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Happy Birthday Jane Austen! ~ The Ten Best Reasons to Go to a JASNA AGM ~ It’s All About You Jane!

Comment below for the chance to win a surprise Jane Austen-related giveaway!

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The Ten Best Reasons to Go to a JASNA AGM, Or, Why I would celebrate Jane Austen’s Birthday
by Spiriting Her Around Such an Event

Well, I had the best of intentions to do a full write-up of all the major events at the latest JASNA AGM in Brooklyn – a special location for me personally as I am a New Yorker born and bred – but as I have mentioned elsewhere life gets in the way of our best-laid plans and as the AGM now seems light-years away, I propose to just offer a grand summary in the context of why one should go to this annual Jane Austen conference; and why do so many plan on being there year after year? Friends and family just shake their heads with the typical “she only wrote 6 books, whatever can you talk about for 4 days??” and I nod knowingly that a lifetime of conferences would not satisfy… It takes me a long while to re-enter the 21st century – how delightful it is to enjoy the late 18th and early 19th without all the attendant inconveniences!  I shall make a best effort to give the salient points of this year’s conference, memory perhaps failing me, with a dependence upon sketchy notes, not enough pictures taken (and those that were, not very good…)

Continue reading “Happy Birthday Jane Austen! ~ The Ten Best Reasons to Go to a JASNA AGM ~ It’s All About You Jane!”

Austen Literary History & Criticism · Author Interviews · Books · Jane Austen · Literature · Regency England · Social Life & Customs

Maggie Lane on Understanding Austen: Key Concepts in the Six Novels

I had the pleasure to converse a bit with author Maggie Lane at the Brooklyn AGM last month – she signed a copy for me of her new book co-authored with Hazel Jones Celebrating Pride and Prejudice (Bath: Lansdown Media, 2012]

 

But Ms. Lane has been very busy! – I also purchased her just published Understanding Austen: Key Concepts in the Six Novels (London: Robert Hale, 2012) and in February 2013, her invaluable Jane Austen’s World: The Life and Times of England’s Most Popular Novelist (Carlton, 2013) will be published in a new revised edition with a new cover.

[You may pre-order here at Amazon.uk  ]

Those of us who subscribe to the Jane Austen’s Regency World magazine [and who does not! – if you have perchance let this fall through the cracks, it is a perfect holiday gift to request for yourself and / or give to your Austen friends: http://janeaustenmagazine.co.uk/subscribe/

… but those who do already subscribe will know that Maggie is the consultant editor, and author in each issue of the always interesting take on Austen “minutiae”, wherein she will take what the average reader will often gloss over and suggest the significance of the most obscure terms, themes or ideas, thereby making a reading all the more interesting and compelling.  Indeed in the latest Nov – Dec 2012 issue in her essay on “Shoelaces and Shawls”, Maggie addresses the clothing accessories in Emma’s Highbury, offering a discussion of shawls and shoes, and tippets and umbrellas, and the “elegance” of Mrs. Elton’s garish purple and gold; and she too makes reference to the importance of the already-famous Mr. Knightley’s gaiters

But today I want to share with you some of Maggie Lane’s own words on her book Understanding Austen.  She has most graciously written us a lovely essay on how the book came into being.  If you have any questions for Maggie or would like more information on the book, please comment below – she will be happy to answer you.

For some years now I have enjoyed being Consultant Editor of, and writer for, the Jane Austen and her Regency World magazine.  While other contributors explore the visual, social or political aspects of the world that Jane Austen inhabited, or discuss prominent personalities of the period, when writing my own articles I see my brief as keeping close to the novels themselves.  In each issue, I attempt to illuminate some theme or idea that plays a subtle yet vital part in Austen texts.  Thus it was that I hit on the idea of investigating some of the abstract nouns – elegance, openness and reserve, to take three examples – that feature so often in the six novels.

I soon realised that there was far more to say about these concepts than could be encompassed in the word-length of an article.  The idea for a new book was born!  The subject seems to me replete with interest.  There is the linguistic interest of how the meanings of certain words have shifted in the two centuries between Jane Austen’s time and our own.  Candour is a good example of that.  It now means frankness amounting sometimes even to rudeness, yet in Austen’s time it still carried the sense of generosity of spirit, of giving other people the benefit of the doubt, which Elizabeth Bennet so admires in her sister Jane.  And then there is the moral weight which Austen attaches to certain words.  Composure is almost always a quality to be recommended and tried for.  It preserves the individual from unpleasant notice and calms the nerves.  Yet when Willoughby displays composure in his London encounter with the deeply distressed Marianne, he is behaving as a heartless cad.  Anne Elliot’s “elegance of mind” is of a wholly different calibre from “the sameness and the elegance” of her eldest sister’s way of life.

The nuances which Jane Austen accords to all her favourite abstract terms make them an endlessly fascinating study.  By focussing on her vocabulary, noticing which words keep company with others, juxtaposing and comparing familiar sentences from across the novels, I gained new insights and new understanding which I hope my readers will share.

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Thank you Maggie!

I append here the Table of Contents to the work – an abundance of terms under discussion!

  1. Genius, Wit and Taste
  2. Elegance
  3. Openness and Reserve
  4. Exertion and Composure
  5. Liberality and Candour
  6. Gentility
  7. Delicacy
  8. Reason and Feeling
  9. Person and Countenance
  10. Air and Address
  11. Mind
  12. Temper
  13. Spirit
  14. Sensibility, Sense and Sentiment
  15. Firmness, Fortitude and Forbearance
  16. Propriety and Decorum
  17. A Nice Distinction

By way of example, let’s look at the Heroes of the novels and how they fare comparatively in the chapter on “Person and Countenance”:

Henry Tilney had a pleasing countenance, a very intelligent and lively eye, and if not quite handsome, was very near it; Bingley was good looking and gentlemanlike; he had a pleasant countenance and easy, unaffected manners; but alas! his friend Mr. Darcy is soon discovered to be proud, to be above his company and above being pleased; and not all his large estate in Derbyshire could then save him from having a most forbidding, disagreeable countenance.

Wickham had all the best part of beauty, a fine countenance, a good figure, and a very pleasing address.

Edward Ferrars does not at first appeal: at first sight, his address is certainly not striking, and his person can hardly be called handsome; Brandon: though his face was not handsome, his countenance was sensible, and his address was particularly gentlemanlike. And Willoughby? His person and air were equal to what her [Marianne] fancy had ever drawn for the hero of a favourite story. – which should send up red flags to the reader immediately!

Frank Churchillhis countenance had a great deal of the spirit and liveliness of his father’s – he looked quick and sensible.

And this description of Henry Crawford has always given me a chuckle: he was plain to be sure, but then he had so much countenance, and his teeth were so good. !

And Elizabeth Elliot is quick to observe [in the chapter on “Air and Address” which links quite nicely with “Person and Countenance”] this about Captain Wentworth: [she] had been long enough in Bath to understand the importance of a man of such an air and appearance as his…Captain Wentworth would move about well in her drawing room. Indeed!

