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Austen on the Block! ~ Affordable Jane

The Leslie Hindman Auctioneers sale on April 10, 2013 in Chicago: Sale 239 – Fine Books and Manuscripts  [preview starts April 6] has three items of interest to collectors and readers of Jane Austen, and this time a pleasant surprise to see them in a more affordable range…

1.  Lot 319:

MP-2ded

* JANE AUSTEN.  Mansfield Park. London: J. Murray, 1816.

3 vols. 12mo, modern quarter morocco, renewed endpapers. Second edition. Lacks half-titles; 2-inch tear to title page vol. 2 restored; spines deteriorating and hinges cracked; otherwise the interior is in near fine condition with very little brownspotting.

Estimate $ 1,000-2,000.

 

2.  Lot 320:

Fragment

* JANE AUSTEN.  Fragment of a Novel, written January-March 1817. Now First Printed from the Manuscript [Sandition]. Oxford: Clarendon Press, 1925.

8vo, publisher’s cloth-backed blue boards, printed spine label, facsimile frontispiece. Limited edition facsimile, one of 250 copies on handmade paper. Boards lightly soiled with some loss to spine label; otherwise very good.

Estimate $ 100-200.

 

3. Lot 434A:

works-1882

JANE AUSTEN.  Works (COLLECTED WORKS). London: Richard Bentley and Son, 1882.

6 vols. 8vo, 3/4 maroon morocco over decorative boards, title in gilt to black leather spine labels, t.e.g. Light edgewear; otherwise fine.

Estimate $ 100-200.

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My note:  this last item does not offer a very comprehensive description, so I would suggest an inquiry to the auction house for more information.  This is likely the Steventon Edition that Bentley published in 1882, limited to 375 sets; size is 20.5 cm, or a small octavo (8vo), obviously rebound here; there are illustrations (those that appeared in Bentley’s original Standard Novels of 1833, and a few additional woodcuts and a facsimile of Austen’s letter to Anna Lefroy (29 Nov 1814)) – full information on the edition can be found in Gilson at D13; but again, please check with the auction house to verify that it is this edition (there was a reissue in 1886).  The interest in the Steventon Edition is that it was the last complete edition of Jane Austen’s works to be published by Bentley, her major publisher in England from 1833 to 1882, and holder of the copyrights until their various successive expiry dates.

[Images from the Leslie Hindman Auctioneers website.]

c2013 Jane Austen in Vermont
Auctions · Books · Jane Austen · Publishing History · Rare Books

Austen on the Block! ~ Jane Austen’s Emma Sells High

The first edition Emma that I wrote about here, the one with the interesting John Hawkshaw bookplate, sold yesterday (March 19, 2013) at Bonham’s London for £8,125 (inc. premium) or about $12,312. –  about in line with the original estimate at the November 2012 auction of £6,000 – 8,000  (€7,400 – 9,900;  US$ 9,500 – 13,000), and substanitally higher than the estimate for this auction: £4,000 – 5,000 (€4,600 – 5,800;  US$ 6,100 – 7,700).

Emma bonhams 3-2013

c2013 Jane Austen in Vermont
Auctions · Austen Literary History & Criticism · Great Britain - History · Jane Austen · Jane Austen Circle · Rare Books

Austen on the Block! ~ A First Edition Emma, Or, Where an Interesting Bookplate Might Take You…

UPDATE:  I posted the results here: it sold on March 19, 2013 at Bonham’s London for £8,125 (inc. premium) or about $12,312.

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Jane Austen will again make an appearance in the upcoming Bonham’s auction on March 19, 2013: a first Edition Emma – here are the details:

Emma bonhams 3-2013Books, Maps, Manuscripts & Historical Photographs, No. 20751. 19 Mar 2013 14:00 GMT London, Knightsbridge

Lot 6: AUSTEN (JANE).

Emma, 3 vol., FIRST EDITION, half-titles in volumes 2 and 3, spotting, one gathering working loose and blank lower margin torn away from advertisement leaf at end of volume 3, one front free endpaper near detached, bookplate of “John Hawkshaw, Esq., Hollycombe”, contemporary half calf, gilt lettering on spines, headbands frayed (volume 2 with small loss at head and foot of backstrip) [Gilson A8; Keynes 8], 8vo, John Murray, 1816.

Estimate:  £4,000 – 5,000; €4,600 – 5,800;  US$ 6,100 – 7,700

Now this appears to be the same copy that did not sell at the Bonham’s November 13, 2012 auction where the estimates were substantially higher:
£6,000 – 8,000; €7,400 – 9,900;  US$ 9,500 – 13,000

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My interest lies in the bookplate of “John Hawkshaw, Esq., Hollycombe” – always curious to see where a book has been and where it heads, and who are the participants in the story; it is often hard to track this information accurately unless a written provenance accompanies the book.  In this case it appears that all we have is this bookplate, and my research takes me thus, a very quick summary: [i.e how a whole afternoon can be spent tracing some stranger’s life and how it all can lead one down unimagined paths with only more extensive research to be undertaken …]

John Hawkshaw - wikipedia
John Hawkshaw – wikipedia

John Hawkshaw (1811 – 1891) was a British civil engineer from Yorkshire who was the chief engineer of a number of the railway lines in the Manchester area, later London, as well as responsible (some say the “saviour”) for the completion of the Suez Canal.  He was knighted in 1873. He lived at Hollycombe, his country estate in Liphook, Hampshire, purchased from Charles William Taylor in 1866. (To add to the confusion, the book titled A History of the Castles, Mansions, and Manors of Western Sussex, by Dudley George Cary Elwes, and Charles John Robinson (London, 1876), notes two other properties purchased by Hawkshaw from Taylor, so more research needed here.]

