Guest Post: Philip Gough, Jane Austen Illustrator ~ by Hazel Mills

Gentle Readers: I welcome today, Hazel Mills, who has most generously written a post about one of Austen’s many illustrators, Philip Gough. I had written two posts on Gough [see below for links] but little was known about him personally. Hazel has done some extensive research into his life and works, and she shares this most interesting information with us here. Thank you Hazel!

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Philip Henry Cecil Gough

by Hazel Mills

          The artist, Philip Henry Cecil Gough, was born on the 11th June 1908 in Warrington, Lancashire, England, the eldest of four children. He was born to Cyril Philip Gough and Winifred Mary Hutchings.

          Philip was from a long line of leather tanners, curriers and bark factors, the latter using bark to soften leather. His family were wealthy owners of tanneries with evidence of his father travelling abroad to the USA in 1925 on business.

          Philip’s paternal grandfather, also a Philip, had carried on the family business in Wem, Cheshire with two of his three brothers. It obviously provided a good income as all four brothers had been to private boarding schools. In 1880, the tannery company of grandfather, Philip, and his brother was dissolved and Philip continued alone.[1]

          It is Philip’s maternal side that gives us the clue to his artistic side. His mother Winifred, also born into a family of tanners, travelled to Brussels to study Art and Music before her marriage. She also played the viola in various orchestras. [2]

          Before 1914 the Gough family moved to Moore, near Runcorn in Cheshire [3] and then in 1921, at the age of 12, Philip was sent to Loretto School, just outside Edinburgh, Scotland, as a boarder.[4] On the 4th and 5th April of that year Philip assisted in the painting of the scenery in the staging of “Much Ado About Nothing” [5] in the gymnasium of the school. The art master he assisted was Colonel Buchanan-Dunlop, who, during the famous ceasefire at Christmas 1914, led the singing of the carols from a sheet sent to him from Loretto School. [6]

          Again in 1924, Philip painted scenery for the school production of “A Midsummer Night’s Dream”, which was performed in aid of the Edinburgh Royal Infirmary, again assisting Col. Buchanan-Dunlop. [7]

Liverpool Art School record

          Philip left school in 1925. [8] It is known that he attended art school in Cornwall and Liverpool. He entered Liverpool College of Art in February 1926 and a year later, while still at the college, designed the scenery for the pantomime, “Robinson Crusoe”, at the Garrick Theatre in London. In 1928, after leaving the Liverpool College of Art, he designed about 60 costumes for “A Midsummer Night’s Dream” for the Liverpool Playhouse with a photo being published in the “Graphic newspaper” on 19th January 1929 [9] It is also thought that he designed shop windows around this time.

Midsummer Night’s Dream – Gough scenery and costumes

          1929 saw Philip working on a prestigious new project. He was responsible for all the scenery and costumes for A.A. Milne’s new play, “Toad of Toad Hall” at the Liverpool Playhouse, based on Kenneth Grahame’s book, “Wind in the Willows”. “The Stage” described Philip’s work as “both novel and extremely beautiful”. [10] At this time, Philip was still only twenty one years old. A.A. Milne also wrote a play of “Pride and Prejudice” called “Miss Elizabeth Bennet”. This was also produced at the Liverpool Playhouse. But sadly it was not Philip that did the scenery for this one, but a Charles Thomas. [11]

          In September of the following year, Philip designed scenery and costumes for “Charlots’s Masquerade”, a variety show at the Cambridge Theatre in London. There is even some Pathé News footage of this in existence. [you can view it here:

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It must be around this time that Philip meets his first wife, Mary O’Gorman, as the London Electoral register of 1930 shows him living in what appears to be a lodging house at the same address as her. It’s not know if they were actually living together as the listing is just alphabetical. Over the next eight years Gough is involved in costume and set design for at least seven productions, the first two at the Liverpool Playhouse but the following ones were all in various locations in London.

          Towards the end of this time the first book illustrated by Gough that I could find was the wonderfully named*, For Your Convenience: a learned dialogue instructive to all Londoners & London visitors, overheard in the Thélème Club and taken down verbatim by Paul Fry, [pseudonym for Thomas Burke] and published by Routledge in 1937.

“For Your Convenience”
“For Your Convenience” endpaper map

[* this book is republished today as For Your Convenience: A Classic 1930’s Guide to London Loos – in 1937 it was a heavily disguised guide to London toilets for homosexual encounters.]

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In 1939 Philip married Mary Catherine O’Gorman in Chelsea. The 1939 England and Wales register shows the married couple living in elegant  Walpole Street, Chelsea. The house is again the home of what appears to be boarders. Philip is described as working as an artist and designer of theatrical scenery, Mary is a secondary school teacher.

The following year Philip worked on “The Country Wife” at the Little Theatre, Haymarket, London and The Illustrated London News reported that the “décor by  Mr. Philip Gough is the chief charm of this production.” [12]

“New Book of Days”

         

The next few years, over the time of the Second World War, seem to be a very quiet time for Philip. I can only find his illustration of a book by Eleanor Farjeon called The New Book of Days, an anthology of rhymes, proverbial tales, traditions, short essays, biographical sketches and miscellaneous information, one piece for each day of the year. In 1936, Philip had also designed the sets and costumes for a play by Eleanor and Hubert Farjeon, called “The Two Bouquets”.

Philip’s father died in 1946 when Philip was still living in Chelsea. In 1948 he appears to have left his wife and is now living at another address in Chelsea with a Joan Sinclair.

1947 was a prolific year as a book illustrator, with four books for Peter Lunn publishers including “Fairy Tales” by Hans Christian Andersen. The following year would be his foray into Jane Austen Novels with the 1948 publication of Emma, published by MacDonald for their Illustrated Classics series. 

I have tracked down forty-two books between 1937 and 1973 where he drew illustrations throughout, but in addition Philip designed many, many more dust jackets for novels such as those of Georgette Heyer:

and non fiction tiles such as 1960s reprints of the four volume “A History of Everyday Things in England” that first appeared in 1918:


Philip also did a few more set designs in the 1950s but more of his time was spent illustrating books including Pride and Prejudice (1951), Mansfield Park (1957) and Sense and Sensibility (1958) for Macdonald. You can see many of the illustrations here:

https://janeausteninvermont.blog/2021/08/15/collecting-jane-austen-macdonald-illustrated-classics-illus-by-philip-gough/

and here:

https://janeausteninvermont.blog/2014/12/30/jane-austens-mansfield-park-in-pictures-the-illustrations-of-philip-gough/

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In Philip’s personal life, tragedy hit when his mother was killed in an accident when she was hit by an army truck in 1952.  Philip married Joan in 1953 which is the last year in which I can find any more set and costume designing.

