Blog Tour for “The Bride of Northanger” ~ Interview with Diana Birchall

The Bride of Northanger: A Jane Austen Variation,
by Diana Birchall

Interview with Deb Barnum at Jane Austen in Vermont, November 6, 2019

Dear Readers: Today, I welcome friend (and same-birthday Sagittarian!) Diana Birchall to discuss her new book The Bride of Northanger: A Jane Austen Variation. It is a charming read, a sequel to Austen’s Northanger Abbey (one of a select few), wherein we find Henry Tilney and his betrothed Catherine the evening before their nuptials – it is delightful to see them again, happy in their life at Woodston Parsonage, yet, as you will see, troubled by a number of very real Gothic goings-on – I won’t tell you anymore – just buy it and find out for yourself…!

[I use JAIV for my questions and “DIANA” for the answers, as DB are also my initials and could complicate matters!]

JAIV: Before we launch into a chat about your new book The Bride of Northanger, tell us something about yourself: How and when you discovered Jane Austen; other books you have written, etc.

DIANA: Hi Deb! Thanks for reading my book, and for coming up with such interesting questions. I will try my best to answer them all, “see if I don’t,” as Louisa May Alcott used to say. To start at the beginning, fifty years ago Jane Austen was not as universally popular as she is today; the only known movie was the 1940 Pride and Prejudice with Laurence Olivier and Garson (in dead wrong period costuming), and fan fiction had not yet been invented. Austen was not encountered in school, even for a reading girl in New York City. I had a literary aunt (blessings on you, Miriam Finkelstein!) who recommended Austen, Bronte and Colette, and I adored Charlotte Bronte at 10, Colette at 15 (seeing myself as Claudine in Paris), but did not fall into Austen until age 20. I think the staid title of Pride and Prejudice put me off, but what a delicious revelation it was when I finally opened the covers and fell in!

My first attempt in writing in the Austenesque (long before the term came into existence) was in 1984 when I won a contest in Persuasions, the journal of JASNA, with a jolly Miss Bates monologue. At that exact moment I discovered how much I loved writing pastiche, and I have never stopped doing it since. I churned out sketches and skits, stories and semi-scholarly sundries. My “day job” was as a story analyst, reading novels and screenplays for Warner Bros, and I was also accumulating a formidable pile of my own unpublished novel manuscripts. The first really viable one of these was Mrs. Darcy’s Dilemma, which I wrote in 1992. Obviously I wasn’t the first person to write a Jane Austen sequel – as you know Jane Austen herself would playfully tell her family what happened to her characters, and nieces and others wrote various completions after her death. However, there were only a handful of these efforts over two centuries, and I believe the most recent had been Pemberley Shades by one Dorothy Bonavia-Hunt in 1949.  So to write a Pride and Prejudice sequel was definitely an idea whose time had come. I was thrilled to find a New York literary agent who was very excited about this “gem,” and predicated a bidding war. Unfortunately, two other authors came up with similar ideas simultaneously, and when I read an item in the London Times in my Los Angeles boho coffeehouse that Emma Tennant was rushing out a P & P sequel, Pemberley, to “beat all the competition” (meaning Julia Barrett’s Presumption, and my debut offering), I lay down on the floor in despair and howled.

It got worse. With Tennant and Barrett established authors coming out with their sequels, no publisher was willing to publish “a third P & P sequel.” You heard that right. Three was too many, when there are hundreds today!  My agent said “I don’t know what happened, but put it away and it will be published in a few years.” And it was. A small English press published Mrs. Darcy’s Dilemma, and eventually, after the Austen boom was well underway, Sourcebooks picked it up for national U.S. publication (2008). Meanwhile I pressed on. My first actual book acceptance was a scholarly biography of my grandmother, the first Asian American novelist (and Hollywood screenwriter), Onoto Watanna, for the University of Illinois Press (2001). This was very well received, nominated for an MLA Independent Scholar Award, and I found myself lecturing at universities across the country and Canada including Yale, Columbia, NYU, Vancouver and Montreal. I was so elated that simultaneously I wrote the first Jane Austen internet series, for the Janeites list, “In Defense of Mrs. Elton.” This was published by JASNA as the conference gift of the 1999 Colorado Springs AGM, with glorious illustrations by Juliet McMaster, and Sourcebooks later published my “Mrs. Elton in America” as well.

