Jane Austen · JASNA-Vermont events

Happy Birthday Miss Austen! ~ 234 never looked so good!

[Posting this a day early – enjoy and celebrate tomorrow!]

You have doubtless been for some time in expectation of hearing from Hampshire, and perhaps wondered a little we were in our old age grown such bad reckoners but so it was, for Cassy certainly expected to have been brought to bed a month ago:  however last nightthe time came, and without a great deal of warning, everything was soon happily over.  We have now another girl, a present plaything for her sister Cassy and a future companion.  She is to be Jenny, and seems to me as if she would be as like Henry, as Cassy is to Neddy.  Your sister thank God is pure well after it, and send her love to you and my brother, not forgetting James and Philly…

[Letter from Mr. Austen to his sister Philadelphia Walter, December 17, 1775, as quoted from Deirdre Le Faye, Jane Austen, A Family Record, Cambridge, 2004, p.27.]

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JASNA-Vermont celebrated Jane Austen’s birthday last Sunday, December 6th,  with our annual Birthday Tea, an Austen Emporium of gifts and books, and a fabulous lecture by Professor Philip Baruth [of UVM] on “’Badly Done Indeed’: in which Austen’s Mr. Knightley is Revealed to be a Whimsical and Emotional Teen Basket-Case!”

Despite the what-now-seems-inevitable-computer-glitch, Dr. Baruth regaled us all with his take on Mr. Knightley’s not quite hidden jealousy of Frank Churchill, at least not hidden to the careful reader.  As his starting point, Baruth summarized the remonstrance scenes in three of the novels, what he calls “re-reading the remonstrance,” the point at which the characters reveal something of themselves and understand both themselves and another far better, as in Elizabeth Bennet’s off-quoted phrase “Till this moment I never knew myself.”  In Pride & Prejudice, it is Elizabeth’s “had you behaved in a more gentleman-like manner” that sets Darcy on the road to understanding and redemption; in Northanger Abbey, when Henry Tilney rebukes Catherine Morland for her gothic-like thoughts of his father as murderer: “the visions of romance were over, Catherine was completely awakened…”; and in Emma, the Box Hill scene, when Knightley defends Miss Bates against Emma’s sad joke: “She is poor; she has sunk from the comforts she was born to; and if she lives to old age must probably sink more.  Her situation should secure your compassion.  It was badly done indeed!…” and Emma’s response:  “Never had she felt so agitated, mortified, grieved, at any circumstance in her life.  She was most forcibly struck…”

Baruth’s references to these three similar “variations on a theme” are central to the reader’s understanding of what makes a “great couple” in Austen – each must have equality, and he believes that Emma and Mr. Knightley are the most equal of all the couples – they may not appear so with the usual view that Mr. Knightley is so far superior to Emma, so mature, so above her with his ongoing corrections of her behavior.  But Baruth’s main point is that Knightley is really much more immature than appears on a first reading – he is jealous, childish, manipulative, angry and not above matchmaking a bit himself [by sending Mr. Martin off to London knowing full-well that he will see Harriet at his brother’s house].  There are a number of instances where all this is clear in the text, and Dr. Baruth pointed out several of them – his final statement that “there is no avoiding the horrible conclusion that at the precise midpoint of the novel, Knightley is actually less stable than Miss Bates!”  [HIS Miss Bates is more mature, has more penetration, and is indeed the true matchmaker of the piece!] 

So this is just a brief summation of some of Baruth’s thoughts – I have to believe that at least half of that room of over 75 people went right home to begin a re-read of Emma! – all the while looking for Austen’s hidden clues that Mr. Knightley is besotted and acting accordingly through most of the book – many of Emma’s readers have oft longed for a more romantic Knightley, and indeed I think he has been there all along!

[One funny aside of the “it was badly done indeed” quote from the book – Dr. Baruth pointed out that for some reason known only to the Hollywood crowd that this line in the movies has often been edited to “badly done, badly done indeed!”, which he thinks sounds more like what you might say to your dog after discovering a mess on the carpet!]

Anyway, lots of food for thought , especially the redemption of Miss Bates from a ridiculous chatter-box to town prophet – re-read your Emma and see what YOU find!

So now on to celebrating Jane’s 234th birthday, today, December 16, 2009.  One of the ideas I stole from the JASNA-New York Region was the composing of a birthday greeting to Jane from one of her characters, so I asked members to fire up their creative 18th-century imaginations and write a note to Jane.  Here is what we read to the crowd at the tea, all heartily received with wide laughter and applause [we also read the New York letters from their tea last year – these are on their chapter website here – scroll down to the end of the Spring 2009 newsletter for the letters.]

Birthday Greetings to Jane Austen on her 234th Birthday ~
From her devoted servants, December 6, 2009

 

 

 Dear Jane (if I may be so bold), 

Certainly those of us in the first ranks of society must take pains to do all that is right and proper, and with that in mind I am sending my very best wishes on the anniversary of your birth.  