Hollycombe today is privately owned, but the pleasure gardens, expanded by Hawkshaw and more fully landscaped by his son [more on him below] are open to visitors, as is the nearby Hollycombe Steam Museum.

Hollycombe Steam Museum
Hollycombe Steam Museum

Their London home was in Belgrave Mansions, St. John’s Wood High Street, close to Bond Street in the heart of the West End.

But did John Hawkshaw read his copy Jane Austen’s Emma, or was his bookplate just really an owner stamp, and the real reader in the house was his wife Ann Hawkshaw? (though it is nice to imagine them all reading it aloud.)

a modern reprint
a modern reprint

Ann Hawkshaw (1812 – 1885) was an English poet. She published four volumes of poetry between 1842 and 1871. She married our John Hawkshaw in 1835 and they settled in Salford, near Manchester, where they mixed with the prominent thinkers of the day to include William and Elizabeth Gaskell. Her first volume of poetry Dionysius the Areopagite’ with Other Poems was published in 1842, followed by Poems for My Children in 1847. Sonnets on Anglo-Saxon History was published in 1854, and retells the history of Britain up to the Norman Conquest.

John Clarke Hawkshaw
John Clarke Hawkshaw

The Hawkshaws had six children, the most well-known was John Clarke Hawkshaw (1841-1921), who like his father was a civil engineer. In 1865 he married Cicely Wedgwood (1837-1917), daughter of Francis Wedgwood (1800-1880), grandson of Josiah Wedgwood, founder of the famed pottery firm. Francis’s sister Emma Wedgwood (1808-1896) married her cousin Charles Darwin (they were first cousins: Wedgwood’s daughter Susannah was Darwin’s mother). Emma was therefore Cicely’s Aunt and we can find this letter penned to her in the online Darwin Correspondence Project:

Hollycombe. | Liphook. | Hants.

Dear Aunt Emma

I am afraid it is too late to notice about the baby’s tears with any accuracy for I have repeatedly seen her eyes full of tears already but can give no nearer date than that I must have seen them so before she was 3 weeks old; about the tears overflowing onto her cheeks I can observe as I have never seen it happen yet, indeed it hardly happens in what one may call babydom does it?

We are having such a nice holiday here and as all the tiresome shooting is over I have Clarke to myself and we ride and walk about and don’t feel such strangers to the place as we did and the idle thoughtless life is doing Clarke good I am thankful to say.

Believe me dear Aunt Emma | Your affecte niece | Cicely M Hawkshaw

9th Feb. [1868]

Emma Darwin, 1840 - by George Richmond
Emma Darwin, 1840 – by George Richmond

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So from this letter we know that John Clarke Hawkshaw was known as Clarke and that he was able to get away to the family home and enjoy some “idle thoughtless life”! [images of Downton Abbey!]

Such a dizzying trip from a simple bookplate in a first edition of Jane Austen! – we have encountered various British luminaries ranging from railroad and canal engineers, to literary and Unitarian connections in Manchester, to country estates in Hampshire [Jane’s own territory], to the Wedgwood Potteries of London, and ending with Evolution, all in one family’s connections.  It is comforting to think that this copy of Emma was read, enjoyed and discussed, and passed along to succeeding generations of this great family!  I wonder where it will end up come March 19th? … stay tuned!

c2013 Jane Austen in Vermont
Auctions · Austen Literary History & Criticism · Books · Jane Austen · Jane Austen Circle · Literature · Rare Books

Austen on the Block! ~ An Austen-Filled Autumn at Upcoming Auctions

UPDATE: Prices realized noted in red as they become available

There are a number of Jane Austen materials coming up for auction in the next few weeks, some actually affordable! – and then some, not so much…  here are brief synopses – visit the auction house websites for more information.

This one is a bit different and an interesting addition to anyone’s Pride and Prejudice collection!

November 18, 2012. Heritage Auctions, Lot 54353. Pride and Prejudice 1939 Movie photographs:

Pride and Prejudice (MGM, 1939). Photos (16) (8″ X 10″). Drama.

Vintage gelatin silver, single weight, glossy photos. Starring Greer Garson, Laurence Olivier, Mary Boland, Edna May Oliver, Maureen O’Sullivan, Ann Rutherford, Frieda Inescort, Edmund Gwenn, Karen Morley, Heather Angel, Marsha Hunt, Bruce Lester, Edward Ashley, Melville Cooper, Marten Lamont, E.E. Clive, May Beatty, Marjorie Wood, Gia Kent. Directed by Robert Z. Leonard.

There are 14 different photos with a duplicate each of 1136-190, and 1136-149; unrestored photos with bright color and a clean overall appearance. They may have general signs of use, such as slight edge wear, pinholes, surface creases and crinkles, and missing paper. All photos have a slight curl. Please see full-color, enlargeable image below for more details. Fine.

SOLD $179.25 (incl buyer’s premium)

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November 18, 2012.  Skinner, Inc. – Fine Books and Manuscripts, Boston. Sale 2621B

Lot 208:  Austen, Jane (1775-1817). Letters. London: Richard Bentley & Son, 1884. 

Octavo, in two volumes, first edition, edited by Edward Knatchbull-Hugessen, first Baron Brabourne (1829-1893), in publisher’s green cloth, ex libris Henry Cabot Lodge, with his bookplate; preliminaries in volume one a bit cockled, with some discoloration.

Jane Austen’s letters speak for themselves: “Dr. Gardiner was married yesterday to Mrs. Percy and her three daughters.” “I cannot help thinking that it is more natural to have flowers grow out of the head than fruit? What do you think on the subject?”