Northanger Abbey

          1961 saw the Macdonald publication of both Northanger Abbey and Persuasion with his illustrations and he continued to illustrate books until at least 1973.

          Philip Gough died in London on 24th February 1986, leaving a fortune of £42,661.

          Philip’s sisters also deserve a mention. Sheila May Gough was qualified as a nurse and during WWII joined the ‘Queen Alexandra’s Imperial Military Nursing Service’. She served in Europe before being posted to Malta.  In 1943 Malta became the base for the invasion of Sicily.  It was codenamed ‘Operation Husky’ and began on the night of 9 July and lasted for six weeks.  Sheila was awarded the ‘Associate of the Royal Red Cross’ for “special devotion to duty…and complete disregard for her own safety”. [13] Sheila remained unmarried until the age of 58, in 1975, when she married Donald Verner Taylor C.B.E. who had been in the Army Dental Corps in Malta at the same time as her.

          Less is known of his sister Gwendoline Winifred other than she was a school teacher at a boarding school in Nottingham in 1939 [14] but in 1941 sailed to South Africa where she stayed until 1946. [15] More is known of  Brenda Irene, or rather Flight Officer Brenda Irene Gough. The 1939 register records that Brenda was working as a secretary for the Civil Nursing Reserve and living in Wimbledon.  She joined the WAAF (The Women’s Auxiliary Air Force) after May 1941 .  In 1943, Brenda was promoted to Section Officer in the Administrative and Special Services Branch and later promoted to Flying Officer.  During the war women were paid two thirds of the salary of their male counterparts.

Philip Gough has left an enormous body of work and original works of his illustrations can achieve high prices today, for example, a signed original gouache artwork  for the dust wrapper to Georgette Heyer’s The Foundling currently commands a price of around $2,500.

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Footnotes:

  1. The London gazette May 27 1881
  2. Obituary Cheshire Observer Dec 01 1951
  3. Kelly’s Directory 1914
  4. https://archives.loretto.com/archive/the-lorettonian/1921-vol-44/777604-1921-vol-44-0031jpg?q=gough
  5. https://archives.loretto.com/archive/the-lorettonian/1923-vol-46/777827-1923-vol-46-0026jpg?q=gough
  6. https://www.loretto.com/christmas-truce-commemoration/47361.html
  7. https://archives.loretto.com/archive/the-lorettonian/1924-vol-47/777740?q=gough
  8. https://archives.loretto.com/archive/the-lorettonian/1925-vol-48/777849?q=gough
  9. The Graphic – Saturday 19 January 1929
  10. The Stage – Thursday 26 December 1929
  11. The Era – Wednesday 9 September 1936
  12. Illustrated London News – Saturday 20 April 1940
  13. National Archives
  14. 1939 England and Wales Register
  15. UK incoming and Outgoing passenger lists

Image acknowledgements:

  • Liverpool College of Art Record -Liverpool College of Art Archives
  • Mid summer Night’s Dream Image courtesy of Mary Evans Picture Library (c) Illustrated London News/Mary Evans Picture Library.
  • For Your Convenience images – Care of Daniel Crouch Rare Books – crouchrarebooks.com

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Author bio:

Hazel Mills is a retired science teacher and a founder member and Chair of the Cambridge Group of the UK Jane Austen Society. Until her move to Denmark, she was a Regional Speaker for the Society. Hazel discovered Austen as a thirteen year old Dorset schoolgirl when reading Pride and Prejudice and fell in love for the first time with Mr Darcy. She has researched the history of Jane Austen’s time, presenting illustrated talks, around England and Scotland, on diverse subjects including: Travel and Carriages in Jane Austen’s time; the Life of John Rawstorn Papillon, Rector of Chawton; Food production and Dining; Amateur Theatricals at Steventon, and the Illustrators of Austen’s novels. She lives in a lovely house overlooking the sea with her husband who built her a library to house her extensive Austen collection, which includes over 230 different copies of Pride and Prejudice.

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Do you have a favorite Philip Gough illustration?? Please leave a comment below.

©2022, Jane Austen in Vermont and Hazel Mills

Happy Valentine’s Day!

Wishing you all a day filled with Love & Chocolate!
[mud pies anyone??]

©2022 Jane Austen in Vermont

Guest Post: The Snowdrop ~ Harbinger of Spring

Can there possibly be any signs of Spring with current temperatures what they are?! Even here today in South Carolina we are at 28 degrees [warming up to maybe 53…I live in Hope]! So I happily welcome Pam Braak, NAFCH Treasurer and Tarrant County (TX) Master Gardener, with her thoughts on Chawton House and the Snowdrop:

Chawton House

The Snowdrop ~ Harbinger of Spring

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I wonder if the sap is stirring yet,

If wintry birds are dreaming of a mate,

If frozen snowdrops feel as yet the sun

And crocus fires are kindling one by one:

Sing, robin, sing:

I still am sore in doubt concerning Spring.

–Christina Rossetti (1830-1894), from “The First Spring Day”

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Chawton House recently announced their participation in the National Garden Scheme’s Snowdrop Sunday, with an event on February 6.  The National Garden Scheme in the UK brings joy to this Texas gardener — and envy that I cannot participate without a transatlantic flight.  I wondered about the snowdrop mania in the UK and if there exists an analogous passion for them in the U.S.

We have Garden Conservancy Open Days in the U.S. but that cannot compare to the immense number of gardens that the NGS organizes each year. Privately owned gardens open each year to visitors, with admission fees donated to health-related charities. In 2020 there were over 3,700 gardens due to open. Imagine the choices!  For the Snowdrop Festival in February, 100 gardens are participating, including Chawton House.

George Plumptre, Chief Executive of the National Garden Scheme, says: “Following the restrictions of 2020 and 2021 there has never been a greater need to start the new year with the beautiful freshness of the first blooms of spring. But garden visiting at this time of year is not just for galanthophiles who are looking to discover a rare variety of snowdrop in gardens they may never otherwise find. Snowdrops are the perfect antidote to the winter blues and spending the afternoon at one of our 100 Snowdrop Festival gardens is the ideal opportunity to get outside and enjoy some spectacular scenes at an otherwise gloomy time of year.”

