Jane Austen · News

For Sale! ~ Ibthorpe House

I received an email yesterday from the JAS secretary re: the sale of  Ibthorpe House  – home to her friends the Lloyds and where Jane Austen visited on a number of occasions.  I had the pleasure to visit a few years ago, where tea was served and the owners toured us around the house and gardens and the fields with their alpacas.  But Alas! all my pictures are slides and rest comfortably in boxes! – more on Austen’s connection to the house in another post…

The link to the real estate firm [ http://search.knightfrank.com/hng110054 ]   who has listed the property no longer works, so perhaps it has already sold, but you can see a number of pictures here:

http://www.rightmove.co.uk/property-for-sale/property-29743015.html

But hurry! – this may be taken down soon as well…

Ibthorpe House
Copyright @2011 by Deb Barnum, of Jane Austen in Vermont
Books · Fashion & Costume · Jane Austen · JASNA · Museum Exhibitions · News · Regency England

The Penny Post Weekly Review ~ All Things Austen

The Penny Post Weekly Review

June 11, 2011

 Some goodies for this week – have you found anything of interest you would like to share? – please do!

 News and Gossip:

*Don’t miss this! – June 11 with Rick Steves: A Proper English Hour: Home, High Tea, and Jane Austen’s England Bill Bryson examines private life during the Victorian age; London guide Britt Lonsdale explains how to enjoy a proper afternoon tea service; and screenwriter Andrew Davies [soon to be the JASNA AGM in Fort Worth!] shares his appreciation for the works of Jane Austen.

Click here to find where it airs in your area [alas! In Vermont, nowhere!] http://www.ricksteves.com/radio/whereitairs.htm

But, thankfully, beginning on June 12, the show will also be available to download any time from their website archives at this page: http://www.ricksteves.com/radio/archive.htm

*Masterpiece Theatre announces its fall lineup: watch for Bill Nighy, Rachel Weisz, Alan Rickman, Emma Thompson, Ralph Fiennes and more! http://www.pbs.org/wgbh/masterpiece/schedule/fall_2011.html

*The Jane Austen Regency Week in the UK has several events worth either attending OR lamenting if you are on the wrong side of the pond: http://www.basingstokegazette.co.uk/leisure/general/9071636.Jane_Austen_s_Women_brought_to_life_by_Eastleigh_actress/

http://www.basingstokegazette.co.uk/leisure/general/9072738.Don_t_miss_Regency_Day_at_The_Vyne_on_Saturday/

*For those of us who are on the western shore of the Atlantic, there is the fabulous JASNA Louisville 4th annual Jane Austen Festival July 9 – 10, 2011: information and registration here: http://www.jasnalouisville.com/

*see  LimogesBoxCollector.com at https://www.limogesboxcollector.com/product_info.php?products_id=2183&osCsid=m86f91l6la8d4g1th82filhu66 for your very own Jane Austen bookshelf [$249.00]:

– the latest issue of Jane Austen’s Regency World mentions a Pride & Prejudice Limoges Box, which was announced by Limoges in March 2011 – only the above box appears on the Limoges website, so perhaps they are sold out? – here are the two boxes in the announcement – let me know if you bought one!:



Blogs, websites, and such:

Elizabeth Montague by Edward Haytley

*Elizabeth Montague and the Bluestocking Circle: http://elizabethmontaguletters.co.uk/home

Their project to put all her letters online: Our goal is to prepare a fully annotated electronic edition of Elizabeth Montagu’s correspondence. The author and bluestocking salonnière (1718-1800) was the leading woman of letters and artistic patron of her day. The 8,000 extant letters, ‘among the most important surviving collections from the eighteenth century’ (Schnorrenberg) is held in the British Library, the Bodleian and the Huntington Library, the latter of which holds 6,000 of them. Less than a quarter of these documents has been previously published and then in partial archaic print selections.