Estimate $300-500. SOLD $250. (incl buyer’s premium)

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Lot 4 : AUSTEN, JANE. Northanger Abbey. Volume 1 (only, of 2). 12mo, original publisher’s drab boards backed in purple cloth (faded to brown), lacking paper spine label, edgewear; text block almost entirely loose from spine, few binding threads and signatures loose, several leaves in first third heavily creased, few other margins creased; else quite clean overall. Philadelphia: Carey & Lea, 1833

FIRST AMERICAN EDITION AND ONE OF 1250 COPIES. In need of some repair, but complete and in original cloth. All First American Editions of Austen are difficult to find. Later printings of this title did not occur until 1838, as a one-volume collected edition and, as a single volume in 1845. Gilson B5.

Estimate $500-750. SOLD: $600. [incl buyer’s premium]

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This is the big one!

November 21, 2012. Christie’s. Valuable Manuscripts and Printed Books. London.  Sale 5690.

Lot 150:  AUSTEN, Jane (1775-1817). Sense and Sensibility … second edition. London: for the author by C. Roworth and published by T. Egerton, 1813. 3 volumes. (Lacks half-titles and final blanks, some browning and staining.) Gilson A2; Keynes 2.

Lot Description

AUSTEN, Jane (1775-1817). Sense and Sensibility … second edition. London: for the author by C. Roworth and published by T. Egerton, 1813. 3 volumes. (Lacks half-titles and final blanks, some browning and staining.) Gilson A2; Keynes 2.

Pride and Prejudice. London: T. Egerton, 1813. 3 volumes. (Lacks half-titles, lightly browned, a few leaves slightly torn along inner margin or with fragments torn from outer margin, margin of B10 in vol. I a little soiled, title of vol. III with slight stain at bottom margin, quires I and M in same vol. somewhat stained.) FIRST EDITION. Gilson A3; Keynes 3.

Mansfield Park. London: T. Egerton, 1814. 3 volumes. (Lacks half-titles, without blank O4 in vol. II or final advertisement leaf in vol. III, weak printing impression affecting 3 lines on Q10r.) FIRST EDITION. Gilson A6; Keynes 6.

Emma. London: John Murray, 1816. 3 volumes. (Lacks half-titles, E12 of vol. I misbound before E1, tear to bottom margin of E7 in vol. II, other marginal tears, L7-8 of vol. II remargined at bottom, title of vol. III with closed internal tear, some spotting, staining and light soiling.) FIRST EDITION. Gilson A8; Keynes 8.

Northanger Abbey and Persuasion. London: John Murray, 1818. 4 volumes. (Lacks half-titles and blanks P7-8 at end of vol. IV, some browning and spotting.) FIRST EDITION. Gilson A9; Keynes 9.

Together 6 works in 16 volumes, 12° (177 x 100mm). Uniformly bound in later 19th-century black half morocco over comb-marbled boards, marbled endpapers and edges (vol. I of Mansfield Park with scuffing at joints and upper corner of front cover).

Second edition of Sense and Sensibility, ALL OTHER TITLES IN FIRST EDITION. A rare opportunity to purchase the six most admired novels in the English language as a uniformly bound set. (16)

Estimate: £30,000 – £50,000 ($47,610 – $79,350) SOLD: £39,650 ( $63,004) (incl buyer’s premium)

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November 27, 2012. Bonham’s. Printed Books and Maps. Oxford. 19851.

Lot 26:  AUSTEN (JANE) The Novels…Based on Collation of the Early Editions by R.W. Chapman. 5 vol., second edition, Oxford, Clarendon Press, 1926; together with The Letters of Jane Austen, 2 vol., frontispieces, uniform half calf by Hatchards, gilt panelled spines, faded, 8vo, Richard Bentley, 1884 (7)

Estimate: £300 – 500 ( US$ 480 – 810); (€380 – 630) – SOLD: £525  ($844.) (incl. buyer’s premium)

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December 7, 2012. Christies. Fine Printed Books and Manuscripts Including Americana. New York. Sale 2607.

 Lot 140: [AUSTEN, Jane (1775-1817)]. Pride and Prejudice. London: Printed for T. Egerton, 1813.

Lot Description:

[AUSTEN, Jane (1775-1817)]. Pride and Prejudice. London: Printed for T. Egerton, 1813.

Three volumes, 8o (171 x 101 mm). Contemporary half calf and marbled boards, spines gilt-ruled, black morocco lettering pieces (a few stains and some rubbing); cloth folding case. Provenance: H. Bradley Martin (bookplate; his sale Sotheby’s New York, 30 April 1990, lot 2571).

FIRST EDITION. Originally titled First Impressions, Pride and Prejudice was written between October 1796 and August 1797 when Jane Austen was not yet twenty-one, the same age, in fact, as her fictional heroine Elizabeth Bennet. After an early rejection by the publisher Cadell who had not even read it, Austen’s novel was finally bought by Egerton in 1812 for £110. It was published in late January 1813 in a small edition of approximately 1500 copies and sold for 18 shillings in boards. In a letter to her sister Cassandra on 29 January 1813, Austen writes of receiving her copy of the newly publishing novel (her “own darling child”), and while acknowledging its few errors, she expresses her feelings toward its heroine as such: “I must confess that I think her as delightful a creature as ever appeared in print, & how I shall be able to tolerate those who do not like her at least, I do not know.” Gilson A3; Grolier English 69; Keynes 3; Sadleir 62b. (3)

Estimate: $30,000 – $50,000 –  SOLD:  $68,500  (incl buyer’s premium)

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Lot 86: Presentation copy of Emma. Provenance: Anne Sharp (1776-1853) “Anne Sharp” in vol. 1 and “A. Sharp” in vol. 2 and 3.