Common Snowdrop Galanthus nivalis

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“Snowdrops: theirs is a fragile but hardy celebration

– in the very teeth of winter”

Louise Beebe Wilde (1878-1938), American gardening writer

Snowdrops enjoy a cult following in the UK where aficionados are known as galanthophiles. No doubt these enthusiasts will be spotted around the Chawton House gardens getting down on their knees and even lying on their bellies to enjoy and photograph these late-winter wonders. Galanthophiles are collectors of much more than common snowdrops. The lure of collecting the 2,500 plus varieties is quite a draw. Galanthophiles look for snowdrops in old gardens, but there are plenty for sale, some at phenomenal prices. Per “Fun facts about Snowdrops – National Garden Scheme” , a single Galanthus plicatus “Golden Fleece” sold for £1,390 on eBay in 2015!  Akin to the tulip craze in seventeenth-century Holland.

There are a plethora of festivals and tours in the UK celebrating the snowdrop. For instance, in Dorset the citizens of Shaftesbury have planted more than 200,000 snowdrop bulbs since 2017 and have an annual festival. Stateside, I did find the Galanthus Gala in Downingtown, PA but I do not think our fondness approaches UK levels. [Here is their facebook page with a virtual event in 2021, nothing yet for 2022 on there.]

Snowdrops are easy to grow, tough, and often push through the snow to bloom. You can find several varieties for sale online in the U.S., but I doubt you’ll locate 2,500 varieties. They are recommended in USDA hardiness zones 3 to 7, growing best in partial sun and partial shade. In the southern zone where I live, the bulbs may decline over time; this is a plant that is most likely best suited to cooler climates. In the meantime, I content myself with growing a relative, summer snowflakes Leucojum aestivum, which bloom in February, contrary to their name.  In my garden, I must be content to just dream of swaths of snowdrops.

Various varieties of Galanthus

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Thank you Pam for bringing us a little joy into our climate-stressed, virus-ridden world – I think even Jane Austen would be smiling! [Does she mention snowdrops anywhere??]

For more information on Chawton House, their current exhibition on Botanical Women, and their other interesting goings-on, please visit ChawtonHouse.org. You can also help with their ongoing efforts for their Library and estate by becoming a Friend – donate whatever you can on the North American Friends of Chawton House donation page – we appreciate your support!

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Jane Austen on 7 March 7 1814, from London to Cassandra in Chawton:

Monday Here’s a day! – The Ground covered with snow!  What is to become of us? – We were to have walked out early to near Shops, & had the Carriage for the more distant. – Mr. Richard Snow* is dreadfuly fond of us.  I dare say he has stretched himself out at Chawton too.

Ltr. 98, 5-8 March 1814, p. 270 [Le Faye, 4th ed.]

The Brighton Mail, Sunday, December 25th 1836 (R. Havell)
[F. Gordon Roe, Sporting Prints of the Eighteenth and Early Nineteenth Centuries.  NY: Payson & Clarke, 1927.]
©2022, Jane Austen in Vermont

From the Archives ~ Jane Austen’s Very Own Scrooge!

Emma - Christmas day paper doll3I pull this Christmas Eve message from the archives,
first posted on December 24, 2010

Wishing you all a very Merry Christmas and Festive Holidays!!

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It is a rare date that Austen mentions in her works, but one of them is today, December 24: Christmas Eve, “(for it was a very great event that Mr. Woodhouse should dine out, on the 24th of December)” [Emma Vol. I, Ch. xiii]

While we usually associate Mr. Woodhouse with often curmudgeonly weather-obsessed behavior, here he is most eager to get all wrapped up and head over to Randalls:

Mr. Woodhouse had so completely made up his mind to the visit, that in spite of the increasing coldness, he seemed to have no idea of shrinking from it, and set forward at last most punctually with his eldest daughter in his own carriage, with less apparent consciousness of the weather than either of the others; too full of the wonder of his own going, and the pleasure it was to afford at Randalls to see that it was cold, and too well wrapt up to feel it. [E, Vol. I, Ch. xiii]

Fig. 2

So it is not dear fussy Mr. Woodhouse who is Scrooge this Christmas Eve, but Austen is adept at creating one, and long before Dickens ever did:

‘A man,” said he, ‘must have a very good opinion of himself when he asks people to leave their own fireside, and encounter such a day as this, for the sake of coming to see him. He must think himself a most agreeable fellow; I could not do such a thing. It is the greatest absurdity — Actually snowing at this moment! The folly of not allowing people to be comfortable at home, and the folly of people’s not staying comfortably at home when they can! If we were obliged to go out such an evening as this, by any call of duty or business, what a hardship we should deem it; — and here are we, probably with rather thinner clothing than usual, setting forward voluntarily, without excuse, in defiance of the voice of nature, which tells man, in every thing given to his view or his feelings, to stay at home himself, and keep all under shelter that he can; — here are we setting forward to spend five dull hours in another man’s house, with nothing to say or to hear that was not said and heard yesterday, and may not be said and heard again to-morrow. Going in dismal weather, to return probably in worse; — four horses and four servants taken out for nothing but to convey five idle, shivering creatures into colder rooms and worse company than they might have had at home.” [E, Vol. I, Ch. xiii]

Well, “Bah! Humbug!” to you too, John Knightley!he is our Scrooge this Christmas Eve [indeed, I believe that Isabella has married her father!] and his ill humor continues throughout the evening – ending of course with his gloomy and overblown report of the worsening weather that sets off three full pages of discussion on the risks of setting out, on the possibility of being snowed-in, on the cold, on the danger to the horses and the servants – “‘What is to be done, my dear Emma? – what is to be done?’ was Mr. Woodhouse’s first exclamation…” and it all is finally “settled in a few brief sentences” by Mr. Knightley and Emma, certainly foreshadowing their success as a companionable couple.

Fig. 3 ‘Christmas Weather’

And this leads to one of Austen’s most comic scenes – the proposal of Mr. Elton, Emma trapped in the carriage alone with him believing that “he had been drinking too much of Mr. Weston’s good wine, and felt sure that he would want to be talking nonsense…” – which of course he does…

Wishing you all a very Merry Christmas, with much snow on the ground (but not enough to trouble your carriage), some song and wine (but not enough to induce unwanted and overbearing offers of love and marriage), and the pleasure of good company (with hopefully no Scrooge-like visitors to whom you must either “comply” or be “quarrelsome” or like Emma, have your “heroism reach only to silence.” )

P.S. – And tonight pull your Emma off the shelf and read through these chapters in volume I [ch, 13-15] for a good chuckle! – this of course before your annual reading of A Christmas Carol.

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Illustrations:

1.  Emma’s Christmas Day Paper Doll at Fancy Ephemera.com
2.  Dinner at Randalls at Chrismologist.blogspot.com
3.  ‘Christmas Weather’ at Harlequin Historical Authors
4.  Vintage postcard in my collection

c2021 Jane Austen in Vermont

Happy Birthday Jane Austen!

Today is Jane Austen’s birthday, 246 years ago! 