To further celebrate the event, I would like to invite you to tea with myself and my caro sposo; it is to be a small affair, you know, with just the usual gathering of personages of good birth and breeding. I would gladly entertain you with various affecting piano pieces, which I used to play beautifully (just ask my caro sposo), but find that I am just so out of practice since becoming a married woman that no doubt you (being yet unspoken for, and so with vastly more time on your hands) would perform them far more admirably. Which puts me in mind of a jolly idea: would you like to play for us when you come? Say you will; it will be the talk of our society for ever! How clever I feel for having thought of it!

 I look forward to the honor of your acceptance of my gracious invitation. 

Yours most sincerely,
Mrs. (Augusta) Elton   

[a.k.a. Janeite Donna]

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Ah, Ms. Barnum, So, very obliging of you.  Well, this is a brilliant tea party.  Oh, I declare, there’s Miss Austen,  Ah, Miss Austen, happy birthday, to be sure.  Did you ever see any thing?  Oh, look, there’s dear Ms. MacDonald.  I hope you are quite well.  So, obliged to you for the ride.  Most comfortable sedan.  Excellent time.  Never were such neighbours.  Dear Mr. Guerlain, upon my word, sir, this meeting quite in fairy-land.  Such a host of friends.  And Ms Hefferon, and Mrs. Bertolini.  How do you do?  Ah, Miss Austen’s birthday, must not forget.  Quite wonderful how she does her hair!  No hairdresser could.  Ah! Ms. Barnum, is it time for tea?

 Miss Bates babbling at the Tea
[from Janeite Marcia]

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Be not alarmed, Madam, at receiving this letter, celebrating your natal day. I write without any intention of invading your privacy. However, my dearest wife has brought to my attention that without your most generous interference, she and I might never have met, might never have misunderstood and then understood each other, might never have fallen in love, and certainly might never have married. In this last point, I must disagree with my excellent wife, for once you had created Elizabeth Bennet and placed her before me, nothing (except perhaps my pride) could have kept me from loving and marrying my dearest, loveliest Elizabeth. My wife now reminds me that I digress from the aim of my missive, which is to offer you our sincerest congratulations on this your 234th birthday.  You have forever blessed the Darcy family.  Not only have you left us with your six major novels, Lady Susan, two unfinished manuscripts, your Juvenilia, and many letters, but your work has spawned hundreds (perhaps thousands) of scholarly works, fan fictions, weblogs, and twitter comments. Although to say the truth, I’m not sure I approve of the inclusion of zombies and vampires. Nonetheless, I shall endeavor to find some opportunity to convey this message to you at the Jane Austen Society of North America in Vermont Birthday Tea on a date prior to your natal day in December.

I will only add, God bless you and Janeites Deb and Kelly, as well.

Your most grateful servants,
Fitzwilliam and Elizabeth Darcy

p.s. My brother and dear friend Bingley continues to torment me about my tendency to search for words of “more than three syllables.”  Could you perhaps alter the aspect of his character that compels him to tease me? As you well know, I receive sufficient teasing from my dear wife.
FD

[Dictated to Janeite MaryEllen, December 3, 2009.]

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Dear Miss Austen:  Yes, i know you have a sister, but am not sure which of you is the elder; therefore, you could be Miss Jane. Forgive me, if i have erred.  The fire needs replenishing.  I can’t tell you the satisfaction and pleasure that your unmarried state has given me.  First, my other daughter, now wallowing in young children and vapors; next, poor Emma’s governess (and to a neighbor and one i thought of as friend!), and now and , most importantly, my poor Emma herself. Forgive me, but my former friend and neighbor, Knightley, who dandled the infant Emma on his knee, has finally , after all these years, persuaded her to join him in the hateful condition of marriage.  The final and worst betrayal.   Again, dear Miss. A., why couldn’t they all follow your good example of productive spinsterhood?  There would be room by my fire.    

Yours faithfully,    Mr. Woodhouse   

[a.k.a. Janeite Ann]

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My Dearest Jane,

 Oh! My heart is all a flutter that today is your birthday! – just think, you can celebrate with us and the four and twenty families I have invited for tea. I am so glad that Mr. Bennet took it upon himself to visit you … it is not often that he leaves his library. 

We are hoping that our new neighbor, Mr. Bingley [who has I hear 5000 pounds a year!] will come, and hopefully NOT bring his odious sisters [oh dear, that Mr. Hurst will surely get drunk and perhaps propose a duel with my Mr. Bennet!],  and certainly NOT bring that supposed friend of his, Mr. Darcy, who should really have stayed in Town! – even his 10,000 pounds a year cannot make me wish him for one of my daughters  [why ever dear Miss Austen did you make him so insufferably proud – it is after all hard to ignore that 10,000 pounds, not to mention his elegant looks – you must know how this Colin Firth has put your infamous “Mr. Darcy” into the heart of EVERY breathing female, and an icon with whom all the males in the land cannot possibly compete – whoever was the model for this fellow, we would all very much like to know, I can tell you that…]  Anyway, all is likely lost and Mr. Bingley will not come to tea, as Mr. Bennet has yet to make his acquaintance – he has perhaps used his time unwisely by visiting with you instead… 

But, oh, my nerves! [you did, Miss Austen, certainly saddle me with an abundance of the vapors!] – Mary is practicing the pianoforte just for your pleasure [but more importantly she will want to take you aside to discuss the finer points of one of Mr. Fordyce’s sermons that she is forever grappling with], and shopping-crazed Lydia has just bounded in with the most hideous bonnet imaginable; and to finish me off, Hill is calling – there is, it seems, a PIG in the parlor…. Oh my poor, poor nerves! 

