Here is how David Gilson annotated this edition in his Bibliography under the year1923:
E150. The Novels of Jane Austen: the text based on collation of the early editions by R. W. Chapman. With notes, indexes and illustrations from contemporary sources. 5 volumes. Oxford: Clarendon Press, 1923. 1000 sets …
And then goes on for 5 pages [p. 296-300].
Gilson notes an undated memorandum in the files of the Clarendon Press: “The publishers are bitterly opposed to any imaginative illustrations, and would cheerfully have no illustrations at all. But they would be in favor of a few objective illustrations.”
“They” were perhaps responding to Henry James who had famously complained that the public’s enthusiasm for Jane Austen was being aided and abetted “by a body of publishers, editors and illustrators who find their dear, our dear, everybody’s dear, Jane, so infinitely to their material purpose, so amenable to pretty reproduction in every variety of what is called tasteful, … and what proves to be saleable form.”
Chapman did choose “objective” illustrations – from contemporary sources that Jane Austen would have been familiar with: the landscape, art, architecture, fashion, carriages, etc. of the time period. The lists of appendices (essays on the times, Austen’s language, chronologies and Index of Characters, etc.) and the illustrations found in all 5 volumes are repeated in each volume.
Here is the list of all the illustrations:
Only 1000 sets were printed, 950 for sale – the value of this 1st edition set is about $1,500 and is described as the “Large Paper Edition” by booksellers. The set pictured above included the 1934 2-volumes Letters and sold for $5,500 a few years ago [not to me unfortunately!]
Some of the contemporary illustrations that Chapman chose we are all now quite familiar with – here are just 3 examples:
There are various re-printings of this Oxford set and buyer beware as to what you are getting – here’s a quick analysis:
The set was reissued in 1926 and though called a “Second edition,” it was really just a reprint on cheaper paper and less elaborate illustrations. A note to this edition and some additional notes by Chapman are included.
In 1933, the 5 volumes were re-printed again as a “Third edition” but the text was printed from the same plates, so not officially a 3rd ed at all.
After various re-printings [see Gilson’s notes on these], the Oxford set was issued in 1965-66, now called the official 3rd edition – same text but with alterations to notes etc. by Mary Lascelles based on Chapman’s notes. Chapman had issued the Minor Works volume in 1954, and the set has been the 6 volumes ever since.
Just to give you an idea of the confusing publishing history and the possible printings out there, here is the copyright notice in one of my sets, the 1988 printing you see above:
This Chapman set was the first to offer complete scholarly notes and textual analysis for an English author and has been the source for citation ever since. The Cambridge Edition of the Works of Jane Austen, with Janet Todd as General Editor and each of the novels edited by a different Austen scholar, began publishing in 2005 [it is now complete in 8 volumes with Juvenilia and Later Manuscripts included.] This has begun to supersede the Oxford set for citation purposes. You really need them both, as daunting as that might be! More on this Cambridge set in another post.
Gentle Readers: In an effort to offer weekly posts on collecting Jane Austen, I shall start with the basics of book collecting – this a general summary of things to consider with a few examples specific to Jane Austen and Pride and Prejudice in particular. This will be followed by weekly posts on randomly chosen books in the various categories I list here that I think are essential to a Jane Austen collection.
Let’s start in the pages of Pride and Prejudice in the library at Netherfield where we find Elizabeth, Miss Bingley, Mr. Bingley, and Mr. Darcy:
[Elizabeth] walked towards a table where a few books were lying. He [Bingley] immediately offered to fetch her others; all that his library afforded.
“And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than I ever look into.”
Elizabeth assured him that she could suit herself perfectly with those in the room.
“I am astonished,” said Miss Bingley, “that my father should have left so small a collection of books. What a delightful library you have at Pemberley, Mr. Darcy!”
“It ought to be good,” he replied; “it has been the work of many generations.”
“And then you have added so much to it yourself, you are always buying books.” [my emphasis]
“I cannot comprehend the neglect of a family library in such days as these.”
And so, here we have the permission of Mr. Darcy himself to buy as many books as we would like!