To quote her father George Austen in a letter to his sister Mrs. Walter on Dec 17, 1775:

“You have doubtless been for some time in expectation of hearing from Hampshire, and perhaps wondered a little we were in our old age grown such bad reckoners but so it was, for Cassey certainly expected to have been brought to bed a month ago: however last night the time came, and without a great deal of warning, everything was soon happily over. We have now another girl, a present plaything for her sister Cassy and a future companion. She is to be Jenny, and seems to me as if she would be as like Henry, as Cassy is to Neddy. Your sister thank God is pure well after it, and sends her love to you and my brother…” (Austen Papers, 32-3)

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In celebration of Austen’s birthday, JASNA has published it’s Persuasions On-Line vol. 42, No. 1, which features a selection of the AGM presentations on Jane Austen and the Arts, the theme of the 2021 JASNA AGM in Chicago. You can view the Table of Contents here – all essays are fully accessible: https://jasna.org/publications-2/persuasions-online/vol-42-no-1/

It is also a perfect time to donate to Chawton House, via the North American Friends of Chawton House: Please visit the website at https://www.nafch.org/ and read about their endeavors. Anyone who donates $150 or more will be sent NAFCH’s 2nd annual limited-edition bobblehead “Creative Jane” (while supplies last), though any amount is gratefully received!:

You can donate here: https://www.nafch.org/give-join

What better way to honor Jane Austen on her birthday than to give a little something in support of the “Great House” she visited often:

‘Let me thank you again and again’

Jane Austen, Pride & Prejudice (1813)

2021, Jane Austen in Vermont

Let’s Go Shopping!! Auction to Support Chawton House!

Please visit this Auction site to see what’s on offer from the North American Friends of Chawton House   – their annual auction that coincides with the JASNA AGM (just completed): https://www.nafch.org/agm-2021-auction

The auction goes until this Friday October 22, 2021 at 12:00 pm EDT

1. Late nineteenth-century, wooden writing slope with mother-of-pearl detail.  English. When closed: 8½ x 12 x 4¾ inches. (Est. $250)

2. Jane Austen, Sense and Sensibility, in Richard Bentley’s “Standard Novels and Romances” series (London, 1846).  In original trade binding, stamped with “2/6” on spine.  Extremely rare. (Est. $650-1000)

3. Antique gold chainmail coin purse.  3¼ inches. Edwardian, circa 1902.  (Est. $100-250+)

4. Victorian sterling silver jewelry dish, with another of silver plate in a later design (c. 1920s).  Each are 2 ¾ inch diameter. Victorian, circa 1890s.  (Est. $50+)

5. Two 14K gold miniature portrait pendants, with diamond chips.  3 cm and 2½ cm.  Early 20th century.  English. ($100-120 for the pair)

6. Two costume jewelry pendants of painted ladies.  4½ cm and 2½ cm.  Timeless.  ($50 for the pair)

7. Late 18th century silver-mounted horn & tortoise snuff box. Top lid is 3.5 cm x 7.5 cm. Marked on the bottom with a tag from over a decade ago, at last purchase: $260.

8. Champleve enamel, bronze carriage clock with decorated panels. 19th century, French.  18 cm high. ($400)

9. Artist book, by Linda Dennery: R. W. Chapman, Jane Austen: A Critical Bibliography (Oxford, 1953). ($500)

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Visit and bid! These amazing items can be yours at the click of a button – all to support Chawton House!

Thank You!

©2021 Jane Austen in Vermont

Cover Reveal! “Bloomsbury Girls” by Natalie Jenner

A good many of you were enthralled by Natalie Jenner’s first novel and international bestseller The Jane Austen Society. I thoroughly enjoyed getting into the lives of Jenner’s cast of characters who populated that novel set in 1940s England. [You can read my review here]. Evie Stone was one of her most endearing, a young servant at Chawton House who takes a liking to the library and all the books in it – and spends her time there doing far more than the required cleaning. It was difficult to close the book on Evie and not want to know more about her life after Chawton, and obviously, it was hard for Natalie Jenner to let her go as well.

Her newest novel, titled Bloomsbury Girls, (not due out until May 2022!) gives us just what we could wish for – and not only the continuing story of Evie but also that of two other women caught up in life in a bookshop in the aftermath of World War II. How we shall wait until May 2022 is my biggest concern!

But this week, a group of bloggers headed by Laurel Ann at Austenprose, are giving you a small taste of what’s coming, starting with this Cover Reveal!

First, what’s it about?

“One bookshop. Fifty-one rules. Three women who break them all.”

The Internationally Bestselling author of The Jane Austen Society returns with a compelling and heartwarming story of post-war London, a century-old bookstore, and three women determined to find their way in a fast-changing world.

Bloomsbury Books is an old-fashioned new and rare bookstore that has persisted and resisted change for a hundred years, run by men and guided by the general manager’s unbreakable fifty-one rules.  But in 1950, the world is changing, especially the world of books and publishing, and at Bloomsbury Books, the girls in the shop have plans:

Vivien Lowry:  Single since her aristocratic fiancé was killed in action during World War II, the brilliant and stylish Vivien has a long list of grievances – most of them well justified and the biggest of which is Alec McDonough, the Head of Fiction.

Grace Perkins: Married with two sons, she’s been working to support the family following her husband’s breakdown in the aftermath of the war. Torn between duty to her family and dreams of her own.

Evie Stone:  In the first class of female students from Cambridge permitted to earn a degree, Evie was denied an academic position in favor of her less accomplished male rival. Now she’s working at Bloomsbury Books while she plans to remake her own future.

As they interact with various literary figures of the time – Daphne Du Maurier, Ellen Doubleday, Sonia Blair (widow of George Orwell), Samuel Beckett, Peggy Guggenheim, and others – these three women with their complex web of relationships, goals and dreams are all working to plot out a future that is richer and more rewarding than anything society will allow.

Author Natalie Jenner on Bloomsbury Girls:

“I never intended for Evie Stone to be a major character in my debut novel, let alone inspire my second one, Bloomsbury Girls. But as time went on, I found I could not leave her behind in Chawton with the other society members. And then one day I rewatched a favourite movie, 84 Charing Cross Road, and I remember thinking, there’s a whole other story in here still to be told, of an upstairs-downstairs motley crew of booksellers, and right away the figures came to life.”

“As with The Jane Austen Society, Bloomsbury Girls features multiple characters and storylines revolving around one very charming location: this time, the quintessential Dickensian-type bookshop.”

“If The Jane Austen Society was the book I wrote when I was coming out of sadness, Bloomsbury Girls was written when I was very happy, and I hope it provides a little cheer to readers during this difficult time.