And so it goes – are you not intrigued to find how Mr. Knightley is so described? I highly recommend this book – you will find you shall choose to re-read all the novels all over again, all the more appreciating the language and narrative meaning through Maggie’s insightful view – it is perhaps another holiday gift to add to your own ‘want-list’?

Do you have a favorite term or description in Austen that you would like to share? or a question about a term that might be confusing to you? – please comment below, along with any questions for Maggie.

About the author:

Maggie Lane is the author of numerous (and invaluable!) works on Jane Austen [see list below]–
She has also published articles in the Jane Austen Society Annual Reports,
the JASNA journal Persuasions, and has lectured on Austen
in the UK, the US, Canada, and Australia.

Having served for many years on the committee of the Jane Austen Society UK,
she is now Chair of its South West branch; she lives in Exeter.

Maggie Lane.
Understanding Austen: Key Concepts in the Six Novels.
London: Robert Hale, 2012.
ISBN: 978-0-7090-9078-6
£16.99 ($24.95)

Her works:

  • Jane Austen’s England (1986)
  • Jane Austen’s World (1996, 2005, new edition out in Feb 2013]
  • Jane Austen’s Family Through Five Generations (1984, 1992)
  • Literary Daughters (1989)
  • Jane Austen and Names (2002)
  • A Charming Place: Bath in the Life and Novels of Jane Austen (1988)
  • Jane Austen and Food (1995)
  • The Jane Austen Quiz and Puzzle Book (1982) [and various other quiz books on Dickens, Hardy, Bronte, Shakespeare, and more!]
  • Jane Austen in Lyme (2003)
  • Celebrating Pride and Prejudice: 200 Years of Jane Austen’s Darling Child
c2012, Jane Austen in Vermont
Auctions · Austen Literary History & Criticism · Books · Jane Austen · Jane Austen Circle · Literature · Rare Books

Austen on the Block! ~ An Austen-Filled Autumn at Upcoming Auctions

UPDATE: Prices realized noted in red as they become available

There are a number of Jane Austen materials coming up for auction in the next few weeks, some actually affordable! – and then some, not so much…  here are brief synopses – visit the auction house websites for more information.

This one is a bit different and an interesting addition to anyone’s Pride and Prejudice collection!

November 18, 2012. Heritage Auctions, Lot 54353. Pride and Prejudice 1939 Movie photographs:

Pride and Prejudice (MGM, 1939). Photos (16) (8″ X 10″). Drama.

Vintage gelatin silver, single weight, glossy photos. Starring Greer Garson, Laurence Olivier, Mary Boland, Edna May Oliver, Maureen O’Sullivan, Ann Rutherford, Frieda Inescort, Edmund Gwenn, Karen Morley, Heather Angel, Marsha Hunt, Bruce Lester, Edward Ashley, Melville Cooper, Marten Lamont, E.E. Clive, May Beatty, Marjorie Wood, Gia Kent. Directed by Robert Z. Leonard.

There are 14 different photos with a duplicate each of 1136-190, and 1136-149; unrestored photos with bright color and a clean overall appearance. They may have general signs of use, such as slight edge wear, pinholes, surface creases and crinkles, and missing paper. All photos have a slight curl. Please see full-color, enlargeable image below for more details. Fine.

SOLD $179.25 (incl buyer’s premium)

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November 18, 2012.  Skinner, Inc. – Fine Books and Manuscripts, Boston. Sale 2621B

Lot 208:  Austen, Jane (1775-1817). Letters. London: Richard Bentley & Son, 1884. 

Octavo, in two volumes, first edition, edited by Edward Knatchbull-Hugessen, first Baron Brabourne (1829-1893), in publisher’s green cloth, ex libris Henry Cabot Lodge, with his bookplate; preliminaries in volume one a bit cockled, with some discoloration.

Jane Austen’s letters speak for themselves: “Dr. Gardiner was married yesterday to Mrs. Percy and her three daughters.” “I cannot help thinking that it is more natural to have flowers grow out of the head than fruit? What do you think on the subject?”

Estimate $300-500. SOLD $250. (incl buyer’s premium)

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Lot 4 : AUSTEN, JANE. Northanger Abbey. Volume 1 (only, of 2). 12mo, original publisher’s drab boards backed in purple cloth (faded to brown), lacking paper spine label, edgewear; text block almost entirely loose from spine, few binding threads and signatures loose, several leaves in first third heavily creased, few other margins creased; else quite clean overall. Philadelphia: Carey & Lea, 1833

FIRST AMERICAN EDITION AND ONE OF 1250 COPIES. In need of some repair, but complete and in original cloth. All First American Editions of Austen are difficult to find. Later printings of this title did not occur until 1838, as a one-volume collected edition and, as a single volume in 1845. Gilson B5.

Estimate $500-750. SOLD: $600. [incl buyer’s premium]

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This is the big one!

November 21, 2012. Christie’s. Valuable Manuscripts and Printed Books. London.  Sale 5690.

Lot 150:  AUSTEN, Jane (1775-1817). Sense and Sensibility … second edition. London: for the author by C. Roworth and published by T. Egerton, 1813. 3 volumes. (Lacks half-titles and final blanks, some browning and staining.) Gilson A2; Keynes 2.

Lot Description

AUSTEN, Jane (1775-1817). Sense and Sensibility … second edition. London: for the author by C. Roworth and published by T. Egerton, 1813. 3 volumes. (Lacks half-titles and final blanks, some browning and staining.) Gilson A2; Keynes 2.

Pride and Prejudice. London: T. Egerton, 1813. 3 volumes. (Lacks half-titles, lightly browned, a few leaves slightly torn along inner margin or with fragments torn from outer margin, margin of B10 in vol. I a little soiled, title of vol. III with slight stain at bottom margin, quires I and M in same vol. somewhat stained.) FIRST EDITION. Gilson A3; Keynes 3.

Mansfield Park. London: T. Egerton, 1814. 3 volumes. (Lacks half-titles, without blank O4 in vol. II or final advertisement leaf in vol. III, weak printing impression affecting 3 lines on Q10r.) FIRST EDITION. Gilson A6; Keynes 6.

Emma. London: John Murray, 1816. 3 volumes. (Lacks half-titles, E12 of vol. I misbound before E1, tear to bottom margin of E7 in vol. II, other marginal tears, L7-8 of vol. II remargined at bottom, title of vol. III with closed internal tear, some spotting, staining and light soiling.) FIRST EDITION. Gilson A8; Keynes 8.

Northanger Abbey and Persuasion. London: John Murray, 1818. 4 volumes. (Lacks half-titles and blanks P7-8 at end of vol. IV, some browning and spotting.) FIRST EDITION. Gilson A9; Keynes 9.

Together 6 works in 16 volumes, 12° (177 x 100mm). Uniformly bound in later 19th-century black half morocco over comb-marbled boards, marbled endpapers and edges (vol. I of Mansfield Park with scuffing at joints and upper corner of front cover).