II. The Collecting of Books:
Terry Belanger, a veteran book collector and rare book librarian once famously said “you are a collector if you have more than one copy of a single title” –
So, I ask you, how many of you have more than one copy of any of Jane Austen’s novels? And how many of you already realize that to collect all copies of books by and about Jane Austen is surely an impossible task? Even focusing on one title, say Pride and Prejudice, we would find it an impossible undertaking!
So where to start?
1. The first rule of book collecting is Collect what you Love – so I can assume that any of you reading this alllove Jane Austen, and so that will be our focus… and not only the books but also the myriad objects and ephemera. You can collect anything – my son collects Sneakers, only Nike Jordans, which leads to books about sneakers, etc…!
An amusing tale about collecting one title: In a used bookshop in England a few years ago I hit the mother-load of A Child’s Garden of Verses – a title I collect –
I brought five different editions to the register, manned by a young man obviously neither the owner nor all that well-versed in the vagaries of collecting – he hesitated for a moment, looked thoughtful, and finally blurted out “Do you know that all these books are the same?” [epilogue: I bought them all…]
2. Try to find the 1st edition (and by “first edition” I mean “first printing”), and how do we do that?
1st edition Pride and Prejudice [National Library of Scotland]
For most of us, Jane Austen first editions are beyond our pocketbooks – but you will need to know the basics of book collecting to understand why some books are harder to find, and why, when you find them, they can often be expensive.
It is here you will need to decide if you want the first edition in pristine condition or if you only need a reading copy, or not even a first edition at all – this is a question to ask at every purchase.
The most difficult aspect of book collecting is how to identify a first edition – every publisher did it differently and often changed their indicators over time. There are many guides to help with this.
This Pocket Guide to the Identification of First Editions by Bill McBride is the best starting point for a general understanding of the practices of various publishers. You can also find this information online at Quill & Brush Books: https://www.qbbooks.com/first_ed_pub.php
Then you will need more specific detail on the author/subject you are collecting, and thankfully for us Jane Austen enthusiasts, David Gilson, and Keynes and Chapman before him, have largely done this work for us…
4. Determining value: supply and demand – Desirability+Scarcity=Value
Is the book still in print?
How many copies were printed?
Is this the author’s first book? – Sense and Sensibility is the most valuable
How did the book first appear? – binding, dust jacket? [value greatly reduced if lacking jacket: 75% – fiction, 20% – non-fiction]. Eg. S&S first published in boards is more valuable than the finest leather binding
S&S 1st ed in boards and leather bound]: estimated value: $200,000 / $50,000.
Illustrations present? are they all there?
Condition, Condition, Condition! – most important factor! [see more below]
Where do you find values? There are many guides to consult:
Allen and Patricia Ahearn. Collected Books: A Guide to Identification and Values. 4th ed. (2011); see also their author guides – one on JA from 2007
American Book Prices Current: auction sales, so actual value
Bookseller catalogues: what titles are selling for
Author and subject bibliographies
Internet: bookselling sites: be wary – prices all over the place
5. CONDITION is the most important issue: prices will vary depending upon condition – even if you have the 1st edition – if it is in deplorable condition that will affect the value.
Booksellers grade a book’s condition using the terms below, from “As New” down to “Poor”: for instance VG [for the book ] / VG [for the jacket] – anything less than a VG is really not collectible:
VERY FINE/NEW [VF / NEW]: As new, unread.
FINE: Close to new, showing slight signs of age but without any defects.
VERY GOOD [VG]: A used book that shows some sign of wear but still has no defects.
GOOD [G]: A book that shows normal wear and aging, still complete and with no major defects.
FAIR: A worn and used copy, probably with cover tears and other defects.
POOR: a mess really, but might have some redeeming qualities
READING COPY: any book less than VG
An interesting tale to demonstrate this: The rare bookseller Stuart Bennett [no relation to our esteemed Bennet family!] writes in his book Trade Bookbinding in the British Isles 1660-1800.
Alas! pre-Austen, but we find her in a NOTE: [an aside – always check indexes for Jane Austen – you will be pleasantly surprised to see how often she turns up and in the most amazing places!]