Lot Description:

One of twelve presentation copies recorded in the publisher’s archives and presented to Jane Austen’s “excellent kind friend”: the only presentation copy given to a personal friend of the author.

In a letter to the publisher John Murray dated 11 December 1815, Austen noted that she would “subjoin a list of those persons, to whom I must trouble you to forward a Set each, when the Work is out; – all unbound, with From the Authoress, in the first page”. Most of these copies were for members of Austen’s family. David Gilson in his bibliography of Austen lists these presentation copies, based on information in John Murray’s records, as follows:

  • two to Hans Place, London (presumably for Jane Austen and Henry Austen)
  • Countess of Morley
  • Rev. J.S. Clarke (the Prince Regent’s librarian)
  • J. Leigh Perrot (the author’s uncle)
  • two for Mrs Austen
  • Captain Austen (presumed to be Charles Austen)
  • Rev. J. Austen
  • H.F. Austen (presumed to be Francis)
  • Miss Knight (the author’s favourite niece Fanny Knight)
  • Miss Sharpe [sic]

Anne Sharp (1776-1853) was Fanny-Catherine Knight’s governess at Godmersham in Kent from 1804 to 1806. She resigned due to ill-health and then held a number of subsequent positions as governess and lady’s companion. Deirdre Le Faye notes that by 1823 she was running her own boarding-school for girls in Liverpool (see Jane Austen’s Letters, third edition, 1995, p. 572). She retired in 1841 and died in 1853.

In 1809 Austen wrote to her sister Cassandra Austen that “Miss Sharpe… is born, poor thing! to struggle with Evil…” Four years later Jane wrote to Cassandra that “…I have more of such sweet flattery from Miss Sharp! – She is an excellent kind friend” (which may refer to Anne Sharp’s opinion of Pride and Prejudice). It is known that Anne Sharp thought Mansfield Park “excellent” but she preferred Pride and Prejudice and rated Emma “between the two” (see Jane Austen’s Letters, third edition, 1995, p. 573).

There is one known extant letter from Jane Austen to Anne Sharp, dated 22 May 1817. She is addressed as “my dearest Anne”. After Jane Austen’s death, Cassandra Austen wrote to Anne Sharp on 28 July 1817 sending a “lock of hair you wish for, and I add a pair of clasps which she sometimes wore and a small bodkin which she had had in constant use for more than twenty years”.

“In Miss Sharp she found a truly compatible spirit… Jane took to her at once, and formed a lasting relationship with her… [she occupied] a unique position as the necessary, intelligent friend” (Claire Tomalin, Jane Austen: A Life, 2000).

Anne Sharp is known to have visited Chawton on at least two occasions: in June 1815 and in August-September 1820. Deirdre Le Faye notes that James-Edward Austen-Leigh described her as “horridly affected but rather amusing” (see Jane Austen’s Letters, third edition, 1995, p.573)

Estimate: 150,000-200,000 GBP* UPDATE: UNSOLD

[*Now this confuses me: this copy of Anne Sharp’s Emma sold at Bonhams for a record £180,000 in 2008, and was subsequently sold to an undisclosed buyer for £325,000. in 2010 [see my post here and here on these sales] – I have got to hit the calculator to see what’s up with this…]

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Also in this sale:

Lot 87:  Austen, Jane. Northanger Abbey and Persuasion. John Murray, 1818.

Lot Description:

A set of Austen’s posthumously published novels in an attractive binding to a contemporary design. It appears that this set was the property of the Revd Fulwar-Craven Fowle (1764-1840). He was a pupil of Rev. George Austen at Steventon between 1778 and 1781. He is occasionally mentioned in Austen’s letters; it appears he participated in a game of vingt-un in 1801 and sent a brace of pheasants in 1815. Fulwar-Craven Fowle’s brother, Thomas (1765-1797) had been engaged to Cassandra Austen in 1792.

Deirdre Le Faye notes that he had “an impatient and rather irascible nature” and “did not bother to read anything of Emma except the first and last chapters, because he had heard it was not interesting” (see Jane Austen’s Letters, 1995, p. 525).

 Estimate: 4,000 – 6,000 GBP UPDATE: UNSOLD

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And a few from Austen’s Circle I could not resist reporting on: these are all in the Swann Auction on November 20th – lots of other finds, so take a look:

Swann Sale 2295 Lot 40

BYRON, LORD GEORGE GORDON NOEL. Works. 13 volumes. Titles in red and black. Illustrated throughout with full page plate engravings. 4to, contemporary 1/4 brown crushed morocco, spines handsomely tooled and lettered in gilt in compartments, shelfwear to board extremities with some exposure, corners bumped; top edges gilt, others uncut. London, 1898-1904
Estimate $1,000-1,500   SOLD: $1200. (incl buyer’s premium)

limited edition, number 97 of 250 sets initialed by the publisher. This set includes a tipped-in ALS (8vo, one folded sheet. April 7, 1892) by the editor of this edition, Ernest Hartley Coleridge, the grandson of Samuel Taylor Coleridge, to a Mr. Tours[?], recounting a lecture he had recently given in Minneapolis.