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Drum roll please … Cover Reveal!!*

About the Author:

Natalie Jenner is the author of two books, the instant international bestseller THE JANE AUSTEN SOCIETY and BLOOMSBURY GIRLS. A Goodreads Choice Award finalist for best debut novel and historical fiction, THE JANE AUSTEN SOCIETY was a USA Today and #1 national bestseller and has been sold for translation in twenty countries. Born in England and raised in Canada, Natalie has been a corporate lawyer, a career coach and, most recently, an independent bookstore owner in Oakville, Ontario, where she lives with her family and two rescue dogs.

Where you can find her:

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Details:

  • Title: Bloomsbury Girls: A Novel
  • Author: Natalie Jenner 
  • Genre: Historical Fiction
  • Publisher: St Martin’s Press (May 17, 2022)
  • Length: (304) pages
  • Hardcover ISBN: 978-1250276698
  • Audiobook ISBN: 978-1250852311
  • eBook ASIN: B09CNDV5GJ

Purchase Links for pre-ordering:


Amazon UShttps://www.amazon.com/dp/1250276691
Amazon Canadahttps://www.amazon.ca/Bloomsbury-Girls-Novel-Natalie-Jenner/dp/1250276691/ref=sr_1_1?dchild=1&keywords=bloomsbury+Girls&qid=1629916389&sr=8-1
Barnes & Noblehttps://www.barnesandnoble.com/w/bloomsbury-girls-natalie-jenner/1139985334?ean=9781250276698
IndieBound (for a US indie bookshop near you): https://www.indiebound.org/book/9781250276698
Kobohttps://www.kobo.com/us/en/ebook/bloomsbury-girls
Google Playhttps://play.google.com/store/books/details/Natalie_Jenner_Bloomsbury_Girls?id=GbA9EAAAQBAJ

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Cover Reveal Blog Schedule:  

You can follow the Cover Reveal Book Blast at the other bloggers here: at Austenprose (scroll to the bottom).

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*I love this cover! Like The Jane Austen Society, it has real people on the cover (with the appropriate footwear), a bookstore in the background, and the requisite floral accompaniment! Cannot wait to enjoy the inside!

©2021 Jane Austen in Vermont

Collecting Jane Austen: Macdonald Illustrated Classics, illus by Philip Gough

So I am back from an RV trek up north – finally able to get to Vermont and visit with family and friends – almost SEVEN weeks with no stable or reliable internet connection on any given day – and I actually survived the deprivation. Thankfully Trooper was not writing his usual journal of this trip [ https://trooperslog.wordpress.com/  ] so did not need to be uploading all his commentary and pictures every day.

But now back home with access to my shelves and resuming posts on “Collecting Jane Austen” with a short post on one of my favorite sets of Jane Austen’s novels: The Macdonald Illustrated Classics (London, 1948-61), with illustrations by Philip Gough and introductions by various scholars for four of the six volumes.

I have written about this set before, and so direct you to that blog that focused mostly on Gough’s illustrations for Mansfield Park: https://janeausteninvermont.blog/2014/12/30/jane-austens-mansfield-park-in-pictures-the-illustrations-of-philip-gough/

I’ll repeat here the description of the set:

When Macdonald & Co. (London) published its first volume of Jane Austen’s work in 1948, Emma was the chosen work, with Philip Gough as illustrator. It was the 4thvolume in the Macdonald Illustrated Classics series. It is a small book, under 8 inches, bound in red leatherette, with a frontispiece and seven other full-page plates of watercolor drawings by Gough. There is no introduction. Macdonald published its next Jane Austen novel in this series in 1951 – Pride and Prejudice, with illustrations again by Gough and again no introduction.  If you are lucky enough to have all the six volumes published by Macdonald, you will see that they appear to be a set, all with the same binding and all illustrated by Gough – but they were published over a period of years from 1948 to 1961 as follows – with the No. in the Macdonald series in ():

  • 1948 – Emma (No. 4)
  • 1951 – Pride & Prejudice (No. 23)
  • 1957 – Mansfield Park (No. 34); introduction by Q. D. Leavis
  • 1958 – Sense & Sensibility (No. 37), with Lady Susan and The Watsons; intro by Q. D. Leavis
  • 1961 – Northanger Abbey (No. 40); intro by Malcolm Elwin
  • 1961 – Perusasion (No. 41); intro by Malcolm Elwin

Not sure why Leavis did not do the other introductions – her essays on Jane Austen are magnificent, and a definite must-have for your Austen library. Her Mansfield Park introduction, after stating that MP is “now recognized as the most interesting and important of the Austen novels,” gives us a brief summary of Austen’s life and times, then writes of her theories that Lady Susan is the matrix of Mansfield Park, that Austen was “soaked in Shakespeare,” that the Sotherton sequence  is one of the “most remarkable in any English novel” where all the action is symbolic and how its pattern of events is “exactly and awfully repeated” in the final outcome of the book, and finally how Mansfield Park is really a tragedy “in spite of the appearance of a happy ending.”

All of the novels were published with a stiff clear mylar wrapper with the title and “Illustrated by Philip Gough” in mustard yellow, and “By Jane Austen” in blue, with nothing on the spine but the gilt titles on the red backstrip showing through. These wrappers are nearly impossible to find. I only have the one for my Emma volume.

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There is little known about Philip Gough and I cannot find much researching the internet other than he was born in 1908, illustrated a number of children’s books (Alice in Wonderland, Hans Christian Andersen’s Fairy Tales are two examples); this Jane Austen series from Macdonald; and a goodly number of dust jackets for Georgette Heyer’s Regency novels (see below). There is a list of 14 books on Goodreads illustrated by him but this list is not complete – Jane Austen is not listed!)
[ https://www.goodreads.com/author/list/1981672.Philip_Gough ]

It is worth noting that in the introduction to the 1961 Persuasion by Malcolm Elwin (and also quoted by David Gilson in his entry E327 on this edition in his A Bibliography of Jane Austen), Elwin states that the drawings of Hugh Thomson are said to be “too Victorian in their sentimentality to suit the spirit and period of the novels” – and that “Mr. Gough has shown himself a student of the Regency period, and many sound critics have judged him to have succeeded in conveying the subtlety of Jane Austen’s satiric humour.” Gilson also notes a TLS review of this edition (10 November 1961, 810), quoting that “Philip Gough’s illustrations have their own brand of sentimentality, this time of the pretty-pretty sub-Rex Whistler variety.”

