Giveaway Reminder! ~ ‘Jane Austen Speaks to Women’

UPDATE:  the winner has just been announced!  Patricia’s Practicality please email me your address and I will get the book off to you right away.  Thanks all for your comments over at Maria Grazia’s blog – it seems a runaway that most were surprised by the extent of Col. Brandon’s secrets – a deep man in there somewhere with a great backstory!

Tomorrow is the last day to comment on my post “Secrets in Sense & Sensibility” at the My Jane Austen Book Club blog:

The Giveaway: You can comment either here or on Maria Grazia’s blog My Jane Austen Book Club to be entered into the giveaway:

Can you remember the first time you read Sense and Sensibility? What secret in the novel most surprised you?
Random drawing for one of my favorites of the numerous Jane Austen gift books:  Jane Austen Speaks to Women, by Edith Lank (2000) . As usual, please, don’t forget to add your e-mail address to your comment.
The giveaway is open worldwide . Winner will be announced on June 30th.
“Elinor agreed to it all, for she did not think he deserved the compliment of rational opposition.  [Elinor in Sense & Sensibility
Copyright @2011 by Deb Barnum, at Jane Austen in Vermont

Museum Musings ~ The American Antiquarian Society

I too often get so caught up in Jane Austen’s time and place – England, the Regency Period – that I forget that there is an abundance of resources right here in my own American backyard.  The Shelburne Museum is one such gem of a place to visit, and only a few miles from my home.  I spent my teenage years (and later dragging my own children) visiting Plimoth Plantation and Sturbridge Village and Colonial Williamsburg, such “living” museums feeding my love of history.  There is so much to see, to absorb, to understand! and the internet, while it makes so much so readily available, does create its own problem –  how does one possibly keep up with new material being added to the websites of  every and all of the museums, art galleries, stately houses, historical societies, libraries, auction houses, etc. out there? – the list is endless! 

But I do periodically randomly scout around and as anyone knows who researches on the web you find one thing and that leads to another that leads to another, etc., ad infinitum, and alas! you look at the clock and two hours have passed and that cannot possibly be true! – and then you want to post on something you find, but where is the time for that? – I am literally bogged down with thoughts – I maintain notebooks of ideas, most never to make the airwaves…

But I must share one such discovery from the other day: this was just going to be a short note in my weekly Penny Post,  but I think it deserves a post all its own.  I cannot even quite recall how I got there! – a book related link perhaps that sent me off to the American Antiquarian Society, and while lurking about I found their collection of online exhibitions – most all of interest to Janeites everywhere – so here goes, all images courtesy of the AAS:  click on the links to tour the online images – great stuff!

Beauty, Virtue and Vice: Images of Women in Nineteenth-Century American Prints

A Map of the Open Country of a Woman's Heart c.1833-1842

Most of the prints in the exhibit “Beauty, Virtue and Vice: Images of Women in Nineteenth-Century American Prints” were designed simply to please the eye, but they are also useful to historians who would like to understand how nineteenth-century Americans thought about the world in which they lived. Although prints are often works of imagination (even when they are grounded in fact), they still have much to tell us about the time and place in which they were created.

Artists were seldom concerned with representing people and scenes accurately, as we expect photographs to do, but took broad artistic license in creating scenes that would please the viewer’s eye. Even when artists depicted notable people, places, and events, artistic convention generally was more important than accuracy. Of course, these prints also tell us something of their creators’ point of view. Prints can be extremely useful for understanding the history of popular ideas, understandings, and beliefs. When read carefully and conscientiously, prints can be very useful documentary sources for understanding the past.


An Invitation to Dance: A History of Social Dance in America

The illustrations and objects depicted in this exhibition provide a brief glimpse into the history of social dance. The abundance of artwork and social artifacts available attest to dance’s importance throughout American history. Featured is not only its origin, fashion and forms, but also the unspoken language of dance. Always moving, always changing, dancing has never failed to enchant American society.

In the eighteenth and nineteenth centuries, dance became a forum for purposeful social activity; elaborate balls and private parties offered a means for a gentleman to seek his wife and allowed friends and family to share the new trends in music and dance. In the political sphere, balls provided a setting for politicians to exhibit their wealth and standing by their knowledge of the most fashionable dances.