Bennett writes in a footnote on the issue of publishing in boards vs. the wealthy having their favorite books bound in leather:
What is certain is that wrappered and boarded popular literature was not part of the visual landscape of country house libraries. In my experience these books, when kept, found their way into cupboards underneath the display bookcases, or into passages or rooms used by servants. In my days at Christie’s I once spent hours in the pantry cupboards of a Scottish country house, searching through stacks of these wrappered and boarded books among which I found, virtually as new, Volume III of the first edition of Sense and Sensibility. When I found the other two volumes I remarked to the aristocratic owners that this was one of the most valuable books in the house, as exceptional survival in original condition, and doubtless so because one of their ancestors had bought Jane Austen’s first novel, read it, and hadn’t cared enough to send it to for rebinding, and never bought another. My ebullience was arrested by an icy stare from the Countess, who replied, “I am sure, Mr. Bennett, that our ancestors would never have felt that way about Jane Austen.” 
Stuart tells me: this S&S set the then-record auction price in 1977 or 1978 (he was the auctioneer!), and turned up about twenty or maybe 25 years later offered by a London bookseller for, as he recalls, $200,000. Then it disappeared again.
Question: Should you buy a less collectible book because you cannot afford the higher price? – do you just want a reading copy or need to fill a gap in your collection? – you can decide this on a case-by-case basis – what becomes available and when and how much you can spend…
6. Where to find Books:
“Beauty in Search of Knowledge” – Thomas Rowlandson
– Local bookstores: sadly less of them, but still the best resource of Jane Austen books – a bookseller who will know your likes, will buy with you in mind, someone to trust… – Specific booksellers: those who specialize in Jane Austen and other women writers – shops, catalogues – you can find at book-fairs, being on their catalogue mailing list, and on the internet. For eg. Jane Austen Bookshttps://www.janeaustenbooks.net/ – Auctions / auction catalogues – The Internet: major used bookselling sites: you need to be an informed consumer!
The Good, the Bad, and the Ugly of the Internet: I could write a very lengthy post just on this – so I will only emphasize the biggest positive – you have at your fingertips a Global marketplace – no longer dependent on a brick & mortar shop around the corner [sad as this is to me!]
Biggest negative: be in be-wary mode – who are you buying from? – how to decide which is the best copy with so many price and condition discrepancies? – my best advice? – choose a bookseller who knows what they are about: valid and complete descriptions and a price that seems reasonable in light of other copies on offer.
A word about EBAY: a Gigantic auction house always open! – an amazing resource but also the biggest potential for getting a bad deal – you need to be an informed consumer!
Best use of the internet: Want Lists – most book sites do this and auction houses offer “alerts” – you will be notified when an item becomes available…
7. Caring for your collection: lots of information here to consider…just not today.
II. What to Collect:
Now comes the hard part – with so much out there on Jane Austen, where do you even begin? The need to focus on one particular aspect [say just collecting copies of Pride and Prejudice], or by zeroing in on a certain illustrator you like [the Brock brothers], or only books with fine decorative bindings [so many] – this list covers the gamut of possibilities – you just need to choose what you are most interested in. You must however start with a core collection:
A. A Jane Austen Core Collection
1. The Works: the Oxford edition, ed. by Chapman (1923); the Cambridge edition, general editor Janet Todd, with each volume edited by a a different scholar; a set of reading copies of each novel – ones you can markup, underline, and make notes
2. The Letters – all editions [Brabourne, Chapman, Le Faye, Modert]
3. R. W. Chapman’s books on Jane Austen
4. Biography: the Memoir and everything since!
5. A Chronology of Jane Austen, Deirdre Le Faye (Cambridge, 2006)
6. The Bibliographies: Keynes, Chapman, Gilson, Barry Roth’s 3 volumes, and those continued annually in Persuasions; the Cambridge Bibliographies, etc…
7. Brian Southam. The Critical Heritage. Vol I. 1811-1870. Routledge, 1979; The Critical Heritage, Vol. II. 1870-1940. Routledge, 1987. – now available as digital reprints, 2009
8. Critical works: starting off point to further study – where to start?? The bibliographies; “Companions” – “Handbooks” – “Casebooks”