*Oxford Bookworms, where Pride and Prejudice is a bestseller in its Stage 6 series:  http://www.oup-bookworms.com/oxford-bookworms.cfm 

*World Digital Library, http://www.wdl.org/en/about/site.html – a joint venture of the Library of Congress and other world libraries – alas! no Austen, but this growing database is worth searching – in a quick look I find the Gutenberg Bible,  William Blake’s The Book of Urizen http://www.wdl.org/en/item/201/?ql=eng&s=william+blake&view_type=gallery

and an abundance of Robbie Burns!: http://www.wdl.org/en/search/gallery?ql=eng&s=robert+burns

*Angela Thirkell – For lovers of Trollope in need of more Barset stories, you should add Angela Thirkell to your book shelf – there is also yet another Society to join!  http://www.angelathirkell.org/

*Lit Lists: an interesting blog for lovers of lists – here, all literary ones:   http://litlists.blogspot.com/ – an example? – “Five Best New Ways of Portraying Lives” which includes Claire Harman’s Jane’s Fame http://litlists.blogspot.com/2011/06/five-best-new-ways-of-portraying-lives.html

* The recently established Fresno Area Regency England Fellowship http://fresnoarearegency.com/ has a nice website, where you can sign up for their monthly newsletter and facebook page.


Books – Reviews – Recommendations:

*A book review: Laura Miller at Salon.com on A Jane Austen Education:

http://www.salon.com/books/laura_miller/index.html?source=newsletter&utm_source=contactology&utm_medium=email&utm_campaign=Salon_Daily%20Newsletter%20%28Not%20Premium%29_7_30_110

*Miranda Seymour at the NYTimes on A Jane Austen Education and Rachel Brownstein’s Why Jane Austen?: http://www.nytimes.com/2011/06/12/books/review/book-review-a-jane-austen-education-and-why-jane-austen.html

*Reading lists:  I have found two perfect reading lists for what to read when you have read all of Jane Austen:


Other recommendations to add to your Austen Library:

 

Museums / Exhibitions:

The Musee McCord in Montreal – considered the leading collection of Canadian dress and the second most important collection of costume in Canada, this collection has grown since 1957 to contain some 18,845 items of dress and accessories – the Museum has the following 19th century fashion-related games online: [with thanks to JASNA-New Jersey http://cnjjasna.blogspot.com/ for this link]

Also in Musee des Beaux-Arts de Montreal: an exhibit of the Museum’s collection of Napoleon artifacts:  http://www.mbam.qc.ca/en/expositions/exposition_134.html

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To close, I append a quote [and not even from Jane!] I found on a listserv – from Steven Wright [I love Steven Wright!]

“I was reading the dictionary. I thought it was a poem about everything.”
– Steven Wright, comedian (1955- )

He must have been reading Johnson’s Dictionary!

Copyright @2011 by Deb Barnum, of Jane Austen in Vermont
Auctions · Jane Austen · News

Austen on the Block! ~ Austen Portrait Auction Results

UPDATE:  NO SALE – A Pass [£28,000 highest bid]

Watching the Christies auction live! – the James Stanier Clarke Friendship Book with the illustration [as speculated] of Jane Austen had a highest bid of just £28,000 [estimate was 30,000 – 50,000]

Other items of interest in the sale:

Emily Bronte, Wuthering Heights. 1st Am. ed.:  PASS

Charles Dickens, A Christmas Carol. 1st ed, 1st state:  £2800 [hammer price]

Samuel Richardson, Pamela. 1st ed.:  PASS

Shakespeare and John Fletcher, Two Noble Kinsman£26,000 [hammer price]

BUT, there was money passing hands at this auction ~ note this item!

MERIAN, Maria Sibylla (1647-1717). Blumenbuch. Nuremberg: Johann Andreas Graff, 1675-1677-1680.