A Woman’s Work is Never Done

Washing Day 1835

Although the majority of women chose to stay home, where society believed a woman should be, many ventured out into the working world either to begin their own business or to work for others in order to support themselves and their families. But whether a woman sought paid employment, or stayed at home to work in the domestic realm, she was always working. As Martha Ballard, a well-known eighteenth-century woman, wrote in her journal on Nov. 26, 1795, “A womans work is Never Done as ye Song Says, and happy Shee whos Strength holds out to the End…”

This exhibition brings together a selection of images from the Society’s collections that illustrate many facets of American women’s work, from the beginning of the American Revolution through the Industrial Revolution.


And the link that likely brought me here in the first place: 

A Place of Reading: Three Centuries of Reading in America 

'Clarissa' by James Baillie, 1848

A goal of this exhibition, and one of the goals of the American Antiquarian Society (AAS) itself, is to engage scholars in the study of the history of the book.  The history of reading is but one component of this broad and dynamic field of scholarship.  It is also an exceptionally difficult one.  In highlighting the locations where individuals performed the act of reading in America, through the use of images and objects from the AAS collections, we hope to tell a story.  It is not a definitive story by any means, but a story of three centuries’ worth of individuals ‘caught’ in the act of reading in homes, taverns, libraries, military camps, parlors, kitchens, and beds, among other places. 

At times we can see a person reading in a specific location; at other times people tell us where they are reading; and sometimes we have to perform leaps of faith and imagine, for example, a cookbook being read in the kitchen.  It’s the only logical location.  Or is it?  Our hope is that this exhibition will encourage other students of the history of the book to expand on this topic in as many imaginative and varied ways as the Society’s collection permits. 

Spend some time if you can at this online exhibition – a wonderful collection of images of readers!

But here is my favorite find: note very closely this image of the title page of The Ladies Library and the owner’s signature Jane Mecom 

An interesting aside: Jane Mecom was Benjamin Franklin’s sister – the unsung sister of a very famous brother [think Alice James, Dorothy Wordsworth, etc…] – you can read about her in this very recent article (April 24, 2011) in the NYTimes by Jill Lepore

Serendipitous, don’t you think that I read this article a few weeks ago and then find this title page image on the AAS site with her name in the book! [this is not noted on the website – I called to confirm that this book was indeed Jane Mecom’s and given to her by her brother and indeed it is! – and BTW, the reference person on the phone was delightful and most helpful!]


Well, as I said, one thing leads to another and somehow I rambled over from the AAS in Worcester Massachusetts to the website of the Boston, MA based Bostonian Society [at least I am still in New England!] – they have an online exhibition titled:

From Baby Caps to Mourning Rings: The Material Culture of Boston’s 18th-Century Girls & Women 

Bostonian Society - 18th c baby's cap

And how interesting to note that the 1818 watch of Anna Eliot is used as a guide to take you through the hours of the day!  

It does indeed all come back to Jane Austen, doesn’t it! 

So enough “Museum Musings” for today – hope you enjoy these tours through the America of Jane Austen’s time! 

Copyright @2011 by Deb Barnum, of Jane Austen in Vermont 

Hot off the Press! ~ Jane Austen’s Regency World Magazine No. 52

News from the editor:  the July/August 2011 issue of Jane Austen’s Regency World magazine is now on sale and has been mailed to subscribers.

In the new issue: 

  • JANE AUSTEN FESTIVAL IN BATH ~ A preview of the exciting programme lined up for September
  • THEATRICAL PAINTINGS ~ The amazing set of costumed portraits collected by Somerset Maugham is now in safe hands
  • COAST DELIGHTS ~ How Jane Austen depicts the seaside in her novels
  • FORGOTTEN BROTHER ~ Maggie Lane traces the life of George Austen, Jane’s little-known brother
  • LUNAR RIOTS ~ The day a Georgian society in Birmingham was attacked by a mob
  • WHEN WE ARE GONE ~ How did Cassandra handle Jane’s legacy, and what about ours?
  • JANE’S MEN ~ Our favourite author was not only an expert on women, she had a strong insight into the minds of men

Plus: All the latest news from the world of Jane Austen, as well as letters, book reviews, quiz, competition and news from JAS and JASNA.