[example of a Rex Whistler drawing]

[Source: http://www.theguardian.com/artanddesign/2013/aug/25/rex-whistler-british-artist-exhibition ]

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Illustrating Jane Austen:

Each of the novels begins with a chapter I heading drawing in black and white as well as a drawing on the title page. Emma as the first published of the novels is an exception – there are chapter heading illustrations for each of the odd-numbered chapters; all the other novels have only the one heading chapter I as well as the title page. Each novel has 7 watercolors (Sense and Sensibility only has five; there is one watercolor each for Lady Susan and The Watsons and each begins with a black and white drawing.) I find these watercolor illustrations a little too precious – there is a tendency toward “Pretty in Pink”– as you will see in these examples from each novel in the order of publication below. There is also some rather odd scenes of what Gough chose to illustrate and they are often placed so far from the actual text being quoted that they serve more as a distraction rather than illuminating the story. But these are quibbles – I love this set and am privileged to have it on my shelf – it is almost impossible to find as a full set, and each volume can be quite expensive when located (Emma is the most elusive) – my advice is to buy them when you see them and grin and bear it.

So now for a few examples of Gough’s illustrations from each of the novels:

Emma (1948): Gough definitely equated the Regency period and Jane Austen with the feminine Pink – and in Emma there is a good deal of it!

You can see all the Emma illustrations here, including two of the many chapter headings: https://www.fulltable.com/vts/aoi/g/emma/a.htm

Title page and frontis – notice the Cupid!
“A sweet view…” with what appears to be a Mormon tabernacle standing in for Donwell Abbey

Pride and Prejudice (1951): I have always looked rather wide-eyed at the abundance of Pink in Gough’s Pride and Prejudice especially in this portrait of Mr. Darcy at the pianoforte…!

And we must include Gough’s simpering Mr. Collins:

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Mansfield Park (1957): here is one example, but as noted above you can see all seven illustrations here: https://janeausteninvermont.blog/2014/12/30/jane-austens-mansfield-park-in-pictures-the-illustrations-of-philip-gough/

Sense and Sensibility (1958):

And of course it is indeed not Willoughby, but Edward…

Northanger Abbey (1961):

Persuasion: (1961)

Chapter heading from Ch. I of Persuasion: you would think this should be Kellynch Hall at the start of the novel – but this is certainly not grand enough for Sir Walter! We find on page 42 that it is Uppercross Cottage and here we see it in full color:

We shall end with Captain Wentworth, because, why not – we see him neither in a navy uniform (this is for another post – how many illustrators portray the good Captain in uniform??), nor is he in Pink, but an odd color nonetheless!

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Gough cover illustrations for Georgette Heyer – some examples (I LOVE these!):

Do you have a favorite Gough illustration??

©2021 Jane Austen in Vermont

Collecting Jane Austen: Regency London

Jane Austen and London is a subject that should have its own shelf(ves). This is one of those down the rabbit hole in collecting that will either find you on a completely different path of book buying or become for you “the road not taken.” There will be many such roads if you embark on the adventure of collecting Jane Austen – as you all likely know, it is an endless morass…

Long before I began to collect Jane Austen, I started a collection of books on London – I love London for many reasons – my parents were born in England so I became an anglophile from an early age; I studied in London for a college semester (political science – don’t ask!); and during that semester met my husband, so it serves as a Romantic haven for me. I started collecting any books I could find on London – a heady task (almost as impossible as Jane Austen) – then narrowed it to children’s books about or set in London (many more than you would think) – then when Austen hit my radar I began to focus just on Regency-era London (a bit more manageable but larger than my pocket book or shelf space nonetheless). So I now have rather a mish-mash of various titles, some very collectible and some just commonplace treatises great for reference and beautiful pictures. When I began doing talks on Jane Austen and London, I found a real use for the books I had as well as an excuse to acquire more….and so you see my mighty fall into the Rabbit Hole of collecting….

Today I will just share three titles of the many, for no particular reason other than to show the diversity of what’s out there – I append at the end the very select bibliography handout for the talk I give, though is now a bit outdated and does not contain all the books I have – if you have any favorite books on London, please share the titles in the comments.

1. Regency London, by Stella Margetson. New York: Praeger, 1971 [London: Cassell, 1971].

Margetson wrote a few novels but also a number of books of English social history especially of the late 18th and the 19th-century. This book on Regency London is a short introductory text that covers the basics, with black and white contemporary illustrations throughout:

  1. Carlton House
  2. The Mercantile City
  3. Westminster and Government
  4. The Regent and the Architect
  5. High Society
  6. Entertainment
  7. The Artists and the Writers
  8. The Populace
  9. Some Visitors to London [Jane gets a few pages on her stays in London]
  10. An Expanding City

 FYI: Cassell / Praeger did a series of five books on London:

  • Roman London, by Ralph Merrifield
  • Medieval London, by Timothy Baker           
  • Elizabethan London, by Martin Holmes       
  • Regency London, by Stella Margetson
  • Victorian London, by Priscilla Metcalf

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2. The A to Z of Regency London, Introduction by Paul Laxton; index compiled by Joseph Wisdom. Lympne Castle, Kent: Harry Margary, in association with Guildhall Library, London, 1985.

This historical atlas is based on Richard Horwood’s survey of London in 1792-9 and updated by William Faden in 1813 – it shows the streets, lanes, courts, yards, and alleys, but also every individual building with its street number – the 40 sheets of the original Horwood have been photographically reduced, and the index for this edition expands the original by threefold.

The Horwood map is available online in various formats [a terrific one is here: https://www.romanticlondon.org/explore-horwoods-plan/#16/51.5112/-0.0747], but this is a treasure to have close at hand. One can easily trace Austen’s meanderings described in her letters, and follow the many characters in Sense and Sensibility – where they live, visit, and shop – her one novel where London is central to the plot (though it is also where the dilemma of Harriet gets sorted!)

For those of you who love maps, there are others to choose from in this series: The A to Z of Elizabethan London, Restoration London, Georgian London, Victorian London, and Edwardian London (there is also one for Georgian Dublin)

Horwood Map, p 13: Covent Garden

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3. One Day in Regency England, by Alastair Scott. Brighton: Robert Tyndall, 1974.

This is a children’s book, and about all of England not just London – but it is a delightful introduction to the period and filled with color and black and white contemporary illustrations; the cover is designed by Gordon King.

The book presents the day of July 20, 1813 in the lives of several characters, starting in the home of Charles Henry Longhurst – we meet him and his family and their friends and his servants, the children in school, life in the country vs. the day in the City – all presented as what goes on in these individual lives in the Morning, Afternoon and Evening. It is skillfully and entertainingly done and in 48 pages takes us in to traveling carriages, cookery in the kitchen, a dinner party and then off to Vauxhall Gardens, all the while getting a glimpse of those doing all the work behind the scenes! It is quite an exhausting day!

