in my book, I felt resentful toward him. He didn’t deserve her.

So I sent an email to my editor. “May I please just try changing the ending?” I asked.

“Sure,” she said.

So in my version, Franny learns that the guy who makes you wait while he pants after someone else just isn’t worth waiting for.

I love Austen—madly, passionately, deeply.  That’s why I’ve wanted to pay homage to her with these modernizations: if you’re going to steal, steal from the best. But I wouldn’t be faithful to her legacy of capturing universal human truths and emotions and setting them in a very specific time and place, if I didn’t recognize that times change and women are much freer now than they were back then—and give my readers a Fanny Price for our time.

About the author:

Claire LaZebnik
Claire LaZebnik

Claire LaZebnik’s most recent novels, Epic Fail and The Trouble with Flirting (HarperTeen), are loosely based on two of Jane Austen’s classic works. She’s currently finishing up The Last Best Kiss, which is due out in summer 2014 (also from HarperTeen) and is inspired by Austen’s Persuasion. Her first novel, Same as It Never Was (St. Martin’s, 2003) was made into an ABC Family movie titled Hello Sister, Goodbye Life. Her four other novels for adults, Knitting under the Influence, The Smart One and the Pretty One, If You Lived Here, You’d Be Home Now, and Families and other Nonreturnable Gifts, were all published by Hachette’s Grand Central Publishing imprint. LaZebnik co-authored two non-fiction books with Dr. Lynn Kern Koegel (Overcoming Autism and Growing Up on the Spectrum) and contributed a monologue about having a teenage son with autism to the anthology play Motherhood Out Loud.

Further reading:

Claire’s website

Claire’s facebook page

An interview with Claire at L. S. Murphy’s blog

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The Trouble with Flirting
by Claire LaZebnik
HarperTeen 2013
$9.99
ISBN-10: 0061921270
ISBN-13: 978-0061921278
Find it at your local bookstore, or at Amazon

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Book Giveaway! Please enter into the random drawing for a copy of The Trouble with Flirting by commenting below: either by asking Claire LaZebnik a question or telling us why you would like to read this YA novel based on Mansfield Park and how you might fashion the ending.  Deadline is Monday March 25, 2013 11:59 pm; winner will be announced on Tuesday March 26th. Domestic eligibility only [sorry all, our postage rates make international mailings impossibly expensive]. Good luck all, and thank you to the publisher HarperTeen for donating the book for the giveaway, and to Claire for her posting here today [and her delightful book!]

c2013 Jane Austen in Vermont
Author Interviews · Book reviews · Books · Collecting Jane Austen · Jane Austen · Jane Austen Popular Culture · JASNA · Regency England

Happy Valentine’s Day! ~ Giveaway of Elsa Solender’s Jane Austen in Love!

What a strange thing love is!

[Emma, vol. I, ch. XIII]

[Please see below for book giveaway instructions]

What better way to celebrate Valentine’s Day than to think of Love in Jane Austen terms.  I think we can say that it is a “truth universally acknowledged” that Captain Wentworth’s letter to Anne in Persuasion* is the grandest expression of Love in all of literature – who would not want to receive such a letter as this?  But what of Love in Jane Austen’s own life? – we know so little; where did Mr. Darcy come from, or any of her other heroes?  What of True Love in her own life? We can only imagine… so I lead you to a fine imaginative rendering of ‘Jane Austen in love’ in Elsa Solender’s Jane Austen in Love: An Entertainment.  When published last February, it was only available as an ebook, delightful to read but nothing to put upon the shelf.  We had to wait until this past December to see it finally published in real book form at Amazon.com.

book cover - ja in love - solender
book cover

At the time of its release as a kindle book, Elsa graciously “sat” for an interview here at Jane Austen in Vermont – you can read that here. And as my review was to be published in the JASNA News (just out in the Winter 2012 issue), I did not post a review of the book on this blog; Diana Birchall very graciously did so for me here.  But as my review is now published and available online, I append it here in part and then direct you to the JASNA site for the remainder [Note: all book reviews in the JASNA News are available online from 1998 to the present: click here.]  – and Elsa has offered a copy for a book giveaway [see below] in celebration of Valentine’s Day!

kindle cover
kindle cover

 “The Many Loves of Jane Austen” 

Jane Austen in Love: An Entertainment, by Elsa Solender.

