Mr. Darcy’s Feelings; Or, What Jane Austen Really Tells Us About Her Hero…

Much has been made of the film adaptations of Pride and Prejudice and the need to make the feelings of the hero more apparent to the viewer, the complaint being that Jane Austen really doesn’t give us much to go on regarding her Heroes and their inner life.  Andrew Davies famously says he had to “sex her up” to make the films work for a modern audience, and while I like to see Colin Firth in a wet shirt and Matthew Macfadyen bare-chested at dawn as much as the next swooning female, I do take issue with the need to edit the text to the point of it seeming more like a modern romance than an early nineteenth-century novel.  One of Jane Austen’s greatest strengths and why we still read her year after year over the past 200 years, is her creation of believable characters who live and breathe on and off the page – and the need for our imaginations to bring whatever we will to the reading…


P&P 2005 – Matthew Macfadyen as Mr. Darcy

This year has brought with it any number of celebrations of Pride and Prejudice from plays and festivals to conferences and all sorts of fan fiction and games and “stuff” one cannot live without, but the best way to celebrate the book in my mind is to just find a quiet corner somewhere and re-read it, perhaps for the umpteenth time, but read it again nonetheless.  We know from her letters that Jane Austen read the book aloud to her family any number of times – whether she read it during and after the many alterations she made to the text is not so clear … but her family began what has become for many of us an annual reading, and we enjoy it as much as they did, our only loss in not having Austen to answer our questions –

I began this year of celebrating the bicentenary of P&P with a close reading in January, my intention to make note of every time Austen comments as the narrator or has Darcy express or state anything regarding his feelings for Elizabeth Bennet, as well as her feelings in return – and I find so much more than I ever thought was there, and seeing them out of context is quite enlightening – I don’t think that Andrew Davies had to add anything at all to the text – it is already there, as you shall see.

 P&P 1995 – Colin Firth as Mr. Darcy – “The Look”

John Wiltshire recently wrote an essay on “Mr. Darcy’s Smile” ** – and one might have asked ‘did Mr. Darcy EVER smile?’, our first impression no different than Elizabeth’s in assigning him to the Snob pile. Professor Wiltshire rescues him from that place of the aloof, observing, not present fellow, by telling us how often in the text Jane Austen has her Mr. Darcy actually Smile. So let’s see what we find, see what Austen tells us directly about Darcy’s feelings – for some reason we gloss over it all too easily and have come to depend upon Andrew Davies to visually remind us …

The other vexing question is of course when does Elizabeth fall for Mr. Darcy?  This is a controversial point – some believe her tongue-in-cheek statement to Jane,

“It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley.” 

-this one sentence dividing Janeites, scholars and fans alike as to Elizabeth’s perhaps overly mercenary view of the world and her need to “land” a wealthy partner, that “to be mistress of Pemberley might be something!”  Some don’t see Elizabeth at all attracted to Darcy with any sort of passion like the films are overwrought with – that she comes to admire and then Love Darcy because of all his good qualities once his Asperger / shy/ snob demeanor crashes around him… But again, reading the text closely, both the actions, dialogue, and the narrator’s commentary, we are shown an Elizabeth both humiliated by Darcy’s apparent disdain of her [and her eager willingness to accept the neighborhood gossip that disses him at his first appearance], and her awareness in every moment they are in the same room together, of everything he is doing – she sees him watching her mother, reacting to her mother and other family members, sees him change color upon meeting Wickham, watches closely his relationship with Caroline Bingley, and most importantly sees him watching her, always passing it off as some strange behavior on his part, protesting too much because she knows he cannot tolerate her – in short she is always in a state of heightened awareness whenever Darcy is in her space. What changes for her at Pemberley is not its grandeur and its grounds, but his portrait, where she for the first time can look at him directly, his eyes upon her as in life, “with such a smile over [his] face, as she remembered to have sometimes seen, when he looked at her” (p. 189), but here she does not have to turn away in a confused embarrassed state…