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Swann  Sale 2295 Lot 204:

(ROWLANDSON, THOMAS.) The English Dance of Death. 2 volumes. * The Dance of Life. Together, 3 volumes. Engraved colored title-page and 37 hand-colored engraved plates in each volume of the Dance of Death, 25 hand-colored plates in the Dance of Life, by Rowlandson. Tall 8vo, later full tree calf gilt, spines tooled in gilt in 6 compartments with morocco lettering pieces in 2, rebacked; top edges gilt; occasional offsetting to text from plates and spotting to preliminaries; leather bookplates of Stephen M. Dryfoos mounted to front pastedown of 2 volumes; the whole slipcased together. London: R. Ackerman, 1815-16; 1817
Estimate $1,000-1,500 – SOLD: $3600. (incl buyer’s premium)

first editions in fine condition. “Indispensable to any Rowlandson collection, one of the essential pivots of any colour plate library, being one of the main works of Rowlandson”–(Tooley 410-411); Hardie 172; Abbey Life, 263-264; Prideaux 332; Grolier, Rowlandson 32.

 

Swann Sale 2295 Lot 205:

ROWLANDSON, THOMAS.) [Combe, William.] The Tour of Doctor Syntax, in Search of the Picturesque * In Search of Consolation * In Search of a Wife. Together, 3 volumes. Colored aquatint frontispiece in each volume, volumes 1 and 3 with additional aquatint title-page, and 75 colored plates by Rowlandson, colored vignette at end of vol. 3. Large 8vo, uniform full crimson crushed morocco blocked in gilt with corner floral ornaments, spines richly gilt in 4 compartments, titles in 2; turn-ins; by Root & Son, top edges gilt; bookplates of Edward B. Krumbhaar (vol. 1 only) and Christopher Heublein Perot (with his autograph). first edition in book form, second state, handsomely bound. London: R. Ackerman, 1812-20-(21)
Estimate $600-900 – SOLD: $960. (incl buyer’s premium)

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And despite my love of Austen, I do periodically enter the 20th century [sometimes the 21st!] and I still harbor my great admiration and love of John Steinbeck, so this I share because it is so rare and lovely to behold:

Swann Sale 2295 Lot 234 John Steinbeck. Cup of Gold.

STEINBECK, JOHN. Cup of Gold. 8vo, original yellow cloth lettered in black; pictorial dust jacket, spine panel evenly faded with minor chipping to ends with slight loss of a few letters, light rubbing along folds, small rubber inkstamp on front flap; bookplate with name obscured in black pen on front pastedown. New York: Robert M. McBride & Co., 1929
Estimate $8,000-12,000 – SOLD: $14,400 (incl buyer’s premium)

scarce first edition, first issue of steinbeck’s first book with the McBride publisher imprint and “First Published, August 1929” on copyright page. Jacket flap corners evenly clipped as issued with “$2.50” printed price present. The publisher printed only 2476 copies, 939 of which were remaindered as unbound sheets and evidently sold to Covici-Friede who issued them with new preliminaries, preface, binding, and jacket in 1936. Variant copy (no priority) with the top edges unstained. Goldstone-Payne A1.a.

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All images are from the respective auction houses with thanks.

Have fun browsing, and bidding if you wish!

 c2012 Jane Austen in Vermont
Auctions · Books · Jane Austen · Literature · Rare Books

Austen on the Block! ~ Affordable Jane and More…

Freeman’s Auctions [of Philadelphia] has two sets of Jane Austen’s novels up for auction this week: 

BOOKS, MANUSCRIPTS & EPHEMERA, Sale no. 1421.  2 Feb 2012. You can view the full catalogue here.

Lot 308: Jane Austen

Novels - Lot 308

Austen, Jane. The Novels.Oxford, 1923. Large Paper edition, #1/950 (1000). 10 volumes. 8vo, contemp. 3/4 crushed burgundy levant morocco, gilt, geometric-gilt spine compartments, t.e.g., marbled bds., by Baynton; very occasionally slightly scuffed. Color and other plates. Edited by R.W. Chapman. Presumably purchased by the last owner from Mabel Zahn at Sessler’s Bookshop, Phila.  Estimate $800-1,200

Lot 319: Jane Austen

Novels & Letters - Lot 319

Austen, Jane. The Novels and Letters.New York: F.S. Holby, 1906. Stoneleigh Edition, #358/1250. 12 vols. 8vo, orig. 3/4 green morocco & marbled bds., t.e.g. gilt-lettered & floral spine; corners & edges occasionally slightly rubbed, a few spine heads scuffed or rubbed, 1 head band partly rubbed away, spines of 2 vols fading to brown. Color plates. Internally clean.  Estimate $800-1,200

Click here for the Austen details.

Other items of interest: a Shakespeare Head Bronte, 21 volumes of Thomas Hardy, and because we are all about Dickens all this year, there are several titles for sale, including this:  

Lot 259: Charles Dickens

Dickens - Lot 259

Dickens, Charles. The Mystery of Edwin Drood. London: Chapman & Hall, 1870. 6 vols. (wrappers). First edition, 6 parts – all published 8vo, orig. printed blue green wrappers; minor wear. With 14 plates (incl. portrait). Scattered light foxing but internally generally clean and light. With all adverts. except the 4pp Wilcox & Gibbs concerning stitches adverts [ called for in part 6]. Includes the cork hats sheet in part 2. In custom gilt lettered brown cloth case & chemise.  Hatton & Cleaver pp373-(384). Purchased by the last owner from Mabel Zahn at Sessler’s Bookshop, Phila.  Estimate $300-500

And click here for offerings of  Thomas Rowlandson: here are the details on one, published by R. Ackermann between 1809-[1811]:  Jane Austen surely read these – she refers to Dr. Syntax in her letter of 2-3 March 1814 [Le Faye, Ltr. 97]. She writes to Cassandra from Henrietta St in London:   

“I have seen nobody in London yet with such a long chin as Dr. Syntax…”