Since then I’ve written hundreds of Austenesque stories, and branched out into playwriting, co-writing two plays for JASNA AGMs with Syrie

Diana Birchall and Syrie James (SyrieJames.com)

James (“The Austen Assizes,” for the Brooklyn AGM of 2012 and “A Dangerous Intimacy: Behind the Scenes in Mansfield Park” in Montreal in 2014) as well as two plays of my own, a “Mrs. Elton in Vancouver” one in 2007, and “You Are Passionate, Jane,” a dialogue in Heaven between Jane Austen and Charlotte Bronte (Jane is the literary guardian who decides which writers will enter and she is not fond of Bronte). This was performed at Chawton House Library in 2016, with Syrie as Jane and myself as Bronte, as well as at the Huntington Beach JASNA AGM in 2017 and several other performances. It was almost put on by the Morgan Library in New York, but I was disappointed!

After my retirement from Warner Bros my husband became ill and my life took a detour into caretaking; miribile dictu, he recovered, and words can’t express how rejoiced I have been to resume novel writing, and this year bring The Bride of Northanger “home” to the JASNA conference on Northanger Abbey in Williamsburg!  It was the very place of all that I had most longed to be, signing my pretty book for so many friends old and new, and also was honored to speak on a panel on JASNA’s fabulous and friend-filled forty year history (“The Company of Clever, Well-Informed People,” with Conrad Harper, Juliet McMaster, and Mary Gaither Marshall).

JAIV: You are, of course, the true voice of Mrs. Elton – you have captured her to a T – so why her? Why not Miss Bates, or Mrs. Norris, Mrs. Bennet, or Mary Crawford?

DIANA:  Well, I did do Miss Bates, see above, and played Mrs. Norris in the Montreal play (wearing a Gone With the Wind/Carol Burnett outfit of green baize curtains. Mrs. Bennet had a cat-fight with Lady Catherine in Syrie’s and my “Austen Assizes.” However, Mrs. Elton was first among my gallery of Austen grotesques, for I confess to a peculiar fascination with Jane Austen’s villains (note what happens to General Tilney in The Bride of Northanger). I suppose this is because people are drawn to very different things in Austen – some love the romance, others the style, the period – and my greatest love is for her amazing humor. To this day, after thousands (literally) of re-readings, I still find new humor and beauty in seemingly quiet turns of phrase that I never noticed before.

As for why Mrs. Elton particularly, I think it’s that she was an outsider, a transplant. As a New Yorker who found herself a fish out of water moving to Los Angeles, something in me could relate. Austen had always been my classroom in learning how to behave, but I was initially baffled by the response of Emma and the other Highbury denizens to the horrors of Mrs. Elton. To me, her behavior wasn’t horrible; what do you do when you’re a new bride in an unknown place? Why not invite people to form a musical society? I think it’s understandable that you might try to impress, when feeling new and insecure. But clearly Jane Austen didn’t think so, and I realized I had a lot to learn and had better delve harder into Emma and examine Mrs. Elton more carefully!

JAIV: You have many stories and non-fiction writings on your own blog and on the Jane Austen Variations blog [https://austenvariations.com/]. For your non-fiction, what is your favorite topic to research in the Regency Period? And which do you find the most difficult to achieve authenticity in your own fictional writings? As an example, you obviously have read about the dissolution of the monasteries for The Bride of Northanger.

DIANA:  Hm, well, I don’t research anything in the Regency or any period for its own sake, only as how it relates to whatever story I’m writing. For instance, in a recent serial story I wrote about the Darcys going to Venice and meeting Lord Byron. It became imperative to learn a good deal about the continental travels of those days, and Byron’s Italian life and circumstances. I must say, never was research more fun! (Venice is probably my favorite place on earth, after England). And you are correct, I certainly did read about the dissolution of the monasteries for The Bride of Northanger. Your contributing writer and friend Tony Grant was a great inspiration in this direction, and I absolutely loved his wonderful piece on Netley Abbey. Imagine growing up near there, as he did! (John Constable’s painting of Netley is used on my book’s cover, you’ll notice). For most of my working life I visited England on my annual vacations, amounting to “as many trips as would always be called forty.” Yet I never, to my great regret, have visited Netley Abbey. I know now how it must have inspired Jane Austen, and it is my firm intention to visit it next trip!

Netley Abbey by Moonlight c.1833 John Constable 1776-1837 Purchased 1969 http://www.tate.org.uk/art/work/T01147

[JAIV: You can read Tony Grant’s blog post on Netley Abbey via Jane Austen’s World here:  http://general-southerner.blogspot.com/2018/01/netley-abbey-and-gothic.html – I had the privilege of visiting Netley with Tony a few years ago – it was a rainy overcast day, and I could well envision Jane Austen lurking about finding inspiration for her abbey at Northanger!]