Second edition of Sense and Sensibility, ALL OTHER TITLES IN FIRST EDITION. A rare opportunity to purchase the six most admired novels in the English language as a uniformly bound set. (16)

Estimate: £30,000 – £50,000 ($47,610 – $79,350) SOLD: £39,650 ( $63,004) (incl buyer’s premium)

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November 27, 2012. Bonham’s. Printed Books and Maps. Oxford. 19851.

Lot 26:  AUSTEN (JANE) The Novels…Based on Collation of the Early Editions by R.W. Chapman. 5 vol., second edition, Oxford, Clarendon Press, 1926; together with The Letters of Jane Austen, 2 vol., frontispieces, uniform half calf by Hatchards, gilt panelled spines, faded, 8vo, Richard Bentley, 1884 (7)

Estimate: £300 – 500 ( US$ 480 – 810); (€380 – 630) – SOLD: £525  ($844.) (incl. buyer’s premium)

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December 7, 2012. Christies. Fine Printed Books and Manuscripts Including Americana. New York. Sale 2607.

 Lot 140: [AUSTEN, Jane (1775-1817)]. Pride and Prejudice. London: Printed for T. Egerton, 1813.

Lot Description:

[AUSTEN, Jane (1775-1817)]. Pride and Prejudice. London: Printed for T. Egerton, 1813.

Three volumes, 8o (171 x 101 mm). Contemporary half calf and marbled boards, spines gilt-ruled, black morocco lettering pieces (a few stains and some rubbing); cloth folding case. Provenance: H. Bradley Martin (bookplate; his sale Sotheby’s New York, 30 April 1990, lot 2571).

FIRST EDITION. Originally titled First Impressions, Pride and Prejudice was written between October 1796 and August 1797 when Jane Austen was not yet twenty-one, the same age, in fact, as her fictional heroine Elizabeth Bennet. After an early rejection by the publisher Cadell who had not even read it, Austen’s novel was finally bought by Egerton in 1812 for £110. It was published in late January 1813 in a small edition of approximately 1500 copies and sold for 18 shillings in boards. In a letter to her sister Cassandra on 29 January 1813, Austen writes of receiving her copy of the newly publishing novel (her “own darling child”), and while acknowledging its few errors, she expresses her feelings toward its heroine as such: “I must confess that I think her as delightful a creature as ever appeared in print, & how I shall be able to tolerate those who do not like her at least, I do not know.” Gilson A3; Grolier English 69; Keynes 3; Sadleir 62b. (3)

Estimate: $30,000 – $50,000 –  SOLD:  $68,500  (incl buyer’s premium)

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Lot 86: Presentation copy of Emma. Provenance: Anne Sharp (1776-1853) “Anne Sharp” in vol. 1 and “A. Sharp” in vol. 2 and 3.

Lot Description:

One of twelve presentation copies recorded in the publisher’s archives and presented to Jane Austen’s “excellent kind friend”: the only presentation copy given to a personal friend of the author.

In a letter to the publisher John Murray dated 11 December 1815, Austen noted that she would “subjoin a list of those persons, to whom I must trouble you to forward a Set each, when the Work is out; – all unbound, with From the Authoress, in the first page”. Most of these copies were for members of Austen’s family. David Gilson in his bibliography of Austen lists these presentation copies, based on information in John Murray’s records, as follows:

  • two to Hans Place, London (presumably for Jane Austen and Henry Austen)
  • Countess of Morley
  • Rev. J.S. Clarke (the Prince Regent’s librarian)
  • J. Leigh Perrot (the author’s uncle)
  • two for Mrs Austen
  • Captain Austen (presumed to be Charles Austen)
  • Rev. J. Austen
  • H.F. Austen (presumed to be Francis)
  • Miss Knight (the author’s favourite niece Fanny Knight)
  • Miss Sharpe [sic]

Anne Sharp (1776-1853) was Fanny-Catherine Knight’s governess at Godmersham in Kent from 1804 to 1806. She resigned due to ill-health and then held a number of subsequent positions as governess and lady’s companion. Deirdre Le Faye notes that by 1823 she was running her own boarding-school for girls in Liverpool (see Jane Austen’s Letters, third edition, 1995, p. 572). She retired in 1841 and died in 1853.

In 1809 Austen wrote to her sister Cassandra Austen that “Miss Sharpe… is born, poor thing! to struggle with Evil…” Four years later Jane wrote to Cassandra that “…I have more of such sweet flattery from Miss Sharp! – She is an excellent kind friend” (which may refer to Anne Sharp’s opinion of Pride and Prejudice). It is known that Anne Sharp thought Mansfield Park “excellent” but she preferred Pride and Prejudice and rated Emma “between the two” (see Jane Austen’s Letters, third edition, 1995, p. 573).

There is one known extant letter from Jane Austen to Anne Sharp, dated 22 May 1817. She is addressed as “my dearest Anne”. After Jane Austen’s death, Cassandra Austen wrote to Anne Sharp on 28 July 1817 sending a “lock of hair you wish for, and I add a pair of clasps which she sometimes wore and a small bodkin which she had had in constant use for more than twenty years”.

“In Miss Sharp she found a truly compatible spirit… Jane took to her at once, and formed a lasting relationship with her… [she occupied] a unique position as the necessary, intelligent friend” (Claire Tomalin, Jane Austen: A Life, 2000).

Anne Sharp is known to have visited Chawton on at least two occasions: in June 1815 and in August-September 1820. Deirdre Le Faye notes that James-Edward Austen-Leigh described her as “horridly affected but rather amusing” (see Jane Austen’s Letters, third edition, 1995, p.573)

Estimate: 150,000-200,000 GBP* UPDATE: UNSOLD

[*Now this confuses me: this copy of Anne Sharp’s Emma sold at Bonhams for a record £180,000 in 2008, and was subsequently sold to an undisclosed buyer for £325,000. in 2010 [see my post here and here on these sales] – I have got to hit the calculator to see what’s up with this…]

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Also in this sale:

Lot 87:  Austen, Jane. Northanger Abbey and Persuasion. John Murray, 1818.

Lot Description:

A set of Austen’s posthumously published novels in an attractive binding to a contemporary design. It appears that this set was the property of the Revd Fulwar-Craven Fowle (1764-1840). He was a pupil of Rev. George Austen at Steventon between 1778 and 1781. He is occasionally mentioned in Austen’s letters; it appears he participated in a game of vingt-un in 1801 and sent a brace of pheasants in 1815. Fulwar-Craven Fowle’s brother, Thomas (1765-1797) had been engaged to Cassandra Austen in 1792.

Deirdre Le Faye notes that he had “an impatient and rather irascible nature” and “did not bother to read anything of Emma except the first and last chapters, because he had heard it was not interesting” (see Jane Austen’s Letters, 1995, p. 525).