Jane Austen’s Regency World will be at the following events, and we look forward to meeting many subscribers, old and new:

  • July 9 &10: Jane Austen Festival, Louisville, Kentucky,USA 
  • Sept 17P:  Jane Austen Festival, Bath, UK (country fayre) 
  • Oct 13-15:  JASNA AGM, Fort Worth, Texas, USA

For further information, and to subscribe, visit:

CFP: 200 Years of Sense & Sensibility ~ St. Andrews Conference

I am posting this on behalf of the conference organizer:  please email her directly if you have questions.

a Two Day Conference
9–10 S

Keynote speakers:

Kathryn Sutherland (St Anne’s College, Oxford) 


Paula Byrne (author of the new Harper Collins Jane Austen biography).

‘I am never too busy to think of S&S’, Jane Austen wrote to her sister, Cassandra in April 1811. The year saw the publication of her first novel and to mark the anniversary, we are hosting a conference that reflects upon two hundred years of readership and opens up new interpretations of the novel. We invite proposals for 20-minute papers and round table panels on any aspect of the novel.

Possible topics may include but are not limited to:

  • Social and historical context
  • Reception
  • Tradition of Sensibility/contemporary aesthetic theory
  • Literary influences
  • Sibling relationships
  • Feminist readings
  • Adaptations and appropriations
  • Re-writings and sequels
  • The novel’s place in the canon

Please send abstracts of no more than 250 words to the conference organisers, Marina Cano López and Rose Pimentel, at 200sensibilities [at] gmail [dot] com

Please also email us with any questions at the above address. The deadline for proposals is 30 June 2011

For more information, please visit: 

University of St. Andrews

Secrets in Sense & Sensibility at ‘My Jane Austen Book Club’

The year of celebrating Sense & Sensibility at the blog My Jane Austen Book Club continues this month with my post on “Secrets in Sense & Sensibility”:

“Come, come, let’s have no secrets among friends.”


[Image: Vintage Classics cover]

Mrs. Jennings may request “no secrets among friends,” and Marianne may “abhor all concealment” (p. 53), but Sense and Sensibility is chock full of both – many secrets, much concealed – within each character, between characters, and between the author and the reader

P. D. James, in her essay “Emma Considered as a Detective Story,” defines the detective story as one “requiring a mystery, facts which are hidden from the reader but which he or she should be able to discover by logical deduction from clues inserted in the novel with deceptive cunning but essential fairness.  It is about evaluating evidence…it is concerned with bringing order out of disorder and restoring peace and tranquility to a world temporarily disrupted by the intrusions of alien influences” (James, p. 243-44)  

Such is Emma, truly a mystery, where Jane Austen gives us clues and puzzles and hints along the way, whereby we the reader can solve the underlying mystery right along with Mr. Knightley, who gets awfully close, but not quite close enough, to the solution….

… Continue reading at My Jane Austen Book Club


The Giveaway: You can comment either here or on Maria Grazia’s blog to be entered into the giveaway:

Can you remember the first time you read Sense and Sensibility? What secret in the novel most surprised you?
Random drawing for one of my favorites of the numerous Jane Austen gift books:  Jane Austen Speaks to Women, by Edith Lank (2000) . As usual, please, don’t forget to add your e-mail address to your comment.
The giveaway is open worldwide . Winner will be announced on June 30th.
“Elinor agreed to it all, for she did not think he deserved the compliment of rational opposition.”  [Elinor in Sense & Sensibility

The monthly S&S posts on Maria’s blog can be viewed here:

1. January:  Jennifer Becton    Men, Marriage and Money in Sense and Sensibility
2. February:  Alexa Adams        Sense and Sensibility on Film
3. March:  C. Allyn Pierson   Property and Inheritance Law in S &S
4. April:  Beth Pattillo    Lost in Sense and Sensibility
5. May:    Jane Odiwe   Willoughby: a rogue on trial
6. June:   Deb @JASNA Vermont  Secrets in Sense and Sensibility
7. July:   Laurie Viera Rigler   Interview with Lucy Steele
8. August:  Regina Jeffers     Settling for the Compromise Marriage
9. September:   Lynn Shepherd The origins of S&S: Richardson, Jane Austen, Elinore & Marianne                            
10. October:   Meredith @Austenesque Reviews   Sense and Sensibility fanfiction
11. November:  Vic @Jane Austen’s World  Minor characters in Sense and Sensibility
12. December:   Laurel Ann @Austenprose  Marianne Dashwood: A passion for dead Leaves and other Sensibilities                

[Copyright @2011 by Deb Barnum of Jane Austen in Vermont]

On the Block! ~ Austen at Auction ~ Sotheby’s June 17, 2011 ~ P&P $35,000!