DIANA: As for the other part of your question, achieving authenticity in my own fictional writings – as Jane Austen had Elizabeth Bennet say, “I must not decide on my own performance.” However, those thousands of re-readings have installed the novels pretty thoroughly in my head, and I slip into my Austenesque voice rather as Norma Jeane Baker switched on Marilyn in front of the cameras. Not, I hasten to add, with similar effect! I only mean that I make the transition with ease. Whether it really works or not, I have the fond illusion it does, which is necessary.

JAIV: Of the many sequels, continuations, variations, etc, Northanger Abbey has been sadly neglected; P&P takes the lead, but even Mansfield Park has its fair share of an afterlife. Why do you think this is? And, is this the main reason for choosing Northanger Abbey for your latest book?

DIANA:  Northanger Abbey does get rather overlooked, but to me it has such charm, as we follow Catherine on her adventures into the world of Bath, her beguiling romantic encounters with Henry Tilney, and the Gothic amusements and literary commentary Jane Austen lays out for the reader. It may be the Gothic aspects, the parody of “horrid novels” make it seem like a one-trick pony compared with her more mature works, but I do love it and think it contains many pleasures and much wisdom. But its afterlife or lack of it has nothing to do with why I chose it for my latest book. I fell in love with it (rather belatedly) at the time of the last NA-themed JASNA conference (Portland, 2010), and always meant to write a novel about it. I did make a beginning and an outline, but life intervened, and it was only when I realized that the next NA AGM was coming up, I decided I’d better get cracking!  So I did. Perhaps you are starting to get the idea of what role JASNA in general has played in my creative writing life!

JJ Feild as Henry Tilney, 2007

JAIV: Which leads us to: So why Henry Tilney? He has become a favorite of mine, but it took several readings to get past what first appears to boorish, condescending, and manipulative behavior (he is his father’s son after all!) – tell us YOUR history with Henry!

DIANA: Oh, I’ve always loved Henry, he’s pretty much my favorite Austen hero, yes, better even than Mr. Darcy. I love me a witty man, my husband Peter even identifies with him, and with Mr. Bennet too, a bit. I never saw Henry as boorish or manipulative, we’ll have to differ on that, and I think he got over his condescension as his respect for Catherine increased. I did question why such a clever man would fall for a girl who was a bit of a goose as Catherine was in NA, and so I set about to try to understand how this could happen. Jane Austen’s explanation, “his affection originated in nothing better than gratitude, or, in other words, that a persuasion of her partiality for him had been the only cause of giving her a serious thought,” is not that satisfying. So I explored the father-son dynamic between General Tilney and Henry, writing about it in an essay for Sarah Emsley’s Northanger Abbey blog celebration, “The Ogre of Northanger Abbey” (https://sarahemsley.com/2018/06/11/general-tilney-the-ogre-of-northanger-abbey/). This helped me come to the conclusion that after being bullied by his dictatorial father all his life, the simple and pellucid Catherine was a balm to Henry: she represented the very opposite of his father’s qualities. As he said, “Open, candid, artless, guileless, with affections strong but simple, forming no pretensions, and knowing no disguise,” to which his sister Eleanor answered with a smile, “Such a sister-in-law, Henry, I should delight in.”

JAIV: Can you give a short summary of the plot without giving too much away?

DIANA:  Can try. The story opens the night before Henry and Catherine’s wedding, a year after the ending of Northanger Abbey. During the year of their engagement, they have corresponded, and under Henry’s tutelage Catherine, in growing from 17 to 18, has read some very wise books and has grown more nearly his equal, in fact she bids fair to mature into a remarkably sensible woman. Horrid stories are a thing of the past – until Henry reluctantly announces that there is a curse on the family of Northanger Abbey. If in the original novel Catherine found that a real life villain might do more damage than any Gothic imaginings, here she learns that Gothic horrors are not entirely things of the imagination after all!

JAIV: You DO capture Austen’s difficult language – is that from years of reading and writing about her and does it come easily, flowing from your pen? Or did you have much editing to get it just right?

DIANA: Thank you! Yes, certainly, decades of rereading and imitating Austen’s style and dialogue do give one a facility (as Mrs. Morland says about Catherine being a heedless housekeeper, there’s “Nothing like practice”). The characters start to talk to me and I write it down as they do – but that said, I then do several editing drafts. First draft is usually getting it all down, second draft I reread and see what it needs to make it work, final draft is polish, polish, polish.

HM Brock, NA, 1898

JAIV: Your epigraph is from Hamlet:

I could a tale unfold, whose lightest word
Would harrow up they soul.”