 Estimate: 4,000 – 6,000 GBP UPDATE: UNSOLD

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And a few from Austen’s Circle I could not resist reporting on: these are all in the Swann Auction on November 20th – lots of other finds, so take a look:

Swann Sale 2295 Lot 40

BYRON, LORD GEORGE GORDON NOEL. Works. 13 volumes. Titles in red and black. Illustrated throughout with full page plate engravings. 4to, contemporary 1/4 brown crushed morocco, spines handsomely tooled and lettered in gilt in compartments, shelfwear to board extremities with some exposure, corners bumped; top edges gilt, others uncut. London, 1898-1904
Estimate $1,000-1,500   SOLD: $1200. (incl buyer’s premium)

limited edition, number 97 of 250 sets initialed by the publisher. This set includes a tipped-in ALS (8vo, one folded sheet. April 7, 1892) by the editor of this edition, Ernest Hartley Coleridge, the grandson of Samuel Taylor Coleridge, to a Mr. Tours[?], recounting a lecture he had recently given in Minneapolis.

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Swann  Sale 2295 Lot 204:

(ROWLANDSON, THOMAS.) The English Dance of Death. 2 volumes. * The Dance of Life. Together, 3 volumes. Engraved colored title-page and 37 hand-colored engraved plates in each volume of the Dance of Death, 25 hand-colored plates in the Dance of Life, by Rowlandson. Tall 8vo, later full tree calf gilt, spines tooled in gilt in 6 compartments with morocco lettering pieces in 2, rebacked; top edges gilt; occasional offsetting to text from plates and spotting to preliminaries; leather bookplates of Stephen M. Dryfoos mounted to front pastedown of 2 volumes; the whole slipcased together. London: R. Ackerman, 1815-16; 1817
Estimate $1,000-1,500 – SOLD: $3600. (incl buyer’s premium)

first editions in fine condition. “Indispensable to any Rowlandson collection, one of the essential pivots of any colour plate library, being one of the main works of Rowlandson”–(Tooley 410-411); Hardie 172; Abbey Life, 263-264; Prideaux 332; Grolier, Rowlandson 32.

 

Swann Sale 2295 Lot 205:

ROWLANDSON, THOMAS.) [Combe, William.] The Tour of Doctor Syntax, in Search of the Picturesque * In Search of Consolation * In Search of a Wife. Together, 3 volumes. Colored aquatint frontispiece in each volume, volumes 1 and 3 with additional aquatint title-page, and 75 colored plates by Rowlandson, colored vignette at end of vol. 3. Large 8vo, uniform full crimson crushed morocco blocked in gilt with corner floral ornaments, spines richly gilt in 4 compartments, titles in 2; turn-ins; by Root & Son, top edges gilt; bookplates of Edward B. Krumbhaar (vol. 1 only) and Christopher Heublein Perot (with his autograph). first edition in book form, second state, handsomely bound. London: R. Ackerman, 1812-20-(21)
Estimate $600-900 – SOLD: $960. (incl buyer’s premium)

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And despite my love of Austen, I do periodically enter the 20th century [sometimes the 21st!] and I still harbor my great admiration and love of John Steinbeck, so this I share because it is so rare and lovely to behold:

Swann Sale 2295 Lot 234 John Steinbeck. Cup of Gold.

STEINBECK, JOHN. Cup of Gold. 8vo, original yellow cloth lettered in black; pictorial dust jacket, spine panel evenly faded with minor chipping to ends with slight loss of a few letters, light rubbing along folds, small rubber inkstamp on front flap; bookplate with name obscured in black pen on front pastedown. New York: Robert M. McBride & Co., 1929
Estimate $8,000-12,000 – SOLD: $14,400 (incl buyer’s premium)

scarce first edition, first issue of steinbeck’s first book with the McBride publisher imprint and “First Published, August 1929” on copyright page. Jacket flap corners evenly clipped as issued with “$2.50” printed price present. The publisher printed only 2476 copies, 939 of which were remaindered as unbound sheets and evidently sold to Covici-Friede who issued them with new preliminaries, preface, binding, and jacket in 1936. Variant copy (no priority) with the top edges unstained. Goldstone-Payne A1.a.

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All images are from the respective auction houses with thanks.

Have fun browsing, and bidding if you wish!

 c2012 Jane Austen in Vermont
Austen Literary History & Criticism · Jane Austen

G. K. Chesterton ~ “On Jane Austen in the General Election”

I stumbled upon this yesterday and think it rather appropriate as we approach The Election tomorrow – from G. K. Chesterton’s Come to Think of It (Methuen, 1930, originally published in The Illustrated London News, 1 June 1929) – a lovely piece about Wickham and his sort – we shall forgive Mr. Chesterton for misspelling “Bennett” – a curiously common error….

“On Jane Austen in the General Election” – by G. K. Chesterton

THERE was a remark about–Jane Austen in connexion with the General Election. We have most of us seen a good many remarks about Jane Austen in connexion with the Flapper or the New Woman or the Modern View of Marriage, or some of those funny things. And those happy few of us who happen to have read Jane Austen have generally come to the conclusion that those who refer to her have not read her. Feminists are, as their name implies, opposed to anything feminine. But some times they disparaged the earlier forms of the feminine, even when they showed qualities commonly called masculine. They talk of Sense and Sensibility without knowing that the moral is on the side of Sense. They talk about fainting. I do not remember any woman fainting in any novel of Jane Austen. There may be an exception that I have forgotten; there is indeed a lady who falls with a great whack off the Cobb at Lyme Regis. But few ladies would do that as a mere affected pose of sentiment. But rarely does a lady dash herself from Shakespeare’s Cliff or the Monument solely to assume a graceful attitude below. Jane Austen herself was certainly not of the fainting sort. Nor were her favourite heroines, like Emma Woodhouse or Elizabeth Bennett. The real case against Jane Austen (if anybody is so base and thankless as to want to make a case against her) is not that she is sentimental, but that she is rather cynical. Allowing for the different conventions of subject-matter in the two periods, she was rather like Miss Rose Macaulay. But Miss Rose Macaulay finds herself in a world where fainting-fits would be a very mild form of excitement. There is something very amusing about this appeal to a comparison between the novels of the two periods. The heroine of many a modern novel writhes and reels her way through the story, chews and flings away fifty half-smoked cigarettes, is perpetually stifling a scream or else not stifling it, howling for solitude or howling for society, goading every mood to the verge of madness, seeing red mists before her eyes, seeing green flames dance in her brain, dashing to the druggist and then collapsing on the doorstep of the psycho-analyst; and all the time congratulating herself on her rational superiority to the weak sensibility of Jane Austen….