Yours,
Mrs. Bennet 

Oh, P.S. Happy Birthday…

 [a.k.a. Janeite Deb]

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So we wish Jane a most Happy Birthday today!

Two questions:

  • Did you know that this is also the day that Charles Musgrove married Mary Eliot?  I wonder why Austen chose her own birthday for this? – any ideas??
  • And why of all the Austen children [James, George, Edward, Henry, Cassandra, Francis, Jane and Charles] is Jane the only one with no middle name?

[birthday cake image from Sweet Pea Bakery in Bozeman Montana]

[Posted by Deb]

Jane Austen · JASNA-Vermont events · News

Annual Jane Austen Birthday Tea! ~ December 6, 2009

If adventures will not befall a young lady in her own village, she must seek them abroad….  

 [Jane Austen, Northanger Abbey] 

You are cordially invited to 
  JASNA-Vermont’s  Annual Jane Austen Birthday Tea !! 

 Sunday, 6 December 2009: 2-5 pm 

featuring 

Prof. Philip Baruth * (University of Vermont)
“Badly Done Indeed: In Which Austen’s Mr. Knightley is Revealed to be a Whimsical and Emotional Teen Basket-Case”

&

~ Classical Harpist Rebecca Kauffman **~

 ~ English Afternoon Tea ~
~ Gift Emporium with Local Artisan Crafts & Austen related Books ~

Place: Champlain College, Hauke Family Campus Center (375 Maple St.), Burlington 
$15./ person / $5. / student
Please register by sending in the JASNA December 2009 dec tea reserve form or leave a comment below 

JASNA December 2009 flyer 

Philip Baruth is a Professor of English at the University of Vermont specializing in eighteenth-century British literature.  He is also a novelist and an award-winning commentator for Vermont Public Radio.  His most recent novel, The Brothers Boswell (Soho, 2009), is a literary thriller set in eighteenth-century London.  It follows James Boswell and Samuel Johnson as they are stalked about the city by Boswell’s jealous and mad younger brother, John.  And just recently, Philip stopped writing commentary in order to run for the State Senate from Chittenden County.  His campaign website is Baruth2010.com; his blog is Vermont Daily Briefing.

**We are honored to have Rebecca Kauffman join us for this year’s Tea! She is currently principal harpist for the Harrisburg Symphony Orchestra, Harrisburg, PA, a position she has held for 29 years. She is also the second harpist with the Reading Symphony Orchestra, Reading, PA, and the former principal harpist with the Lancaster and York Symphony Orchestras, both in Pennsylvania. Rebecca has appeared as the featured soloist on numerous occasions with the Harrisburg and York Symphonies, the Millersville University-Community Orchestra, the Hershey Symphony, the Cayuga Chamber Orchestra in Ithaca, NY, and the Lancaster Chamber Ensemble. She has also performed with the Baltimore Symphony Orchestra, Delaware Symphony Orchestra, Kennett Square Orchestra, Vermont Symphony Orchestra and the Binghamton NY Philharmonic. She has appeared in concert with a wide variety of concert artists.   For more information, please visit her website at RebeccaKauffman.com

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Please Join Us!

[Posted by Deb]

Books · Jane Austen · Jane Austen Sequels · News

Book Giveaway ~ and the winner is….!

Corinne!  Congratulations on winning the book giveaway of Juliet Archer’s The Importance of Being Emma!  Please email me your address and contact information –  the publisher Choc-Lit will send you the book directly.

Many thanks to everyone for the great questions and comments – and especially to Juliet Archer for her in-depth responses that gave us some great insights into her imaginative re-creation of a 21st century Emma and Mr. Knightley.  Cannot wait for the next book with Captain Wentworth and Anne!

[On a side note – I have Austen scholar Dr. Joan Klingel Ray here with me for the weekend as she will be speaking at our JASNA-Vermont gathering tomorrow – she happily assisted me by pulling the winning name out of a hat this evening!  I also I think she has become very interested in this very modern Mr. Knightley!]

Again, thanks to all, and a hearty thanks to Laurel Ann at Austenprose for posting the book giveaway news on Jane Austen Today – and hence sending all those comments our way!

Book reviews · Books · Jane Austen · Jane Austen Sequels · News

Last Chance! ‘The Importance of Being Emma’ ~ Book Giveaway

Reminder to all:  the deadline for posting comments and / or queries to author Juliet Archer to win a free copy of The Importance of Being Emma is midnight Friday September 25! 

book cover importance of being emma

Posts to comment on:

Just a comment or a query and you will be entered in the drawing.  The book will be sent to you directly from the publisher Choc-Lit.