Estimate:  £60,000 – £90,000  ($98,100 – $147,150)

Price realized:  £470,000 [ £565,250 ($924,184) with buyer’s premium]

Together, 3 fascicules, 2°. 2 leaves of letter-press text and 36 engraved plates COLOURED BY A CONTEMPORARY HAND, numbered in the plate 1-12, 14-124, 1-12, including an engraved title-page with a different elaborate botanical border as plate 1 to each fascicule. Watermarks: tower with counter-mark ‘S H’ (pts. 1 and 2); coat-of-arms of Amsterdam (pt. 2); crowned double eagle with pendant ‘4 S H’ (pt. 3). Plates trimmed to plate edge (208 x 150mm) and tipped onto modern paper mounts (305 x 221mm), text leaves trimmed to type-area; loose in modern marbled paper folding box (upper joints split). An 18th-century German hand has added numbering (sometimes on the plate) and German plant-names, now mounted as caption labels beneath each plate, the register also annotated, 19th-century manuscript title-page in German. Provenance: the von der Osten family, Schloss Plathe, Pomerania, and by descent; nationalised by the DDR, transferred to the state archive in Potsdam, and subsequently restituted to the family.

A REDISCOVERED, APPARENTLY UNIQUE COPY, FINELY COLOURED, OF THE TRUE FIRST EDITION OF MERIAN’S FIRST AND RAREST WORK. The Blumenbuch was issued in 3 parts consisting of 12 plates each in 1675, 1677 and 1680, respectively. In 1680 also appeared a composite issue of all three parts newly entitled Neues Blumenbuch and 2 leaves of text containing an introduction and a register of plant names. The present copy conforms to the first edition, issued as 3 fascicules, with individual title-pages dated 1675, 1677 and 1680. Furthermore, the watermarks conform to the Bern copy of the 1675 and 1677 fascicules. NO OTHER COMPLETE COPY OF THE FIRST EDITION IS KNOWN. It is highly likely that it was acquired at or close to the time of publication by a von der Osten ancestor and has been in the family ownership for the subsequent 3 centuries. In c. 1900 it is recorded in the only surviving catalogue of the family library as being trimmed and mounted on loose sheets. Interestingly, several scholars have noted that the work seems to have remained in loose sheets for considerable periods; it is possible that the present copy was never bound.

The colouring in the present copy closely resembles that in copies considered to have been done by Merian herself (Dresden, London). If not by Merian, it is certainly by an accomplished contemporary artist, as is the Bern copy. In the introducton Merian states that she has produced the work as a model book, providing patterns to be copied in paint or embroidery. She thus joins a long tradition of florilegia serving this purpose. She also outlines briefly ‘tulip fever’ and the price of 2000 Dutch guilders paid for a single tulip, Semper Augustus. The plates for the Blumenbuch were not re-issued in Merian’s lifetime, but were reworked with the addition of insects for a 1730 edition, Histoire des Insectes de l’Europe. THE BLUMENBUCH IMAGES ARE THUS THE RAREST OF MERIAN’S PUBLISHED IMAGES.

Only five copies of individual fascicules survive: Vienna (pt. 1, ?lacking pl.2); Bern (pts. 1 and 2 [lacking II:12]); and Nuremberg (pt. 3, lacking pls. 8, 11, 12). Of the 1680 Neues Blumenbuch only 6 copies (3 with contemporary coluring) are known, in addition to a unique copy of coloured counterproof plates sold in Christie’s rooms in 2000. Blunt & Stearn, pp. 142-46; Nissen BBI 1340.

Copyright @2011 by Deb Barnum, of Jane Austen in Vermont
Books · Jane Austen · Jane Austen Popular Culture · News

Book Alert! ~ Wooing Mr. Wickham

The title of the second book in the Chawton House Library / Honno Press Jane Austen Short Story Award has been announced – the anthology will be released November 17, 2011.  Title?  Wooing Mr. Wickham.  [alas! – no cover image yet]

This year’s collection, which follows on from the huge success of the inaugural award set up in 2009 to celebrate the bicentenary of Jane Austen’s arrival at Chawton, takes as its point of inspiration the heros and villains in Jane Austen’s books. [from the Honno Press Newsletter]

Image: Brock, P&P - Molland's

The short list of authors was released on June 3, 2011 on the Chawton House Library website. Stay tuned for the winner and runners-up announcement!

