Jane Austen in Song, Or, How the 1970s Was Really All About Jane Austen

“Rear Admiral” of Austen in Boston posted this on a Jane Austen discussion group, his facebook page, and his blog. I think it is quite brilliant, and it will give you your Daily Chuckle – he gives me permission to post it here for your enjoyment!

Playing in Parts, James Gillray (1801) - Wikipedia Commons

Playing in Parts, by James Gillray (1801) – Wikipedia Commons

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From “Rear Admiral”: From something I posted on the Goodreads Jane Austen discussion page…I got just a bit carried away….. As I’m stuck in the (mostly) 70s/Singer Songwriter Era some (all?) of these might be unknown but I had way too much fun with this so here goes:

  •  Sir Walter Eliot to himself: James Blunt “You’re Beautiful”
  • The Kellynch Hall mirrors to Sir Walter: Carly Simon “You’re So Vain”
  • Anne Eliot to Captain Wentworth: Dan Fogelberg’s “Seeing You Again”
  • Lady Catherine to everyone: Frank Sinatra “My Way”
  • Emma to Mr K: Orleans “Dance with Me”
  • Mr K to Emma: Orleans “Love Takes Time”
  • Darcy to Lizzy: Orleans “Still the One”
  • Fanny to Edmund: Yvonne Elliman “If I Can’t Have You”
  • Mary Crawford to Edmund: Pink Floyd “Money”
  • Mary Crawford to Edmund, yet again: Dido “I’m No Angel”
  • Anne Eliot to Captain Wentworth: Yvonne Elliman “Hello Stranger”
  • Captain Wentworth to Anne Eliot: Joe Cocker “The Letter”
  • Catherine to Mr. Tilney: Fontella Bass “Rescue Me”
  • Marianne to Willoughby: All versions “I Heard It Through the Grapevine”
  • Elinor to Edward: ELO “Strange Magic”
  • Col Brandon to Marianne: Cat Stevens “Oh Very Young”
  • Lizzy to Darcy: Olivia Newton-John “Have You Never Been Mellow”
  • Mrs. Croft to Admiral Croft: The Moody Blues “Sitting At The Wheel”
  • Lizzy to Bingley: The Beatles “She Loves You”
  • Edward to Elinor: Mary MacGregor “Torn Between Two Lovers”
  • Elinor/Marianne/Margaret/Mrs Dashwood to Fanny and John Dashwood: Foreigner “Cold as Ice”
  • Elinor to Lucy Steele and Mrs. Ferrars: Foreigner “Cold as Ice”
  • Edmund to Mary: Joe Cocker “Unchain My Heart”
  • Marianne to Col Brandon: Lulu “To Sir With Love” (yes, the Col. isn’t a Sir, but he should be)
  • Me to Jane Austen: Sugababies “Too Lost in You”
  • Holly Christina “Jane Austen” : http://www.youtube.com/watch?v=vD2XIarhE08
  • Emma to herself: 10cc “I’m Not in Love”
  • Jane Bennet to Bingley: Beatles “8 Days a Week”
  • Caroline to Lizzy: ELO “Turn to Stone”
  • Anne and Capt Wentworth: duet “Reunited”
  • Willoughby to Marianne:Elvin Bishop “Fooled around and fell in love”
  • Bingley to Darcy:Bee Gees “You Should Be Dancing”
  • Adm Croft to the Musgrove Sisters: Lynyrd Skynyrd “What’s Your Name”
  • Aunt Norris to Fanny: Nick Lowe “Cruel to be Kind”
  • Eliza Williams to Willoughby Three Degrees “When will I see you again”
  • Marianne to Willoughby: James Taylor “Fire and Rain”
  • Robert Ferras to himself: ZZ Top “Sharp Dressed Man”
  • Lady Susan and Catherine Vernon duet: ELO “Evil Woman”
  • Frank Churchill and Jane Fairfax duet: Atlantic Starr “Secret Lovers”
  • Mrs Bennet to her daughters:The 5th Dimension “Wedding Bell Blues”
  • Lizzy to Mr Collins: Police: “Don’t stand so close to me”
  • Charlotte Lucus to Mr Collins:Tina Turner “What’s Love Got to Do With It”
  • Neighbor Network of Spies to Catherine : Police “Every Breath You Take”
  • Fanny to Edmund:Marilyn McCoo and Billy Davis Jr “You don’t have to be a star”
  • Lucy Steele to Ferrars money: James Taylor: “How Sweet It is”
  • Anyone who’s read all of this to me: Simon and Garfunkel “The Sounds of Silence”