Thanks to all who have participated, and a hearty thank you to Juliet Archer for her very thoughtful responses!

[Posted by Deb]

Books · Jane Austen · News · Rare Books

“Emma” on the Auction Block

I entreat you to visit my Bygone Books blog for information on TWO first editions of Jane Austen’s Emma coming soon to the auction block …

auction picture emma swann 1009

 

[Posted by Deb]

Book reviews · Books · Jane Austen · Jane Austen Sequels

Juliet Archer’s “Emma”, Part 2 ~ Book Giveaway!

Life certainly gets in the way of blogging! – here is the promised Part 2 of my interview with Juliet Archer, author of The Importance of Being Emma, and a confessed “19th-century mind in a 21st-century body.”  [see Part 1 of this interview here].  Please see below for the book giveaway info… we welcome your queries and comments!

book cover importance of being emma

 

Deb:  Welcome back Juliet!  You mention in your last answer that the next novel in your series  “Jane Austen in the 21st Century Series”  is “Persuade Me”, after Austen’s “Persuasion”–  why did you start with “Emma”?

 JA:  Although Emma’s the first Austen modernisation I’ve had published, it’s actually my third attempt. I’ve done very early drafts of both Pride and Prejudice and Persuasion. When I realised how wide a gulf there was between writing something and getting it published, I focused on Emma because it was my most recent work and I thought it would need less doing to it. I was wrong! 

I think Emma is Austen’s most comic novel, so I was thrilled when The Importance of Being Emma was shortlisted for the 2009 Melissa Nathan Award for Comedy Romance.  

Deb:  [Congratulations on that! ] ~ What do you think Austen would say to your “meddling” with her story?  What would she say about all the sexual content? 

JA:  There’s been so much ‘meddling’ with Austen already that she’d probably be bored rigid by the time she got to The Importance of Being Emma! I hope she’d be proud to see her story adapt so well to a different time period and social setting, and that she’d be sympathetic to the changes I’ve made. Most of all, I hope she’d have a good laugh!

 As for the sexual content, for my hero and heroine it sits firmly within a framework of love, commitment and ultimately marriage – a scenario which comes across very strongly in the original novels. Given the world we live in, I felt I couldn’t modernise Austen without including some sexual content and, fortunately, readers seem to think I’ve struck the right balance.

 Deb:  I do agree with your readers here!  I think your characterization and plot devices are spot-on and the sexual scenes are so very well done, and of course we know how it ends – marriage IS the goal after all!  Which leads me to my next question:  We all do know this story and how it ends, so there are no surprises here – how did you go about creating enough interest and tension to make your reader want to keep turning those pages?  [I know that I did!] 

JA:  [Thank you!] First, with most mainstream romantic fiction, Austen-based or not, we can guess instantly who’s destined for whom – the interest is in how they get together. So in that respect my story’s no different from many others. Second, as you’ve already indicated, the alternating 1st person point of view helps to create interest and tension. And finally, in my opinion Austen does two things – effortlessly – that make the reader want to keep turning the pages: characterisation and dialogue, often laced with humour. By imitating her work, I hope I’ve written what many readers see as a ‘page turner’.

Deb:  Yes, indeed you have!   And now for a few personal questions if you don’t mind…  What else have you written? 

JA:  What started me writing novels was the BBC’s dramatisation of Gaskell’s North and South, starring Richard Armitage. So I’ve got a few modern ‘fanfics’ lying around and still hope to have a 21st-century version of North and South published – although not until I’ve got Austen modernisations out of my system. 

Before that, I wrote very bad, unpublishable poetry – rather like my version of Giles Benwick in Persuade Me.

 Deb:  The Armitage “North & South” adaptation seems to have set off a number of fan-fic writers – there are whole blogs devoted to it!  I would eagerly await your updated version – [and hopefully Mr. Armitage could be persuaded to play the part yet again…?] – but I digress! – What is your writing habit?

JA:  I work full-time in London Monday through Friday, so I fit my writing into my spare time and also get up early most mornings. In the evenings, a glass of wine is known to get me in the mood! My family keep me grounded and occasionally remember to feed me. 

Most of my first draft goes straight onto the computer – PC in the study, laptop in the garden or bed! But I’m always printing pages off so that I can read and edit on the train going to and from work. For me, there’s no substitute for the printed word – yet. 

Deb:  Oh, I like hearing about your love of the PRINTED word! Anything else you would like to share? 

JA:  I’m married with two teenage children and live in Hertfordshire, Pride and Prejudice country. Unlike Anne Elliot in Persuasion, I resisted well-meant advice and married young, before graduating from university with a First in French and Russian. Initially I worked in IT and company acquisitions, then ran my own consultancy business, and now I work for a national healthcare organisation. 

Finally, I love hearing from Jane Austen fans, so please visit my website – and I welcome readers to contact me directly.