This year’s Chair of the Judges is novelist Michele Roberts, who will write the introduction to the anthology. Ms. Roberts is the author of twelve highly acclaimed novels, including The Looking Glass and Daughters of the House, which was short-listed for the Booker Prize and won the W.H Smith Literary Award. You can learn more at the Michele Roberts website.

Wooing Mr. Wickham is available for pre-order at WHSmith –  or wait until it is available through either Chawton House Library or Honno Press directly.

Copyright @2011 by Deb Barnum. of Jane Austen in Vermont
Auctions · Jane Austen · News

On the Block! ~ A Jane Austen Portrait?

Christie’s Sale 8021:  Valuable Printed Books and Manuscripts
8 June 2011
London, King Street 

[Jane Austen? by James Stanier Clarke]

James Stanier Clarke’s Friendship Book will be auctioned off tomorrow, June 8, 2011 at Christie’s London.  Clarke was the Prince Regent’s librarian at Carlton House – he famously invited Jane Austen to visit, requested her to dedicate her next book to the Prince [Emma], and carried on a lively correspondence with Austen – thankfully these letters survive to give us a rare insight into Austen’s own view of her talents.

This collection of Clarke’s watercolors is of interest to Jane Austen followers because it includes the portrait of a young woman, purportedly Jane Austen, as based on the research of Richard Wheeler [see: Richard James Wheeler,  James Stanier Clarke: His Watercolour Portrait of Jane Austen Painted 13th November 1815 in his “Friendship Book.” Kent: Codex, 1998]. 

There remain questions that this is indeed Austen – as there are only two known portraits, the small sketch by Cassandra in the National Portrait Gallery that all other “imaginary” portraits have been modeled on (and which family members said was not nearly a good likeness of her), and the second watercolor, also by Cassandra, offers us only a rear view – we are left with wanting more – what did she look like?!  

To get a great overview of the study of this possible Jane Austen image, please read this article by former JASNA President and Austen scholar Professor Joan Ray in Persuasions 27 (2005 ) [and co-authored by Richard James Wheeler]  – you can find it here in a pdf file: http://www.jasna.org/persuasions/printed/number27/ray-clarke.pdf

Read below from the Christie’s Auction Catalogue  for the description of the other watercolors in Clarke’s book.  The Austen portrait however is the main selling feature, and the catalogue does tell the tale of Austen’s famed visit to Clarke at Carlton House on November 13, 1815.*

James Stanier CLARKE (?1765-1834). Album amicorum, 1791-1804 and n.d., comprising approx 47 drawings and watercolours of portraits, figures, landscapes, maritime scenes and other subjects, including (f.53) a watercolour portrait of an elegantly-attired young woman bearing a muff which has been identified as a PORTRAIT OF JANE AUSTEN (perhaps executed by Clarke himself on the occasion of their meeting, 13 November 1815), as well as contributions by George ROMNEY (the temple of Fame atop a mountain, with a 5-line verse, 2 July 1792), John FLAXMAN (unsigned, a wash drawing of a seated young woman and two children), John RUSSELL (‘A telescopic appearance of the southern limbs of the Moon on the 7th of August 1787’, the inscription dated 1796), William HODGES (wash drawing and verse, 1794), an anonymous portrait of the future Queen Caroline, possibly by Clarke himself (as chaplain on the Jupiter on which she sailed to England in March/April 1795), and 12 sketches closely related to Nicholas Pocock’s illustrations for Clarke’s 1804 edition of William Falconer’s The Shipwreck: A Poem, together with 16 silhouettes and an engraving; and manuscript contributions including by William COWPER (‘I were indeed indifferent to fame Grudging two lines t’immortalize my name’, Weston-Underwood, 28 October 1793), William Hayley (1792), Johann Kaspar Lavater (1792), Charlotte Smith (1793), Anna Seward (poem to Clarke, 12 lines) and Thomas Masterman Hardy (‘late Capt of the Mutine’).

Physical description: Approx 47 inscriptions and 12 cut signatures, 109 leaves, oblong 8vo (99 x 157mm), (some leaves weak at inner margin), green morocco gilt, lettered on spine ‘Sacred to Friendship J.S.C.’; remains of marbled-paper slipcase.