UPDATE:  Results in red = Hammer price with Buyer’s Premium.

The results of today’s New York  Sotheby’s Sale No. NO8755: Fine Books and Manuscripts are in:  note the unsold items!



Pride and Prejudice: A Novel. London: T. Egerton, 1813
 SOLD for $35,000.  [estimate: 25,000—35,000 USD]

 LOT 50

Sense and Sensibility. London: Printed for the Author and published by T. Egerton, 1811  SOLD for $28,125.   [ est: 15,000—25,000 USD]

LOT 51

Pride and Prejudice: A Novel. London: T. Egerton, 1813
SOLD for $20,000.  [est: 10,000—15,000 USD]

 LOT 52

Mansfield Park.London: Printed for T. Egerton, 1814
SOLD for $5,625.  [ est: 6,000—8,000 USD]

 LOT 53

Emma: A Novel. London: Printed for John Murray, 1816
 UNSOLD [high bid $7,500] [est. 10,000—15,000 USD]

LOT 54

Northanger Abbey: and Persuasion. London, John Murray, 1818
 UNSOLD [high bid $4,250]  [est.  6,000—8,000 USD]


The Brontes fared well today:  there were two lots of books by all three : Lot 55 sold for $80,500 [Wuthering Heights and Agnes Grey]; Lot 56 sold for $33,750. [leather bound 1st editions of Emily, Charlotte and Anne, 17 volumes total]. 

Visit the Sotheby’s website for more details: browse the online catalogue here.

[Images and description text from the Sotheby’s catalogue]

Copyright @2011 by Deb Barnum, of Jane Austen in Vermont 

Winston Churchill on Jane Austen

My husband has been reading Winston Churchill’s The Second World War series, currently on the 5th book Closing the Ring.  He was quite excited to find this paragraph in the middle of Churchill’s writings of December 1943 when he was ill with pneumonia while in Tunis with General Eisnhower.   I have heard this quote before, and you might all be familiar with it as well, but worth a shout-out here – again showing, as Kipling had done so admirably before, how Jane Austen in time of distress is just the thing!

The days passed in much discomfort. Fever flickered in and out.  I lived on my theme of the war, and it was like being transported out of oneself. The doctors tried to keep the work away from my bedside, but I defied them.  They all kept on saying, “Don’t work, don’t worry,” to such an extent that I decided to read a novel.  I had long ago read Jane Austen’s Sense and Sensibility, and now I thought I would have Pride and Prejudice.  Sarah read it to me beautifully from the foot of the bed.  I had always thought it would be better than its rival.  What calm lives they had, those people!  No worries about the French Revolution, or the crashing struggle of the Napoleonic Wars.  Only manners controlling natural passion so far as they could, together with cultured explanations of any mischances.  All seemed to go very well with M and B*.

* “Mand B” refers to Lord Moran and Dr. Bedford who came to his aid

 From Winston Churchill, Closing the Ring. Boston: Houghton Mifflin, 1951, p. 425.

Copyright @2011 by Deb Barnum, of Jane Austen in Vermont

For Sale! ~ Ibthorpe House

I received an email yesterday from the JAS secretary re: the sale of  Ibthorpe House  – home to her friends the Lloyds and where Jane Austen visited on a number of occasions.  I had the pleasure to visit a few years ago, where tea was served and the owners toured us around the house and gardens and the fields with their alpacas.  But Alas! all my pictures are slides and rest comfortably in boxes! – more on Austen’s connection to the house in another post…

The link to the real estate firm [ ]   who has listed the property no longer works, so perhaps it has already sold, but you can see a number of pictures here:

But hurry! – this may be taken down soon as well…

Ibthorpe House

Copyright @2011 by Deb Barnum, of Jane Austen in Vermont

The Penny Post Weekly Review ~ All Things Austen

The Penny Post Weekly Review

June 11, 2011

 Some goodies for this week – have you found anything of interest you would like to share? – please do!