9. The World of Jane Austen: [endless material!]
The Arts: Music, Art, Architecture; Interior Design and Decorative Arts; Landscape
Georgian and Regency History: Political, Economic, Social, Religious
Social life and customs: Etiquette; Gender / Class issues; Dancing; Costume and Fashion
Domestic Arts: Cookery, Needlework, Women’s work, Family life, Home-life, Servants
Military History: the Royal Navy, the Militia, The French Revolution, the American Revolution, Napoleonic Wars, War of 1812
Geographical History and Maps
Travel and Transportation: Carriages, Roads, Guidebooks, etc…
Literary Theory, History of the Novel, Narrative Theory, Language
B. Collecting a specific Jane Austen novel: as an example Pride & Prejudice
Specific Publishers: Bentley, Macmillan, Dent, Oxford, Folio Society, LLC, Penguin, etc.
Illustrators: also single illustrations
Decorative bindings / cover art – to include paperbacks
Critical editions: with scholarly editing and introductions
Books where P&P shows up
Association copies: e.g. Sarah Harriet Burney’s copy
Books that influenced Austen: e.g. Frances Burney’s Cecilia
Adaptations: Editions for young readers; Dramatizations; Films, Audiobooks
Sequels! – endless potential!
History / Social Life and Customs of the times, specific to P&P – fill your bookshelves!
Ephemera and Physical Objects – P&P merchandise in popular culture, many to do with Colin Firth…(!)
Ok, now you know everything to know about Book Collecting – you can begin this lifelong fun-filled endeavor! Join me next week for the first of many [I hope] Jane Austen-related titles you must have on your shelves…all with Mr. Darcy’s approval. Any questions or suggestions, please comment.
There has been a good deal to write about this year’s terrific JASNA AGM in Washington DC on Emma – but while it always takes me a good while to re-emerge into the 21st century after these events, little time has been accorded me to actually write anything about it. But I did want to give you a quick summary of the books and other “stuff” I bought this year – less than usual because I bought a DRESS and a SPENCER, which did my pocketbook some serious damage…(see the image below*).
But to the matter at hand, here are the books, etc. – most would make fine holiday gifts for your favorite Austen follower, or for your own stocking for that matter… except this first one which would not in any way fit:
Jane Austen. Mansfield Park: An Annotated Edition. Edited by Deidre Shauna Lynch. Harvard UP, 2016.
Very excited to have this, completing my collection of these beautiful Harvard editions. The book was released during the AGM and thankfully Jane Austen Books had copies. I have only skimmed through it, but it promises to live up to the other Harvard editions with an insightful introduction and notes by Lynch, and color illustrations throughout that give you the sense of time, place, and history that surround the adventures of Fanny Price. A must have and a perfect holiday gift for your Austen friends (and at $35, this is the best book deal out there, bar none…)
2. Alden O’Brien, et al.‘An Agreeable Tyrant’: Fashion after the Revolution. Exhibition Catalogue. Washington DC: DAR Museum, 2016.
The catalogue that goes along with the fabulous exhibition at the DAR Museum that many of us at the AGM were privileged to see. Ms. O’Brien spoke at the AGM to take us through the history behind and the creation of this fashion exhibit – complete with characters from Jane Austen’s Pride and Prejudice found in the “Pemberley Room” – it runs from October 7, 2016 – April 29, 2017 and is described on the website as: “…displaying men’s and women’s clothing from 1780 to 1825 in a dozen period rooms throughout the museum. It considers how Americans fashioned a new identity through costume; on the one hand, Americans sought to be free from Europe, yet they still relied heavily on European manufacturing and materials.”
The catalogue is quite lovely, showing full page color illustrations of fashions of the time as well as photographs of costumes in the DAR Museum collection. A must-have for every good Janeite with any fashion sense and perhaps in need of a new dress idea…it also contains various patterns in the back. You can purchase the book through the Museum’s website here. And my friend Kelly has written about the exhibit on her blog Two Teens in the Time of Austen.
This is Lovely! It tells the history of the Chawton Great House, Jane Austen’s connection with it, the development of it as a learning centre for the study of early women’s writing from 1600 to 1830. There is much detail with fine illustrations of the house itself: the Library; the various rooms and staircases; exhibition and conference information; the furnishings, art and portraits; the gardens and grounds; and a bit of the history of women writers and their place in our literary heritage. For $12 you get to armchair-tour the house at leisure, and then you will add this to your next-trip-to-England itinerary, as well as a commitment to become a valued Friend of the Library (also a nice gift in a friend’s name).