Deb:  Thanks so much Juliet for visiting us and sharing your thoughts on the writing of YOUR “Emma”!   I wish you much success – and am looking forward to “Persuade Me ” and making the acquaintance of your Captain Wentworth! ~ Now Gentle Readers, please send in your queries and comments to participate in the book giveaway…

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Book Giveaway:  Juliet has most graciously offered to answer any questions you might have for her – all queries and comments posted between today and midnight September 25, 2009 will be entered into a drawing for the free book giveaway, courtesy of Choc-Lit.  All are eligible to enter.

The Importance of Being Emma
by Juliet Archer
Harpenden, UK:  Choc-Lit, 2008   £7.99 / $13.07 [paperback]; also available in an ebook version direct from the publisher for £3.99 / $5.99
ISBN:  978-1-906931-20-9

[Posted by Deb]

Book reviews · Books · Jane Austen · Jane Austen Sequels

Interview with Juliet Archer ~ Author of ‘The Importance of Being Emma’

Today we welcome author Juliet Archer, author of The Importance of Being Emma, [Choc-Lit, 2008].  Ms. Archer, who says she is a 19th-century mind in a 21st-century body [though she adds that some days it is the other way around!] joins us today from London to talk about her very humorous modernization of Jane Austen’s Emma.  [Click here for my review of the book].  We are also offering a free book giveaway direct from the publisher, the winner drawn from all comments posted by September 25th [see below for full details]

book cover importance of being emma

 

 

Hello Juliet ~ thank you for joining us here at Jane Austen in Vermont!  I enjoyed your spin on Austen’s ‘Emma’ very much, and look forward to others in this series of “Jane Austen in the 21st Century.”

JA [note the initials!]:  Hi Deb, thank you for the opportunity to ‘talk’ to you and your blog readers.

Deb:  To start, just tell us briefly what YOUR Emma is about. 

JA:  I’ve lifted the plot and characters of Austen’s original and plonked (a technical term!) them very much into the 21st century. Cue mobile phones, emails, jobs and liberated attitudes to social and sexual interaction! 

Deb:  So many Austen “fans” are drawn to the historical period of the Regency, and like their sequels, etc. to be so set as well.  What inspired you to do a re-telling of ‘Emma’ in our modern-day world?  And why do you think lovers of Austen will enjoy reading your book?

JA:  Modernising Jane Austen is not an original idea – for example, Melissa Nathan wrote versions of Pride and Prejudice and Persuasion almost ten years ago. Then we have Helen Fielding imagining Bridget Jones as a modern-day Lizzy Bennet; and even Stephenie Meyer has admitted that Bella and Edward’s early relationship in Twilight was influenced by Pride and Prejudice.  In effect, Austen’s novels seem to provide an elegant template for most romantic fiction and chick lit, whether consciously or unconsciously. So, if you like, there are lots of ‘unofficial’ as well as ‘official’ modern versions out there already. I’ve just kept more closely to the originals!

I have several reasons for retelling these novels through 21st-century eyes. First, I’m learning from the master of my chosen genre. As Claire Harman notes in Jane’s Fame, a wonderful account of the Austen phenomenon, ‘It seems almost redundant to itemize aspects of Austen’s appeal; there are the brilliantly constructed plots, the romance, the comedy.’  Second, what started as a bit of an experiment has become compulsive fun: who will I tamper with next – delectable Darcy or calculating Crawford?  Third, a 21st-century context gives me an opportunity to explore some aspects of the originals that Austen couldn’t, or wouldn’t, develop – particularly the male point of view. And finally I hope to appeal to those – like my own daughter – who adore the dramatisations of Austen’s work yet can’t get into the books themselves. 

If you’re an Austen lover, then my versions have an extra dimension – looking for the parallels with the originals and, I hope, appreciating the differences. For example, the Box Hill incident in Emma: I couldn’t see this working as a picnic these days, so I’ve changed the setting – but, I hope, kept to the spirit of the original. And I wanted to give Emma’s outburst to Miss Bates the context of a rare moment of self-awareness, so I added something to the original. 

Interestingly, I’ve met with far more support than resistance from Austen lovers. When one of my publisher’s reps gave a copy of The Importance of Being Emma to the manager of a local Waterstone’s store (a leading UK book chain), she threw up her hands in horror and exclaimed, ‘Who would want to tamper with Jane Austen?’  After reading the book, however, she became a staunch fan, gave it a glowing staff recommendation and arranged for me to do a talk at the local literary festival.

 Deb: Comparisons will be made with the movie “Clueless” – how is your story different? 

JA:  I love that movie! But the high school setting and teenage culture are a step too far for a middle-aged author like me, and I wanted to stick as closely to Austen’s settings as possible. 

So my story takes place mainly in the village of Highbury, Surrey, England, and my characters are nearer in age to the originals. Donwell Abbey with its farming interests has evolved into Donwell Organics, while the Woodhouses also have a family business, Highbury Foods. As Knightley observes, however, in spite of various precautions Henry ‘never ate anything labelled “Highbury Foods”; he said his digestion was far too delicate.’ 