 Lot 269: Thomas Rowlandson 

Poetical Magazine - Lot 269

(Rowlandson, Thomas, et al. illustrators) Poetical Magazine. London: R. Ackermann, 1809-[1811]. 4 vols. 8vo, early 20th-century full triple gilt lettered paneled, mottled tan polished calf, spines gilt, turn ins gilt, a.e.g., green morocco spine labels by Root; very occasional minor scuffing. With 4 engraved titles & 52 plates (50 hand colored aquatints & engravings – 30 by Rowlandson of Doctor Syntax.) Complete with a leaf of rhymed adverts. Internally clean & bright. Book plates of Dr. Stoughton R Vogel, & Robert Alexander Montgomery. Bright bdgs. Contains original issue of Combe’s & Rowlandson’s Tour of Dr. Syntax under the title of “The School Master’s Tour.” Tooley 421. Purchased by the last owner from Mabel Zahn at Sessler’s Bookshop, Phila.   Estimate $1,000-1,500

Rowlandson's Dr. Syntax - Lot 269

…with his very long chin!

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Happy bidding!

[All images and text from the Freeman’s Auction website]

Copyright @2012 Jane Austen in Vermont
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Strange Bedfellows ~ Jane Austen and Sports Illustrated?

Well, maybe not such strange bedfellows after all ~ Jane Austen did, as we all surely know, invent baseball [and here], so why not give her a well-deserved mention in Sports Illustrated?

I write this because my son went out of his way to drive over to my house just to show me what he assumed would be a glorious surprise – a Jane Austen siting that I surely couldn’t know about!  But alas! I had to tell him the truth that I already did know about not only the sale of The Watsons manuscript, but also the Sports Illustrated mention! – he is now more impressed than ever with my literary detective abilities, my ceaseless knowledge of everything and anything on Jane Austen [thank goodness for google alerts!] – but I felt that his efforts deserved a blog post, so here it is:

Go Figure

$1.4 million

Price fetched at auction by Sheffield FC, the world’s oldest soccer club, for its printed and handwritten versions of the game’s original rules, which were drafted in 1858.

$1.6 million

Price fetched at the same auction for the original draft of Jane Austen’s unfinished novel The Watsons.

Click here to see it on the page in SI: Austen Sports Illustrated

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Now I realize the SI editors were just following the same auction and wanted to show the comparison between the value of some old soccor rules and classic literature, but can this mean that Jane Austen in the Swimsuit issue will not be far behind?

‘Mermaids at Brighton’ – William Heath, c1829

[Image: Wikipedia]

 Copyright @2011 by Deb Barnum, of Jane Austen in Vermont
Austen Literary History & Criticism · Jane Austen · Literature · News · Rare Books

On the Block! ~ Jane Austen’s The Watson’s

Breaking news from The Guardian:  [and now all over the blogsphere!]

Jane Austen rare manuscript
up for sale

A rare, handwritten manuscript of Jane Austen’s unfinished novel The Watsons is to be sold at auction at Sotheby’s in London.

by Mark Brown, The Guardian, May 20, 2011

An incredibly rare handwritten manuscript of an unfinished novel by Jane Austen – the only one that is still in private hands – is to appear at auction inLondon.

The neatly written but heavily corrected pages are for her unfinished work The Watsons, a novel which many believe could easily have been as good as her six completed works.

Gabriel Heaton, Sotheby’s senior specialist in books and manuscripts, said it was “a thrill and privilege” to be selling it: “It is very exciting. This is the most significant Austen material to come on the market since the late 1980s.”

It is unquestionably rare. Original manuscripts of her published novels do not exist, aside from two cancelled chapters of Persuasion in the British Library.

The novel is considered around a quarter completed and the manuscript has 68 pages – hand-trimmed by Austen – which have been split up into 11 booklets.

It is most but not all of Austen’s unfinished novel. The first 12 pages were sold by an Austen descendent during the first world war to help the Red Cross and are now in New York’s Pierpont Morgan Library, while the next few pages were inexplicably lost by Queen Mary, University of London which has been looking after the manuscript.

The college’s director of library services Emma Bull said it happened six years ago, before she arrived, and had resulted in a full investigation which, alas, “did not really come to any firm conclusions about what specifically happened.” There had been a hope that they would turn up, but clearly that is now highly unlikely.

The Watsons manuscript shows how Austen’s other manuscripts must have looked. It also shines an interesting light on how she worked. Austen took a piece of paper, cut it in two and then folded over each half to make eight-page booklets. Then she would write, small neat handwriting leaving little room for corrections – of which there are many. “You can really see the mind at work with all the corrections and revisions,” said Heaton.

Scene from Pride & Prejudice, by Isabel Bishop - Morgan Library

At one stage she crosses so much out that she starts a page again and pins it in. It seems, in Austen’s mind, her manuscript had to look like a book. “Writers often fall into two categories,” said Heaton. “The ones who fall into a moment of great inspiration and that’s it and then you have others who endlessly go back and write and tinker. Austen is clearly of the latter variety. It really is a wonderful, evocative document.”

The Watsons was written in 1804, not a hugely happy time for Austen professionally – she had one novel rejected and another bought by a publisher who failed to print it.

It was also a difficult time personally and one reason it was not finished may be because fact came too close to the fiction. The Watsons heroine is Emma, one of four sisters who are daughters of a sick and widowed clergyman. The novel would have had the father die leaving Emma in a precarious financial position. In real life, Austen’s clergyman father died leaving her in a similar pickle to her fictional heroine.