Dent 1898-HMBrock-eatdpicture-adelaide

“In earnest contemplation” – H. M. Brock. P&P. Dent, 1898.
Image: Adelaide ebook

I had wanted to post on this as this celebratory year began, but here I am nearly the end of the year and ready to launch into celebrating Mansfield Park !– but shall post these quotes now, just under the wire… starting today with Volume I. *

From Volume I:

p. 7. [where it all begins! – Darcy’s insult, Elizabeth’s humiliation and wounded pride]

“Which do you mean?” and turning round, [Darcy] looked for a moment at Elizabeth, till catching her eye, he withdrew his own and coldly said, “She is tolerable; but not handsome enough to tempt me; and I am in no humour at present to give consequence to young ladies who are slighted by other men. You had better return to your partner and enjoy her smiles, for you are wasting your time with me.” 

   Mr. Bingley followed his advice. Mr. Darcy walked off; and Elizabeth remained with no very cordial feelings towards him. She told the story, however, with great spirit among her friends; for she had a lively, playful disposition, which delighted in any thing ridiculous.


C. E. Brock. P&P. Macmillan 1895

p. 13.  [but Elizabeth later says:]  

“That is very true,” replied Elizabeth, “and I could easily forgive his pride, if he had not mortified mine.”

p. 16.  [How quickly Darcy changes his mind about Elizabeth!]:

Occupied in observing Mr. Bingley’s attentions to her sister, Elizabeth was far from suspecting that she was herself becoming an object of some interest in the eyes of his friend. Mr. Darcy had at first scarcely allowed her to be pretty; he had looked at her without admiration at the ball; and when they next met, he looked at her only to criticise. But no sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes. To this discovery succeeded some others equally mortifying. Though he had detected with a critical eye more than one failure of perfect symmetry in her form, he was forced to acknowledge her figure to be light and pleasing; and in spite of his asserting that her manners were not those of the fashionable world, he was caught by their easy playfulness. Of this she was perfectly unaware; — to her he was only the man who made himself agreeable nowhere, and who had not thought her handsome enough to dance with. 

   He began to wish to know more of her, and as a step towards conversing with her himself, attended to her conversation with others. His doing so drew her notice. It was at Sir William Lucas’s, where a large party were assembled. 

   “What does Mr. Darcy mean,” said she to Charlotte, “by listening to my conversation with Colonel Forster?” 

[and the teasing begins!]

p. 18.  Sir William Lucas:


C. E. Brock. P&P. Dent, 1898. [Mollands]

“My dear Miss Eliza, why are not you dancing? — Mr. Darcy, you must allow me to present this young lady to you as a very desirable partner. You cannot refuse to dance, I am sure, when so much beauty is before you.” And, taking her hand, he would have given it to Mr. Darcy, who, though extremely surprised, was not unwilling to receive it, when she instantly drew back, and said with some discomposure to Sir William — 

   “Indeed, sir, I have not the least intention of dancing. I entreat you not to suppose that I moved this way in order to beg for a partner.” 

   Mr. Darcy, with grave propriety, requested to be allowed the honour of her hand, but in vain. Elizabeth was determined; nor did Sir William at all shake her purpose by his attempt at persuasion. 

   “You excel so much in the dance, Miss Eliza, that it is cruel to deny me the happiness of seeing you; and though this gentleman dislikes the amusement in general, he can have no objection, I am sure, to oblige us for one half-hour.” 

   “Mr. Darcy is all politeness,” said Elizabeth, smiling. 

   “He is indeed; but considering the inducement, my dear Miss Eliza, we cannot wonder at his complaisance — for who would object to such a partner?” 

   Elizabeth looked archly, and turned away. Her resistance had not injured her with the gentleman, and he was thinking of her with some complacency… 

p. 19.   [Darcy to Miss Bingley who is ever in pursuit…]:

missbingley“Your conjecture is totally wrong, I assure you. My mind was more agreeably engaged. I have been meditating on the very great pleasure which a pair of fine eyes in the face of a pretty woman can bestow.” 