Click here for the rest of the essay at Martin Ward’s Chesterton site: http://www.cse.dmu.ac.uk/~mward/gkc/books/Jane_Austen_GE.html

___________________________

Chesterton and wife Frances – wikipedia

You can also read the full text at Google Books from the Collected Works, Vol 35 , essay from The Illustrated London News, June 1, 1929 [this text includes footnotes]

It has also been recently reprinted in: Chesterton, G. K. “Jane Austen in the General Election.” In Defense of Sanity: The Best Essays of G.K. Chesterton. Ed. Dale Ahlquist, Joseph Pearce, and Aidan Mackey. San Francisco: Ignatius, 2011. 196-200.

Chesterton is most known to us as the author of the preface to the first printing of Love and Freindship (Chatto & Windus, 1922) – that essay can be read here as well: http://www.cse.dmu.ac.uk/~mward/gkc/books/intro-love-and-freindship.html

A reminder to all Vote tomorrow, and hopefully there shall be no Wickhams on any of the winning teams… [I live in Hope…]

c2012 Jane Austen in Vermont
Austen Literary History & Criticism · Collecting Jane Austen · Jane Austen · Regency England · Social Life & Customs

Giveaway winner announced ~ A Dance with Jane Austen by Susannah Fullerton!

Giveaway winner for Susannah Fullerton’s A Dance with Jane Austen: How a Novelist and Her Characters went to the Ball is Diana Birchall! – she wrote this on November 3:

I love Susannah’s writing, and I have long been a great admirer of her awe-inspiring range of abilities.  That is why I cast her as “my Marianne”!  I must and shall own this book, but they ran out of them at the AGM, and I haven’t got mine yet.  I just won a fabulous biography of Keats on the Dovegreyreader blog, and my mother-in-law’s electricity got restored in NYC today, so let’s make it good luck comes in threes.  Please enter me to win Susannah’s book!

Congratulations Diana – luck comes in threes indeed! And the fact you cast Susannah in your play as “Marianne” makes this even sweeter – I promise a completely objective random drawing [you can thank my husband who picks a number from 1-whatever in order of posting – he doesn’t even know what I am asking for!]

Please email me privately with postal direction!

Thank you all for such wonderful responses, to Susannah for her lovely post and responses, and to Sue Forgue, my go-to person for all things Regency (and London!) for her dance information!  For those of you who will be attending the JASNA-Vermont Tea on December 2nd, this book will be one of the door prizes, with thanks again to the publisher Frances Lincoln for their generosity.

c2012 Jane Austen in Vermont
Austen Literary History & Criticism · Author Interviews · Books · Collecting Jane Austen · Fashion & Costume · Great Britain - History · Jane Austen · Regency England · Social Life & Customs

Guest post: Susannah Fullerton on her A Dance with Jane Austen and book giveaway!

The AGM in Brooklyn brought many pleasures, and one of the most pleasurable was meeting and talking with Susannah Fullerton.  I have long been an admirer – she is the President of the Jane Austen Society of Australia and a quick perusal of their website shows the extent of what she and her organization do, from annual meetings to conferences and the JASA publications Sensibilities and The JASA Chronicle.  Susannah also leads a number of literary tours for ASA Cultural Tours  [Australians Studying Abroad], and lectures on Austen around the world. And I must add that she was perfectly cast as the close-to-hysterical Marianne in the “Austen Assizes” script by Diana Birchall and Syrie James staged in Brooklyn!

Susannah has written many articles and a few books, one on which remains an all-time favorite, Jane Austen and Crime (Jones Books, 2004), wherein Ms. Fullerton gives us the real world that Jane Austen alludes to in all her works, the realities of such pieces in the narrative as Willoughby as serial seducer, Lydia’s “elopement,” and even the gypsies in Emma.  In her newest work, A Dance with Jane Austen: How a Novelist and her Characters went to the Ball (London: Frances Lincoln, 2012), Fullerton offers up the same detailed analysis of what Austen so off-handedly tells us, most of which we don’t quite “get” as 21st-century readers – the dressing for the dance, getting to the Ball, the various types of balls, proper etiquette, the music, the conversation, the Men! – all of it to enhance our understanding of Austen’s time and therefore her stories…

I have asked Susannah to join us today to tell us a little about her book, and her publisher has generously offered a copy for a giveaway – please see the information below on entering to win!

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SF:  Some years ago I was having dinner with Joan Strasbaugh of Jones Books, the publishing firm which had brought out the American edition of my book Jane Austen and Crime, when Joan suggested that a book that really needed to be written was a book about Jane Austen and Dance. I was taken aback for a moment! Surely, with dances playing such a vital role in Jane Austen’s fiction, that subject had already been covered. But when I stopped to think, I realised it had not. Many Austen scholars have written about her dance scenes as part of other works, but there was no one book devoted entirely to that subject, a book that explored the social etiquette of the ballroom, the vital role dance played in courtship, the suppers served and the music played. Would I be interested, Joan asked, because if so, she could recommend the project to Frances Lincoln UK Ltd. And so I started writing.

image: Republic of Pemberley

What I wanted to do, I decided, was to follow Jane Austen’s characters to a ball. Had I been Jane or Elizabeth Bennet, what would the whole process of going to a dance have involved? How did a heroine get to a ball in the first place if her family had no carriage (the case for Emma Watson), how did she dress for the occasion, what rules governed her behaviour while there, and what differences did she find between assembly balls and private balls? When she stood up with a young man, what were the possibilities for flirtation and courtship, and how does Jane Austen show this happening with Elizabeth and Darcy, Jane and Bingley, Emma and Mr Knightley, Catherine and Henry, Marianne and Willoughby, when they are dancing with each other? Poor Fanny Price suffers the day after the Mansfield ball when she has no suitable confidante with whom to talk it all over, but for luckier young ladies often the ‘post-ball discussion’ was almost as much fun as the event itself.

Jane Austen loved to put on her satin slippers and go off to dance. In my book I wanted to provide information about the balls she attended, from the Basingstoke assemblies of her youth when she danced happily with neighbours and family friends, to the later balls where she chaperoned nieces and preferred to sit by the fire with a glass of wine rather than dance. She too enjoyed courtship in a ballroom when she danced with Tom Lefroy; she too knew the excitement of being asked by the right man, and the challenges of avoiding the wrong one.

As I wrote my book I discovered patterns in Jane Austen’s use of dances in her fiction. Several of the novels have one informal dance and one more formal one, and she uses each to progress her themes, characterisation and relationships. In some novels what happens is romantic, as is the case when Darcy and Elizabeth are partners and you can almost see the sparks between them, but in Mansfield Park everyone always seems to be dancing with the wrong person and balls in that novel illustrate selfishness, not romance. Jane Austen makes a great deal happen at a ball!

image: Brock illus Mansfield Park, Mollands

A Dance with Jane Austen is beautifully illustrated with contemporary pictures or illustrations from the novels. I include a brief chapter about dances in the film versions, but decided not to make this extensive because so often film-makers get it wrong and put in a dance, such as Mr Beveridge’s Maggot, which Jane Austen would not have danced. However, there are some lovely pictures from some of the movies that I chose to include.