Deb:  You make Knightley quite “hot” and obviously very interested in sex!– what in Austen’s ‘Emma’ made you want to expand on this aspect of Knightley’s character?

JA:  If we turn this question round, it becomes ‘How do I make Austen’s Knightley fit into a modern world?’ Don’t get me wrong, I love the original Knightley just the way he is. But ‘a 37-year-old farmer leading a solitary existence, until he realises he loves the nubile 21-year-old next door’ just didn’t translate convincingly to the 21st century! And what appeal would there be in the modern equivalent of Knightley’s immortal line ‘God knows, I have been a very indifferent lover’?! 

So my Knightley had to have a makeover. I cut the age difference, to make sure he wasn’t old enough (technically) to be Emma’s father. Gave him a stunning girlfriend who’s looking to settle down. And kept him well away from Highbury while Emma was growing up. But the most enjoyable part was filling in the gaps that Austen left in our understanding of Knightley. Austen provided a starting point, an end point and a few little clues along the way – the rest was up to me! 

And, remember, in my version we meet Knightley when he’s thousands of miles away from his girlfriend and confronted by this gorgeous young girl he used to call ‘Mouse’! Is it surprising that his mind, er, wanders? 

Deb:  I mention this in my review, but just again explain why you changed the names of some of the main characters? 

JA:  As I modernise Austen’s novels, I change characters’ names only with good reason. The most obvious change in The Importance of Being Emma is Knightley. I don’t know any men in their mid-30s called George – they are either much older or much younger. I certainly like the name, especially when it is attached to a certain Mr Clooney! 

So I reserved ‘George’ for Mr Knightley Senior; in my version I felt he had to be alive, since enough parents in the original Emmahave expired as it is – and I include Henry Woodhouse in this! Then I looked round for a similar, solid-sounding name of one syllable for his son and – for personal reasons – chose ‘Mark’. Same with Frank – in the UK, at least, it no longer has a contemporary feel, so I went for ‘Flynn’ Churchill, with its shades of Irish blarney! 

In Persuade Me (my version of Persuasion), I’ve changed Anne and Frederick to Anna and Rick, again for a more contemporary feel. Similarly, Anne’s sister Mary (an unusual name these days in the UK) has become Mona – for obvious reasons. 

Deb:  You tell the story in alternating chapters from Emma’s and then Mark Knightley’s point of view – it certainly helps us to know exactly what is going on in Knightley’s mind as well as the she says / he says that can be quite funny with all the gender miss-readings of any given encounter! – why this format?  Advantages and disadvantages? 

JA:  Not all of Austen’s novels lend themselves to this format, but in my version of Emma I wanted to heighten the sense of misunderstanding and conflict between the two main characters. The alternating 1st person points of view are intended to assist this and, as you say, to provide a comic touch. It also means that we see the secondary characters through the eyes of Emma and Mark and, of course, their views are usually diametrically opposed. 

Advantages? I can explore the main characters’ innermost thoughts in a much more intense and, at times, humorous way. Disadvantages? It’s limited to what two characters are experiencing. Interestingly, Stephenie Meyer chose the 1st person for her Twilight series; it’s told from Bella’s point of view, although I understand she’s now written a version of the first book from Edward’s point of view. At least I’m giving the reader two for the price of one!

I’ve also written my second novel, Persuade Me, through the eyes of the main characters Anna and Rick, but here I’ve chosen the 3rd person throughout. This has enabled me to introduce other perspectives occasionally – to create humour, such as the musings of Sir Walter Elliot, 8th baronet, or a different slant on one of the main characters, such as Sophie Croft puzzling over her brother’s behaviour.

Deb: Thank you Juliet for joining us today and sharing your insights ~  stay-tuned for Part 2!

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Join us for Part 2 of this interview with Juliet Archer tomorrow ~ she will talk more on the backstory of writing her Emma and her thoughts on what Austen might say about her book.

Book Giveaway:  Juliet has most graciously offered to answer any questions you might have for her – all queries and comments posted between today and midnight September 25, 2009 will be entered into a drawing for the free book giveaway, courtesy of Choc-Lit.  All are eligible to enter.

[Posted by Deb] 

Book reviews · Books · Jane Austen Sequels

Book Review ~ ‘The Importance of Being Emma’

book cover the-importance-of-being-emma

 

 

“You have shown that you can dance, and you know we are not really so much brother and sister as to make it at all improper.”

“Brother and sister!  no, indeed.”

[Emma, vol. III, ch. II, Chapman, p.331  ]

 

 

 

 

 

 

Juliet Archer in her Author’s  Note to The Importance of Being Emma, quotes this passage as the inspiration for her rollicking take on Jane Austen’s Emma.  If you like imagining your Knightley as a to-die-for, sex-obsessed hero, or in the words of Emma at fourteen, “Mark Knightley:  twenty-five, tall, dark, and handsome, and known among my older sister’s crowd as the Sex God” [p. 1] – then this book is a must-read, a perfect end of summer “choc-lit”* confection.