As you can see in the bottom paragraph in the above page image, Scott writes that Longhurst’s daughter Amelia is quite taken with Jane Austen and reading Pride and Prejudice – when suddenly her attention is drawn to the arrival of a small chimney-sweep – and thus we are privy to that bit of history, of poor, young, soot-covered boys and the realities and dangers of that job.

[This Day Book Series also includes a number of other “One Day” adventures in a variety of time periods in England and elsewhere: Shakespeare’s England, Roman Britain, Victorian, Medieval, WWI, WWII, etc.]

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As noted, this bibliography is very select but gives you an idea of the variety of works on London and specifically London during Jane Austen’s time – again, it is a bit outdated….

 ‘Jane Austen’s London in Fact and Fiction’: Select Bibliography

The A – Z of Regency London; introduction by Paul Laxton. London: Harry Margary / Guildhall Library, 1985.

Ackermann, R. The Microcosm of London, or London in Miniature. Rpt. ed. London: Methuen, 1904.

Ackroyd, Peter. London: The Biography.  London:  Chatto & Windus, 2000.

Allen, Louise. Walks Through Regency London.  UK: Shire, 2013. [2nd revised ed. 2014]

Borer, Mary Cathcart. An Illustrated Guide to London 1800.  New York:  St. Martin’s, 1988.

Byrne, Paula. Jane Austen and the Theatre.  London: Hambledon, 2002.

Cunningham, Peter. Handbook of London: Past and Present. New ed. London: Murray, 1850.

Easton, Celia. “Austen’s Urban Redemption: Rejecting Richardson’s View of the City.” Persuasions 26 (2004): 121-35.

Edwards, Anne-Marie. In the Steps of Jane Austen. 3rd ed. Newbury, UK: Countryside, 1996.

Elmes, James. A Topographical Dictionary of London and Its Environs. London: Whitaker, 1831. Google Book.

George, Dorothy.  London Life in the XVIIIth Century. London: Kegan, Paul, 1925.

Hibbert, Christopher.  London: The Biography of a City. London: Longmans, 1969.

Hill, Douglas. A Hundred Years of Georgian London from the Accession of George I to the Heyday of the Regency.  London:  MacDonald, 1970.

Hughson, David. Walks Through London. London: Sherwood, Neely and Jones, 1817.

Kaplan, Laurie. “Emma and ‘the children in Brunswick Square.’” Perusasions 31 (2009): 236-47.

Knight, Charles, ed. London. London: Charles Knight, 1841. Ebook, Tufts Digital Library < http://hdl.handle.net/10427/53832  >

Leigh, Samuel. Leigh’s New Picture of London. New ed. London: Leigh, 1827.

Margetson, Stella. Regency London.  New York: Praeger, 1971.

Picard, Liza. Dr. Johnson’s London. London: Weidenfeld, 2000.

_____. Victorian London. London: Weidenfeld, 2005.

Porter, Roy. London: A Social History.  Cambridge: Harvard UP, 1995.

Richardson, John. Covent Garden Past. London:  Historical, 1995.

_____. London and Its People: A Social History from Medieval Times to the Present Day.  London: Barrie & Jenkins, 1995.

Quin, Vera. Jane Austen Visits London. Cappella Archive, 2008.

Saunders, Ann. The Art and Architecture of London: An Illustrated Guide. 2nd ed. Oxford: Phaidon, 1988.

Stabler, Jane. “Cities.” Jane Austen in Context. Ed. Janet Todd. Cambridge: Cambridge UP, 2005. 204-14.

Summerson, John. Georgian London. New ed. New Haven: Yale UP, 2003.

Tannahill, Reay. Regency England.  London: Folio Society, 1964.

Vickery, Amanda. Behind Closed Doors: At Home in Georgian England.  New Haven: Yale UP, 2009.

Watson, Winifred. Jane Austen in London.  Chawton: JAS, 1960.

Whitfield, Peter. London: A Life in Maps.  London: British Library, 2006.

Worsley, Giles. Architectural Drawings of the Regency Period, 1790-1837. London: Andre Deutsch, 1991.

Select Online Sources:

[some are no longer available; there have been many more sources added to the internet since I first compiled this]

Austenonly [Julie Wakefield]: http://austenonly.com/ ; http://ajaneaustengazetteer.com/

Bolles Collection:  History of London.  Tufts Digital Library:  http://dl.tufts.edu/

British History Online: Survey of London:  http://www.british-history.ac.uk/place.aspx?region=1

British Library:  http://www.bl.uk/

Collage, City of London:  http://collage.cityoflondon.gov.uk/collage/app

Geograph Great Britain and Ireland. http://www.geograph.org.uk/

Georgian Index:  http://www.georgianindex.net/

Georgian London:  http://www.georgianlondon.com/

Jane Austen’s London blog (Louise Allen): http://janeaustenslondon.com/

Jane Austen’s World: http://janeaustensworld.wordpress.com/

JASA – Jane Austen Society of Australia.  “Jane Austen in London” Conference. March 2001.  http://www.jasa.net.au/london/index.htm [no longer available]

Lewis Walpole Library:  http://www.library.yale.edu/walpole/

London Ancestor: http://www.londonancestor.com/

London Calling [Tony Grant]: http://general-southerner.blogspot.com/

London Lives 1690-1800: http://www.londonlives.org/

London Museum: http://www.museumoflondon.org.uk/English/

London’s Past Online:  http://www.history.ac.uk/projects/londons-past-online

Mapco:  http://mapco.net/london.htm

Mollands:  http://www.mollands.net/

Nancy Regency Researcher:  http://www.susannaives.com/nancyregencyresearcher/ [no longer available]

Old London Maps: http://www.oldlondonmaps.com/

One London One blog: http://onelondonone.blogspot.com/

Pascal Bonenfant: http://www.pascalbonenfant.com/

Regency Encyclopedia:  http://www.reg-ency.com/

The Republic of Pemberley:  http://www.pemberley.com/

Romantic London: https://www.romanticlondon.org/ [an amazing new site!]

[Compiled by Deborah Barnum. 3-24-11 (partially updated 3/2016)]

©2021, Jane Austen in Vermont

Collecting Jane Austen: The Letters

Jane Austen to Cassandra, from Sloan St London, 25 April 1811 – British Library

Jane Austen’s Letters are an absolute must-have in your collection. There is nothing like reading these late at night, Jane Austen hovering over your shoulder. Considered rather mundane by the scholarly world when they first appeared – filled as they are with local gossip, fashion and food news, the periodic snide comment about friends and neighbors, and very little about her reading and writing – they have in succeeding years been picked over, and picked over again, to find the minutest insight into Austen and her world.