Had Austen completed The Watsons there are many who believe it would have been a classic. Margaret Drabble described it as “a tantalising, delightful and highly accomplished fragment, which must surely have proved the equal of her other six novels, had she finished it.”

The manuscript was bought by the present owner in 1988 when it was sold by the British Rail Pension Fund. It had been bought from Austen descendents in the 1970s when manuscripts, rare books and fine art seemed like perfectly sensible things for nationalised pension funds to buy.

The manuscript has been valued at £200,000 to £300,000 and will be sold at Sotheby’s in London on 14 July.

You can see this page from The Watsons at the Pierpont Morgan Library’s online exhibition A Woman’s Wit: Jane Austen’s Life and Legacy:

[Image:  The Watsons,  Pierpont Morgan Library Online Exhibition]

The Sotheby’s auction page is here, English Literature & History, Sale No. L11404, though there are no details yet online.  I will keep you posted! – and more on The Watsons in the coming weeks… you can read it online here at The Republic of Pemberley or a PDF version here,  or learn more about it here at Jane Austen’s Fiction Manuscripts where you can also read along with the digitized copy.

Copyright @2011 by Deb Barnum, of Jane Austen in Vermont
Jane Austen · Literature · News · Publishing History · Rare Books · Women Writers

On the Block! ~ Sarah Burney’s Copy of ‘Pride & Prejudice’

Heritage Auction Galleries: 2011 April New York Signature Rare Books Auction #6053 ; Lot # 36518

Novelist Sarah Burney’s Copy of Jane Austen’s Pride and Prejudice

[Jane Austen]. Pride and Prejudice: A Novel. In Three Volumes. By the Author of “Sense and Sensibility.” London: Printed for T. Egerton, 1813.

First edition. Three twelvemo volumes (7 3/8 x 4 1/2 inches). [4], 307, [1, blank]; [4], 239, [1, blank]; [4], 323, [1, blank] pp. Half-titles present but that for the first volume is in facsimile. Most sheets watermarked 1808.

Contemporary half green roan over marbled boards, smooth spines with gilt rules and lettering, edges sprinkled red. Some rubbing to joints and extremities. Scattered foxing. A very good copy with a fine association.

Sarah Harriet Burney’s copy, with her signature on the title of all three volumes. English novelist Sarah Harriet Burney (1772-1884), half-sister of Fanny Burney, published five novels during her lifetime. Among her more famous works are Tales of Fancy and Geraldine Fauconberg. Her work was admired by Jane Austen who, in one of her letters, remarks that she is reading one of Sarah Burney’s novels for the third time. In turn, Sarah Harriet Burney received Jane Austen’s novels from her publisher, and was one of the earliest readers to publicly recognize her genius. Sarah Burney’s life has strong echoes of Jane Austen’s fiction, but with scandalous overtones. In 1798, she eloped with her half-brother Captain James Burney, 22 years her senior, settling eventually in lodgings in Tottenham Court Road, “living in the most groveling mean style.” In 1803 James went back to live with his wife. Sarah then took a job as a governess, wrote novels as a means of earning money to support herself, and eventually left England for Florence, where she mixed with a circle or artists and authors including Henry Crabb Robinson. She received great sympathy from her three remaining half-sisters, Esther, Fanny, and Charlotte, on the death of James Burney in 1821. In 1822 she gained the post of governess to the grandchildren of Lord Crewe, with her own house and a salary of 300 pounds a year. She spent the last years of her life in ill health at a boarding house in Bath. In 1840, on the death of Fanny D’Arblay, Henry Crabb Robinson wrote that she bequeathed Sarah “1,200 per annum for her life.” She continued to socialize with Robinson and his friends until her death at Cheltenham on February 8, 1844. Some of her property was left to her half-nephew, Martin Charles Burney, James Burney’s son.

Gilson A3. Grolier, 100 English, 69. Keynes, Austen, 3. Sadleir 62b. Tinker 204.

Estimate: $90,000 – up.  Starting bid is $45,000.

*Absentee bidding has opened and ends on April 6, 2011.
*Live auction on April 7, 2011.

[Image and text from the Heritage Galleries website]

Copyright @2011 by Deb Barnum, of Jane Austen in Vermont
Austen Literary History & Criticism · Jane Austen · News

On the Block! ~ An Imaginary Jane Austen

Up for auction on March 29, 2011 – Papers and Portraits, Bonham’s London, an imaginary portrait of Jane Austen.  

From the catalogue:

Lot No: 6 – A Portrait of Jane Austen BY AN UNKNOWN ARTIST, half-length, wash and pencil, highlighted with chalk, on vellum, inscribed on the verso in a small contemporary hand ‘Miss Jane Austin’ (sic) and with the location or inventory number ‘A76’, contemporary gilt frame with attached identification label ‘Jane Austen B. 1775 – D. 1817’, chalk numbers on verso of frame ‘166 8234’ and inscribed on the old backing board in an early nineteenth-century hand ‘Price £3-3s 0d Frame £0 5s 0d.’ and with chalk mark ‘A68’, size of image 5¾ x c. 4½ inches (14. 5 x c. 12 cm), overall size 11¾ x 10½ inches (30 x 27 cm), no date [but ?1818]

Estimate: £1,000 – 2,000, € 1,200 – 2,400

Footnote: THIS IS THE EARLIEST OF THE SO-CALLED ‘IMAGINARY’ PORTRAITS OF JANE AUSTEN, thus listed by Deirdre Le Faye in her article ‘Imaginary Portraits of Jane Austen’ in Jane Austen Society Report, 2007, pp. 42-52 (a copy of which is included with the lot).