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"Longways" Country Dance, by Thomas Rowlandson (1790s) - wikipedia

“Longways” Country Dance, by Thomas Rowlandson (1790s) – wikipedia


Thank you Kirk! – Anyone want to add their own versions of Jane Austen in song?

c2014, Jane Austen in Vermont

Images from the Wellcome Collection Library ~ Now in the Public Domain

The Wellcome Library announced on Monday its plan to release over 100,000 images from its collection of treasures – all in the Public Domain! [CC-BY = please give credit to the Wellcome Library when using any image]

One fine example:

V0019578 A pretty barmaid drawing beer. Coloured lithograph, c. 1825.

A pretty barmaid drawing beer. Coloured lithograph, c. 1825. 
Published: Tregear London (123, Cheapside); Printed: Dean & Manday, lithographers [London]
Image credit: the Wellcome Library, London

A quick search brings up nothing “Jane Austen” – but as you imagine there are nearly 300 Rowlandson prints – here is one to bring to mind summer while more than half the country is in a deep-freeze:

L0017751 A woman diving off a bathing wagon in to the sea. Coloured e

L0017751 – Venus’s Bathing (Margate) –  A woman diving off a bathing wagon in to the sea
Hand-coloured etching 1790 By: Thomas Rowlandson 
Image Credit: Wellcome Library, London

Further exploring: [endless enjoyment!]

c2014 Jane Austen in Vermont

Austen on the Block! ~ A Lot of Lots!

UPDATE: Prices Realized added as available, includes buyer’s premium

There is much going on with Jane Austen and the Auction Block in the next month! – just this past week, Gorringes at their October 23, 2013 Fine Art, Antiques & Collectables auction – Sale LOCT13, had this on offer: Estimate £2,000-3,000.  SOLD for £11,000 !

Gorringes-letter-10-23-13

Lot 1454:

Austen, Jane.  An autograph manuscript fragment, comprising four lines, attached to another leaf bearing authentication, in turn attached to a letter from her nephew, James Edward Austen-Leigh, written on paper bearing watermark date 1868, at Bray Vicarage, February 7, 1870, presenting the fragment to Rev. G. C. Berkeley: ‘Men may get into the habit of repeating the words of our Prayers by rote, perhaps without thoroughly understanding – certainly without thoroughly feeling their full force and meaning.’ All attached to the title page of a copy of Austen-Leigh’s ‘A Memoir of Jane Austen…’ fragment approximately 1.75 x 6in.

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Upcoming auctions:  an abundance of Austen, Austen’s Circle, and Regency-era prints – I include various items because they are too wonderful not to share, but please visit each auction house site to see the “infinite variety” of offerings:

Bloomsbury: 7 November 2013. Library of a Gentleman: Fine Colour Plate, Costume, Travel and Sporting Books. London.

This auction is filled with Ackerman, Rowlandson, Cruickshank, Gillray and others! – here are a few examples, but go have a look at this treasure-trove for a Gentleman OR a Lady!

Lot 1:

AckermannsLondon-bloomsbury-11-7-13

Ackermann’s London – “Billingsgate Market”

Ackermann, (Rudolph). Microcosm of London.

3 vol., first edition, early issue  with several of Abbey’s 12 “key plates” in first state (nos.1, 5, 8, 10, 11 & 18 and possibly 9), lacking half-titles, with wood-engraved pictorial titles, engraved dedication leaves, 104 hand-coloured aquatint plates after Rowlandson and Pugin, offsetting from plates but plates generally clean, some text leaves in vol.1 browned, handsome contemporary diced russia with elaborate gilt borders and cornerpieces, by C.Hering with his ticket, g.e., rebacked preserving old gilt spines, later cloth slip-cases edged in morocco, [Abbey Scenery 212; Tooley 7], 4to,  [1808-10].

Early issue bound from the original parts, watermarked 1806-07 and with all the 13 errata at end of vol.3 uncorrected and the Contents leaf in vol.1 headed “Contents”. However, the imprint of the wood-engraved title to vol.2 does not have a comma after “Bensley” but that in vol.1 does.