Emma Woodhouse, rich, lovely and clever, is back home at twenty-three, fully armed with an MBA from Harvard, to take on the role of Marketing Director at Highbury Foods, the family business, a “supplier of non-perishable delicacies to upmarket homes and hotels.”  She is young and naive, and who should appear but Mark Knightley,** home from India temporarily to help with HIS family business, Donwell Organics, and the perfect “mentor” to guide Emma in the realities of the business world.  They have not seen each other for years, and Emma is still smarting at Knightley’s discovery of her teenage crush – she is determined to keep her distance and not fall prey to the Knightley charm.

Knightley on the other hand is stunned to find his “Mouse” as he calls her with “long legs silhouetted against the window, lines and curves in perfect proportion.  Short beige skirt stretched taut across more curves – nicely rounded, a pert promise of pleasure.  Matching jacket with side vents, no doubt designed to draw the male eye to the symmetry below” [p. 10] – then promptly criticizes her for overuse of make-up and the plot is set for 398 pages of misunderstandings, concealed emotions, and an inordinate amount of sexual tension.  This is Emma in the 21st century, as the series is aptly named, and for those of you eternally frustrated by Austen’s not giving her readers nearly enough of the inner-musings of her heroes – indeed the Darcy in the 1995 P&P is so gripping because for the first time we are privy to his emotional state – and who of you has not yearned for much more to YOUR imagined Knightley – a more ardent lover, a fully-expressed proposal scene…?  Well, it’s ALL here folks! – Knightley it seems is wholly driven by sex, and everyone is happy to oblige – except of course Emma, who really has her heart set on the yet-to-be-met Flynn Churchill.

Told in a first-person narrative, with alternating Emma / Mark chapters, we see the same events from their individual perspectives.  This approach increases the intensity of the action, allows for much humor, and of course puts the mind of the hero front and center.  Knightley, as I’ve always believed Austen portrays him, subtle though it be, is really an emotional mess – here he is confused by his feelings for Emma, no longer brotherly, his every sighting of her expressed in such strong sexual terms – all making for one awkward encounter after another.  No spoilers here, just suffice it to say that Ms. Archer creates a few fairly explicit sex scenes…nicely done I might add…

And thankfully, all the usual suspects are present – Henry Woodhouse, head of the business and a chronic hypochondriac; Philip Elton, CFO [yikes!] with his “Gusty” ever obnoxious; Harriet, a bit of a dim but lovely bulb with a bizarre fashion sense as a personal assistant; Rob Martin in trade of course; John and Izzy Knightley; George Knightley, the father, still alive and running Donwell Organics, but off traveling the world with his young and demanding selfish wife; The Westons; Jane Fairfax, beautiful and aloof and the source of much of Emma’s jealousy; Mary “Batty” Bates endlessly chatting away; Flynn Churchill, a chef of all things! but still two-faced and a tad sleazy; a few other characters thrown in to round out the modern picture [hint:  Knightley has a girlfriend]; and Emma, still “clueless” to all the relationship mix-ups around her and still thinking SHE is pulling all the strings. 

One knows of course how the book ends – it was after all written nearly 200 years ago! – so it must be Archer’s endearing re-creation of the story and characters with a super-modern spin that keeps one turning the pages – Austen purists may blanch at seeing their Knightley sex-crazed and at times cruel [“it was badly done indeed!” turns into two pages of a blistering, swear-filled argument], but the heart of the story is still here, and it is an enjoyable romp to search for Archer’s re-imagining the many side stories into a modern-day England – seeing the hero and heroine come to terms with their conflicting emotions, their many tense and often humorous misreads of each other, [and do I dare mention quite a hot Knightley!] to make this indeed a great fun read – you just need to suspend your Regency sensibilities before entering!

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 * Choc-Lit – “Where heroes are like chocolate – irresistible!”  The Importance of Being Emma is the first in the series by Juliet Archer, “Jane Austen in the 21st Century”.  Her take on Persuasion is up next [click here for an excerpt of Persuade Me].  See the Choc-Lit website and the author’s website at www.julietarcher.com for more information and other related links.

**Ms. Archer has changed several names: Mr. Knightley is now “Mark”, as father George is still in the picture; Flynn Churchill sounds a bit more modern, etc.  She discusses this in a posted comment on Austenblog [see comment #12].  For this reader, the name “Mark” brought to mind the actor Mark Strong who played Knightley in the Kate Beckinsdale “Emma”… [Strong does indeed get better with age, and this film adaptation of “Emma” has grown on me more and more after a number of re-viewings…]

4 out of 5 Full Inkwells

The Importance of Being Emma
by Juliet Archer
Harpenden, UK:  Choc-Lit, 2008
ISBN:  978-1-906931-20-9

Posted By Deb

Jane Austen · Movies · News

BBC’s ‘Emma’ ~ trailer now online

This just in from Janeite Mae – the BBC has a trailer for the new Emma now available online for viewing:  go to the BBC here, and scroll through the carousel of new productions and click on “Emma” for a few quite lovely scenes [check out all the others as well – quite the feast! – this carousel idea is amazing!] 

set272

Thanks Mae for the heads-up! 