Review by Deborah Barnum

Imagine a young Jane Austen reading aloud her History of England, Cassandra sketching Henry as Henry V, their Mother as Elizabeth I, and Jane as Mary Queen of Scots; or young Jane at school nearly dying of typhus; or hearing Jane’s thoughts on first encountering Madame Lefroy; or sparking a laugh from the intimidating Egerton Brydges. Imagine the suitor you might like your Jane Austen to meet by the seaside, she falling madly in love but destined to suffer the pangs of lost love, forever irreplaceable. If your mind tends to such as you try to fill in the many blanks in Austen’s life, you might find that Elsa Solender, in her Jane Austen in Love: An Entertainment, has done a wondrous job of doing it for you.

Ms. Solender, former president of JASNA and a prize-winning journalist, has taken her story “Second Thoughts,” runner-up in the 2009 Chawton House Library Short Story Contest, and expanded this one moment in Austen’s life to other places and times, all through the lens and voice of Cassandra Austen—it is part real, part imaginary, and part Austen’s own fiction, dialogue and story all beautifully woven together in this tribute to love in the life of Jane Austen—her love for her sister, her family, her cousin Eliza, and her mentor and friend Madam Lefroy; her flirtation with Tom Lefroy; the proposal from Bigg-Wither; and her Mysterious Suitor of the Seaside.

This is Cassandra’s story…

Continue reading… 

Amazon Digital Editions, 2012. 319 pages. Kindle. $6.99
Amazon Create Space, 2012. 368 pages. Paperback. $12.99

Elsa Solender in LondonAbout the author: Elsa A. Solender, a New Yorker, was president of the Jane Austen Society of North America from 1996-2000. Educated at Barnard College and the University ofChicago, she has worked as a journalist, editor, and college teacher in Chicago, Baltimore and New York. She represented an international non-governmental women’s organization at the United Nations during a six-year residency in Geneva. She wrote and delivered to the United Nations Social Council the first-ever joint statement by the Women’s International Non-Governmental Organizations (WINGO) on the right of women and girls to participate in the development of their country. She has published articles and reviews in a variety of American magazines and newspapers and has won three awards for journalism. Her short story, “Second Thoughts,” was named one of three prizewinners in the 2009 Chawton House Library Short Story Competition. Some 300 writers from four continents submitted short stories inspired by Jane Austen or the village of Chawton, where she wrote her six novels. Ms. Solender was the only American prizewinner, and she is the only American writer whose story was published in Dancing With Mr. Darcy, an anthology of the twenty top-rated stories of the contest.

Ms. Solender’s story “A Special Calling” was a finalist in the Glimmer Train Short Short Story Competition. Of more than 1,000 stories submitted, Ms. Solender’s story was ranked among the top fifty and was granted Honorable Mention. She has served on the boards of a non-profit theater, a private library and various literary and alumnae associations. Ms. Solender is married, has two married sons and seven grandchildren, and lives in Manhattan.

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For Valentine’s Day, Elsa has graciously offered a copy of her book [as she did with her ebook] to the winner of a random drawing – please comment below on what reading Jane Austen has taught you about Love Or you can pose a question to Ms. Solender. Deadline is Thursday February 21, 2013 at 11:59 pm; winner will be announced the next day. Domestic mailings only [sorry global readers, but our postal service has skyrocketed their overseas prices!]

Thank you Elsa, and good luck everyone!

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'Placed it before Anne'
‘Placed it before Anne’

[Image: C. E. Brock, Persuasion, vo. II, ch. XI; from Mollands.net]

*Captain Wentworth’s letter: [because I cannot resist]

‘I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone I think and plan. – Have you not seen this? Can you fail to have understood my wishes? – I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. – Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in 

F. W. 

‘I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look will be enough to decide whether I enter your father’s house this evening or never.’       [Perusasion, Vol. II, ch. XI]

c2013 Jane Austen in Vermont
Austen Literary History & Criticism · Author Interviews · Book reviews · Collecting Jane Austen · Jane Austen · Jane Austen Popular Culture · Jane Austen Societies · Regency England

Susannah Fullerton on Celebrating Pride and Prejudice ~ Guest Post and Book Giveaway

Gentle Readers All: Please see below to enter into the Giveaway for a copy of Susannah Fullerton’s Celebrating Pride and Prejudice.