I find them a pure delight – seeing Austen as she was, mostly in missives to her sister, but also to her brothers, her friends, and publishers – it is like being inside her head at any given moment as she shares her thoughts, observations, and very caustic wit about the goings-on around her – a participant, but always the objective, sometimes judgmental, observer…

One-hundred and sixty letters remain from what has been surmised to have been thousands Austen likely wrote. Cassandra’s “great conflagration” before her own death in 1845 saw the destruction of who knows what else Austen had to say about her own life  – the gaps in dates give the reader such a sense of loss – what happened in those intervening days and years?? – and thus the fabric of novels is made. Of these 160 extant letters, most are scattered around various institutions or remain in private hands – location of each is noted in Le Faye’s exhaustive work.

This example of just her signature sold for over $16,000 in 2017!

So which of the published Letters to have??

Well, a true collector should have them all – you can find a good list in Gilson at G, a mere 8 pages (1982 ed.) with an additional three pages in the revised edition of 1997. While having them all would be a collector’s dream, you at least must have the 4th ed. by Le Faye if you are to understand anything at all about Jane Austen. But here is my list of the basic should-haves:

1. 1817: Henry Austen’s “Biographical Notice” postscript dated 20 December 1817 – Henry included a few extracts from her letters in this notice that appeared in the first edition of Northanger Abbey and Persuasion (London: John Murray, 1818).

2. 1870: James Edward Austen-Leigh, A Memoir of Jane Austen (London: Bentley, 1870) – includes extracts and some letters in their entirety.

Frontispiece to the Memoir – the prettified Jane

3. 1884: The Letters of Jane Austen, edited with an introduction and critical remarks by Edward, Lord Brabourne (London: Bentley, 1884). Edward Knatchbull-Hugessen, son of Austen’s niece Fanny Knight, published 96 of the letters left to him by his mother – mostly includes letters to Cassandra, but also to Fanny, Anna Lefroy, and the two letters written by Cassandra on Austen’s death.

You can read them all here: https://en.wikisource.org/wiki/Letters_of_Jane_Austen_(Brabourne)
or here: https://pemberley.com/janeinfo/brablets.html

For a fascinating history of an Austen family-owned and annotated copy of these Letters, you can read Edith Lank’s account of her copy here:

“Family and Scholarly Annotations in Lord Brabourne’s Letters: Adventures of an Amateur Academic,” by Edith Lank. Persuasions 30 (2008): 76-87 – citation only, full–text unavailable.

But Lank also made a list of all the annotations online in POL 29.1 (2008), which you can read here: http://www.jasna.org/persuasions/on-line/vol29no1/lank.html

4. 1906: Jane Austen’s Sailor Brothers, by John Henry Hubback and Edith Charlotte Hubback (London: John Lane, 1906) – this biography of Francis and Charles Austen includes for the first time Jane’s letters to her sailor brothers.

5. 1913: Jane Austen: Her Life and Letters, A Family Record, by William Austen-Leigh and Richard Arthur Austen-Leigh (London: Smith-Elder, 1913) – quoted from all the letters known at that time.

6. 1924: Five Letters from Jane Austen to her Niece Fanny Knight, printed in facsimile (Oxford: Clarendon, 1924) – the full text of the letters from Austen to her niece (they were incompletely printed in Brabourne’s collection.

7. 1925: The Letters of Jane Austen, selected with an introduction by R. Brimley Johnson (London: John Lane, 1925) – a selection of 44 letters from the Brabourne Letters, The Sailor Brothers, and the Austen-Leigh Life.

Chapman, Letters, 1932

8. 1932: Jane Austen’s Letters to Her Sister Cassandra, collected and edited by R. W. Chapman (Oxford: Clarendon, 1932) – the first definitive edition, printed from the actual manuscripts where possible with those letters not accessible taken from Brabourne. There was a 2nd ed. published in 1952 with the addition of 6 more letters but few other changes. Chapman also published a selection of the letters (about one-third) in 1955, and again in 1985 with an introduction by Marilyn Butler.

9. 1981: Five Letters from Jane Austen to Her Sister Cassandra, 1813, with an introduction by David Gilson (Brisbane: Lock’s Press, 1981) – a limited edition of 60 copies.

10. 1990: Jane Austen’s Manuscript Letters in Facsimile, edited by Jo Modert (Carbondale: Southern Illinois UP, 1990 – a reproduction of all letters that could be located – the introduction is invaluable and seeing each letter in its original state is fascinating.

11. 1990: My Dear Cassandra…a collection of Jane Austen’s Letters selected and introduced by Penelope Hughes-Hallett (London: Collins and Brown, 1990) – letters selected from the Brabourne Letters, not complete, but it does include many fabulous contemporary illustrations.

12. 1992: “Seven letters from Austen to Francis and Charles” published as a keepsake for those at the JASNA AGM (Alto Loma: Bookhaven Press, 1992) – a miniature booklet limited to 300 copies, these were given to attendees of the 1992 AGM in Santa Monica, CA – the theme was “The Letters, Focusing on Travel and the Sea.”

13. 1995: Jane Austen’s Letters, New Edition, collected and edited by Deirdre Le Faye (Oxford: Oxford UP, 1995) – a 3rd edition of the Chapman Letters but with Le Faye’s ceaseless and energetic scholarship into those not fully identified by Chapman as well as the addition of 12 more letters – Le Faye’s notes are mine of information on provenance, current location of each letter (if known), every detail on people and places and allusions are noted; includes biographical and topographical indexes. The lacking full subject indexes found in Chapman were added into the 4th edition (see below)…

There is also a fine publication of this 1995 edition by the Folio Society:

14. 2004: Selected Letters [of Jane Austen], selected with an introduction and notes by Vivien Jones (Oxford: Oxford UP, 2004) – based on the 3rd ed. of the letters by Deirdre Le Faye from 1995. You need these paperback editions so you have something to write-in and underline (!).

14. 2011: Jane Austen’s Letters, 4th ed., collected and edited by Deirdre Le Faye (Oxford: Oxford UP, 2011; paperback ed. 2014) – no new letters have been discovered since the 1995 ed, but much additional information has been added regarding Austen’s life and her endless references in the letters. Indexes and notes have been updated, as well as the addition of the all-important Subject Index.

There are other editions out there – I also have the small Oxford World Classics blue hardcover of Chapman Letters with the dust jacket, not often seen – if you should find this, buy it immediately…

[Please note: Our house is being renovated and all my books are packed up – so while some of these images are mine, I had to also mine the internet for others!]

Do you have a favorite edition of the Letters??

©2021 Jane Austen in Vermont