This is a perfect introduction to your tale – it sounds like Henry teasing Catherine on the way to the Abbey which prompts her fantastical imaginings – but this is funny in NA, and foreshadows what happens when Catherine is finally settled at the Abbey. Your choice of this Shakespeare quote lends a serious, sinister, heavy hand take to your story, and indeed, we are immediately told of a long-in-effect Curse on the Tilney family (no more spoilers!) – so why this quote?

DIANA: Where the Gothic was imaginary, and parodied, in Northanger Abbey, it turned out to be much more alarmingly real in my novel!  Catherine enters a dark world, a family with a dark history, for sure. Her maturing good sense makes her evolve into a true heroine, and her love and happy marriage with Henry gets them both through the worst of times. However, in spite of my loving Austen’s humor more than nearly any other quality of hers, and obediently trying to imitate it as often and as best I can, The Bride of Northanger is by no means entirely light and funny. Henry and Eleanor did have a truly Gothic childhood, thanks to that ogre father of theirs, and worse things happen because of this than merely Catherine being sent home alone. I have tried to investigate the nature of what really is a family curse, and how it might be dissipated. Heritage is what is handed down for generations – but sometimes an evil cycle needs to be broken.

JAIV: The problem with a Mystery tale is that we don’t want to present too many spoilers in an interview – yet many questions could be asked (your reading public wants to know!) why you deal with certain characters as you do – some get their just desserts we could say (without saying who!) Are you concerned with reactions to this? – it IS a bit shocking! Did you toy with other options for your ending, or was this clear from the get-go as how the story had to end?

DIANA:  Oh, I know who and what you mean! It is a bit shocking, but by then I was well immersed in Gothic literature in which things like that are rife!  And then my son Paul (he is the librarian on Catalina island, and another very funny Henry Tilneyesque man) had his influence, and it is a mischievous one…

Mysteries of Udolpho, by Ann Radcliffe

JAIV: You include all the many tropes of the Gothic genre – you give us a REAL Gothic tale!: Fainting and Trembling Heroines, Poisonings and Mysterious Deaths, Scary Creatures in the night, Family Curses, Ghosts and Hauntings, Hidden Subterraneous Passages, Locked Doors, Secret Messages, Long-Locked Chests, Shimmering Candles, Spies and Political Ravings, and the like – but like Ann Radcliffe, all is eventually explained (well almost…). What other Gothic novels and authors have you read to prepare you for this? Have you read any of the Horrid Northanger Novels made famous by Isabella Thorpe?? Do you have a favorite?

DIANA:  A very well put summation, Deb!  Of course, the Horrid novels were exactly what I read for my research. You can’t do a Gothic plot without some familiarity. It’s not my favorite genre, nor really natural to me, but to my surprise I quite enjoyed some of them. Real page-turners, and I actually believe that my own writing benefited from a dose of page-turning, “what will happen next?  My favorite was Ann Radcliffe, The Mysteries of Udolpho, which just like Henry Tilney, I read “with my hair standing on end the whole time.”

I was also inspired by my good friend Janet Todd’s novel A Man of Genius. It’s an historical novel set in the 18th century, which no one knows better than she, and she uses Ann Radcliffe references brilliantly. My book is dedicated to Janet, friend and companion of many adventures, both real and literary.

JAIV: What do you think Jane Austen would say about your “meddling” with her story? [I do love that Catherine finally gets a proper sheaf of papers from a long-locked chest – so much better than a laundry list!]

DIANA: Well, as Jane Austen did continue talking about her characters to her family after publication, and indulged in a variety of writing discussions with her niece Anna, both playful and helpful, I don’t know that she’d have minded “meddling” 200 years after the fact, but hope she might have been pleased by the degree of admiration! (And thanks, it was fun imagining what those papers might be! Each generation might have told a different story.)

JAIV: One could make a reading list from all the authors you mention Catherine reading under the tutelage of Henry: Homer, Cowper, Crabbe, Scott, Wordsworth, Milton, Johnson, Maria Edgeworth, Darwin, Locke, etc! You have made her a wise woman and certainly an equal to Henry – has it bothered you that many readers take from NA that Henry will continue in their married life to tease and belittle Catherine for her innocence and lack of education?

DIANA: I don’t think I realized that some readers see it that way. Since he’s going to live with her for a long lifetime, is quite a bit older and more educated than she is, and is a man of good will, would it not be likelier that he would try to educate her than spend a lifetime belittling her? That’s the regrettable way Mr. Bennet dealt with his wife, but even at 17 Catherine is a far more sensible woman than Mrs. Bennet, with a great deal more potential!