Posted by Deb

Jane Austen · Movies · News

Masterpiece announces BBC “Emma”

Our very own Janeite Mae filled my inbox today with the welcome news that Masterpiece Theatre has announced the BBC Emma dates for 2010!  Here is the press release from PBS: [and thank you Mae, for the heads-up!]

BBC Worldwide Sales and Distribution and WGBH today announced co-productions of two star-studded dramas: the beloved classic, Emma, and the sequel to BAFTA-winning and Emmy-nominated drama Cranford, Cranford 2. Both programs will make their U.S. premiere in early 2010 on WGBH’s MASTERPIECE CLASSIC on PBS. 

Commented Susanna Pollack, SVP, Sales & Distribution and Children’s, BBC Worldwide, Americas, “Following Cranford’s success in the U.S. and UK, we are excited to be working with WGBH again to bring its sequel, Cranford 2, as well as the Jane Austen’s classical tale, Emma, to audiences next year.” 

“Our viewers have been clamoring for more Jane Austen and more Judi Dench,” said MASTERPIECE executive producer Rebecca Eaton “These new productions add up to a very strong MASTERPIECE CLASSIC season in 2010.” 

Emma (4 x 60)

Romola Garai (Atonement, Daniel Deronda), Sir Michael Gambon (Cranford, Gosford Park), and Jonny Lee Miller (Byron, Eli Stone, Trainspotting) star in this BBC and WGBH co-production which follows the dire consequences of Emma’s failed matchmaking schemes. Michael Gambon plays Emma’s affectionate, neurotic father who allows her to be mistress of their household. Jonny Lee Miller—(who stars in MASTERPIECE’s Endgame, premiering in October) plays Mr. Knightley, Emma’s shrewd and attractive neighbor, who provides a welcome counterpart to headstrong Emma. Fresh and funny, this perceptive adaptation by Sandy Welch (Our Mutual Friend, Jane Eyre, North and South) brings Jane Austen’s comic masterpiece to life.

Cranford 2 (2 x 60)

The BAFTA-winning and Emmy-nominated drama, Cranford, starring Dame Judi Dench (Notes on a Scandal, Shakespeare in Love), Imelda Staunton (Vera Drake, Fingersmith), Francesca Annis (Jane Eyre, Reckless), and Eileen Atkins (Scenes of a Sexual Nature, Gosford Park), returns as a two-part sequel, Cranford 2. The original drama chronicled a small Cheshire market town in the early 1840s on the cusp of great change. The BBC and WGBH co-production in association with Chestermead Ltd, picks up the story in 1844. New faces coming to the close-knit town include Jonathan Pryce (Pirates of the Caribbean), Tom Hiddleston (Wallander), and Tim Curry (Spamalot). Based on the novels by Elizabeth Gaskell, Cranford 2 is written by Heidi Thomas (I Capture the Castle, Madame Bovary).       

Other shows  announced for the early 2010 lineup are:  

  • A Small Island [based on the Orange Prize winning novel by Andrea Levy]   
  • Framed, adapted from Frank Cottrell Boyce’s (The Last Enemy) children’s novel 
  • Sharpe’s Peril  & Sharpe’s Challenge, with Sean Bean playing Bernard Cornwall’s character 
  • The 39 Steps, starring Rupert Penry Jones (Persuasion, Burn Up, MI-5 [Spooks]) as Richard Hannay, in this classic John Buchan mystery.

[see the PBS site for more information on all these new shows – it makes one ALMOST long for winter…]

*And because we cannot get enough of all things Austen,  see this BBC article on filming Emma in Chilham

*And a lovely 5-minute YouTube montage of production shots here: http://www.youtube.com/watch?v=CF_cOGGM7QI

*And full cast information at the Imdb site

emma bbc emma

Romola Garai as Emma  and Johdi May as Miss Taylor [Ms. May was in the  The Mayor of Casterbridge (2003) with Ciaran Hinds

set272

Jonny Lee Miller as Knightley [Miller also played Edmund Bertram in the Rozema Mansfield Park – this seems to always be left off his credits – we continue to live in hope that he will be as good a Knightley as Richard Armitage would have been!]

[above photographs from Pemberley.com]

emma bbc blake ritson

and “dear” Mr. Elton will be played by Blake Ritson [who was Edmund Bertram in the 2007 Mansfield Park – are we sufficiently confused?!

emma bbc rupert evans

And finally then there is Rupert Evans as Frank Churchill [Evans played Margaret Hale’s brother Frederick in North & South [with the aforementioned Richard Armitage…(sigh!)]

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PS:  this added July 9, 2009 – the BBC has the trailer for this new Emma now available online.  Go to the BBC site here, scroll through the carousel and click on “Emma” to view the trailer – quite lovely! [and thanks Mae for the heads-up!]

Posted by Deb