Estimate: £3,000 – £5,000; Starting Bid £2,600 – Sold for £4464

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Lot 2:

Agg-Foppish-Bloomsbury-11-7-13

“Foppish Attitudes” from The Busy Body, or Men and Manners

[Agg (John)] The Busy Body, or Men and Manners, edited by Humphrey Hedgehog, vol.1 & 2 only (parts 1-12), 11 hand-coloured aquatint plates by Williams, a little browning and offsetting, later tan calf, gilt, by Rivière & Son, spines gilt, g.e., spines chipped at head, joints split with covers becoming loose, 8vo, J.Johnston, 1816-17.

Estimate £200 – £300; starting Bid £180  – Sold for £211

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Lot 3:

DrivingDiscoveries-Bloomsbury-11-7-13

“Driving Discoveries”

[Alken (Henry)] – the set of 7 hand-coloured etchings by Henry Alken, very slight marginal soiling, bookplates of William Henry Smith, Viscount Hambleden and George Seton Veitch, handsome later scarlet morocco, by Rivière & Son, covers with gilt border and upper cover titled and dated in gilt, spine gilt in compartments with five raised bands, g.e., corners very slightly rubbed, an excellent copy, [Siltzer pp.57 & 69; Tooley 25], oblong 4to, S. & J.Fuller, 1817 [watermarked 1821].

Estimate: £600 – £800; starting Bid £500 – Sold for £1364

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Lot 37:

Evelina-bloomsbury-11-7-13[Burney (Fanny)] Evelina: or Female Life in London: being the History of a Young Lady’s Introduction to Fashionable Life, and the Gay Scenes of the Metropolis, hand-coloured engraved additional pictorial title and 6 plates after W.Heath, all but one aquatints, most offset onto text, some browning, bookplates of Charles C.Auchinloss and Hon.John Wayland Leslie, contemporary mottled calf, gilt, spine gilt with red morocco label, small gouge to lower cover, preserved in later red silk folder (a little rubbed and faded), red morocco slip-case (slightly darkened at edges), [Tooley 119], 8vo, 1822.

⁂ ***Originally published in 1778 under the title Evelina, or, A Young Lady’s Entrance into the World but reissued with this title following the popularity of Egan’s Life in London..

Estimate £200 – £300; starting Bid £180 – Sold for £496

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Lot 267:

Dacre-school-bloomsbury-11-7-13

Dacre (Charlotte). The School for Friends, a Domestic Tale, first edition, hand-coloured etched frontispiece and vignette title by Thomas Rowlandson, 12pp. text, lightly soiled and stained, stitched in original blue wrappers with paper label on upper wrapper, uncut, slightly soiled, preserved in later cloth portfolio and morocco-backed cloth slip-case, spine faded, 8vo, Thomas Tegg, [c.1800].

One copy only listed on COPAC, in the National Library of Scotland..

Estimate: £200 – £300; starting bid £180 – Sold for £3968

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Lot 274:

Rowlandson-miseries-bloomsbury-11-7-13

Rowlandson: “A Stag at Bay”

Rowlandson, Thomas. Miseries of Human Life”

Hand-coloured etched title and 50 plates by Thomas Rowlandson, without the rare ‘Pall Mall’ plate but replaced with ‘The Chiropodist’ as often and with an additional plate ‘The Enraged Vicar’ (signed and dated in plate 1805), otherwise with all plates as listed in the Abbey copy, light foxing, mostly marginal but affecting a few images, ex-library copy with bookplate and ink accession number to lower margin of first plate (otherwise unstamped), later olive morocco, gilt, by Rivière & Son, spine gilt, t.e.g., rather faded and a little rubbed, covers warped, upper joint repaired, [Abbey, Life 317], 4to, R. Ackermann, [1808].

Estimate: £500 – £700; Starting Bid £440 – Sold for £1054

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Lot 279:

Collier-Rowlandson-bloomsbury-11-7-13

[Collier (Jane)] An Essay on the Art of Ingeniously Tormenting.

Half-title, folding etched frontispiece and 4 plates by Rowlandson after G.M.Woodward, all hand-coloured, frontispiece with short tear repaired, text browned, later tan calf, gilt, spine gilt, t.e.g., others uncut, a little rubbed, upper joint split, 12mo, 1808.

Estimate: £100 – £150; Starting Bid £90 – Sold for £112

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Lot 288:

Rowlandson-syntaxbookseller-bloomsbury-11-7-13

Rowlandson: “Doctor Syntax and Bookseller”

[Combe (William)] The Tour of Doctor Syntax, in Search of the Picturesque. A Poem.