[Note that the CHL online shop is currently experiencing the dreaded tech difficulties – if you would like a copy, please contact me and I will get one to you.]
Portrait of Mary Robinson, by John Hoppner c1782 (at CHL)
Also from the Chawton House Library – their table at the AGM was jam-packed with goodies – I bought their collection of 8 botanical cards from Elizabeth Blackwell’s A Curious Herbal (frameable!) – you can also “Adopt” this book as a way to support the Library!
Also couldn’t resist this book-fan “The Rules for Love,” by book artist Angela Thames from Aphra Behn’s 1686 La Montre – (you can read about Ms. Thames as artist-in-residence at CHL here).
4. Susannah Fullerton, Amanda Jones, and Joanna Penglase, ed. Georgette Heyer: Complete to a Shade: A Celebration. JASA, 2016.
Exactly what the title tells us and another must-have – a collection of essays from various JASA folk who have long-been or are new to the joys of reading Georgette Heyer, based on their conference on Heyer in August 2016. Complete with lovely contemporary illustrations, this was just off the press in time for the AGM – $12 (I think) – you can contact JASA for information on how to purchase.
Alas! I was very disappointed not to find a single book on London that I didn’t already have at either of the book stalls – but did find a few oldies worth perusing:
Lt. Col. W. P. Drury. A Regency Rascal. London: Collins, 1971.
The tale of Jack Peregrine, a regency rascal to say the least, who arranges a marriage of convenience for himself to help him through a financial crisis, and then finds himself the heir to an estate in Barbados – all based on the true story of Sam Lord and his Castle (most recently a hotel in Barbados*) – who cannot resist a story of such a man (Heyer couldn’t)! First published in 1937 by Hutchinson, it gives a glimpse of Regency-era life in both London and the Colonies. Will see if it lives up to the hype… [*The property was run as an exquisite hotel for many years but unfortunately it was destroyed by fire in 2010 – it is currently being reconstructed and will open in 2018 as a Wyndham Grand Resort. The 450-room resort will feature 3 restaurants, meeting facilities and a luxury spa] – sign me up!
Sam Lord’s Castle, Barbados, pre-fire
J. Fairfax Blakeborough, ed. Legends of Highwaymen and Others. New York: Frederick Stokes, 1924.
Just because I am a sucker for carriages and highwaymen tales!
(now, doesn’t that peak your interest just a little?)
Hazel Mews. Frail Vessels: Woman’s Role in Women’s Novels from Fanny Burney to George Eliot. U of London: Athlone Press, 1969.Why not? – adds to my collection on women writers – but it also had an inscription that I first thought read “Catherine Morland” and that cracked me up – heavy reading for Catherine! (it reads on close analysis “Catherine R. Harland”).
8. Joanna Trollope. Sense and Sensibility. New York: HarperCollins, 2013.
Only because I haven’t read this first of the Austen Project retellings and my Vermont Jane Austen book group has scheduled an S&S re-read this year and thought we would try this to compare…(though I know we will likely be gravely disappointed…)
9. Jack and Holman Wang. Jane Austen’s Emma [Cozy Classics]. Chronicle Books, 2013.
This to add to my other board books, and a generous gift from the author. He attended my talk on “Illustrating Emma” and I could not have been more embarrassed to have not included this cover in my talk! (caveat: I did not include any of the covers of the many recent renditions due to lack of time – I have added them to the talk for those times where I can speak longer than the time-constrained AGM) – so with hearty apologies to Mr. Wang – this is of course a simply delightful addition to anyone’s Austen collection!
Erskine, Miss F. J. Lady Cycling: What to Wear and How to Ride. The British Library, 2014. Originally published by Walter Scott in 1897.
So, as usual, I have my reading cut out for me – I would love to hear what YOU bought at the AGM this year…
*and here is my new costume – I am with my Good Buddy Marcia, who is wearing a Regency dress for the FIRST TIME!! (we bought our fabulous fashions at Matti’s Millinery & Costumes (visit their site here and have fun shopping!)