JAIV:  What would you most like your readers to take away from your Northanger story?

DIANA: Just to enjoy it, I hope; and perhaps reread Northanger Abbey, and think about Jane Austen!

JAIV: Why do you think that Jane Austen continues to be the “Darling” of academia as well as popular culture?

DIANA: Well, she is a genius, but at the same time a wholly accessible genius. You can read her and analyze her forever, but also enjoy her forever. She appeals to high minded analytical critics who find endless qualities in her to debate and speculate on, but she can also be thoroughly relished for a thumping good love story. She’s got it all. When I had read her works a few times over I looked around to see who could be the next fabulous author at whose feet I could worship and from whose mind and style I could learn for the rest of my life. There wasn’t one.

JAIV: Do you have a favorite Austen movie? Which do you think got it most right? Most wrong?

DIANA: No, I would by no means suspend any pleasure of others (as Mr. Darcy said) but I don’t watch the movies.  Saw a few, but they kind of disturbed my own readings of Austen, so I just left it there.

JAIV: What is your writing process? Your best advice to aspiring writers?

DIANA: My writing process is so narrow and specialized (as I said in the AGM talk, “not six inches on ivory but two inches on foolscap”), I would not advise aspiring writers of anything. Could I say, “Spend the rest of your life reading Jane Austen and write pastiche about her?” Not really. Perhaps I might say, “Find something you really feel passionately about and write about it.” That might do.

JAIV: What are the five most important books in your Austen library?

DIANA: The Letters, that’s what I refer to most. Haven’t really consulted any others in years.

JAIV: I hate to point out mistakes that I find in reading – how one covers all the bases in their research I don’t know, but I have to comment on two:

– I know you are a committed Cat Person, so I understand that you may have not been paying full attention to Henry’s Dogs: you write: “Oh! How the little terrier puppies are grown!” (p 16) when Catherine arrives at Woodson after her marriage: but in NA when Catherine visits Henry’s parsonage for the first time, she finds the “friends of his solitude, a large Newfoundland puppy and two or three terriers.” I forgive you this slip because of the Cat Thing…but if there is to be a  sequel or the like, I’d like to see a Newfoundland in the plot somewhere!

Camilla, by Frances Burney, 5 vols. (abebooks)

– You write that Henry is reading Frances Burney’s Camilla to Catherine and her sister Sarah, and he comments that John Thorpe “would [not] have patience for three volumes entire.” (p 152). While most books during Austen’s time were published in 3-volumes, Camilla, like Burney’s Cecilia, were published in five volumes. I hate to quibble, but alas! the eyes of a bookseller had that jump off the page – please forgive me! (and someone else is bound to point it out…you will now be prepared for an answer!)

DIANA:  Well, I don’t know that my Dog Mistake is all that bad – after all, there are terriers in NA, and (putting on a dark Gothic tone) who knows what became of the Newfoundland puppy? As for Camilla being in five volumes instead of three, I have perfect faith that no reader but yourself will know this fact, but as you say, if anyone does, I will be prepared! (Grin)

JAIV: The cover of The Bride of Northanger is wonderful, perfect (it looks like Felicity Jones of 2008 Northanger fame!) – this is I believe a real portrait but it is not credited anywhere. Can you tell us about it?

Corisande de Gramont, Countess of Tankerville – pastel on paper (wikipedia)

DIANA: Now, Deb, that IS a mistake. A real, true error, and I am heartily sorry for it. I should definitely have put an explanation of the cover painting in the book’s acknowledgements. I have written about it in several blogs, but a reader admiring the cover (and many people have been very taken with that painting already!) may not have seen those explanations. In short, the portrait is by Elisabeth Vigee Le Brun [see Diana’s post on the artist here at English Historical Fiction Authors]. I was searching among her paintings for “my” Catherine, and I knew her the minute I saw her. The young lady subject was exactly Catherine’s age, eighteen when the portrait was made in 1800, though she was no naïve English girl. She was a French aristocrat, Corisande de Gramont (1783 – 1865). Corisande was a granddaughter of the Duchesse de Polignac, the favorite of Marie Antoinette, and she married Charles Augustus Bennet (you can’t make this stuff up!), 5th Earl of Tankerville, and settled in England.  I added the painting of Netley Abbey by John Constable to the cover [see above], and it was designed and put together so beautifully by Rebecca Young, my book designer.

JAIV: Did you learn anything new at the JASNA AGM on Northanger Abbey just held in Williamsburg?