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Today I welcome Susannah Fullerton, president of JASA, author of numerous articles on Jane Austen, a leader of literary tours , and author of  Jane Austen and Crime  (2006),  A Dance with Jane Austen (2012), and most recently the author of Celebrating Pride and Prejudice: 200 Years of Jane Austen’s Masterpiece [Happily Ever After in the UK].

Susannah shares with us a few thoughts on the her new work and the joys of discovering and re-discovering Austen’s most popular novel – and out just in time as we all celebrate the 200th bicentenary of Pride and Prejudice this year, all beginning on January 28th. I highly recommend this book, a must-have for your Austen Library, a perfect companion to the novel, and a lovely work in its own right.

And now Susannah:

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I was about 11 years old when my mother first read me Pride and Prejudice. We were away on a family holiday in Christchurch, New Zealand, and the only thing I remember of the visit there was lying at the end of a double bed while my Mum read aloud. It was not all joy – I did get very frustrated when she stopped to laugh. I was too young to appreciate the irony of the novel and just wanted to know what would happen to Elizabeth and Darcy. Now of course I know exactly why my mother laughed. In spite of my mother’s ‘interruptions’, I loved the story, and soon went back to read it by myself.

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Mr Darcy,  by Robert Ball. Pride and Prejudice (Doubleday 1945)
[image from Austenprose.com]

So for just over 40 years Pride and Prejudice has been a vital part of my life. That first reading has been followed by countless others. Sometimes I have just picked up the book and it has fallen open in just the right place (any place is the right place) and I’ve read of the Meryton Ball, or one of Darcy’s proposals, or a scene with Mr Collins making a fool of himself. Even a ‘one page reading’ has always left me feeling better. Again and again I have picked it up and started with that brilliant opening sentence (to which I devote a whole chapter in my book!) and gone through to the end, knowing exactly what would happen but loving it more every single time.

And I have read ‘P & P’ in other ways – I adore unabridged audio versions, I’ve read it as a comic book, I’ve read it on my Kindle, and of course I’ve seen film versions and loved them too. Elizabeth and Darcy are my dear friends and while I would not want to actually meet Mr Collins, I always delight in his company within the pages of Jane Austen’s great novel.

It has been said that you never read the same book twice! Every re-reading is a different experience – you know what is going to happen within the plot and so you look out for other things. And with ‘P & P’ there are always other things – some slight nuance you missed last time you read it, a different inflection by an audio book reader can make you react to a sentence you know well in a different way, and you pick up on the tiny details of setting or character that you failed to notice last time. And the other thing that means you are not reading exactly the same novel, is that you yourself have changed. You have grown older and wiser, experienced things in your own life that have slightly altered you from the person you were on the first reading. I groaned over Mrs Bennet when I first met her – she was so vulgar and embarrassing and I pitied Elizabeth for having to put up with her. But now I’m a mother myself, with children who are forming romantic partnerships, and I have so much more sympathy for Mrs Bennet. And as a wife, I can understand her frustration when Mr Bennet goes off to the library and shuts the door, leaving the worries of 5 unmarried daughters totally up to her. Reading Pride and Prejudice changes your life, but your life also changes each re-reading of Pride and Prejudice.

mrs bennet

With such a deep love of this novel, you can imagine what a joy it was for me to sit down and write a book about its incredible 200 years. I could not think of a nicer way to celebrate this important literary anniversary. For months I was immersed in its pages, learning even more about the book and its characters as I worked on my own book. I was so fascinated by the translations of it – how very quickly it was translated into another language and what a mess was made of that first translation, and what huge challenges it gives a translator (do you think Mr and Mrs Bennet should say ‘vous’ or ‘tu’ to each other in a French translation  – I’d love to hear your opinion?). I especially loved writing my chapter on Elizabeth, trying to analyse what it is that makes her so charming and lovable, while not making her a ‘goody-goody’ in whom we can’t believe. I had lots of fun with my chapter on all the merchandise inspired by this novel – don’t you just love the idea of a BBQ apron that announces ‘Let’s BBQ Wickham!’ And I was fascinated by the responses to ‘P & P’ over 200 years from famous people. A.A. Milne quite rightly judged people by their reactions to this book, while Robert Louis Stevenson wanted to go down on his knees and worship Elizabeth Bennet whenever she opened her mouth.