Provenance: Richard Wheeler — by descent to the present owner. Perhaps the best-known incident in the life of James Stanier Clarke took place on 13 November 1815, when, as chaplain and librarian to the Prince Regent, he showed Jane Austen around Carlton House: it was he who passed on the proposal that resulted in Emma being dedicated to the Prince, and who famously suggested, in their ensuing correspondence, that Austen devote future efforts either to a portrait of ‘an English Clergyman … of the present day’ or to a ‘Historical Romance illustrative of the History of the august house of Cobourg’. Richard Wheeler, in James Stanier Clarke, His Watercolour Portrait of Jane Austen (1998), makes a forceful case, based in particular on comparison of facial measurements with other Austen portraits and on dress, for the identification of the portrait in the present album with the novelist. The other entries in the album are marked by a close early association of Clarke with the circle of the poet and biographer William Hayley at his estate at Eartham in Sussex; by a tour to Germany and Switzerland in 1792; and by his association with the navy which was to colour his life from 1795 onwards, even after his appointment as domestic chaplain to the future George IV and, from 1805, librarian of Carlton House.

Estimate:  £30,000 – £50,000  ($49,260 – $82,100) 

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Alas! – once again outside my range! – one wonders what will happen – the 2007  auction of  the Rice portrait, another hoped-for likeness of Austen, did not fare so well – it did not sell…

 [The Rice Portrait ~ Jane Austen?]

Further Reading:

*1.  read more about this visit to Carlton House here: https://janeausteninvermont.wordpress.com/2010/11/13/a-visit-to-carlton-house-november-13-1815/

2. and here at Austenonly:  http://austenonly.com/2009/11/20/jane-austen-and-londona-visit-to-carlton-house/

3.  Chris Viveash.  James Stanier Clarke: Librarian to the Prince Regent, Naval Author, Friend of Jane Austen.  Winchester: Privately Printed / Sarsen Press, 2006.

[Image:  James Stanier Clarke, courtesy of Austenonly]

Copyright @2011 by Deb Barnum, of Jane Austen in Vermont 
Books · Jane Austen · Literature · News · Regency England · Social Life & Customs

The Penny Post Weekly Review ~ All Things Austen

The Penny Post Weekly Review* 

June 4, 2011

News and Gossip: 

1.   “Josiah Wedgwood Tradesman – Tycoon, firing up the modern Age” at The Culture Concept Circle:  http://www.thecultureconcept.com/circle/josiah-wedgwood-tradesman-tycoon-firing-up-the-modern-age

 2.  http://www.e-enlightenment.com/free access through the month of June:   user ID: ee2011 / PW:  enlightenment

3.  How timely is this, as I just started to re-read Evelina last week! You can follow the Group read of Frances Burney’s Evelina at The Duchess of Devonshire’s Gossip Guide: here is the first post: http://georgianaduchessofdevonshire.blogspot.com/2011/06/evelina-volume-1-letters-1-20-and.html

The full reading schedule is here: join in if you can!http://georgianaduchessofdevonshire.blogspot.com/2011/05/evelina-group-read-rundown.html

  • 2 June: Volume 1 Letters 1-20
  • 9 June: Volume 1 Letter 21- Volume 2 Letter 6 (21-37)
  • 16 June: Volume 2 Letter 7- 22 (38-53)
  • 23 June: Volume 2 Letter 23- Volume 3 Letter 9 (54-71)
  • 30 June: Volume 3 Letter 10-23 (72-84)

4.  In the UK: The Jane Austen Regency Week [ June 18 – June 26, 2011], celebrating the time Jane Austen spent in Alton and Chawton, is sponsored by the Alton Chamber of Commerce – website with event information here: http://www.janeaustenregencyweek.co.uk/index.html

5.  As part of the above Regency Week celebration, the Chawton House Library will be hosting tea, talk, and tours on June 21st and 23rd : http://www.chawton.org/news/

6.  Two posts on the British and their lovely habit, the drinking of tea: at Mary Ellen Foley’s Anglo-American Experience blog:

Part 1: http://mefoley.wordpress.com/2011/05/15/tea-part-1/
Part 2: http://mefoley.wordpress.com/2011/05/27/tea-part-2/
Part 3: http://mefoley.wordpress.com/2011/06/04/tea-part-3/
Part 4:  coming soon, so check back

Chinese Flowers, Old Foley pottery, from M.E. Foley's blog

7.  Dressing the Part: Dolley Madison’s Life Through Fashion, an exhibit at James Madison’s Montpelier, June 15, 2011 – March 29, 2012: http://www.montpelier.org/explore/collections/dressing_the_part.php

8.  The In Fashion: High Style 1620-2011 exhibit at The Shelburne Museum opens June 18, 2011: http://shelburnemuseum.org/exhibitions/in-fashion/

9.  An interview with Diana Birchall at Maria Grazia’s The Jane Austen Book Club: [includes a book giveaway] http://thesecretunderstandingofthehearts.blogspot.com/2011/06/talking-jane-austen-with-diana-birchall.html

10.  I don’t even know where to begin re: V. S. Naipaul’s trashing women writers and Jane Austen’s “sentimentality” [see this article at the Guardian: http://www.guardian.co.uk/books/2011/jun/02/vs-naipaul-jane-austen-women-writers ]

– but as one gentleman on one of the listservs I subscribe to so eloquently said: “Oh yeah Naipaul, how many movies have been made from YOUR books, huh?”

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New Books just out / about to be: 

1.  Why Jane Austen? By Rachel Brownstein. ColumbiaUniversity Press, 2011:  http://cup.columbia.edu/book/978-0-231-15390-4/why-jane-austen  [publication date: June 16, 2011 or thereabouts – more on this book next week!]

2.  Vauxhall Gardens, by David Coke and Alan Borg:  http://www.vauxhallgardens.com/ – the book is to be published by Yale University Press on June 8, 2011

3.  Jane Austen: Two Centuries of Criticism, by Laurence Mazzeno. Camden Press, 2011:

http://www.camden-house.com/store/viewitem.asp?idproduct=13605

***************************** 

A few blogs / websites to check out:

1.  This one deserves repeating:  The Jane Austen Music Transcripts Collection at Flinders Academic Commons, transcribed by Gillian Dooley [this is a wonderful resource, most all from Austen’s music manuscript notebooks]: http://dspace.flinders.edu.au/dspace/handle/2328/15193

2.  William Godwin’s Diary: Reconstructing a Social and Political Culture, 1788-1836:  http://godwindiary.politics.ox.ac.uk/   [husband to Mary Wollstonecraft, Mary Shelley’s father, Austen’s time]

3.  The Beau Monde Bloghttp://thebeaumondeworld.wordpress.com/

Beau Monde Blog header

4.  The Carlyle Letters Onlinehttp://carlyleletters.dukejournals.org/ [i.e Thomas and Jane]

5.  The George Eliot blog:  [new!]http://desperatelyseekinggeorge.wordpress.com/

6.  The Yale Center for British Art – their fabulous new website:  http://britishart.yale.edu/

Mercier - 'The Sense of Hearing' - detail - YCBA

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* I hope to return to doing a weekly update of various Austen-related discoveries – so much out there – so little time – one must set aside some time for BOOKS, don’t you think??

Copyright @2011 Deb Barnum, at Jane Austen in Vermont
Jane Austen · News · Regency England · Social Life & Customs

English Country Dance in Vermont ~ Put on Your Dancing Shoes!

If you love English Country Dance, then Burlington Vermont is the place to be this summer!  