The JASNA AGM in Montreal was quite wonderful – five days immersed in Mansfield Park! – Fanny Price and Jane Austen were celebrated in style and received their just due in attention and adoration… The Montreal-Quebec Region outdid themselves in making us all comfortable [much more than “tolerable”!], entertained, and enlightened! I haven’t had a chance to post anything but start here with my annual compilation of book purchases at the Emporium [Jane Austen Books, Traveller’s Tales from Picton Ontario, and The Word Bookstore in Montreal] – successful as always with finding several goodies at the book stalls! – in no particular order…
1. Mudrick, Marvin. Jane Austen: Irony as Defense and Discovery. Berkeley: U of California P, 1968. [originally published in 1952 by Princeton UP].
One of the classic works of Austen literary criticism – I’ve always borrowed this from the library – now happy to have my own copy. Mudrick was one of the earliest to appraise the ironic aspects of Jane Austen – “her ironic detachment that enabled her to expose and dissect, in novels that are masterpieces of comic wit and brilliant satire, the follies and delusions of eighteenth-century English society.” In his preface, Mudrick writes “this book began as an essay to document my conviction that Emma is a novel admired, even consecrated, for qualities which it in fact subverts or ignores.” – and he goes on from there to apply his theory to all the novels, juvenilia and minor works. A must have for your Austen collection…
2. Mrs. Beeton’s Book of Needlework, Consisting of Descriptions and Instructions, Illustrated by 600 Engravings. London: Bounty Books, 2007.
A facsimile of the original 1870 edition by Ward, Lock and Tyler. Just because I didn’t have this, and do quite adore anything my dear Mrs. Beeton [despite being in the wrong period].
3. Fleishman, Avrom. A Reading of Mansfield Park: An Essay in Critical Synthesis. Minneapolis: U of Minnesota P, 1967.
One of the few critical works just on an Austen novel, and in this year of celebrating MP, I wanted to add this to my collection… I have not read it other than in excerpts in other essays.
4. Favret, Mary A. Romantic Correspondence: Women, Politics and the Fiction of Letters. Cambridge: Cambridge UP, 1993.
Has a chapter “Jane Austen and the Look of Letters” which examines the letters in Austen’s fiction as well as her real-life correspondence. A must-have…
5. Lamb, Charles. The Book of the Ranks and Dignities of British Society. London Jonathan Cape, 1924.
A reprint of Lamb’s 1805 edition published by William Henry for Tabart & Co. Includes 8 coloured plates and 16 in monochrome [the original edition has 24 in color]. I couldn’t resist, as you can see from this plate of “A Marquis.” The original seems to range upwards from $350.
6. Tristram, W. Outram. Coaching Days and Coaching Ways. Illus. Hugh Thomson and Herbert Railton. London: Macmillan, 1894.
A 3rd printing of the 2nd edition [first edition published in 1888] – another must-have for anyone with an interest in travel and the carriages of Austen’s period – with the added plus of Thomson’s and Railton’s 214 illustrations. [You also must try to say the author’s name 10 times very fast …]
From an exhibition during the Overton Regency Sheep Fair, 2008. With many illustrations of ephemera from the time. Overton was near Steventon and Basingstoke; Austen would have walked there and mentions it in her letters.
8. The Knight Family Cookbook; Preface by Richard Knight. Introd. Gillian Dow. Chawton House Press, 2013.
A Facsimile edition of the handwritten cookbook of the Knight Family, never published but dated circa 1793. Who can resist this family treasure so you too can make some of the recipes that were in use at Chawton House and Godmersham Park during Jane Austen’s time:
To Make Plumb Porridge (p. 70)
To Make Cracknails (p. 51)
To Make Hedge-Hog-Cream (p. 35)
To Make Tansy without Frying (p. 28)
To dress a Codds-Head (p. 111)
To Pickle Pigeons (p. 193)
There is even a handwritten index, but alas! I find nothing to help make Mr. Woodhouse’s famous gruel – just as well I think!
This book was published by subscription; i.e. if you had made a donation to Chawton House Library as a subscriber (just as Jane Austen subscribed to Frances Burney’s Cecilia), your name will be listed on the “subscriber” page. More information on this at the CHL website. Their next book is The Duties of a Lady’s Maid; with directions for conduct, and numerous receipts for the toilette (1825). Make a donation if you can and see your name in print!