My book is very gorgeously illustrated and has pictures that may be unfamiliar to many. It is available in two editions – the American edition is Celebrating Pride and Prejudice: 200 Years of Jane Austen’s Masterpiece and the UK edition is Happily Ever After: Celebrating Jane Austen’s Pride and Prejudice. I do hope my book gives pleasure to those of you who read it, and also teaches you new things about this much-loved novel.

book cover - happily ever after uk

HAPPY PRIDE AND PREJUDICE ANNIVERSARY YEAR!

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About the Author:

susannah fullertonSusannah Fullerton is President of JASA, and author of Jane Austen – Antipodean Views, Jane Austen and Crime, A Dance with Jane Austen, and her latest Celebrating Pride and Prejudice: 200 Years of Jane Austen’s Masterpiece – note that the UK title of this work is Happily Ever After: Celebrating Jane Austen’s Pride and Prejudice (Frances Lincoln, 2012).

 

 

Celebrating Pride and Prejudice
Voyageur Press, January 1, 2013
ISBN-10: 0760344361; ISBN-13: 978-0760344361
$25.99

Contents: (I have abbreviated the title to P&P)

  • ‘My Own Darling Child’- The Writing of P&P
  • ‘A Very Superior Work’ – Reactions to P&P
  • ‘A Truth Universally Acknowledged’ – The Famous First Sentence
  • ‘Bright and Sparkling’ – The Style of P&P
  • ‘As Charming a Creature’ – The Heroine, Elizabeth Bennet
  • ‘Mr Darcy … is the Man!’ – The Hero, Fitzwilliam Darcy
  • ‘The Female Line’ – Her Relations
  • ‘The Same Noble Line’ – His Relations
  • ‘Delighting in the Ridiculous’ – Other Characters
  • P&P Goes Overseas – The Translations
  • ‘Pictures of Perfection’ – Illustrating and Covering P&P
  • Did They Live Happily Ever After? – Sequels and Adaptations
  • Bonnets and Bosoms – Film and Theatrical Versions
  • Mugs and Skateboards – Selling P&P
  • ‘Behold Me Immortal’ – P&P Now and in the Future
  • Bibliography and Index

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Please enter into the drawing for a copy of Celebrating Pride and Prejudice by commenting below: either by asking Susannah a question or telling us of your first experience in reading Pride and Prejudice [or like Susannah, perhaps being read to?].  Deadline is Tuesday January 29, 2013 11:59 pm; winner will be announced on Wednesday January 30th.  Worldwide eligibility. Good luck all, and thank you to the publisher for donating the book for the giveaway [please note that I happily purchased my own copy].

c2013, Jane Austen in Vermont
Author Interviews · Book reviews · Jane Austen · Jane Austen Popular Culture · Jane Austen Sequels · Jane Austen Societies · JASNA · Regency England

Guest Post and Giveaway ~ Syrie James on The Missing Manuscript of Jane Austen

The Missing Manuscript of Jane Austen by Syrie JamesSyrie James has been touring the blog world since the launch of her latest book The Missing Manuscript of Jane Austen on December 31, 2012 – she started at Austenprose and has hit most of the Austen-related blogs out there (see below), each with a different guest post about her writing, research, travels, and love of Jane Austen.  So I am thrilled to welcome Syrie here today to Jane Austen in Vermont, where she gives us a little history of her association with JASNA. [See below for giveaway instructions!]