   Miss Bingley immediately fixed her eyes on his face, and desired he would tell her what lady had the credit of inspiring such reflections. Mr. Darcy replied with great intrepidity — 

   “Miss Elizabeth Bennet.” 

   “Miss Elizabeth Bennet!” repeated Miss Bingley. “I am all astonishment. How long has she been such a favourite? — and pray, when am I to wish you joy?” …

p. 24.  [Elizabeth arriving at Netherfield to offer comfort Jane]:

Mr. Darcy said very little, and Mr. Hurst nothing at all. The former was divided between admiration of the brilliancy which exercise had given to her complexion, and doubt as to the occasion’s justifying her coming so far alone. The latter was thinking only of his breakfast.

P&P2005-Elizabeth walking-jasna

 Kiera Knightley as Elizabeth – image:

p. 26.

“I am afraid, Mr. Darcy,” observed Miss Bingley, in a half-whisper, “that this adventure has rather affected your admiration of her fine eyes.” 

   “Not at all,” he replied; “they were brightened by the exercise.”

p. 28. [this is an interesting: Elizabeth has been reading a book while the others plays cards – but when the talk turns to Mr. Darcy’s library at Pemberley, she takes such an interest in what is being said, that she puts her book aside and moves close to the card table…and what follows is the discussion of the “accomplished woman.”]:

Elizabeth was so much caught by what passed as to leave her very little attention for her book; and soon laying it wholly aside, she drew near the card-table, and stationed herself between Mr. Bingley and his eldest sister, to observe the game. 


The Library at Chatsworth a.k.a. Pemberley
[Britain Magazine]

p. 33. [Elizabeth says; notice how she “trembles”:]

I wonder who first discovered the efficacy of poetry in driving away love!” 

 “I have been used to consider poetry as the food of love,” said Darcy. 

“Of a fine, stout, healthy love it may. Everything nourishes what is strong already. But if it be only a slight, thin sort of inclination, I am convinced that one good sonnet will starve it entirely away.” 

 Darcy only smiled; and the general pause which ensued made Elizabeth tremble lest her mother should be exposing herself again. She longed to speak, but could think of nothing to say… 

p. 38.

Elizabeth could not help observing, as she turned over some music books that lay on the instrument, how frequently Mr. Darcy’s eyes were fixed on her. She hardly knew how to suppose that she could be an object of admiration to so great a man; … 

p. 38.

… and Darcy had never been so bewitched by any woman as he was by her. He really believed that, were it not for the inferiority of her connexions, he should be in some danger. 

p. 39.


C. E. Brock. P&P. Macmillan 1895 [Mollands]

Mr. Darcy felt their rudeness
[i. e Caroline and Mrs. Hurst leaving Elizabeth to walk by herself…]

p. 44.

…and Darcy, after a few moments recollection, was not sorry for it. He began to feel the danger of paying Elizabeth too much attention. 

p. 44.

To Mr. Darcy it was welcome intelligence: Elizabeth had been at Netherfield long enough. She attracted him more than he liked — and Miss Bingley was uncivil to her, and more teasing than usual to himself. He wisely resolved to be particularly careful that no sign of admiration should now escape him, nothing that could elevate her with the hope of influencing his felicity; sensible that if such an idea had been suggested, his behaviour during the last day must have material weight in confirming or crushing it. Steady to his purpose, he scarcely spoke ten words to her through the whole of Saturday, and though they were at one time left by themselves for half an hour, he adhered most conscientiously to his book, and would not even look at her.

p. 55.

Mr. Darcy corroborated it with a bow, and was beginning to determine not to fix his eyes on Elizabeth…

p. 72.  [during their dance]…

…on each side dissatisfied, though not to an equal degree, for in Darcy’s breast there was a tolerable powerful feeling towards her, which soon procured her pardon, and directed all his anger against another.

[And here Elizabeth always watching Darcy and his reactions to her and her family]:

p. 68.

…when she found herself suddenly addressed by Mr. Darcy, who took her so much by surprise in his application for her hand, that, without knowing what she did, she accepted him. He walked away again immediately, and she was left to fret over her own want of presence of mind…


Helen Sewell. P&P. Limited Editions Club, 1940

p. 69.