DIANA: Oh, yes! Professor Roger E. Moore of Vanderbilt University gave the most astonishing, mind-opening, revelatory plenary talk. “Northanger Before the Tilneys: Austen’s Abbey and the Religious Past” was so good that I promptly bought his book [Jane Austen and the Reformation]. Of course the subject was very in keeping with my novel, with monks and curses, depredations and “real solemn history.” Yet I noted that people who had no previous special interest in the subject were just as enthralled with Professor Moore’s talk as I was! It was one of the highlights of the conference for me – in addition to the excitement of being on that JASNA panel, the glorious fun of the author book signing, and my trip to Jamestown and the James River plantations. It really was a spectacular conference!

[I completely agree Diana – Professor Moore’s talk was riveting!]

JAIV: What’s up next??

DIANA: Doing a sequel to Little Women. It’s called Jo on the March.

JAIV: Sounds terrific (we should ALL be re-reading Little Women – a new movie is coming out on December 25!) – Anything else you want to share with your / my readers?

DIANA: Don’t you think, as Mr. Bennet told Mary, that I have delighted you long enough?

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Thank you Diana! Very much appreciate your insights on your latest book – it is a terrific read, I have to say – I read it TWICE in order to come up with questions – lots to see there the second time around!

DIANA: Thank YOU, Deb!

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About the Author:

Diana Birchall worked for many years at Warner Bros studios as a story analyst, reading novels to see if they would make movies. Reading manuscripts went side by side with a restorative and sanity-preserving life in Jane Austen studies and resulted in her writing Austenesque fiction both as homage and attempted investigation of the secrets of Jane Austen’s style. She is the author of In Defense of Mrs. Elton, Mrs. Elton in America, Mrs. Darcy’s Dilemma, and the new The Bride of Northanger. She has written hundreds of Austenesque short stories and plays, as well as a biography of her novelist grandmother, and has lectured on her books and staged play readings at places as diverse as Hollywood, Brooklyn, Montreal, Chawton House Library, Alaska, and Yale.

You can visit Diana in all these places:

You can follow the blog tour, hosted by Austenprose, October 28 – November 15, 2019 – all the locations are listed here: https://austenprose.com/2019/10/18/the-teamtilney-blog-tour-of-the-bride-of-northanger-begins-on-october-28th/

You can buy The Bride of Northanger here:

c2019 Jane Austen in Vermont

Julie Klassen’s “The Innkeeper of Ivy Hill” ~ Blog Tour Schedule and Giveaways

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Julie Klassen’s latest book, The Innkeeper of Ivy Hill, has just been released and there are various bloggers offering up reviews, excerpts, interviews and guest posts. I will be posting about the book on December 20th, but wanted you to see and follow the other posts that began on December 5th – please be sure to comment on any of the blogs in order to be entered into the random drawing: the winner will receive a $20 Teavana gift card and a package of four inspirational British romances from four different eras (The Innkeeper of Ivy Hill by Julie Klassen, A Haven on Orchard Lane by Lawana Blackwell, The Lost Heiress by Roseanna M. White, Not by Sight by Kate Breslin). The winner will be notified on December 22.

Here’s the blog tour schedule:

The Prizes:

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Stay tuned for my post on December 20th, where Julie tells of attending the Jane Austen Festival in Bath this past September!

c2016 Jane Austen in Vermont

Jane Austen Sleuth! ~ Stephanie Barron’s “Jane and the Waterloo Map” ~ Excerpt & Book Giveaway

JANE AND WATERLOO - Blog Tour Horizontal

Amateur sleuth Jane Austen returns in Jane and the Waterloo Map,
the thirteenth novel in Stephanie Barron’s delightful Regency-era mystery series.

Gentle Readers: Today Jane Austen in Vermont is taking part in the ‘Jane Austen and the Waterloo Map’ blog tour that began on February 2, 2016 (see other tour stops below). Ms. Barron has done it again! – this time taking us into the Battle of Waterloo, but not before presenting our Jane with a body in the Carlton House Library! Read here an except from Chapter 8, followed by the details for the Giveaway – you can comment here or any of the other blog posts until February 29th.

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Waterloo cover x 350About the book:

November, 1815. The Battle of Waterloo has come and gone, leaving the British economy in shreds; Henry Austen, high-flying banker, is about to declare bankruptcy—dragging several of his brothers down with him. The crisis destroys Henry’s health, and Jane flies to his London bedside, believing him to be dying. While she’s there, the chaplain to His Royal Highness the Prince Regent invites Jane to tour Carlton House, the Prince’s fabulous London home. The chaplain is a fan of Jane’s books, and during the tour he suggests she dedicate her next novel—Emma—to HRH, whom she despises. However, before she can speak to HRH, Jane stumbles upon a body—sprawled on the carpet in the Regent’s library. The dying man, Colonel MacFarland, was a cavalry hero and a friend of Wellington’s. He utters a single failing phrase: “Waterloo map” . . . and Jane is on the hunt for a treasure of incalculable value and a killer of considerable cunning.