I first met Syrie at the AGM in Fort Worth [along with her very own Mr. Darcy!], an honor for me as I had dearly loved The Memoirs of Jane Austen – I thought she captured very well the life and voice of Austen and her time.  In The Missing Manuscript of Jane Austen, she takes us again into this Austen world, offering up the most intriguing tale and what we all wish for: a missing manuscript, missing letters, missing anything from our favorite illusive author.  And in Missing Manuscript, we have two books for the price of one – a delightful tale within a tale that gives us a lost Austen novel titled The Stanhopes, based in part on Austen’s own “Plan of a Novel” *, and the contemporary tale of the young woman who discovers the letter that leads her to the manuscript.

I loved this book! – Syrie has given us a story that would make Jane Austen proud and a fine taste of what such a real find might offer us (with of course the caveat that no one is really like Jane Austen…)  [An Interesting Aside: I have been reading Trollope’s Barchester Towers, wherein we have a story of a vicar who is suffering from the loss of his parish, as well as a family named the Stanhopes!  I asked Syrie if she had any of this in her mind when she was writing – she said she has never read any Trollope and had no idea! Another example of the “collective unconscious” at work in mysterious ways! – and I struggling to keep my Stanhopes straight!]  So I highly recommend this book – a perfect winter read to curl up with – you will find endearing characters, sly allusions to Austen’s life and works that make this a bit of a treasure hunt, two love stories (who can resist!), and storytelling at its best.

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Syrie, I have been badgering you and Diana (Birchall) to come to visit us in person in Vermont, to perform any and all of your now famous plays – “The Austen Assizes” in Brooklyn was a great romp filled with Austen’s baddies, and by all accounts your performance of Diana’s play You are Passionate, Jane was a rousing hit [links to a few bits of both on youtube are below].  We look forward to another such performance in Montreal for the Mansfield Park AGM 2014 where you will finally be close enough to Vermont for me to entice you to stop in! – In the meantime, this blog visit shall have to do…

So please welcome Syrie as she discusses how important the Jane Austen Society of North America [JASNA:  www.jasna.org] is to her and how it has helped her writing career.

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JASNA has become such an important part of my life. Interestingly, I hadn’t even heard of the organization until The Lost Memoirs of Jane Austen came out. Following a suggestion from my readers, I checked it out and discovered that a spring meeting of JASNA-SW (my local Southwest chapter) was being held at the UCLA faculty club, which isn’t far from where I live. I signed up to go, having no idea what to expect. I arrived at the luncheon not knowing a soul—and to my surprise and delight found I was surrounded by remarkable, like-minded people from all different professions, all bound together by their love of literature in general and Jane Austen’s works in particular. Many of them had already read my novel. Talk about finding “my people”! The agenda was packed with interesting speakers and included an activity that to me was to die for: an excursion to the UCLA research library where we were allowed to view a first edition of Pride and Prejudice. I was hooked for life.

I attended my first JASNA AGM (Annual General Meeting) that fall in Chicago. An AGM is truly Jane Austen Heaven, with an emporium selling Austen-related goodies, and four days of sessions, speakers, special interest activities, dance lessons, and entertainment all related in some way to the Regency era or Austen’s books, culminating with a Regency Ball where everyone dresses in period attire. Since then, my husband and I have attended nearly every AGM (we plan our vacation schedules around wherever the next conference happens to be). Some attendees dress in period attire, and since I like to sew and love costumes, it’s a treat to have an excuse to don a Regency gown and bonnet!

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 Syrie and Bill James in full regalia
2011 Fort Worth AGM cLaurel Ann Nattress

The organization has been a tremendous help to my writing. I learn so much at the breakout sessions, both at the AGMs and local chapter meetings. Just as one example, at the AGM in Fort Worth in 2011, there was a session on transportation in the Regency era. I learned about the types of carriages used, how the system of changing horses worked throughout England, and how long such trips might take—all of which enhanced my own research and was valuable when I wrote the traveling scenes in The Missing Manuscript of Jane Austen. 

JASNA has also been a wonderful boon to my career. My local chapter is very supportive of my work, inviting me to do readings from my books (attendance at the meetings ranges from 65-160 people) and arranging for me to sign books at their booth at the annual L.A. Times Festival of Books. I’ve made so many friends through JASNA—many of whom live in far flung states and in England, Canada, and Australia—who I look forward to seeing once a year at the AGM.