First edition, second issue with “Canto I”, hand-coloured aquatint frontispiece, vignette title and 29 plates by Rowlandson, 4pp. advertisements at end, old ink signature at head of title, some light browning and soiling, final leaf of text with small repair to upper inner margin, original boards, uncut, rubbed, rebacked preserving part of old paper label on spine, preserved in later red morocco drop-back box with metal catch, gilt, slightly rubbed, [Tooley 427], 8vo, [1812].

Estimate: £200 – £300; Starting Bid £180 –  Sold for £496

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Lot 344:

Wilson-Bloomsbury-11-7-13

Wilson (Harriette) – [?Heath (Henry)] Illustrations of Harriette Wilson’s Memoirs,

12 hand-coloured etched plates, 3 signed “H.H.”, c.170 x 140 or vice versa, 7 trimmed to border or just outside plate-mark and tipped into blank leaves, light soiling, one or two small tears to edge of image (repaired), engraved circular bookplate of Sir David Lionel Salomons, Bart., later dark blue morocco, gilt, by Bumpus of Oxford, spine gilt, very slightly rubbed and marked, 4to, S.W.Fores, 1825.

Estimate: £1,000 – £1,500; Starting Bid £900 – Sold for £1736

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Millea Bros. November 9, 2013.  Asian, English, Modern Books

Lot 1473:

Millea-works-covers-11-9-13

Austen, Jane. Works. London, 1925. (10) volumes, 8vo., red morocco – Condition report: overall good, bindings good, a few scuffs and nicks

Estimate: $500-700. [no price realized available]

There is no further description about this set in the auction catalogue, but it is the 1925 George Harrap reprint of the 1908-9 Chatto & Windus edition of the novels, with illustrations by A. Wallis Mills.  Here is one illustration:

Millea-works-illus-11-9-13

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Bonham’s:  12 November 2013. Books, Atlases, Manuscripts and Photographs including the Aldine Collection of the late Sir Robert Horton, London.

Lot 165:

Bonhams-Emma-11-12-13

Austen, Jane. Emma: A Novel, 3 vol., first edition, half-titles in volumes 2 and 3 only, advertisement leaf at end of volume 3, light scattered foxing, stitching becoming loose with P3-4 in volume 1 partially detached, ownership signature of “M.E. Malden” on endpapers, contemporary half calf, worn, 3 covers detached, 4 corners strengthened with vellum, spines cracked [Gilson A8], 12mo, John Murray, 1816.

Estimate:  £4,000 – 6,000 (US$ 6,400 – 9,600) – Sold for £5,250 (US$ 8,435) inc. premium

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Christies: 15 November 2013. Sale 9702: Fine Printed Books and Manuscripts. London.

Lot 402:

Christies-P&P-11-15-13Austen, Jane. Pride and Prejudice. London: T. Egerton, 1813. 2nd edition. 3 volumes, 12° (173 x 115mm). (Lacking half-titles, P2 at end of volume one with small marginal repair, tiny orange marginal mark to L5v of vol. II and lighter mark on a few other leaves, some spotting occasionally heavier.) Contemporary calf (rebacked, extremities lightly rubbed).

Estimate: £2,000 – £3,000 ($3,234 – $4,851) –

Sold for £2750 ($4,406)     

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Lot 403:

Christies-NA-P-11-15-13Austen, Jane. Northanger Abbey: and Persuasion… With a Biographical Notice of the Author [by Henry Austen]. London: C. Rowarth [vols I-II], and T. Davison [vols III- IV] for John Murray, 1818 [but ca. 20 December 1817]. 4 volumes, 12° (169 x 100mm). Half-titles. (Some occasional light browning and spotting, without final blanks P7-8 in vol. IV as often.) Contemporary half calf, leather gilt spine labels, speckled edges (front cover of vol. I nearly detached, front joints cracked and restored in vol. III, extremities lightly rubbed). Provenance: Maria Cipriani (ownership inscription). FIRST EDITION OF BOTH NOVELS.

Estimate: £3,000 – £5,000 ($4,851 – $8,085) – Sold for £4,750 ($7,610)

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Of interest:

Lot 148:

Christies-Wollstonecraft-11-15-13

WOLLSTONECRAFT, Mary (1759-1797). Thoughts on the Education of Daughters with Reflections on Female Conduct, in the more important Duties of Life. London: J. Johnson, 1787. 8° (150 x 98mm). G6 a cancel as usual. (Short tear to last leaf.) Contemporary half calf (rebacked, extremities rubbed).