There are two English Country Dance classes that are being offered:

This first one is through the UVM OLLI program  [ Osher Lifelong Learning Institute ]:

English Country Dancing in Jane Austen’s World 
 
Instructor: Judy Chaves
Date: Monday, July 11, 6-8pm
Location: Ira Allen Chapel at UVM
Price: Members – $20 / Non-Members – $30

Do you enjoy 19th-century British literature? If you’ve ever read any of Jane Austen’s novels or seen any of the recent film adaptations, English country dance plays a prominent role in the culture of the time. The forerunner of American contra dance, English country dance is done in two facing lines (sometimes in squares, less often in circles) and requires no more than a knowledge of left from right and the ability and willingness to move to simply wonderful music. Through a combination of lecture (not much) and dance (as much as we can), you’ll learn the basics of the dance, gain an insider’s appreciation of the vital role it played in the lives of Austen’s characters, understand the etiquette and logistics underpinning Austen’s dance scenes–and have a great deal of fun in the process. You may come by yourself or as a couple!

 ****************

Judy is also teaching a series of classes in Charlotte, VT… 

at the Charlotte Senior Center, Wednesdays from 4:30 to 6 pm, starting on July 22 and running for 5 weeks.  It will be geared for beginners.  Come with or without a partner.  Cost is $45 and registration is required.  Call 425-6345 to register. 

 *****************

And the fabulous Burlington Country Dancers will be hosting their annual event next weekend!

 Across the Lake

 English Country Dancing on the Vermont Side of Lake Champlain

June 10, 11, 12. 2011 

Elley-Long Music Center
223 Ethan Allen Ave.
Colchester,Vermont
(nearBurlington)

with

Joseph Pimentel
&
Bare Necessities

 plus Wendy Gilchrist, Linda Nelson,
Shepherd & Ewe, Symphony Reel 

~ ADVANCE REGISTRATION REQUIRED ~ 

Visit their website for registration and contact information.

Copyright @2011 Deb Barnum, of Jane Austen in Vermont 
Museum Exhibitions · News

Exhibition ~ Rooms with a View: Open Windows in the 19th Century

When I travel, and when I have the good sense to have my camera with me, I most often take pictures of windows and doors – I am fascinated by these architectural details. But when I return, my husband invariably laments the lack of PEOPLE in my photos, completely bored by the endless stream of  such details on rarely identifiable buildings!  I often don’t disagree! – but I cannot help it – even as I look around my house, most of the artwork depicts windows and doorways, looking in and looking out. This says something about me psychologically I would suppose, but I needn’t go there today!

So I was intrigued to discover a special exhibition at the Metropolitan Museum of Art  titled “Rooms with a View: The Open Windows in the 19th Century“:

This exhibition focuses on the Romantic motif of the open window as first captured by German, Danish, French, and Russian artists around 1810–20. These works include hushed, sparse rooms showing contemplative figures, studios with artists at work, and window views as sole motifs. The exhibition features some thirty oils and thirty works on paper by, among others, C. D. Friedrich, C. G. Carus, G. F. Kersting, Adolph Menzel, C. W. Eckersberg, Martinus Rørbye, Jean Alaux, and Léon Cogniet. Loans to the exhibition have come from museums in Germany, Denmark, France, Austria, Sweden, Italy, and the United States.

You can view a good number of the paintings in the exhibition here: http://www.metmuseum.org/special/open_window/images.asp

You can also read a review of the exhibition here at Ellen Moody’s blog.

[Image and text from the MET website]

Copyright @2011, by Deb Barnum of Jane Austen in Vermont
Austen Literary History & Criticism · Jane Austen · Literature · News · Rare Books

On the Block! ~ Jane Austen’s The Watson’s

Breaking news from The Guardian:  [and now all over the blogsphere!]

Jane Austen rare manuscript
up for sale

A rare, handwritten manuscript of Jane Austen’s unfinished novel The Watsons is to be sold at auction at Sotheby’s in London.

by Mark Brown, The Guardian, May 20, 2011

An incredibly rare handwritten manuscript of an unfinished novel by Jane Austen – the only one that is still in private hands – is to appear at auction inLondon.

The neatly written but heavily corrected pages are for her unfinished work The Watsons, a novel which many believe could easily have been as good as her six completed works.

Gabriel Heaton, Sotheby’s senior specialist in books and manuscripts, said it was “a thrill and privilege” to be selling it: “It is very exciting. This is the most significant Austen material to come on the market since the late 1980s.”