For the past 17 years I have served as President of the Jane Austen Society of Australia. In that time I have lectured extensively about Jane Austen and her works, and have seen the joy that her books give to readers around the world. I hope that my book will increase the enjoyment of those readers by taking them into the ballrooms to discover that there is “nothing like dancing after all.”

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JAIV: One question I would ask Susannah is ‘What is your favorite dance scene in a Jane Austen novel and why?’

SF:  My favorite dance scene is the Crown Inn ball in Emma. This is the evening when Emma first starts to view Mr. Knightley as an attractive male, rather than as an old friend and family connection. She watches his “erect” figure move about the room, sees him rescue Harriet Smith from the embarrassment of being rejected as a dance partner, prods him into asking her to dance with him, and can hardly take her eyes off him all night! Jane Austen achieves so much in all her dance scenes – she gives a sense of a full community of living people, progresses courtships, reveals character and shows faults and foibles – but this scene is particularly rich. The moment when Emma reminds Mr. Knightley that they are “not really so much brother and sister as to make (dancing together) at all improper” and he replies “Brother and sister! No, indeed!” is one of the most erotic moments in all of Jane Austen’s fiction. It thrills me every time!

image: theloiterer.org

Oh I agree – I love this scene! Thank you so much Susannah for sharing your love of Jane Austen and dance with us!

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Gentle Readers!  please ask any question you might have for Susannah Fullerton or post a comment here and you will be entered into the random drawing for a copy of A Dance with Jane Austen. Please do so by 11:59 pm, Sunday November 4th, 2012. Winner will be announced on Monday Nov. 5th – Worldwide eligibility!

For a review of the book, please visit:

About the author: 

Susannah Fullerton is President of JASA, and author of Jane Austen – Antipodean Views, Jane Austen and Crime and the forthcoming Celebrating Pride and Prejudice: 200 Years of Jane Austen’s Masterpiece (due out Jan. 2013) – note that the UK title of this work is Happily Ever After: Celebrating Jane Austen’s Pride and Prejudice.

A Dance with Jane Austen
Frances Lincoln, October 2012
ISBN-13: 978-0711232457

Upcoming book: (Feb. 2013)

US edition title and cover
UK edition title and cover
Austen Literary History & Criticism · Books · Jane Austen

Here is your chance to win Janine Barchas’s Matters of Fact in Jane Austen!

brendanccoyne's avatarJohns Hopkins University Press Blog

Okay Austen-philes, now that the 2012 JASNA (that’s the Jane Austen Society of America to the uninitiated) is through and your lives have returned to some semblance of normalcy, here’s your chance to test your knowledge of Jane Austen and her times.

Allowing for variant spellings, the real-world occupants at Baddesley Clinton share with Austen’s protagonists in Sense and Sensibility so prominent a name (first and last) that it remains emblazoned upon the stained-glass windows of their medieval manor.  What is this shared name?

We’ll send a copy of Janine Barchas’s Matters of Fact in Jane Austen to the first two people to correctly answer this question in comments to this post.

(Hint: Savvy readers might pick up on the answer simply by reading Professor Barchas’s recent post to our blog. A close look at the illustrations in her book also gives away the answer.)

Have at it!

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Austen Literary History & Criticism · Books · Collecting Jane Austen · Jane Austen · Jane Austen Popular Culture · Publishing History

Reader’s Digest recommends Jane Austen in motion

Reader’s Digest recommends Jane Austen in motion.

The Graphic Canon, Vol. 2, edited by Russ Kick, has just been released – Pride and Prejudice graces the cover!

Austen Literary History & Criticism · Author Interviews · Books · Collecting Jane Austen · Great Britain - History · Jane Austen · Jane Austen Circle · Regency England

Guest Post: Janine Barchas ~ A Janecation in Yorkshire? ~ Jane Austen’s Real Wentworths

Gentle Readers:  I welcome today, Janine Barchas, associate professor of English at the University of Texas, Austin, where she teaches, perfectly situated you might say, Austen in Austin. She has published a number of scholarly articles on Jane Austen and the just released Matters of Fact in Jane Austen: History, Location and Celebrity (Johns Hopkins UP, 2012).  She has graciously offered to share a bit of one of the tales expounded on in her book, the Wentworth family of Yorkshire.  I think you will want to know more about her very interesting findings – I highly recommend the book! – and see below for a contest offering from the publisher that starts this coming Friday October 26 [see the blog here: http://jhupressblog.com/ ] – and please comment or ask Janine a question!

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A Janecation in Yorkshire?  Jane Austen’s Real Wentworths

Although South Yorkshire may seem an unlikely destination for a Janeite pilgrim, the research for my book Matters of Fact in Jane Austen: history, location, and celebrity (Johns Hopkins UP, 2012) led me to two breathtaking country estates with histories that connect to Austen’s fictions: Wentworth Castle and Wentworth Woodhouse.

I was not tracing Austen’s physical steps, but following some of her leading names—particularly Wentworth, Woodhouse, Fitzwilliam, Darcy, Watson, and Vernon.  When Austen selected these surnames for her fictional protagonists, they hung on the real-world family trees of these two neighboring Yorkshire estates.  Not unlike the Kennedy family in our own era, the Wentworth clan consisted of high-profile politicians and celebrities—with newspapers assiduously tracking all sightings and London shops selling reproductions of family portraits as cheap paper pinups.  Jane Austen, too, seems to have been keenly aware of Wentworth celebrity.

Wentworth Woodhouse

Even a short summary of the history of Wentworth Woodhouse can make an Austen fan sit up with the surprise of recognition.  After Robert Wentworth married a rich heiress named Emma Wodehouse, their Yorkshire family so prospered that in 1611 its senior line achieved a baronetcy, just as the owner’s sister married the heir of the wealthy D’Arcy family.  The eldest son of that same first baronet was the hapless Thomas Wentworth, first Earl of Strafford and martyr to the royalist cause.  With the Restoration, the estate was returned to Strafford’s eldest son, William Wentworth.  But when William died without issue in 1695, it transferred to the children of his sister, Anne Wentworth, wife to the head of the Watson family.  When in 1751, Charles Watson, heir to these princely estates, succeeded his father as the second Marquess of Rockingham, he became one of the wealthiest peers in England.  Charles Watson Wentworth, having added his mother’s maiden name to his own, was twice elected Prime Minister of England.  But he died unexpectedly and childless in 1782, just after his second election at age 52.  Thus, when Austen was a mere girl, the combined fortunes of the Woodhouses, Wentworths, and Watsons transferred to their next of kin, the Fitzwilliams.

