Jane Austen’s Sewing Box: Craft Projects & Stories from Jane Austen’s Novels.
by Jennifer Forest. Murdoch Books Australia, 2009
ISBN: 9781741963748, paperback, 224 pages.
This is a lovely, sumptuous book. When it first arrived, I did a quick skim – it is filled with photographs, decorated papers, fashion plates, quotes from Austen, and a good number of handiwork projects – hmmm, I thought, maybe one of those books that just looks nice but is of little substance – a coffee table [albeit a small one] book you look at once and then relegate it to collect dust in the “parlor” – But on further study I found within these 224 pages a wealth of information – a brief but amazingly thorough introductory commentary on Regency historic and social life, the world of “women’s work” in Austen’s time, and the references to Austen’s many mentions of these real-life activities in her novels and letters.
Ms. Forest has a background in history and cultural heritage, and combining this knowledge, her love of Austen and a “passion for fabric arts and crafts,” she has given us a treasure of a book. With a starting point of finding Austen’s references to handi- and fancy work, Forest puts these quotes in their historical context, explains the meaning and use of the piece, and then provides instructions for each project – each of varying skill level, each a different task – there is knitting, sewing, embroidery, netting, paperwork, glasswork, and canvas-work, a total of eighteen different projects – from a letter case, linen cravat, fur tippet, to a pin cushion, reticule, bonnet and muslin cap – all mentioned by Jane Austen, and here lovingly replicated, with photographs of Regency era decorative arts and Ackermann’s fashion plates interspersed throughout.
Best to show an example, so I will choose the huswife [page 100ff] [ “the huswife was a small fabric case with pockets to hold all those tools for sewing and needlework – scissors, tape measure, thread, pins, and pin cushion”( page 104)]:
This is a sewing task for beginners, with two pages of photographs of the finished piece, a short history of the huswife and its uses, a quote [all the quotes are written in script] from Emma where Austen uses the term [there is also a second quote from Sense & Sensibility spoken by Anne Steele] – here Miss Bates has misplaced a letter from Jane Fairfax that she later reads to Emma:
“Thank you. You are so kind!” replied the happily deceived aunt, while eagerly hunting for the letter. “Oh here it is. I was sure it could not be far off, but I had put my huswife on it, you see, and without being aware, and so it was hid.” [page 104, quoting Emma]
This is followed by a full page of blue decorated paper with a part of the quote, a full page fashion plate from Ackermann’s, and a full page of an art reproduction depicting a woman at her fancy work, then a full page photograph of a detail from a piece of Regency furniture [all photographs are from the Johnston Collection *], and then three pages of project instructions with black and white drawings, and a final photograph of a furniture detail. This format and sequence is followed for each of the eighteen projects, ending with a list of suppliers, references and an index.
from The Johnston Collection
All these Austen quotes, taken out of context, are quite a wonderful discovery! – they can so easily be passed over in the reading – what indeed IS a huswife? or a tippet? [“Jane, dear Jane, where are you? here is your tippet. Mrs. Weston begs you to put on your tippet.”] Or a transparency? [“and its greatest elegancies and ornaments were a faded footstool of Julia’s work, too ill done for the drawing room, three transparencies, made in a rage for transparencies…”] or a reticule? [“…a letter which she [Mrs. Elton] had apparently been reading aloud to Miss Fairfax, and return it into the purple and gold reticule by her side.”] or “netting” for that matter [“They all paint tables, cover screens and net purses” says Charles Bingley]; and then of course Lady Bertram’s carpet-work and “yards of fringe!”
This book opened up a whole new awareness of Austen’s writing in the NOW – her knowing what her readers would glean from these almost off-hand references [as in Mrs. Elton’s purple and gold reticule, “expensive colours that Austen possibly chose to sketch her character’s pretensions to grandeur, associated as they were with royalty and luxury.” [page 182] – and as always one is awed by Austen’s use of such fine details to delineate character.
The book is by no means comprehensive on the subject – but there are so many tidbits of Regency social life and customs, coupled with Austen’s words – I found in the reading an “oasis of calm”, a slowing down, a return to a time of sewing for the poor, or making your brother’s shirts (done in private), and your embroidery and fancy work and painting put on public display to show yourself as “an accomplished woman” [a la Mr. Darcy] – and the exquisite paper and decoration, the furniture details, and the fashion illustrations all combine to create this time-warp, invoking the Regency era and “its enthusiastic appreciation of design in all forms – dress, architecture, interiors, furniture, wallpaper and fabric” [page 17] – the whole sphere is beautifully presented in these pages and makes this a wonderful addition to your Jane Austen collection and a great starting point for your creative endeavors!
5 full inkwells [out of 5]
* The Johnston Collection is “a Fine and Decorative Arts Museum, Gallery and Reference Library in East Melbourne, Australia. It is no ordinary museum with roped off exhibits, but presents an astonishing and diverse collection arranged in the English Country House Style.” Visit their website for the history, gallery exhibits, and a sampling of the treasures in the collection.
Posted by Deb