 And now….

AN EXCERPT FROM CHAPTER 8:
In which Jane discusses the Battle of Waterloo with one of its survivors,
Lieutenant James Dunross of the Scots Greys.

“I did wonder whether the Colonel’s final words had any connexion to his valor on the field at Waterloo.” I looked at the Lieutenant rather than my hostess’s rigid form. “I have heard him described as a Hero. Would it trouble you to speak of him—or might I persuade you to recount his actions on that glorious day?”

There was the briefest pause.

“James?” Miss MacFarland queried in a lowered tone, her gaze fixed on the glowing coals.

“My dear,” he replied.

“Will it distress you?”

“Naturally. But as I expect to be hearing of Waterloo for the rest of my life, I had as well become accustomed.” The Lieutenant’s aspect was light, but his voice betrayed his distaste. “I should not use the word glory, however, to describe it. Carnage is more apt.”

“No,” Miss MacFarland protested. She turned impulsively to face us. “It shall always be a day of glory to me, because you and Ewan were spared! I cannot tell you how incomprehensible it is, Miss Austen, that my brother survived that battle—only to end in the fashionable desert of Carlton House.  Incomprehensible!”

“The Colonel belonged to the Scots Greys, I believe?”

“He began military life in an hussar regiment, and saw years of active service in the Peninsula; but being better suited to heavy dragoon work, exchanged two years ago into the Greys. That is how we came to be acquainted with Lieutenant Dunross—James served in the regiment under my brother.”

Battle_of_Waterloo_1815-Sadler-wp

                               Battle of Waterloo 1815 – William Sadler [Wikipedia]

The gentleman forced himself heavily to his feet, and crossed with the aid of his cane to the draped window. He pulled aside the dark blue curtain and leaned into the casement, staring expressionlessly down at Keppel Street.“Are you at all familiar with the course of the battle?” Miss MacFarland asked.

“What little I learned from published accounts.”

“Then you will know that the cavalry was commanded by Lord Uxbridge.”

As who did not? Uxbridge had cut a dash among the Great for most of his life: He was an earl as well as a general; head of the Paget family; a darling of the ton; and Wellington’s reputed enemy. A few years since, Uxbridge ran off with the Duke’s sister-in-law, and embarrassed all their acquaintance. Divorce and outrage are nothing new to people of Fashion, however; and tho’ Uxbridge and Wellington might not sit down to whist together, once battle was joined with Napoleon, one was in command of the other’s cavalry. Some ten brigades, in fact.

“In the early afternoon of that wearing day, Wellington’s left was under serious attack from the French batteries,” Miss MacFarland said. I collected from her unvaried tone that she had told this story—or heard it told by her brother—many times. “General Picton was killed, and shells were exploding with horrific effect all along the British line. Our troops were giving way under the assault of d’Erlon’s columns. Uxbridge saw it as Wellington could not, being far down the right. The Earl threw Lord Edward Somerset and the Household Brigade into the thick of the fight, then galloped off to the Union Brigade.  This is composed, as perhaps you may know, of three regiments: the English, or Royals; the Scots Greys; and the Irish, or Inniskillings.”

“Ah,” I managed. I had never thought to consider which regiments comprised the Union Brigade.

“Sir William Ponsonby was in command.”

Another man of Fashion. The Ponsonbys had spawned Lady Caroline Lamb, one of most outrageous ladies I have ever encountered.

“And above Ponsonby was Uxbridge,” I said encouragingly, having got it all straight. “So Somerset and Ponsonby and Uxbridge—who might normally have met peaceably in a ballroom—charged off together on horseback to slaughter the French.”

“Indeed. Or at least, their gun batteries.” Miss MacFarland glanced almost unwillingly at Lieutenant Dunross, but the silent figure by the parlour window gave no sign that he was attending to our conversation.

“The Greys were supposed to be held in reserve,” she continued. “But in fact they attacked the longest—well after the Royals and the Inniskillings had given up.”

“Of their own volition? –Without waiting for the command to charge?”

“No Scotsmen would be left in the rear while the English and Irish attack,” Miss MacFarland said proudly. “And indeed, the Union Brigade succeeded in their object so well that the French were turned.”