It is unquestionably rare. Original manuscripts of her published novels do not exist, aside from two cancelled chapters of Persuasion in the British Library.

The novel is considered around a quarter completed and the manuscript has 68 pages – hand-trimmed by Austen – which have been split up into 11 booklets.

It is most but not all of Austen’s unfinished novel. The first 12 pages were sold by an Austen descendent during the first world war to help the Red Cross and are now in New York’s Pierpont Morgan Library, while the next few pages were inexplicably lost by Queen Mary, University of London which has been looking after the manuscript.

The college’s director of library services Emma Bull said it happened six years ago, before she arrived, and had resulted in a full investigation which, alas, “did not really come to any firm conclusions about what specifically happened.” There had been a hope that they would turn up, but clearly that is now highly unlikely.

The Watsons manuscript shows how Austen’s other manuscripts must have looked. It also shines an interesting light on how she worked. Austen took a piece of paper, cut it in two and then folded over each half to make eight-page booklets. Then she would write, small neat handwriting leaving little room for corrections – of which there are many. “You can really see the mind at work with all the corrections and revisions,” said Heaton.

Scene from Pride & Prejudice, by Isabel Bishop - Morgan Library

At one stage she crosses so much out that she starts a page again and pins it in. It seems, in Austen’s mind, her manuscript had to look like a book. “Writers often fall into two categories,” said Heaton. “The ones who fall into a moment of great inspiration and that’s it and then you have others who endlessly go back and write and tinker. Austen is clearly of the latter variety. It really is a wonderful, evocative document.”

The Watsons was written in 1804, not a hugely happy time for Austen professionally – she had one novel rejected and another bought by a publisher who failed to print it.

It was also a difficult time personally and one reason it was not finished may be because fact came too close to the fiction. The Watsons heroine is Emma, one of four sisters who are daughters of a sick and widowed clergyman. The novel would have had the father die leaving Emma in a precarious financial position. In real life, Austen’s clergyman father died leaving her in a similar pickle to her fictional heroine.

Had Austen completed The Watsons there are many who believe it would have been a classic. Margaret Drabble described it as “a tantalising, delightful and highly accomplished fragment, which must surely have proved the equal of her other six novels, had she finished it.”

The manuscript was bought by the present owner in 1988 when it was sold by the British Rail Pension Fund. It had been bought from Austen descendents in the 1970s when manuscripts, rare books and fine art seemed like perfectly sensible things for nationalised pension funds to buy.

The manuscript has been valued at £200,000 to £300,000 and will be sold at Sotheby’s in London on 14 July.

You can see this page from The Watsons at the Pierpont Morgan Library’s online exhibition A Woman’s Wit: Jane Austen’s Life and Legacy:

[Image:  The Watsons,  Pierpont Morgan Library Online Exhibition]

The Sotheby’s auction page is here, English Literature & History, Sale No. L11404, though there are no details yet online.  I will keep you posted! – and more on The Watsons in the coming weeks… you can read it online here at The Republic of Pemberley or a PDF version here,  or learn more about it here at Jane Austen’s Fiction Manuscripts where you can also read along with the digitized copy.

Copyright @2011 by Deb Barnum, of Jane Austen in Vermont
Jane Austen · JASNA · JASNA-Vermont events · News · Schedule of Events

JASNA 2011 AGM – Registration Now Open!

Registration for the 2011 AGM in Fort Worth Texas is now open.  You must be a member of JASNA to participate, so what better time to join than now, when you can head off into the sunset with all new thoughts about Sense and Sensibility  [and perhaps a Col. Brandon by your side!] – check out all the events at the AGM website here as JASNA celebrates the 200th anniversary of Austen’s first published novel:

http://jasna.org/agms/fortworth/index.html

The registration form is here: http://jasna.org/agms/fortworth/registration.html [scroll to bottom of page and click on the blue button]

Giddyup!

[Image: FineArtAmerica.com]

Note our next JASNA-Vermont event on June 5:  The Musical World of Jane Austen, an organ recital with Dr. William Tortolano: information is here

Copyright @2011 by Deb Barnum of Jane Austen in Vermont