…took her place in the set, amazed at the dignity to which she was arrived in being allowed to stand opposite to Mr. Darcy, and reading in her neighbours’ looks their equal amazement in beholding it.

p. 76.

Elizabeth blushed and blushed again with shame and vexation. She could not help frequently glancing her eye at Mr. Darcy, though every glance convinced her of what she dreaded; for though he was not always looking at her mother, she was convinced that his attention was invariably fixed by her. The expression of his face changed gradually from indignant contempt to a composed and steady gravity.

p. 78.

She was at least free from the offence of Mr. Darcy’s farther notice; though often standing within a very short distance of her, quite disengaged, he never came near enough to speak.



Mr. Darcy – P&P – Marvel Comics


Stay tuned for quotes from Volume II. Do you find any that I have missed that somehow allude to this connection between Darcy and Elizabeth from nearly the first moment they set eyes upon each other?


*Page citations from: Austen, Jane. Pride and Prejudice. Ed. James Kinsley. Introd. Fiona Stafford. New York: Oxford UP, 2008.

** See John Wiltshire, “Mr. Darcy’s Smile.” The Cinematic Jane Austen: Essays on the Filmic Sensibility of the Novels. Ed. David Monaghan, Ariane Hudelet, and John Wiltshire. Jefferson, NC: McFarland, 2009. 94-110.

c2013 Jane Austen in Vermont

“Scene of Dissipation & vice”…

I am lately returned from said “Scene of Dissipation & vice” i.e. London, quoting Austen’s letter of August 23, 1796 [Le Faye, Letters, no. 3], telling of her arrival in Town and finding already her “Morals corrupted” – and where I, currently re-reading Mansfield Park, saw a good number of delightful Henry and Mary Crawfords! 

 So much to tell [mostly having nothing to do with Jane Austen, I am afraid to say…] – so mainly here just want to share about one night at the theatre, where we had the privilege of seeing Private Lives, with Kim Cattrall and Matthew MacFadyen of Mr. Darcy fame, and directed by Sir Richard Eyre.  The show was in previews starting February 24, and how lucky my daughter and I were to get tickets for the 26th.  What a treat to sit in the fifth row, dead center and watch them do their magic, passion abounding both of the sexual kind and the throwing things kind! – it seems that every night in Act II the set is nearly demolished during a violent quarrel between the major parties where far more than mere words are flung at each other.

I confess wanting to go to this play largely to see “Mr. Darcy” up close and personal [who looks quite fine in a tuxedo as you can see…] – my daughter more than happy to oblige, and as she is a huge fan of both Mr. Darcy and Sex and the City’s Kim Cattrall, the evening could only be a delight for all.  This production began its life in Bath and will be in London for a ten-week run – and what great fun it is!   Noel Coward’s Private Lives has been revived numerous times, first perfomed in 1930 with Noel Coward and Gertrude Lawrence [and a young Laurence Olivier in the supporting actor role], and most recently in 2001/2 with Lindsay Duncan and Alan Rickman, and as has been universally discussed, there must be a grand spark and chemistry between the leads or one should just get up and leave, the play after all being about the nature of sexual attraction!  And this works very well with  MacFadyen and Cattrall, despite a huge gap in their ages in real time [Ms. Cattrall is 53, MacFadyen a mere 35] – they play the formerly married-to-each-other Amanda and Elyot, who while honeymooning with their new spouses in the south of France discover their hotel rooms share adjoining balconies.  And from there it is all fireworks and love and lust and anger as they abandon their new spouses and perhaps their better selves for a Part II performed largely in a pajama-clad semi-drunken state as they try to figure out what to do with this nearly debilitating passion… watch out if you are in the front row! [An article from yesterday tells of Ms. Cattrall’s bruising her legs on falling into a table after a hefty shove by MacFadyen – can this be our gentlemanly Mr. Darcy??!] – these are two very self-absorbed people you would barely tolerate in real life, but thankfully for the biting wit and constant edge of Mr. Coward’s words, and the acting of all, you have sympathy for this couple in search of themselves [there was a more than audible gasp from the audience when Elyot smacks Amanda, so sympathies only go so far…]