 News and Gossip:

*Don’t miss this! – June 11 with Rick Steves: A Proper English Hour: Home, High Tea, and Jane Austen’s England Bill Bryson examines private life during the Victorian age; London guide Britt Lonsdale explains how to enjoy a proper afternoon tea service; and screenwriter Andrew Davies [soon to be the JASNA AGM in Fort Worth!] shares his appreciation for the works of Jane Austen.

Click here to find where it airs in your area [alas! In Vermont, nowhere!]

But, thankfully, beginning on June 12, the show will also be available to download any time from their website archives at this page:

*Masterpiece Theatre announces its fall lineup: watch for Bill Nighy, Rachel Weisz, Alan Rickman, Emma Thompson, Ralph Fiennes and more!

*The Jane Austen Regency Week in the UK has several events worth either attending OR lamenting if you are on the wrong side of the pond:

*For those of us who are on the western shore of the Atlantic, there is the fabulous JASNA Louisville 4th annual Jane Austen Festival July 9 – 10, 2011: information and registration here:

*see at for your very own Jane Austen bookshelf [$249.00]:

– the latest issue of Jane Austen’s Regency World mentions a Pride & Prejudice Limoges Box, which was announced by Limoges in March 2011 – only the above box appears on the Limoges website, so perhaps they are sold out? – here are the two boxes in the announcement – let me know if you bought one!:

Blogs, websites, and such:

Elizabeth Montague by Edward Haytley

*Elizabeth Montague and the Bluestocking Circle:

Their project to put all her letters online: Our goal is to prepare a fully annotated electronic edition of Elizabeth Montagu’s correspondence. The author and bluestocking salonnière (1718-1800) was the leading woman of letters and artistic patron of her day. The 8,000 extant letters, ‘among the most important surviving collections from the eighteenth century’ (Schnorrenberg) is held in the British Library, the Bodleian and the Huntington Library, the latter of which holds 6,000 of them. Less than a quarter of these documents has been previously published and then in partial archaic print selections.

*Oxford Bookworms, where Pride and Prejudice is a bestseller in its Stage 6 series: 

*World Digital Library, – a joint venture of the Library of Congress and other world libraries – alas! no Austen, but this growing database is worth searching – in a quick look I find the Gutenberg Bible,  William Blake’s The Book of Urizen

and an abundance of Robbie Burns!:

*Angela Thirkell – For lovers of Trollope in need of more Barset stories, you should add Angela Thirkell to your book shelf – there is also yet another Society to join!

*Lit Lists: an interesting blog for lovers of lists – here, all literary ones: – an example? – “Five Best New Ways of Portraying Lives” which includes Claire Harman’s Jane’s Fame

* The recently established Fresno Area Regency England Fellowship has a nice website, where you can sign up for their monthly newsletter and facebook page.

Books – Reviews – Recommendations:

*A book review: Laura Miller at on A Jane Austen Education:

*Miranda Seymour at the NYTimes on A Jane Austen Education and Rachel Brownstein’s Why Jane Austen?:

*Reading lists:  I have found two perfect reading lists for what to read when you have read all of Jane Austen:

Other recommendations to add to your Austen Library:


Museums / Exhibitions:

The Musee McCord in Montreal – considered the leading collection of Canadian dress and the second most important collection of costume in Canada, this collection has grown since 1957 to contain some 18,845 items of dress and accessories – the Museum has the following 19th century fashion-related games online: [with thanks to JASNA-New Jersey for this link]

Also in Musee des Beaux-Arts de Montreal: an exhibit of the Museum’s collection of Napoleon artifacts:


To close, I append a quote [and not even from Jane!] I found on a listserv – from Steven Wright [I love Steven Wright!]

“I was reading the dictionary. I thought it was a poem about everything.”
– Steven Wright, comedian (1955- )

He must have been reading Johnson’s Dictionary!