“For a little while, perhaps,” James Dunross tossed over his shoulder. “A half hour, even. But as is so often true in the smoke and confusion of battle, the hunters became the hunted.”

“I am sure that Ewan regarded that charge as having won the day,” Miss MacFarland argued.

“So he may have done! But he was wrong, Georgie. The battle was won by Blücher and his Prussians, not the Scots Greys.” He turned abruptly from the window and stumped back to us on his cane, his countenance alight with anger. “You must apprehend, Miss Austen, that most of our commanders and cavalrymen know nothing of military science. Excellent fellows, to be sure—Uxbridge was an hussar in his youth, and could not be called green—but we are gentlemen first and soldiers a distant second.  What we know of cavalry manoeuvres was learnt on the hunting field. We are apt to get carried away by our own daring, as tho’ a confrontation with the French were a day’s hunting with the Quorn. Which is rather what happened at Waterloo.”

I stared at him frowningly. “You were distracted by a fox?”

“In our enthusiasm to have at Buonaparte, we charged too far,” Dunross explained, “and then could not get back again to the British lines. Most of us had never been in battle before.  Ponsonby was unhorsed—he’d left his best charger in the rear because he could not bear to expose so expensive a mount to enemy fire. When the hack he rode into battle failed him, he was shot dead where he stood. The French cavalry counterattacked with Lancers. Do you know of them?”

I shook my head.

“Quite a new thing in military circles, but utterly terrifying. They carry something like a jousting stick and can stab anything on two or four legs to death. One of them stabbed me as I lay on the ground, unhorsed after that celebrated charge.”

“The hunters became the hunted, as you say?”

He smiled thinly. “Our cavalry were broken up, cut off, surrounded, and destroyed.”

I glanced at Miss MacFarland. Her expression was grim, as tho’ it were physical pain to hear Dunross speak.

“You will admit, James, that the Greys showed the most dramatic charge of all, in the midst of a sunken lane between hedges, where they sabered the French to pieces?” she cried. “You will admit that they seized one of Napoleon’s Eagles–the most dreadful shame a Frenchman may know?”

“Certainly,” he returned. “And then the French threw themselves down and pretended to surrender to us. Being honourless rogues, however, they stood up and fired on us as we approached to disarm them.”

She threw up her hands. “I wonder you regard even my brother as worthy of your respect, James,” she cried.

“I must,” he returned. “I owe him my life. Such as it is.”

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Grand Giveaway Contest!!

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In celebration of the release of Jane and the Waterloo Map, Stephanie is offering a chance to win one of three prize packages filled with an amazing selection of Jane Austen-inspired gifts and books!

To enter the giveaway contest, simply leave a comment on any or all of the blog stops on Jane and the Waterloo Map Blog Tour starting February 02, 2016 through 11:59 pm PT, February 29, 2016. Winners will be drawn at random from all of the comments and announced on Stephanie’s website on March 3, 2016. Winners have until March 10, 2016 to claim their prize. Shipment is to US addresses. Good luck to all!

Further reading:

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A review from Library Journal:

“Barron deftly imitates Austen’s voice, wit, and occasional melancholy while spinning a well-researched plot that will please historical mystery readers and Janeites everywhere. Jane Austen died two years after the events of Waterloo; one hopes that Barron conjures a few more adventures for her beloved protagonist before historical fact suspends her fiction.”

The Blog Tour: For more about Jane and the Waterloo Map, you can visit and comment on these other blogs throughout the month of February – there are reviews, interviews, guest blogs, and more excerpts, plus the fabulous giveaway opportunity. Join the fun! 

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Stephanie Barron headshot 2016 photo credit Marea Evans x 150About the Author:

Stephanie Barron was born in Binghamton, New York, the last of six girls. She attended Princeton and Stanford Universities, where she studied history, before going on to work as an intelligence analyst at the CIA. She wrote her first book in 1992 and left the Agency a year later. Since then, she has written fifteen books. She lives and works in Denver, Colorado. Learn more about Stephanie and her books at her website, visit her on Facebook and Goodreads.

All the FACTS:

  • Title: Jane and the Waterloo Map (Being a Jane Austen Mystery)
  • Author: Stephanie Barron
  • Tour Dates: February 02 – February 22, 2016
  • Genre: Regency-era Mystery/ Historical Mystery/Austenesque Mystery
  • Publisher: Soho Crime (February 02, 2016)
  • Hardcover ISBN: 978-1616954253
  • eBook ISBN: 978-1616954260
  • Author’s website: http://www.stephaniebarron.com/books.php
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