9. Simo, Melanie Louise. Loudon and the Landscape: From County Seat to Metropolis, 1783-1843. New Haven: Yale UP, 1988.
John Claudius Loudon (1783-1843) was the designer of England’s first public park and inventor of the means to construct curvilinear glasshouses, and the first landscape gardener to address the problems of the modern city. A must-have study to have on your shelves next to your Humphry Repton, Capability Brown, and others. Illustrated with maps, photographs, and drawings.
10. Prochaska, Alice and Frank Prochaska, eds. Margaretta Acworth’s Georgian Cookery Book. London: Pavilion / Michael Joseph, 1987.
The cookery book of a London housewife of the Georgian period, of which 90 recipes are transcribed and “updated” with modern ingredients and modern cooking practices by the Prochaskas. Lovely black and white and full-page color illustrations. The introduction offers biographical background on Acworth.
11. Lucas, E. V. Mr. Punch’s County Songs. Illus. Ernest H. Shepard. London: Methuen, 1928.
A delightful book of poems by Lucas on each county in England with each on the recto, verso is blank. Shepard’s [of Winnie-the-Pooh fame] drawings get you into the spirit of each place, and the poems tell of history and story.
Here is the page on Austen’s own Hampshire
But I bought this solely for its page on London:
Though a Wren built St. Paul’s, sacerdotal and grey,
That fame is a stronghold of pigeons today:
They bill there and coo there and bring up their brood,
And swarm on the pavement at lunchtime for food.
12. Archbold, Rick. Last Dinner on the Titanic. Recipes by Dana McCauley. Introd. Walter Lord. New York: Hyperion, 1997.
Wonderful illustrations of the Titanic interior and the various recipes from the last meal. Why you ask? Well, I have been obsessed with the Titanic since I was a little girl. Both my parents emigrated from England as children, but my father was 11 years old in 1912, when his entire family boarded a ship to take them to America only a few months after the Titanic had taken its maiden and tragic voyage. I always thought that if my father had been on the Titanic I would not exist – I also have marveled at how brave they all were to do this crossing… so hence I have collected various Titanic things for years. I do not have this book and especially like it because it is signed by the author…
13. The Infant’s Grammar, or a Picnic Party of the Parts of Speech. London: Scholar Press, 1977. Reprint of the original 1824 edition by Harris and Son.
This picture says it all:
14. Rocque’s Map of Georgian London, 1746. Colchester, Essex, UK: Old House, 2013.
First published in 1746, it extends from Marylebone to Bow and from Vauxhall to Knightsbridge and Hyde Park. Reproduced here in four detailed sheets, it gives a fascinating glimpse of Georgian London in the early industrial age and is a perfect research tool for the historian and genealogist. As well as over 5,500 street and place names, the survey also includes: Markets, churches, barracks, parks, bridges, hospitals, workhouses, schools, prisons, asylums, theatres, inns and much more.
15. Crow, Donna Fletcher. A Jane Austen Encounter (#3 The Elizabeth and Richard Mysteries). Boise: StoneHouse Ink, 2013.
I haven’t read the previous two mysteries (about Dorothy L. Sayers and Shakespeare), but this one is about the married professors Elizabeth and Richard on a vacation trekking through Jane Austen country – they encounter murder and mayhem and a missing letter about The Watsons. Can’t wait to read this one…
16. Jones, Will. How to Read Houses: A Crash Course in Domestic Architecture. New York: Rizzoli, 2014.
I picked this up at the Musee des Beaux-Arts Montreal shop – a compact little guide to architecture with photographs and drawings and enlightening text to answer all your questions about the differences between Queen Ann and Georgian and Federal and all the various decorations…
17. First Day of Issue – Royal Mint coin commemorating Charles and Diana’s wedding with stamps; and another First Day of Issue from the Falkland Islands with new stamps:
So, all in all, a goodly haul – this time I didn’t have to worry about luggage weight, only crossing through immigration from Canada into Vermont. They only seem to ask about alcohol, cigarettes and fruit! so Jane Austen passed through with nary a glitch… now to find room on the bookshelves and the added dilemma of time for reading…