Ms. Cattrall pulls off an English accent far better than I would have expected [one woman I talked to during intermission felt her only misstep was pronouncing a French word incorrectly!] and her comic-timing is perfect, and as expected, her clothing is fabulous – putting the play in its time frame, which perhaps helps us deal with the chauvinistic Elyot.  Act II, as mentioned, finds Amanda and Elyot in their elegant silk pajamas through nearly the end of the play, and lovely pajamas at that!  [with memories of a partially bare-chested Mr. Darcy in the mists..] – MacFadyen and Cattrall also sing quite credibly, and though it appears that Elyot is playing the piano [and I was impressed that MacFadyen has such skills!] – it seems that it was play-acted after all, but I was certainly fooled as was most everyone else!  And I must add that, as he fully displayed in the hilarious Death at a Funeral, MacFadyen’s comic timing is spot-on…

…and for another costume drama aside, Lisa Dillon plays the hapless new spouse of Elyot – poor girl and what a mess she gets herself into with this cad – and certainly a far different role than her part in Cranford  as Mary Smith:


And one other aside that does bring Austen into focus.  The woman next to me and I began  chatting about why we came to see this play –  for me, because I was a fan of MacFadyen’s for his Spooks work and the 2005 P&P – she was astonished as Austen is her favorite writer, etc, etc. – you all know the conversation that follows after that connection is established! – and the “what is your favorite book?’ was answered on her part with an almost embarrassing “Oh! I love most the one few people even like or worse have not even read – Northanger Abbey!” – well, here we were two complete strangers from two different countries, suddenly bonding over Henry Tilney, and only needing to stop talking in order to watch “Mr. Darcy” continue in his play – how bad is that for an evening in London!

Playing at:

Vaudeville Theatre
The Strand, London WC2
February 24 – May 1, 2010

Further reading and reviews:

[Posted by Deb]

Mr. Darcy the Bad Guy?


News alert!  our very own Matthew Macfadyen a.k.a. Mr. Darcy has been slated for the role of the Sheriff of Nottingham in Ridley Scott’s new Robin Hood [along with Russell Crowe, Cate Blanchett, Vanessa Redgrave, William Hurt, Kevin Durand and Mark Strong] – but where oh where is Richard Armitage and the dastardly Guy of Gisborne??


[from Episode 5 of Robin Hood, Richard]

see this clip of Russell Crowe on Robin Hood

Dickens & Davies

Tonight is the start of the BBC production of Dickens’ Little Dorrit [BBC 1, 8pm].  Andrew Davies, in yet another lavish costume drama of a classic, brings to the small screen Dickens’ tale of financial ruin, love, and mystery all rolled into one …  one hopes that by bringing this long-forgotten masterpiece back to life,  Davies will do what he has done for Austen and Gaskell among others, and inspire viewers to return to the books! 

 I have seen the Derek Jacobi 1988 BBC version several times, so looking forward to this new rendition with Matthew MacFadyen as Arthur Clennam and Claire Foy as Little Dorrit, along with quite the star-studded cast… see this short review from Digial Spy:



Often shows boast of having an “all-star cast” but in the case of Little Dorrit they really mean it. The roster includes (deep breath): Matthew Macfadyen, Freema Agyeman, Ruth Jones, Pam Ferris, Eve Myles, Andy Serkis, Amanda Redman, Russell Tovey, Bill Paterson, Maxine Peake, Annette Crosbie, Alun Armstrong and Mackenzie Crook, to name but a few. Surprisingly Judi Dench isn’t on the list. 
So, the key question: is it any good? Well, it’s a veeery slow starter – with fourteen episodes in the series, we should probably expect a bit of padding here and there – but once it gets going it’s reasonably intriguing. Personally I’m just pleased to see Mr Macfadyen back on the box in a regular role.
[from Digital]



Further reading: [a small sampling of the many articles…]