Wentworth Castle
Wentworth Castle, 1829

By then, a family feud between Wentworth cousins (Tory and Whig) had resulted in Wentworth Castle.  Even the name of the rival estate deliberately taunted the mere “House” six miles away.  Major renovations to Wentworth Castle were duly answered with elaborate improvements to nearby Wentworth Woodhouse, shaping English garden design through one family’s political rivalry.  The competitive landscaping at these neighboring estates, the bulk of which took place between 1710 and 1790, was a prolonged endeavor that occurred on a grand scale and in the national spotlight.  It was in 1791, when Austen was in her teens, that the Wentworth Castle estate and titles were inherited by an obscure gentleman from Dorset named (I’m not making this up!) Frederick Wentworth, making him the third and last Earl of Strafford.  When Austen reached her late 20s, Wentworth Castle became the property of young Frederick Vernon after another heated Wentworth-family dispute. The historical circumstances surrounding this contested transfer of Wentworth wealth resemble those in Lady Susan, which features at least two characters named Frederic Vernon as well as a dispute over a family castle.

William Wentworth – 2nd Earl of Strafford

[Image from wikipedia]

After years of wily namedropping, and perhaps because her contemporary readers would have instantly connected the hero of Persuasion with this glamorous Wentworth family, Austen disclaims in her final novel.  She has the sycophantic Sir Walter Elliot sneeringly dismiss any link between Capt. Frederick Wentworth, the story’s self-made naval officer, and the highborn Wentworths from Yorkshire, who held titles such as the Earl of Strafford: “Mr. Wentworth was nobody, I remember, quite unconnected; nothing to do with the Strafford family.”  By placing the requisite disclaimer in the mouth of Sir Walter, Austen keeps her own tongue firmly in her cheek.  Sir Walter is notoriously unreliable—a narcissistic fop who lacks judgment.  Despite, or perhaps because of, Sir Walter’s dismissal, the name of Frederick Wentworth so flagrantly invites contemporary associations that the upending of those expectations (a landless sailor named after one of England’s most famous landowning families?) becomes part of the story’s piquancy and contemporary appeal.

Anne Wentworth, Countess of Strafford – by Joshua Reynolds c1745

[Image from wikipedia]

Today, both properties are being renovated and have opened their gardens to visitors.  Privately owned Wentworth Woodhouse has plans for a spa and hotel by 2015, while the Wentworth Castle Trust (the house is a teacher training college) has already restored the castle folly for which the property is known.  In both cases, the grounds and vistas are as stunning as eighteenth-century and regency guidebooks record.  While enjoying the picturesque herds of deer that, according to the locals, have roamed there since 1066, I could not help smiling at how the popularity of Austen’s fictional characters—especially Fitzwilliam Darcy and Frederick Wentworth—have succeeded in eclipsing their historical namesakes, casting a Janeite shadow over the once-glittering owners of these estates.

Wentworth Castle folly
Wentworth Castle Estate
Wentworth Woodhouse estate

If you’re an Austen enthusiast who has already been to Bath, Lyme Regis, and Chawton, then consider a visit to Wentworth Woodhouse and Wentworth Castle.  Meanwhile, I hope that my book takes you partway there.

The Fitzwilliam Arms in nearby Rotherham

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For a few photos as well as more information about these and other glamorous places alluded to by Austen, see the JHU Press Blog post by Janine “Jane Austen on Location”: http://jhupressblog.com/2012/09/12/jane-austen-on-location/

Johns Hopkins UP is about to run a small contest that would give away copies of my book to the first few who answer correctly a historical question with an Austen twist.  Look for the question on the JHU Press Blog, starting on 26 October.

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About the author: Janine Barchas is the author of Graphic Design, Print Culture, and the Eighteenth-Century Novel (Cambridge UP, 2003), the editor of The Annotations in Lady Bradshaigh’s Copy of Clarissa (English Literary Studies, U of Victoria, 1998), and numerous scholarly works on Austen (search her name on the Jasna.org website here). Her research interests include eighteenth-century literature and culture, the British novel, book history, textual studies, Jane Austen, and early fiction by women. At the JASNA 2012 AGM, she spoke on “Austen Between the Covers: A Brief History of Book Cover Art”, and will be one of the plenary speakers at the JASNA 2013 AGM in Minneapolis, the AGM celebrating 200 years of Pride and Prejudice.

Further Reading:

Wentworth Castle:

Wentworth Woodhouse:

And note that The Country House Revealed is a six part BBC series first aired on BBC Two in May 2011 in which British architectural historian Dan Cruickshank visits six houses never before open to public view, and examines the lives of the families who lived there. Wentworth Woodhouse s featured in Episode 4.

All photographs by Janine Barchas.

Please leave any comments or questions for Janine below – and don’t forget to check out the JHU Press blog on October 26, and see if you can answer the Jane Austen question!

c2012 Jane Austen in Vermont
Austen Literary History & Criticism · Book reviews · Books · Collecting Jane Austen · Jane Austen · Jane Austen Societies · JASNA · Literature · Regency England

The JASNA 2012 AGM in Brooklyn ~ Part I: My Jane Austen Book Stash

I have not gone missing, though it may seem that indeed I have fallen off the planet – not quite so dramatic though it does almost feel like that – we have sold our house and amidst the joys of house packing, packing up my book business – all gone to storage as we do not have a place to call home – concerns about my son’s surgery, a September 23rd JASNA-Vermont event of grandiose proportions [three speakers, a fabulous afternoon!], and then off to the JASNA AGM in Brooklyn – a lovely respite into the late 18th century from which I am still fighting re-entry!  I was hoping to post about the AGM right away and fear I am slowly forgetting about all the fabulous events of Jane Austen Land in Brooklyn – but I shall start today with a booklist of new purchases – the Emporium filled with goodies as usual – and though the lack of a home and the memory of packing all those books forced me into more conservative behavior at the book stalls, I confess that book buying is my only true vice and I could not completely resist, so here are the latest additions to my Jane Austen library:!

Maggie Lane. Understanding Austen: Key Concepts in the Six Novels. London: Robert Hale, 2012.  ISBN: 978-0-7090-9078-6

Lane has written a number of Austen-related texts and this book will be a most welcome addition to my collection of her other works. Her essays in Jane Austen’s Regency World magazine are always insightful, often just focusing on a single term and how Austen employs it [for example in the Mar / April 2011 issue, she takes on Austen’s concept of “home”] – in this book, Lane delineates Austen’s 18th century language, clarifying for the reader the meanings of such words as “elegance” and “openness” to “candour” and “gentility” and “mind” and “spirit” – a lively entry into Austen’s world that adds to our understanding and appreciation of what she was really saying to her readers…

Devoney Looser. British Women Writers and the Writing of History, 1670-1820.  Baltimore: Johns Hopkins UP, 2000. ISBN: 0-8018-6448-8

Ashamed to say I do not have this in my collection – so happy to remedy that with this discussion of Lady Hutchinson, Lady Mary Wortley Montagu, Charlotte Lennox, Catharine Macaulay, Hester Lynch Piozzi, and Jane Austen and their historically-informed writings… perfect winter reading…

James Fordyce. Sermons to Young Women. Introduction by Susan Allen Ford. Chawton: Chawton House Press, 2012.
ISBN: 978-1-907254-07-9