FIRST EDITION OF WOLLSTONECRAFT’S FIRST BOOK. Although it was an educational manual, the ‘more or less veiled remarks about her own emotional state … make it abundantly clear that she was far more interested in the state of her own life and the prospects that lay ahead of young women than in their years at school’ (Claire Tomalin, The Life and Death of Mary Wollstonecraft, London: Pelican, 1977, pp. 58-59). GOOD COPY. Rothschild 2595.

Estimate: £1,800 – £2,500 ($2,898 – $4,025) – Sold for £3,750 ($6,008)

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Christies: 20 November 2013. Sale 1160. Valuable Manuscripts and Printed Books. London.

Lot 84:

MP-Christies-11-20-13[AUSTEN, Jane (1775-1817).] Mansfield Park: A Novel… By the Author of “Sense and Sensibility,” and “Pride and Prejudice.” London: T. Egerton, 1814.

FIRST EDITION. 3 volumes, 12° (176 x 102mm). Half-titles. (Lacking blank O4 in volume II and advertisement leaf in volume III, occasional faint spotting.) Contemporary calf, flat spines with compartments ruled in gilt, green morocco gilt spine labels to second compartments, the others tooled in blind, speckled edges (extremities very lightly rubbed).

Estimate: £4,000 – £6,000 ($6,484 – $9,726) –  Sold for £13,750 ($22,138)

Lot 85: (another one!)

NA&P-Christies-11-20-13[AUSTEN, Jane (1775-1817).] Northanger Abbey: and Persuasion … With a Biographical Notice of the Author [by Henry Austen]. London: C. Rowarth [vols I-II], and T. Davison [vols III- IV] for John Murray, 1818 [but c. 20 December 1817].

4 volumes, 12° (177 x 103mm). Half-titles. (Some occasional light spotting, without final blanks P7-8 in vol. IV.) Contemporary calf, tan morocco gilt spine labels, speckled edges (extremities lightly rubbed, spines more heavily). Provenance: Baroness Keith of Meiklour House (bookplates). 1st edition of both novels.

Estimate: £4,000 – £6,000  ($6,484 – $9,726) – Sold for £7,500 ($12,075)

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Also of interest at this auction:

Lot 124:

johnsondictionary-christies-11-20-13JOHNSON, Samuel (1709-1784). A Dictionary of the English Language in which the words are deduced from their originals, and illustrated in their different significations by examples from the best writers. London: W. Strahan for J. and P. Knapton [and others], 1755.

FIRST EDITION. 2 volumes, 2° (405 x 250mm). Titles in red and black, woodcut tail-pieces. (The first title with repaired losses and tears affecting some letters, the titles and a few leaves repaired in the inside margin, some marginal tears and some of these repaired, occasional mostly marginal soiling and spotting, faint dampstain in the margins of some leaves in vol. II.) Contemporary calf (neatly rebacked to style, corners repaired, sides scuffed). Provenance: David Tennant (title signature, some marginalia including on the verso of second title) — Stewart of Glasserton (bookplate).

Estimate: £5,000 – £8,000 ($8,105 – $12,968) – Not Sold

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All images are from each of the auction house websites, as cited.

Happy browsing!

c2013 Jane Austen in Vermont

Austen on the Block! ~ Affordable Jane and More…

Freeman’s Auctions [of Philadelphia] has two sets of Jane Austen’s novels up for auction this week: 

BOOKS, MANUSCRIPTS & EPHEMERA, Sale no. 1421.  2 Feb 2012. You can view the full catalogue here.

Lot 308: Jane Austen

Novels - Lot 308

Austen, Jane. The Novels.Oxford, 1923. Large Paper edition, #1/950 (1000). 10 volumes. 8vo, contemp. 3/4 crushed burgundy levant morocco, gilt, geometric-gilt spine compartments, t.e.g., marbled bds., by Baynton; very occasionally slightly scuffed. Color and other plates. Edited by R.W. Chapman. Presumably purchased by the last owner from Mabel Zahn at Sessler’s Bookshop, Phila.  Estimate $800-1,200

Lot 319: Jane Austen

Novels & Letters - Lot 319

Austen, Jane. The Novels and Letters.New York: F.S. Holby, 1906. Stoneleigh Edition, #358/1250. 12 vols. 8vo, orig. 3/4 green morocco & marbled bds., t.e.g. gilt-lettered & floral spine; corners & edges occasionally slightly rubbed, a few spine heads scuffed or rubbed, 1 head band partly rubbed away, spines of 2 vols fading to brown. Color plates. Internally clean.  Estimate $800-1,200

Click here for the Austen details.