Copyright @2011 by Deb Barnum, of Jane Austen in Vermont

Austen on the Block! ~ Austen Portrait Auction Results

UPDATE:  NO SALE – A Pass [£28,000 highest bid]

Watching the Christies auction live! – the James Stanier Clarke Friendship Book with the illustration [as speculated] of Jane Austen had a highest bid of just £28,000 [estimate was 30,000 – 50,000]

Other items of interest in the sale:

Emily Bronte, Wuthering Heights. 1st Am. ed.:  PASS

Charles Dickens, A Christmas Carol. 1st ed, 1st state:  £2800 [hammer price]

Samuel Richardson, Pamela. 1st ed.:  PASS

Shakespeare and John Fletcher, Two Noble Kinsman£26,000 [hammer price]

BUT, there was money passing hands at this auction ~ note this item!

MERIAN, Maria Sibylla (1647-1717). Blumenbuch. Nuremberg: Johann Andreas Graff, 1675-1677-1680.

Estimate:  £60,000 – £90,000  ($98,100 – $147,150)

Price realized:  £470,000 [ £565,250 ($924,184) with buyer’s premium]

Together, 3 fascicules, 2°. 2 leaves of letter-press text and 36 engraved plates COLOURED BY A CONTEMPORARY HAND, numbered in the plate 1-12, 14-124, 1-12, including an engraved title-page with a different elaborate botanical border as plate 1 to each fascicule. Watermarks: tower with counter-mark ‘S H’ (pts. 1 and 2); coat-of-arms of Amsterdam (pt. 2); crowned double eagle with pendant ‘4 S H’ (pt. 3). Plates trimmed to plate edge (208 x 150mm) and tipped onto modern paper mounts (305 x 221mm), text leaves trimmed to type-area; loose in modern marbled paper folding box (upper joints split). An 18th-century German hand has added numbering (sometimes on the plate) and German plant-names, now mounted as caption labels beneath each plate, the register also annotated, 19th-century manuscript title-page in German. Provenance: the von der Osten family, Schloss Plathe, Pomerania, and by descent; nationalised by the DDR, transferred to the state archive in Potsdam, and subsequently restituted to the family.

A REDISCOVERED, APPARENTLY UNIQUE COPY, FINELY COLOURED, OF THE TRUE FIRST EDITION OF MERIAN’S FIRST AND RAREST WORK. The Blumenbuch was issued in 3 parts consisting of 12 plates each in 1675, 1677 and 1680, respectively. In 1680 also appeared a composite issue of all three parts newly entitled Neues Blumenbuch and 2 leaves of text containing an introduction and a register of plant names. The present copy conforms to the first edition, issued as 3 fascicules, with individual title-pages dated 1675, 1677 and 1680. Furthermore, the watermarks conform to the Bern copy of the 1675 and 1677 fascicules. NO OTHER COMPLETE COPY OF THE FIRST EDITION IS KNOWN. It is highly likely that it was acquired at or close to the time of publication by a von der Osten ancestor and has been in the family ownership for the subsequent 3 centuries. In c. 1900 it is recorded in the only surviving catalogue of the family library as being trimmed and mounted on loose sheets. Interestingly, several scholars have noted that the work seems to have remained in loose sheets for considerable periods; it is possible that the present copy was never bound.

The colouring in the present copy closely resembles that in copies considered to have been done by Merian herself (Dresden, London). If not by Merian, it is certainly by an accomplished contemporary artist, as is the Bern copy. In the introducton Merian states that she has produced the work as a model book, providing patterns to be copied in paint or embroidery. She thus joins a long tradition of florilegia serving this purpose. She also outlines briefly ‘tulip fever’ and the price of 2000 Dutch guilders paid for a single tulip, Semper Augustus. The plates for the Blumenbuch were not re-issued in Merian’s lifetime, but were reworked with the addition of insects for a 1730 edition, Histoire des Insectes de l’Europe. THE BLUMENBUCH IMAGES ARE THUS THE RAREST OF MERIAN’S PUBLISHED IMAGES.

Only five copies of individual fascicules survive: Vienna (pt. 1, ?lacking pl.2); Bern (pts. 1 and 2 [lacking II:12]); and Nuremberg (pt. 3, lacking pls. 8, 11, 12). Of the 1680 Neues Blumenbuch only 6 copies (3 with contemporary coluring) are known, in addition to a unique copy of coloured counterproof plates sold in Christie’s rooms in 2000. Blunt & Stearn, pp. 142-46; Nissen BBI 1340.

Copyright @2011 by Deb Barnum, of Jane Austen in Vermont