One of the best-selling conduct books of Jane Austen’s day, Fordyce’s Sermons to Young Women we mostly know as the reading material of the odious Mr. Collins, the words of which Lydia Bennet patently ignored… This is a paperback facsimile of the 10th edition from the Chawton House Library collection, and necessary reading material if one is to understand the world that Jane Austen was writing in – we might laugh at some of the directives for female behavior now and think we indeed have “come a long way baby” – but read it we must to truly “get” Austen… purchase supports the Chawton House Library, and as Susan Allen Ford, JASNA’s intrepid Persuasions editor, has written the introduction, one should just add this to their shelves without further ado…

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Janine Barchas. Matters of Fact in Jane Austen: History, Location, and Celebrity. Baltimore: Johns Hopkins UP, 2012.  ISBN: 978-1-4214-0640-4

“Janine Barchas makes the bold assertion that Jane Austen’s novels allude to actual high-profile politicians and contemporary celebrities as well as to famous historical figures and landed estates…the first scholar to conduct extensive research into the names and locations in Austen’s fiction by taking full advantage of the explosion of archival materials now available online.” [from the jacket]

I had the pleasure of introducing Professor Barchas at her AGM presentation on “Jane Austen Between the Covers: A Brief History of Book Cover Art.” She took us through the last 200 years of marketing Jane Austen through the physical aspect of the book, a long-term project she is working on to create a visual bibliography of Austen’s works.  Barchas has given a number of breakout sessions at the past AGMs, always incorporating the graphic and visual aspects of Austen’s world and tying them to her fiction.  I am most anxious to read her newest work, and can heartily recommend it…

Claudia L. Johnson. Jane Austen’s Cults and Cultures Chicago: U Chicago P, 2012.  ISBN: 978-0-226-40203-1

Also another must-have for your Austen collection… Johnson “shows us how Jane Austen became ‘Jane Austen,’ an exalted yet seemingly ordinary figure… [by passing] through the four critical phases of Austen’s reception: the Victorian era, the First and Second World Wars, and the establishment of the Austen House and Museum in 1949…” [from the jacket]

Elizabeth Aldrich. From the Ballroom to Hell: Grace and Folly in Nineteenth-Century Dance Evanston: Northwester UP, 1991.  ISBN: 0-8101-0913-1

This book went into a second printing in 2000, so very happy to pick it up. It offers up “a collection of over 100 little-known excerpts from dance, etiquette, beauty , and fashion manuals from roughly 1800-1890, to include step-by-step instructions for performing the various dances, as well as musical scores, costume patterns,  and the proper way to hold one’s posture, fork, gloves, and fan…”

Hazel Jones and Maggie Lane. Celebrating Pride and Prejudice: 200 Years of Jane Austen’s Darling Child.  Bath: Lansdown Media, 2012.  ISBN: 978-0-9573570-0-6

A compact, illustration-filled tribute to P&P, as Jones and Lane “investigate the reasons for its popularity and describe the extraordinary history, reception and afterlife of the phenomenon that is Pride and Prejudice.” [from the back cover].  I was fortunate enough to be purchasing this from publisher Tim Bullamore just as Maggie Lane was at the Jane Austen’s Regency World magazine table – so having it signed by both authors is an additional treat! – and Colin Firth graces the cover, so who could resist!

Sarah Emsley, ed. Jane Austen and the North Atlantic: Essays from the 2005 Jane Austen Society Conference in Halifax, Nova Scotia, Canada Jane Austen Society, 2006. ISBN: 0-9538174-7-4

I had wanted to go to this conference but was alas! unable to, so happy to pick up this collection of four essays – have meant to since 2006 when it was first published…

The Jane Austen Companion to Love. Naperville: Sourcebooks, 2009.  ISBN:  978-1-4022-4016-4

This was a lovely gift from Sourcebooks in our AGM bag of goodies…. Filled with quotes from the novels and illustrations by the two Brock brothers – a perfect bedside book…and gift for your favorite Austen-loving friend.

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Several books highlighted at the AGM I already have, so shall give them a mention here as well:

Ava Farmer, a.k.a. Sandy Lerner. Second Impressions.  Chawton House Press, 2011. ISBN: 978-1-61364-750-9

Ms. Lerner was at the AGM as a plenary speaker – her talk “Money Now and Then: Has Anything Changed?” – was an interesting analysis of whether Jane Austen was knowledgeable about the issue of money in her novels – will write more about this in another post – but want to mention her book here – she will be coming to Vermont in December to speak at our annual birthday Tea! – and her book will be available for sale, all profits to support Chawton House Library. You can visit the book’s website here: http://www.secondimpressions.us/

Susannah Fullerton. A Dance with Jane Austen: How a Novelist and her Characters went to the Ball.  London: Frances Lincoln, 2012.  ISBN:  978-0-7112-3245-7

A delight to meet and chat with Susannah, the president of JASA, and author also of Jane Austen and Crime, one of my favorite books on Austen.  Here Susannah takes on the Regency ballroom, filled with beautiful contemporary illustrations, and everything you wanted to know about Dance!

Juliette Wells. Everybody’s Jane: Austen in the Popular Imagination New York: Continuum, 2011.  ISBN:  9781441145543

Nearly done with this one – and another must-have for your Austen library: “An investigation of Jane Austen’s popular significance today – why Austen matters to readers, how they make use of her novels, what they gain from visiting places associated with her, and why they create works of fiction and nonfiction inspired by her novels and life.” [from the back cover]

William Deresiewicz. A Jane Austen Education: How Six Novels Taught Me About Love, Friendship, and the Things That Really Matter.  New York: Penguin, 2011.

Deresiewicz spoke the evening of the Ball on “Becoming a Hero: Being a Man in Austen’s World” – his book is a delightful journey through the six novels and how his reading of them made him a better man…

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Used Books? – my real downfall, but I only bought two items from the used bookseller Traveler’s Tales, where I usually drop a bit more blunt – I didn’t get to the booth until a few days after the Emporium opened and most items of interest were already gone… but I did find this:

John Gloag. Georgian Grace: A Social History of Design from 1600 to 1830. London: Spring Books, 1967, c1956. – a must have for anyone interested in the architecture and decorative arts of the period – who can resist a book with chapters such as “‘A Dish of Tea’” and “Pray be seated” and “‘The toilet stands dispay’d’” and the like!

And this, a Rowlandson print – you must visit the Jane Austen’s World blog where Vic [my delightful roommate!] shares her purchase of FOUR of these Rowlandson prints!

Here is my one and only: “The Harvest Home” by Thomas Rowlandson (1821)

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…and last but not least, my favorite annual purchase at the AGMs is the Wisconsin Region’s “A Year with Jane Austen” Calender, this for 2013 a celebration of Pride and Prejudice: you can order your own copy here: http://www.jasna.org/merchandise/calendar-2013.html [I purchased a number to sell at our JASNA-Vermont Austen Boutique…]

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More to come about the AGM so stay tuned!

c2012 Jane Austen in Vermont