I was the keynote speaker for a JASNA Boise Idaho’s Jane Austen tea, which made for a delightful wintry trip and forged lifelong friendships. The book launch and signing for Jane Austen Made Me Do It, an anthology edited by Laurel Ann Nattress to which I contributed an Austen-themed short story, was held at the 2011 AGM (and was great fun). At the meeting in Brooklyn last October, fellow author Diana Birchall and I co-wrote and presented a comedic play “The Austen Assizes” which was voted the #1 breakout session of the entire conference. (Highlights reel here). The committee hosting the Montreal AGM in 2014 recently commissioned us to write an original play for the plenary audience, and we couldn’t be more delighted. Diana and I have performed her comedic two-woman play “You Are Passionate, Jane” (where Jane Austen and Charlotte Brontë meet in heaven) for two JASNA chapters (highlights video here)—fulfilling my dream to play Jane Austen on stage!

As you can see, I can’t stop talking (or writing) about JASNA! For anyone who enjoys Austen’s works, I highly recommend that you join!

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Syrie JamesAuthorPhoto2011 - Credit William JamesSyrie James is the bestselling author of eight critically acclaimed novels, including The Missing Manuscript of Jane Austen, The Lost Memoirs of Jane Austen, The Secret Diaries of Charlotte Brontë, Dracula My Love, Nocturne, Forbidden, and The Harrison Duet: Songbird and Propositions. Her books have been translated into eighteen foreign languages. In addition to her work as a novelist, she is a screenwriter, a member of the Writers Guild of America, and a life member of the Jane Austen Society of North America. She lives with her family in Los Angeles, California. Connect with her on her website, Facebook, and Twitter.

You can follow Syrie’s Blog tour here: 

Gala Online Launch Party at austenprose.com!

My Jane Austen Book Club: Syrie James Discusses Why Jane Austen Captures Her Writing Imagination

Austen Authors: Syrie James celebrates The Missing Manuscript of Jane Austen -–book launch and giveaway!

Historical-Fiction.com: Syrie James on Her Writing and Travels

RT Book Reviews: Syrie James Channels Jane Austen

Fresh Fiction: Syrie James | The challenges of the writing process

Risky Regencies: How Did You Research The Missing Manuscript of Jane Austen?

Austenesque Reviews

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Information on joining JASNA is at their website: http://jasna.org/membership/index.html  – like Syrie, you may discover there is a regional group close to you – there are over 70 regions in the US and Canada – the lists for each are here:

For the manuscript of “Plan of a Novel” – visit Jane Austen’s Fiction Manuscripts

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Giveaway of The Missing Manuscript of Jane Austen! please either ask Syrie a question or comment on your favorite Syrie James book (and why) to be entered into the random drawing for a copy of The Missing Manuscript – worldwide eligibility.  Deadline: Monday January 21, 2013 11:59 pm – winner will be announced on Tuesday January 22nd.

Thank you all, and Thank You Syrie for posting here today!

Austen Literary History & Criticism · Book reviews · Books · Collecting Jane Austen · Jane Austen · Jane Austen Societies · JASNA · Literature · Regency England

The JASNA 2012 AGM in Brooklyn ~ Part I: My Jane Austen Book Stash

I have not gone missing, though it may seem that indeed I have fallen off the planet – not quite so dramatic though it does almost feel like that – we have sold our house and amidst the joys of house packing, packing up my book business – all gone to storage as we do not have a place to call home – concerns about my son’s surgery, a September 23rd JASNA-Vermont event of grandiose proportions [three speakers, a fabulous afternoon!], and then off to the JASNA AGM in Brooklyn – a lovely respite into the late 18th century from which I am still fighting re-entry!  I was hoping to post about the AGM right away and fear I am slowly forgetting about all the fabulous events of Jane Austen Land in Brooklyn – but I shall start today with a booklist of new purchases – the Emporium filled with goodies as usual – and though the lack of a home and the memory of packing all those books forced me into more conservative behavior at the book stalls, I confess that book buying is my only true vice and I could not completely resist, so here are the latest additions to my Jane Austen library:!