Le Faye suggests that the portrait ‘could be as early as 1818’, one year after Austen’s death. Le Faye comments: ‘This might well be a creation by the Revd William Jones (1777-1821), curate and vicar of Broxbourne and Hoddesdon – or if not him, someone with very similar interests. On 17th April 1818 Mr Jones confided to his diary: “Whenever I am much ‘taken with’ an author, I generally draw his or her likeness in my own fancy…” The artist, whoever he/she may have been, seems to have read Henry’s “Biographical Notice [of the Author”, by Jane Austen’s brother Henry in the four-volumes of Northanger Abbey and Persuasion in 1817] and invented the portrait accordingly, depicting a thin, large-nosed, well-dressed middle-aged lady set against a background of a swagged curtain, classical columns, and cathedral tower. She is sitting at a small round table, quill and notebook in hand and with eyes upraised apparently seeking literary inspiration from the heavens. The elements of the portrait are symbolic – her closely-fitting long-sleeved dress suggests sober respectability; and her various rings and necklaces demonstrate likewise that she was well off, not a poor hack writer starving in a garret. The sleeping cat on the table beside her implies spinsterhood – a pet instead of a child – and the cathedral tower in the background, vaguely reminiscent of Canterbury, harks back to Henry’s statement in his last paragraph that “She was thoroughly religious and devout.”‘

Jane Austen was noted for wearing caps, largely out of fashion by the time of this portrait, as her niece Caroline Austen noted: ‘She always wore a cap – Such was the custom with ladies who were not quite young…I never saw her without one…either morning or evening’ (G.H. Tucker, Jane Austen the Woman, 1994, p. 10). Jane Austen herself commented that wearing a cap ‘saves me a world of torment as to hair-dressing’.

There is no professional portrait of Jane Austen and the only authentic representation of her is a watercolour sketch drawn by her sister Cassandra, probably about 1810, which is now in the National Portrait Gallery; it was described by R.W. Chapman as a ‘disappointing scratch’ (Jane Austen: Facts and Problems, 1946, p. 212).

In this cataloguer’s view the present portrait goes beyond Henry Austen’s description of his sister in catching Austen family characteristics, including the somewhat elongated large nose and somewhat pointed chin. The sitter is clearly above middle height (Henry said ‘It could not have been increased without exceeding the middle height’) and thin, as was Jane Austen. Despite what is stated above by Deirdre Le Faye, Henry Austen did not mention in his account that his sister was thin and large-nosed. Mrs Beckford, a friend of Jane’s, however, described her in a letter as ‘a tall thin spare person…the face by no means so broad & plump as represented…’ (Tucker, op. cit., pp. 11-12).

[An image of the Portrait can be found in the JAS Report 2007, opp. p 64, as well as the Bonham’s catalogue linked above; the text is from Bonhams catalogue] 

With thanks to Marsha and Kerri for the information.

Copyright @2011, by Deb Barnum at Jane Austen in Vermont
Books · Collecting Jane Austen · Jane Austen · News · Publishing History · Rare Books

Austen on the Block!

Auction Alert!   Heritage Auction Galleries has announced its upcoming “Signature Rare Books Auction”, October 14-16 – Beverly Hills, CA.  Auction #6048.  You will all be happy to see that all of Jane Austen’s first editions will be on the block! – all in lovely bindings and now viewable online and open for bidding: [note the opening bid and estimated value, and buyer’s premium; if there is a reserve it has not been noted] 

*First Edition of Jane Austen’s Fourth Novel in a Full Morocco Binding by Rivière & Son:

 [Jane Austen]. Emma: A Novel. In Three Volumes. By the Author of “Pride and Prejudice,” &c. &c. Vol. I. [II. III.] London: Printed for John Murray, 1816.  Opening bid:  $7500.  [estimated value = $15,000+] 

*

*First Edition of Jane Austen’s Mansfield Park in an Attractive Full Morocco Binding by Rivière & Son:

 [Jane Austen]. Mansfield Park: A Novel. In Three Volumes. By the Author of “Sense and Sensibility,” and “Pride and Prejudice.” Vol. I [II. III.]. London: Printed for T. Egerton, 1814 (Volume II with imprint: London: Printed for T. Egerton, Whitehall, 1814).  Opening bid:  $5,000.  [est. $10,000+]

*

*First Edition of Jane Austen’s Posthumously Published Northanger Abbey and Persuasion Attractively Bound in Full Morocco Gilt by Rivière & Son:

[Jane Austen]. Northanger Abbey: and Persuasion. By the Author of “Pride and Prejudice,” “Mansfield-Park,” &c. With a Biographical Notice of the Author. In Four Volumes. Vol. I. [II. III. IV.]. London: John Murray, 1818.   Opening bid: $3,750. [est.$7500+]

*

*A Lovely First Edition of Jane Austen’s Pride and Prejudice:

[Jane Austen]. Pride and Prejudice: A Novel. In Three Volumes. By the Author of “Sense and Sensibility.” Vol. I. [II. III.] London: Printed for T. Egerton, Military Library, Whitehall, 1813.  Opening bid:  $15,000.  [est. $30,000+]

*

*Scarce First Edition of Jane Austen’s First Published Novel, in a Full Morocco Binding by Rivière & Son:

[Jane Austen]. Sense and Sensibility: A Novel. In Three Volumes. By a Lady. Vol. I. [II. III.]. London: Printed for the Author, By C. Roworth, Bell-yard, Temple-bar, and Published by T. Egerton, Whitehall, 1811.  Opening bid:  $20,000.  [est. value $40,000+]

*

See the Heritage Auction Galleries website for full descriptions of each title.

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 Oh Jane, whatever would you say?! – Let the bidding begin! 

[Posted by Deb]