Other items of interest: a Shakespeare Head Bronte, 21 volumes of Thomas Hardy, and because we are all about Dickens all this year, there are several titles for sale, including this:  

Lot 259: Charles Dickens

Dickens - Lot 259

Dickens, Charles. The Mystery of Edwin Drood. London: Chapman & Hall, 1870. 6 vols. (wrappers). First edition, 6 parts – all published 8vo, orig. printed blue green wrappers; minor wear. With 14 plates (incl. portrait). Scattered light foxing but internally generally clean and light. With all adverts. except the 4pp Wilcox & Gibbs concerning stitches adverts [ called for in part 6]. Includes the cork hats sheet in part 2. In custom gilt lettered brown cloth case & chemise.  Hatton & Cleaver pp373-(384). Purchased by the last owner from Mabel Zahn at Sessler’s Bookshop, Phila.  Estimate $300-500

And click here for offerings of  Thomas Rowlandson: here are the details on one, published by R. Ackermann between 1809-[1811]:  Jane Austen surely read these – she refers to Dr. Syntax in her letter of 2-3 March 1814 [Le Faye, Ltr. 97]. She writes to Cassandra from Henrietta St in London:   

“I have seen nobody in London yet with such a long chin as Dr. Syntax…”

 Lot 269: Thomas Rowlandson 

Poetical Magazine - Lot 269

(Rowlandson, Thomas, et al. illustrators) Poetical Magazine. London: R. Ackermann, 1809-[1811]. 4 vols. 8vo, early 20th-century full triple gilt lettered paneled, mottled tan polished calf, spines gilt, turn ins gilt, a.e.g., green morocco spine labels by Root; very occasional minor scuffing. With 4 engraved titles & 52 plates (50 hand colored aquatints & engravings – 30 by Rowlandson of Doctor Syntax.) Complete with a leaf of rhymed adverts. Internally clean & bright. Book plates of Dr. Stoughton R Vogel, & Robert Alexander Montgomery. Bright bdgs. Contains original issue of Combe’s & Rowlandson’s Tour of Dr. Syntax under the title of “The School Master’s Tour.” Tooley 421. Purchased by the last owner from Mabel Zahn at Sessler’s Bookshop, Phila.   Estimate $1,000-1,500

Rowlandson's Dr. Syntax - Lot 269

…with his very long chin!

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Happy bidding!

[All images and text from the Freeman’s Auction website]

Copyright @2012 Jane Austen in Vermont

Book thoughts ~ ‘Thomas Rowlandson: Pleasures and Pursuits in Georgian England’

On my TBO* list:  with a release date of January 16, 2011 [as per Amazon; publisher release date is February 2011]

Thomas Rowlandson: Pleasures and Pursuits in Georgian England, by Patricia Phagan; essays by Vic Gatrell and Amelia Rauser.  Published by D Giles LTD in association with the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY, 2011.

This illustrated volume which presents 72 watercolors, drawings, prints and illustrated books to reassess the legacy of this renowned 18th-century satirist. Accompanies the first major exhibition of Rowlandson’s work in North America for twenty years, showing at the Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois, Jan 14, 2011 – March 13, 2011 and the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, April 8, 2011 – June 11, 2011 [Click here for information on the exhibit]  

Thomas Rowlandson - Pages 110-11

[Click on to enlarge]

About the authors: 

Patricia Phagan is Philip and Lynn Straus Curator of Prints and Drawings at the Frances Lehman Loeb Art Center and the co-author of ‘The American Scene and the South: Paintings and Works on Paper, 1930-1946’ (1996) and ‘Images of Women in Seventeenth-Century Dutch Art: Domesticity and the Representation of the Peasant’ (1996).

Vic Gatrell is Life Fellow of Gonville and Caius College, Cambridge, and the author of ‘City of Laughter: Sex and Satire in Eighteenth-Century London’ (2006) [fabulous book!] and ‘The Hanging Tree: Execution and the English People 1770-1868‘ (1994).

Amelia Rauser is Associate Professor of Art History at Franklin and Marshall College, Lancaster, Pennsylvania, and author of ‘Caricature Unmasked: Irony, Authenticity and Individualism in Eighteenth-Century English Prints’ (2008). [from Amazon]

 See the publisher’s website at:  D Giles LTD; and Amazon.com   

            ISBN-10: 1904832784
            ISBN-13: 978-1904832782

*To Be Ordered

Copyright @ 2011, Deb Barnum, Jane Austen in Vermont