Maggie Lane. Understanding Austen: Key Concepts in the Six Novels. London: Robert Hale, 2012.  ISBN: 978-0-7090-9078-6

Lane has written a number of Austen-related texts and this book will be a most welcome addition to my collection of her other works. Her essays in Jane Austen’s Regency World magazine are always insightful, often just focusing on a single term and how Austen employs it [for example in the Mar / April 2011 issue, she takes on Austen’s concept of “home”] – in this book, Lane delineates Austen’s 18th century language, clarifying for the reader the meanings of such words as “elegance” and “openness” to “candour” and “gentility” and “mind” and “spirit” – a lively entry into Austen’s world that adds to our understanding and appreciation of what she was really saying to her readers…

Devoney Looser. British Women Writers and the Writing of History, 1670-1820.  Baltimore: Johns Hopkins UP, 2000. ISBN: 0-8018-6448-8

Ashamed to say I do not have this in my collection – so happy to remedy that with this discussion of Lady Hutchinson, Lady Mary Wortley Montagu, Charlotte Lennox, Catharine Macaulay, Hester Lynch Piozzi, and Jane Austen and their historically-informed writings… perfect winter reading…

James Fordyce. Sermons to Young Women. Introduction by Susan Allen Ford. Chawton: Chawton House Press, 2012.
ISBN: 978-1-907254-07-9

One of the best-selling conduct books of Jane Austen’s day, Fordyce’s Sermons to Young Women we mostly know as the reading material of the odious Mr. Collins, the words of which Lydia Bennet patently ignored… This is a paperback facsimile of the 10th edition from the Chawton House Library collection, and necessary reading material if one is to understand the world that Jane Austen was writing in – we might laugh at some of the directives for female behavior now and think we indeed have “come a long way baby” – but read it we must to truly “get” Austen… purchase supports the Chawton House Library, and as Susan Allen Ford, JASNA’s intrepid Persuasions editor, has written the introduction, one should just add this to their shelves without further ado…

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Janine Barchas. Matters of Fact in Jane Austen: History, Location, and Celebrity. Baltimore: Johns Hopkins UP, 2012.  ISBN: 978-1-4214-0640-4

“Janine Barchas makes the bold assertion that Jane Austen’s novels allude to actual high-profile politicians and contemporary celebrities as well as to famous historical figures and landed estates…the first scholar to conduct extensive research into the names and locations in Austen’s fiction by taking full advantage of the explosion of archival materials now available online.” [from the jacket]

I had the pleasure of introducing Professor Barchas at her AGM presentation on “Jane Austen Between the Covers: A Brief History of Book Cover Art.” She took us through the last 200 years of marketing Jane Austen through the physical aspect of the book, a long-term project she is working on to create a visual bibliography of Austen’s works.  Barchas has given a number of breakout sessions at the past AGMs, always incorporating the graphic and visual aspects of Austen’s world and tying them to her fiction.  I am most anxious to read her newest work, and can heartily recommend it…

Claudia L. Johnson. Jane Austen’s Cults and Cultures Chicago: U Chicago P, 2012.  ISBN: 978-0-226-40203-1

Also another must-have for your Austen collection… Johnson “shows us how Jane Austen became ‘Jane Austen,’ an exalted yet seemingly ordinary figure… [by passing] through the four critical phases of Austen’s reception: the Victorian era, the First and Second World Wars, and the establishment of the Austen House and Museum in 1949…” [from the jacket]

Elizabeth Aldrich. From the Ballroom to Hell: Grace and Folly in Nineteenth-Century Dance Evanston: Northwester UP, 1991.  ISBN: 0-8101-0913-1

This book went into a second printing in 2000, so very happy to pick it up. It offers up “a collection of over 100 little-known excerpts from dance, etiquette, beauty , and fashion manuals from roughly 1800-1890, to include step-by-step instructions for performing the various dances, as well as musical scores, costume patterns,  and the proper way to hold one’s posture, fork, gloves, and fan…”

Hazel Jones and Maggie Lane. Celebrating Pride and Prejudice: 200 Years of Jane Austen’s Darling Child.  Bath: Lansdown Media, 2012.  ISBN: 978-0-9573570-0-6

A compact, illustration-filled tribute to P&P, as Jones and Lane “investigate the reasons for its popularity and describe the extraordinary history, reception and afterlife of the phenomenon that is Pride and Prejudice.” [from the back cover].  I was fortunate enough to be purchasing this from publisher Tim Bullamore just as Maggie Lane was at the Jane Austen’s Regency World magazine table – so having it signed by both authors is an additional treat! – and Colin Firth graces the cover, so who could resist!

Sarah Emsley, ed. Jane Austen and the North Atlantic: Essays from the 2005 Jane Austen Society Conference in Halifax, Nova Scotia, Canada Jane Austen Society, 2006. ISBN: 0-9538174-7-4

I had wanted to go to this conference but was alas! unable to, so happy to pick up this collection of four essays – have meant to since 2006 when it was first published…

The Jane Austen Companion to Love. Naperville: Sourcebooks, 2009.  ISBN:  978-1-4022-4016-4

This was a lovely gift from Sourcebooks in our AGM bag of goodies…. Filled with quotes from the novels and illustrations by the two Brock brothers – a perfect bedside book…and gift for your favorite Austen-loving friend.

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Several books highlighted at the AGM I already have, so shall give them a mention here as well:

Ava Farmer, a.k.a. Sandy Lerner. Second Impressions.  Chawton House Press, 2011. ISBN: 978-1-61364-750-9

Ms. Lerner was at the AGM as a plenary speaker – her talk “Money Now and Then: Has Anything Changed?” – was an interesting analysis of whether Jane Austen was knowledgeable about the issue of money in her novels – will write more about this in another post – but want to mention her book here – she will be coming to Vermont in December to speak at our annual birthday Tea! – and her book will be available for sale, all profits to support Chawton House Library. You can visit the book’s website here: http://www.secondimpressions.us/

Susannah Fullerton. A Dance with Jane Austen: How a Novelist and her Characters went to the Ball.  London: Frances Lincoln, 2012.  ISBN:  978-0-7112-3245-7

A delight to meet and chat with Susannah, the president of JASA, and author also of Jane Austen and Crime, one of my favorite books on Austen.  Here Susannah takes on the Regency ballroom, filled with beautiful contemporary illustrations, and everything you wanted to know about Dance!

Juliette Wells. Everybody’s Jane: Austen in the Popular Imagination New York: Continuum, 2011.  ISBN:  9781441145543

Nearly done with this one – and another must-have for your Austen library: “An investigation of Jane Austen’s popular significance today – why Austen matters to readers, how they make use of her novels, what they gain from visiting places associated with her, and why they create works of fiction and nonfiction inspired by her novels and life.” [from the back cover]

William Deresiewicz. A Jane Austen Education: How Six Novels Taught Me About Love, Friendship, and the Things That Really Matter.  New York: Penguin, 2011.

Deresiewicz spoke the evening of the Ball on “Becoming a Hero: Being a Man in Austen’s World” – his book is a delightful journey through the six novels and how his reading of them made him a better man…

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Used Books? – my real downfall, but I only bought two items from the used bookseller Traveler’s Tales, where I usually drop a bit more blunt – I didn’t get to the booth until a few days after the Emporium opened and most items of interest were already gone… but I did find this:

John Gloag. Georgian Grace: A Social History of Design from 1600 to 1830. London: Spring Books, 1967, c1956. – a must have for anyone interested in the architecture and decorative arts of the period – who can resist a book with chapters such as “‘A Dish of Tea’” and “Pray be seated” and “‘The toilet stands dispay’d’” and the like!

And this, a Rowlandson print – you must visit the Jane Austen’s World blog where Vic [my delightful roommate!] shares her purchase of FOUR of these Rowlandson prints!

Here is my one and only: “The Harvest Home” by Thomas Rowlandson (1821)

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…and last but not least, my favorite annual purchase at the AGMs is the Wisconsin Region’s “A Year with Jane Austen” Calender, this for 2013 a celebration of Pride and Prejudice: you can order your own copy here: http://www.jasna.org/merchandise/calendar-2013.html [I purchased a number to sell at our JASNA-Vermont Austen Boutique…]

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More to come about the AGM so stay tuned!

c2012 Jane Austen in Vermont